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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCB158 it is the complementary color #034EA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCB158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCB158 shade: #FFB153, #FFC366, #FFD579, #FFE78C and #FFF99F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCB158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCB158 shade: #FCB158, #EB9F45, #DA8D32, #C97B1F and #B8690C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCB158 shade: #FBB15A, #FB865A, #FB5A5A and #FB5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCB158 shade: #FBB15A, #FBDD5A, #EEFB5A, #C2FB5A and #97FB5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCB158 shade matches the following richer shades: #FBB15A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCB158 shade: #FBB15A, #EEB067, #E0AF75, #D2AE82 and #C5AD90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCB158 shade: #FB5A5A, #FB855A, #FBB05A, #FBDB5A and #F0FB5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCB158 shade: #F98B09, #FA9E31, #FBB15A, #FCC482 and #FDD7AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCB158 shade: #FCB158, #85FB5A and #6F5AFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCB158 shade: #FCB158, #5AFBB0 and #B05AFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCB158 shade: #FCB158, #85FB5A, #5AA5FB and #D05AFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCB158 shade: #FCB158, #5AFB5F, #5AA5FB and #FB5AF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 65 / 1

HEX #FCB158

RGB 252 177 88

HSL 32.56, 0.96%, 0.67%

LAB 77.78, 18.95, 55.29

 

Complementary color

CMYK 98 / 53 / 0 / 35

HEX #034EA7

RGB 3 78 167

HSL 212.56, 0.96%, 0.33%

LAB 34.51, 16.22, -53.27

 

CMYK 0 / 31 / 67 / 0

HEX #FFB153

RGB 255 177 83

HSL 32.79, 1%, 0.66%

LAB 78.07, 19.9, 58

 

CMYK 0 / 24 / 60 / 0

HEX #FFC366

RGB 255 195 102

HSL 36.47, 1%, 0.7%

LAB 82.51, 11.68, 54.18

 

CMYK 0 / 16 / 53 / 0

HEX #FFD579

RGB 255 213 121

HSL 41.19, 1%, 0.74%

LAB 87.11, 3.82, 50.54

 

CMYK 0 / 9 / 45 / 0

HEX #FFE78C

RGB 255 231 140

HSL 47.48, 1%, 0.77%

LAB 91.82, -3.64, 47.12

 

CMYK 0 / 2 / 38 / 0

HEX #FFF99F

RGB 255 249 159

HSL 56.25, 1%, 0.81%

LAB 96.62, -10.67, 43.91

 

CMYK 0 / 30 / 65 / 1

HEX #FCB158

RGB 252 177 88

HSL 32.56, 0.96%, 0.67%

LAB 77.78, 18.95, 55.29

 

CMYK 0 / 32 / 71 / 8

HEX #EB9F45

RGB 235 159 69

HSL 32.53, 0.81%, 0.6%

LAB 71.48, 20.37, 56.58

 

CMYK 0 / 35 / 77 / 15

HEX #DA8D32

RGB 218 141 50

HSL 32.5, 0.69%, 0.53%

LAB 65.11, 21.98, 57.64

 

CMYK 0 / 39 / 85 / 21

HEX #C97B1F

RGB 201 123 31

HSL 32.47, 0.73%, 0.45%

LAB 58.68, 23.82, 58.15

 

CMYK 0 / 43 / 93 / 28

HEX #B8690C

RGB 184 105 12

HSL 32.44, 0.88%, 0.38%

LAB 52.2, 25.91, 57.46

 

CMYK 0 / 29 / 64 / 2

HEX #FBB15A

RGB 251 177 90

HSL 32.42, 0.95%, 0.67%

LAB 77.69, 18.66, 54.22

 

CMYK 0 / 47 / 64 / 2

HEX #FB865A

RGB 251 134 90

HSL 16.4, 0.95%, 0.67%

LAB 68.24, 40.94, 43.29

 

CMYK 0 / 64 / 64 / 2

HEX #FB5A5A

RGB 251 90 90

HSL 0, 0.95%, 0.67%

LAB 60.39, 61.25, 33.74

 

CMYK 0 / 64 / 64 / 2

HEX #FB5A5A

RGB 251 90 90

HSL 0, 0.95%, 0.67%

LAB 60.39, 61.25, 33.74

 

CMYK 0 / 29 / 64 / 2

HEX #FBB15A

RGB 251 177 90

HSL 32.42, 0.95%, 0.67%

LAB 77.69, 18.66, 54.22

 

CMYK 0 / 12 / 64 / 2

HEX #FBDD5A

RGB 251 221 90

HSL 48.82, 0.95%, 0.67%

LAB 88.43, -4.06, 65.98

 

CMYK 5 / 0 / 64 / 2

HEX #EEFB5A

RGB 238 251 90

HSL 64.84, 0.95%, 0.67%

LAB 95.12, -24.02, 72.71

 

CMYK 23 / 0 / 64 / 2

HEX #C2FB5A

RGB 194 251 90

HSL 81.24, 0.95%, 0.67%

LAB 92.22, -40.94, 68.77

 

CMYK 40 / 0 / 64 / 2

HEX #97FB5A

RGB 151 251 90

HSL 97.27, 0.95%, 0.67%

LAB 90, -55.71, 65.74

 

CMYK 0 / 29 / 64 / 2

HEX #FBB15A

RGB 251 177 90

HSL 32.42, 0.95%, 0.67%

LAB 77.69, 18.66, 54.22

 

CMYK 0 / 29 / 64 / 2

HEX #FBB15A

RGB 251 177 90

HSL 32.42, 0.95%, 0.67%

LAB 77.69, 18.66, 54.22

 

CMYK 0 / 26 / 57 / 7

HEX #EEB067

RGB 238 176 103

HSL 32.44, 0.8%, 0.67%

LAB 76.2, 14.75, 45.81

 

CMYK 0 / 22 / 48 / 12

HEX #E0AF75

RGB 224 175 117

HSL 32.52, 0.63%, 0.67%

LAB 74.69, 10.76, 36.47

 

CMYK 0 / 17 / 38 / 18

HEX #D2AE82

RGB 210 174 130

HSL 33, 0.47%, 0.67%

LAB 73.28, 7.02, 27.49

 

CMYK 0 / 12 / 27 / 23

HEX #C5AD90

RGB 197 173 144

HSL 32.83, 0.31%, 0.67%

LAB 72.08, 4.21, 18.1

 

CMYK 0 / 64 / 64 / 2

HEX #FB5A5A

RGB 251 90 90

HSL 0, 0.95%, 0.67%

LAB 60.39, 61.25, 33.74

 

CMYK 0 / 47 / 64 / 2

HEX #FB855A

RGB 251 133 90

HSL 16.02, 0.95%, 0.67%

LAB 68.04, 41.44, 43.05

 

CMYK 0 / 30 / 64 / 2

HEX #FBB05A

RGB 251 176 90

HSL 32.05, 0.95%, 0.67%

LAB 77.46, 19.19, 53.96

 

CMYK 0 / 13 / 64 / 2

HEX #FBDB5A

RGB 251 219 90

HSL 48.07, 0.95%, 0.67%

LAB 87.93, -3.05, 65.45

 

CMYK 4 / 0 / 64 / 2

HEX #F0FB5A

RGB 240 251 90

HSL 64.1, 0.95%, 0.67%

LAB 95.27, -23.23, 72.91

 

CMYK 0 / 44 / 96 / 2

HEX #F98B09

RGB 249 139 9

HSL 32.5, 0.95%, 0.51%

LAB 68.48, 35, 73.25

 

CMYK 0 / 37 / 80 / 2

HEX #FA9E31

RGB 250 158 49

HSL 32.54, 0.95%, 0.59%

LAB 72.89, 26.32, 66.66

 

CMYK 0 / 29 / 64 / 2

HEX #FBB15A

RGB 251 177 90

HSL 32.42, 0.95%, 0.67%

LAB 77.69, 18.66, 54.22

 

CMYK 0 / 22 / 48 / 1

HEX #FCC482

RGB 252 196 130

HSL 32.46, 0.95%, 0.75%

LAB 82.8, 12.19, 40.67

 

CMYK 0 / 15 / 33 / 1

HEX #FDD7AA

RGB 253 215 170

HSL 32.53, 0.95%, 0.83%

LAB 88.15, 6.99, 27.15

 

CMYK 0 / 30 / 65 / 1

HEX #FCB158

RGB 252 177 88

HSL 32.56, 0.96%, 0.67%

LAB 77.78, 18.95, 55.29

 

CMYK 47 / 0 / 64 / 2

HEX #85FB5A

RGB 133 251 90

HSL 103.98, 0.95%, 0.67%

LAB 89.26, -61.1, 64.72

 

CMYK 56 / 64 / 0 / 2

HEX #6F5AFB

RGB 111 90 251

HSL 247.83, 0.95%, 0.67%

LAB 49.08, 50.69, -77.71

 

CMYK 0 / 30 / 65 / 1

HEX #FCB158

RGB 252 177 88

HSL 32.56, 0.96%, 0.67%

LAB 77.78, 18.95, 55.29

 

CMYK 64 / 0 / 30 / 2

HEX #5AFBB0

RGB 90 251 176

HSL 152.05, 0.95%, 0.67%

LAB 89.07, -58.75, 23.86

 

CMYK 30 / 64 / 0 / 2

HEX #B05AFB

RGB 176 90 251

HSL 272.05, 0.95%, 0.67%

LAB 55.59, 62.88, -66.84

 

CMYK 0 / 30 / 65 / 1

HEX #FCB158

RGB 252 177 88

HSL 32.56, 0.96%, 0.67%

LAB 77.78, 18.95, 55.29

 

CMYK 47 / 0 / 64 / 2

HEX #85FB5A

RGB 133 251 90

HSL 103.98, 0.95%, 0.67%

LAB 89.26, -61.1, 64.72

 

CMYK 64 / 34 / 0 / 2

HEX #5AA5FB

RGB 90 165 251

HSL 212.05, 0.95%, 0.67%

LAB 66.56, 2.82, -49.69

 

CMYK 17 / 64 / 0 / 2

HEX #D05AFB

RGB 208 90 251

HSL 283.98, 0.95%, 0.67%

LAB 59.61, 69.73, -60.17

 

CMYK 0 / 30 / 65 / 1

HEX #FCB158

RGB 252 177 88

HSL 32.56, 0.96%, 0.67%

LAB 77.78, 18.95, 55.29

 

CMYK 64 / 0 / 62 / 2

HEX #5AFB5F

RGB 90 251 95

HSL 121.86, 0.95%, 0.67%

LAB 87.97, -71.02, 60.88

 

CMYK 64 / 34 / 0 / 2

HEX #5AA5FB

RGB 90 165 251

HSL 212.05, 0.95%, 0.67%

LAB 66.56, 2.82, -49.69

 

CMYK 0 / 64 / 2 / 2

HEX #FB5AF6

RGB 251 90 246

HSL 301.86, 0.95%, 0.67%

LAB 65.34, 78.5, -47.93

 

Description

Color code: HEX #FCB158 | qconv.com Color code: HEX #FCB158 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 177 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 177 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 65 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 65% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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