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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCBD4F it is the complementary color #0342B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCBD4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCBD4F shade: #FFBD4A, #FFCF5D, #FFE170, #FFF383 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCBD4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCBD4F shade: #FCBD4F, #EBAB3C, #DA9929, #C98716 and #B87503

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCBD4F shade: #FCBD4F, #FC8E4F, #FC5F4F and #FC4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCBD4F shade: #FCBD4F, #FCEB4F, #DDFC4F, #AFFC4F and #80FC4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCBD4F shade matches the following richer shades: #FCBD4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCBD4F shade: #FCBD4F, #EDB95D, #DFB56C, #D1B17A and #C2AD88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCBD4F shade: #FC604F, #FC8E4F, #FCBC4F, #FCEB4F and #DFFC4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCBD4F shade: #F59D03, #FBAE26, #FCBD4F, #FCCC77 and #FDDBA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCBD4F shade: #FCBD4F, #6CFC4F and #774FFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCBD4F shade: #FCBD4F, #4FFCBC and #BC4FFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCBD4F shade: #FCBD4F, #6CFC4F, #4F8EFC and #DF4FFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCBD4F shade: #FCBD4F, #4FFC66, #4F8EFC and #FC4FE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

Complementary color

CMYK 98 / 63 / 0 / 31

HEX #0342B0

RGB 3 66 176

HSL 218.15, 0.97%, 0.35%

LAB 31.92, 28.08, -62.87

 

CMYK 0 / 26 / 71 / 0

HEX #FFBD4A

RGB 255 189 74

HSL 38.12, 1%, 0.65%

LAB 80.82, 13.18, 64.79

 

CMYK 0 / 19 / 64 / 0

HEX #FFCF5D

RGB 255 207 93

HSL 42.22, 1%, 0.68%

LAB 85.34, 4.9, 61.47

 

CMYK 0 / 12 / 56 / 0

HEX #FFE170

RGB 255 225 112

HSL 47.41, 1%, 0.72%

LAB 89.99, -2.99, 58.18

 

CMYK 0 / 5 / 49 / 0

HEX #FFF383

RGB 255 243 131

HSL 54.19, 1%, 0.76%

LAB 94.74, -10.43, 54.99

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 0 / 27 / 74 / 8

HEX #EBAB3C

RGB 235 171 60

HSL 38.06, 0.81%, 0.58%

LAB 74.26, 13.59, 63.18

 

CMYK 0 / 30 / 81 / 15

HEX #DA9929

RGB 218 153 41

HSL 37.97, 0.71%, 0.51%

LAB 67.91, 15.21, 63.58

 

CMYK 0 / 33 / 89 / 21

HEX #C98716

RGB 201 135 22

HSL 37.88, 0.8%, 0.44%

LAB 61.48, 17.07, 63.05

 

CMYK 0 / 36 / 98 / 28

HEX #B87503

RGB 184 117 3

HSL 37.79, 0.97%, 0.37%

LAB 54.99, 19.19, 61.12

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 0 / 44 / 69 / 1

HEX #FC8E4F

RGB 252 142 79

HSL 21.85, 0.97%, 0.65%

LAB 69.9, 36.65, 50.81

 

CMYK 0 / 62 / 69 / 1

HEX #FC5F4F

RGB 252 95 79

HSL 5.55, 0.97%, 0.65%

LAB 61.17, 58.92, 40.83

 

CMYK 0 / 69 / 69 / 1

HEX #FC4F4F

RGB 252 79 79

HSL 0, 0.97%, 0.65%

LAB 58.84, 65.25, 38.07

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 0 / 7 / 69 / 1

HEX #FCEB4F

RGB 252 235 79

HSL 54.1, 0.97%, 0.65%

LAB 91.99, -11.23, 74.01

 

CMYK 12 / 0 / 69 / 1

HEX #DDFC4F

RGB 221 252 79

HSL 70.75, 0.97%, 0.65%

LAB 94.12, -31.81, 75.37

 

CMYK 31 / 0 / 69 / 1

HEX #AFFC4F

RGB 175 252 79

HSL 86.71, 0.97%, 0.65%

LAB 91.37, -48.94, 71.69

 

CMYK 49 / 0 / 69 / 1

HEX #80FC4F

RGB 128 252 79

HSL 103.01, 0.97%, 0.65%

LAB 89.29, -63.77, 68.89

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 0 / 22 / 61 / 7

HEX #EDB95D

RGB 237 185 93

HSL 38.33, 0.8%, 0.65%

LAB 78.17, 8.87, 52.95

 

CMYK 0 / 19 / 52 / 13

HEX #DFB56C

RGB 223 181 108

HSL 38.09, 0.64%, 0.65%

LAB 75.96, 6.35, 42.65

 

CMYK 0 / 15 / 42 / 18

HEX #D1B17A

RGB 209 177 122

HSL 37.93, 0.49%, 0.65%

LAB 73.81, 4.12, 32.42

 

CMYK 0 / 11 / 30 / 24

HEX #C2AD88

RGB 194 173 136

HSL 38.28, 0.32%, 0.65%

LAB 71.65, 1.95, 21.81

 

CMYK 0 / 62 / 69 / 1

HEX #FC604F

RGB 252 96 79

HSL 5.9, 0.97%, 0.65%

LAB 61.33, 58.5, 41.02

 

CMYK 0 / 44 / 69 / 1

HEX #FC8E4F

RGB 252 142 79

HSL 21.85, 0.97%, 0.65%

LAB 69.9, 36.65, 50.81

 

CMYK 0 / 25 / 69 / 1

HEX #FCBC4F

RGB 252 188 79

HSL 37.8, 0.97%, 0.65%

LAB 80.31, 12.7, 62.06

 

CMYK 0 / 7 / 69 / 1

HEX #FCEB4F

RGB 252 235 79

HSL 54.1, 0.97%, 0.65%

LAB 91.99, -11.23, 74.01

 

CMYK 12 / 0 / 69 / 1

HEX #DFFC4F

RGB 223 252 79

HSL 70.06, 0.97%, 0.65%

LAB 94.26, -31.03, 75.55

 

CMYK 0 / 36 / 99 / 4

HEX #F59D03

RGB 245 157 3

HSL 38.18, 0.98%, 0.49%

LAB 71.92, 23.95, 76.03

 

CMYK 0 / 31 / 85 / 2

HEX #FBAE26

RGB 251 174 38

HSL 38.31, 0.96%, 0.57%

LAB 76.63, 18.06, 73.4

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 0 / 19 / 53 / 1

HEX #FCCC77

RGB 252 204 119

HSL 38.35, 0.96%, 0.73%

LAB 84.59, 7.08, 48.39

 

CMYK 0 / 13 / 37 / 1

HEX #FDDBA0

RGB 253 219 160

HSL 38.06, 0.96%, 0.81%

LAB 88.96, 3.76, 33.38

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 57 / 0 / 69 / 1

HEX #6CFC4F

RGB 108 252 79

HSL 109.94, 0.97%, 0.65%

LAB 88.63, -68.91, 67.99

 

CMYK 53 / 69 / 0 / 1

HEX #774FFC

RGB 119 79 252

HSL 253.87, 0.97%, 0.65%

LAB 47.68, 58.12, -80.52

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 69 / 0 / 25 / 1

HEX #4FFCBC

RGB 79 252 188

HSL 157.8, 0.97%, 0.65%

LAB 89.35, -58.4, 18.08

 

CMYK 25 / 69 / 0 / 1

HEX #BC4FFC

RGB 188 79 252

HSL 277.8, 0.97%, 0.65%

LAB 55.39, 70.39, -67.64

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 57 / 0 / 69 / 1

HEX #6CFC4F

RGB 108 252 79

HSL 109.94, 0.97%, 0.65%

LAB 88.63, -68.91, 67.99

 

CMYK 69 / 44 / 0 / 1

HEX #4F8EFC

RGB 79 142 252

HSL 218.15, 0.97%, 0.65%

LAB 59.92, 14.95, -60.81

 

CMYK 12 / 69 / 0 / 1

HEX #DF4FFC

RGB 223 79 252

HSL 289.94, 0.97%, 0.65%

LAB 60.17, 77.46, -59.71

 

CMYK 0 / 25 / 69 / 1

HEX #FCBD4F

RGB 252 189 79

HSL 38.15, 0.97%, 0.65%

LAB 80.55, 12.18, 62.31

 

CMYK 69 / 0 / 60 / 1

HEX #4FFC66

RGB 79 252 102

HSL 127.98, 0.97%, 0.65%

LAB 88.09, -72.6, 58

 

CMYK 69 / 44 / 0 / 1

HEX #4F8EFC

RGB 79 142 252

HSL 218.15, 0.97%, 0.65%

LAB 59.92, 14.95, -60.81

 

CMYK 0 / 69 / 9 / 1

HEX #FC4FE5

RGB 252 79 229

HSL 307.98, 0.97%, 0.65%

LAB 63.3, 80.06, -41.69

 

Description

Color code: HEX #FCBD4F | qconv.com Color code: HEX #FCBD4F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 189 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 189 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 69 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 69% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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