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Color name
HEX #FCAAD6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCAAD6 it is the complementary color #035529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCAAD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCAAD6 shade: #FFAAD1, #FFBCE4, #FFCEF7, #FFE0FF and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCAAD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCAAD6 shade: #FCAAD6, #EB98C3, #DA86B0, #C9749D and #B8628A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCAAD6 shade: #FBABD6, #FBABC0 and #FBABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCAAD6 shade: #FBABD6, #FBABEC, #F5ABFB, #E0ABFB and #CAABFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCAAD6 shade matches the following richer shades: #FBABD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCAAD6 shade: #FBABD6, #F4B2D6, #EDB9D5, #E6C0D5 and #DFC7D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCAAD6 shade: #F5ABFB, #FBABED, #FBABD7, #FBABC2 and #FBABAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCAAD6 shade: #F95BB0, #FA83C3, #FBABD6, #FDD3E9 and #FEFAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCAAD6 shade: #FCAAD6, #FBDFAB and #ABF7FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCAAD6 shade: #FCAAD6, #D7FBAB and #ABD7FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCAAD6 shade: #FCAAD6, #FBDFAB, #ABFBCF and #ABC7FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCAAD6 shade: #FCAAD6, #FBF7AB, #ABFBCF and #ABAFFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 15 / 1

HEX #FCAAD6

RGB 252 170 214

HSL 327.8, 0.93%, 0.83%

LAB 78.64, 36.31, -9.93

 

Complementary color

CMYK 96 / 0 / 52 / 67

HEX #035529

RGB 3 85 41

HSL 147.8, 0.93%, 0.17%

LAB 31.06, -33.59, 19.47

 

CMYK 0 / 33 / 18 / 0

HEX #FFAAD1

RGB 255 170 209

HSL 332.47, 1%, 0.83%

LAB 78.82, 36.56, -6.91

 

CMYK 0 / 26 / 11 / 0

HEX #FFBCE4

RGB 255 188 228

HSL 324.18, 1%, 0.87%

LAB 83.35, 30.13, -10.42

 

CMYK 0 / 19 / 3 / 0

HEX #FFCEF7

RGB 255 206 247

HSL 309.8, 1%, 0.9%

LAB 88.03, 23.9, -13.55

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 33 / 15 / 1

HEX #FCAAD6

RGB 252 170 214

HSL 327.8, 0.93%, 0.83%

LAB 78.64, 36.31, -9.93

 

CMYK 0 / 35 / 17 / 8

HEX #EB98C3

RGB 235 152 195

HSL 328.92, 0.67%, 0.76%

LAB 72.27, 37.05, -9.21

 

CMYK 0 / 39 / 19 / 15

HEX #DA86B0

RGB 218 134 176

HSL 330, 0.53%, 0.69%

LAB 65.82, 37.82, -8.42

 

CMYK 0 / 42 / 22 / 21

HEX #C9749D

RGB 201 116 157

HSL 331.06, 0.44%, 0.62%

LAB 59.29, 38.63, -7.53

 

CMYK 0 / 47 / 25 / 28

HEX #B8628A

RGB 184 98 138

HSL 332.09, 0.38%, 0.55%

LAB 52.69, 39.47, -6.5

 

CMYK 0 / 32 / 15 / 2

HEX #FBABD6

RGB 251 171 214

HSL 327.75, 0.91%, 0.83%

LAB 78.75, 35.45, -9.78

 

CMYK 0 / 32 / 24 / 2

HEX #FBABC0

RGB 251 171 192

HSL 344.25, 0.91%, 0.83%

LAB 78.13, 32.18, 1.28

 

CMYK 0 / 32 / 32 / 2

HEX #FBABAB

RGB 251 171 171

HSL 0, 0.91%, 0.83%

LAB 77.62, 29.37, 11.98

 

CMYK 0 / 32 / 15 / 2

HEX #FBABD6

RGB 251 171 214

HSL 327.75, 0.91%, 0.83%

LAB 78.75, 35.45, -9.78

 

CMYK 0 / 32 / 6 / 2

HEX #FBABEC

RGB 251 171 236

HSL 311.25, 0.91%, 0.83%

LAB 79.44, 39.06, -20.64

 

CMYK 2 / 32 / 0 / 2

HEX #F5ABFB

RGB 245 171 251

HSL 295.5, 0.91%, 0.83%

LAB 79.33, 39.83, -28.94

 

CMYK 11 / 32 / 0 / 2

HEX #E0ABFB

RGB 224 171 251

HSL 279.75, 0.91%, 0.83%

LAB 77.24, 33.38, -32.33

 

CMYK 20 / 32 / 0 / 2

HEX #CAABFB

RGB 202 171 251

HSL 263.25, 0.91%, 0.83%

LAB 75.23, 26.76, -35.6

 

CMYK 0 / 32 / 15 / 2

HEX #FBABD6

RGB 251 171 214

HSL 327.75, 0.91%, 0.83%

LAB 78.75, 35.45, -9.78

 

CMYK 0 / 32 / 15 / 2

HEX #FBABD6

RGB 251 171 214

HSL 327.75, 0.91%, 0.83%

LAB 78.75, 35.45, -9.78

 

CMYK 0 / 27 / 12 / 4

HEX #F4B2D6

RGB 244 178 214

HSL 327.27, 0.75%, 0.83%

LAB 79.57, 29.39, -8.62

 

CMYK 0 / 22 / 10 / 7

HEX #EDB9D5

RGB 237 185 213

HSL 327.69, 0.59%, 0.83%

LAB 80.46, 23.1, -6.84

 

CMYK 0 / 17 / 7 / 10

HEX #E6C0D5

RGB 230 192 213

HSL 326.84, 0.43%, 0.83%

LAB 81.47, 16.95, -5.42

 

CMYK 0 / 11 / 5 / 13

HEX #DFC7D4

RGB 223 199 212

HSL 327.5, 0.27%, 0.83%

LAB 82.53, 10.63, -3.39

 

CMYK 2 / 32 / 0 / 2

HEX #F5ABFB

RGB 245 171 251

HSL 295.5, 0.91%, 0.83%

LAB 79.33, 39.83, -28.94

 

CMYK 0 / 32 / 6 / 2

HEX #FBABED

RGB 251 171 237

HSL 310.5, 0.91%, 0.83%

LAB 79.47, 39.23, -21.13

 

CMYK 0 / 32 / 14 / 2

HEX #FBABD7

RGB 251 171 215

HSL 327, 0.91%, 0.83%

LAB 78.78, 35.61, -10.27

 

CMYK 0 / 32 / 23 / 2

HEX #FBABC2

RGB 251 171 194

HSL 342.75, 0.91%, 0.83%

LAB 78.19, 32.46, 0.27

 

CMYK 0 / 32 / 31 / 2

HEX #FBABAC

RGB 251 171 172

HSL 359.25, 0.91%, 0.83%

LAB 77.65, 29.5, 11.47

 

CMYK 0 / 63 / 29 / 2

HEX #F95BB0

RGB 249 91 176

HSL 327.72, 0.93%, 0.67%

LAB 62.3, 67.85, -13.24

 

CMYK 0 / 48 / 22 / 2

HEX #FA83C3

RGB 250 131 195

HSL 327.73, 0.92%, 0.75%

LAB 69.82, 52.69, -12.67

 

CMYK 0 / 32 / 15 / 2

HEX #FBABD6

RGB 251 171 214

HSL 327.75, 0.91%, 0.83%

LAB 78.75, 35.45, -9.78

 

CMYK 0 / 17 / 8 / 1

HEX #FDD3E9

RGB 253 211 233

HSL 328.57, 0.91%, 0.91%

LAB 88.62, 18.2, -5.29

 

CMYK 0 / 2 / 0 / 0

HEX #FEFAFD

RGB 254 250 253

HSL 315, 0.67%, 0.99%

LAB 98.64, 1.85, -0.97

 

CMYK 0 / 33 / 15 / 1

HEX #FCAAD6

RGB 252 170 214

HSL 327.8, 0.93%, 0.83%

LAB 78.64, 36.31, -9.93

 

CMYK 0 / 11 / 32 / 2

HEX #FBDFAB

RGB 251 223 171

HSL 39, 0.91%, 0.83%

LAB 89.96, 2.24, 29.05

 

CMYK 32 / 2 / 0 / 2

HEX #ABF7FB

RGB 171 247 251

HSL 183, 0.91%, 0.83%

LAB 92.64, -22.25, -9.38

 

CMYK 0 / 33 / 15 / 1

HEX #FCAAD6

RGB 252 170 214

HSL 327.8, 0.93%, 0.83%

LAB 78.64, 36.31, -9.93

 

CMYK 14 / 0 / 32 / 2

HEX #D7FBAB

RGB 215 251 171

HSL 87, 0.91%, 0.83%

LAB 94.48, -24.93, 34.63

 

CMYK 32 / 14 / 0 / 2

HEX #ABD7FB

RGB 171 215 251

HSL 207, 0.91%, 0.83%

LAB 84.08, -6.06, -22.23

 

CMYK 0 / 33 / 15 / 1

HEX #FCAAD6

RGB 252 170 214

HSL 327.8, 0.93%, 0.83%

LAB 78.64, 36.31, -9.93

 

CMYK 0 / 11 / 32 / 2

HEX #FBDFAB

RGB 251 223 171

HSL 39, 0.91%, 0.83%

LAB 89.96, 2.24, 29.05

 

CMYK 32 / 0 / 18 / 2

HEX #ABFBCF

RGB 171 251 207

HSL 147, 0.91%, 0.83%

LAB 92.64, -33.37, 13.4

 

CMYK 32 / 21 / 0 / 2

HEX #ABC7FB

RGB 171 199 251

HSL 219, 0.91%, 0.83%

LAB 79.88, 2.44, -28.63

 

CMYK 0 / 33 / 15 / 1

HEX #FCAAD6

RGB 252 170 214

HSL 327.8, 0.93%, 0.83%

LAB 78.64, 36.31, -9.93

 

CMYK 0 / 2 / 32 / 2

HEX #FBF7AB

RGB 251 247 171

HSL 57, 0.91%, 0.83%

LAB 95.98, -9.83, 37.09

 

CMYK 32 / 0 / 18 / 2

HEX #ABFBCF

RGB 171 251 207

HSL 147, 0.91%, 0.83%

LAB 92.64, -33.37, 13.4

 

CMYK 32 / 30 / 0 / 2

HEX #ABAFFB

RGB 171 175 251

HSL 237, 0.91%, 0.83%

LAB 73.73, 15.62, -38.13

 

Description

Color code: HEX #FCAAD6 | qconv.com Color code: HEX #FCAAD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 170 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 170 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 15 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 15% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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