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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCC720 it is the complementary color #0338DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCC720. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCC720 shade: #FFC71B, #FFD92E, #FFEB41, #FFFD54 and #FFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCC720. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCC720 shade: #FCC720, #EBB50D, #DAA300, #C99100 and #B87F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCC720 shade: #FBC721, #FB8C21, #FB5121 and #FB2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCC720 shade: #FBC721, #F5FB21, #BAFB21, #7FFB21 and #45FB21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCC720 shade matches the following richer shades: #FBC721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCC720 shade: #FBC721, #E9BD34, #D7B446, #C5AA58 and #B3A16A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCC720 shade: #FB5121, #FB8B21, #FBC521, #F8FB21 and #BDFB21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCC720 shade: #C89803, #F0B703, #FBC721, #FCD14A and #FCDB73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCC720 shade: #FCC720, #2CFB21 and #6E21FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCC720 shade: #FCC720, #21FBC5 and #C521FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCC720 shade: #FCC720, #2CFB21, #2158FB and #F021FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCC720 shade: #FCC720, #21FB58, #2158FB and #FB21C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 87 / 1

HEX #FCC720

RGB 252 199 32

HSL 45.55, 0.97%, 0.56%

LAB 82.73, 5.35, 79.8

 

Complementary color

CMYK 99 / 75 / 0 / 13

HEX #0338DF

RGB 3 56 223

HSL 225.55, 0.97%, 0.44%

LAB 34.35, 51.81, -86.31

 

CMYK 0 / 22 / 89 / 0

HEX #FFC71B

RGB 255 199 27

HSL 45.26, 1%, 0.55%

LAB 83.01, 6.53, 81.14

 

CMYK 0 / 15 / 82 / 0

HEX #FFD92E

RGB 255 217 46

HSL 49.09, 1%, 0.59%

LAB 87.53, -2.25, 80.52

 

CMYK 0 / 8 / 75 / 0

HEX #FFEB41

RGB 255 235 65

HSL 53.68, 1%, 0.63%

LAB 92.16, -10.61, 79.09

 

CMYK 0 / 1 / 67 / 0

HEX #FFFD54

RGB 255 253 84

HSL 59.3, 1%, 0.66%

LAB 96.88, -18.51, 77.15

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 21 / 87 / 1

HEX #FCC720

RGB 252 199 32

HSL 45.55, 0.97%, 0.56%

LAB 82.73, 5.35, 79.8

 

CMYK 0 / 23 / 94 / 8

HEX #EBB50D

RGB 235 181 13

HSL 45.41, 0.9%, 0.49%

LAB 76.52, 7.13, 77.56

 

CMYK 0 / 25 / 100 / 15

HEX #DAA300

RGB 218 163 0

HSL 44.86, 1%, 0.43%

LAB 70.25, 9.12, 73.8

 

CMYK 0 / 28 / 100 / 21

HEX #C99100

RGB 201 145 0

HSL 43.28, 1%, 0.39%

LAB 63.89, 11.32, 68.58

 

CMYK 0 / 31 / 100 / 28

HEX #B87F00

RGB 184 127 0

HSL 41.41, 1%, 0.36%

LAB 57.43, 13.6, 63.29

 

CMYK 0 / 21 / 87 / 2

HEX #FBC721

RGB 251 199 33

HSL 45.69, 0.96%, 0.56%

LAB 82.63, 4.94, 79.47

 

CMYK 0 / 44 / 87 / 2

HEX #FB8C21

RGB 251 140 33

HSL 29.45, 0.96%, 0.56%

LAB 69.02, 35.63, 68.69

 

CMYK 0 / 68 / 87 / 2

HEX #FB5121

RGB 251 81 33

HSL 13.21, 0.96%, 0.56%

LAB 58.51, 62.67, 60.42

 

CMYK 0 / 87 / 87 / 2

HEX #FB2121

RGB 251 33 33

HSL 0, 0.96%, 0.56%

LAB 53.71, 76.07, 56.67

 

CMYK 0 / 21 / 87 / 2

HEX #FBC721

RGB 251 199 33

HSL 45.69, 0.96%, 0.56%

LAB 82.63, 4.94, 79.47

 

CMYK 2 / 0 / 87 / 2

HEX #F5FB21

RGB 245 251 33

HSL 61.65, 0.96%, 0.56%

LAB 95.38, -23.38, 89.41

 

CMYK 26 / 0 / 87 / 2

HEX #BAFB21

RGB 186 251 33

HSL 77.89, 0.96%, 0.56%

LAB 91.48, -46.56, 84.62

 

CMYK 49 / 0 / 87 / 2

HEX #7FFB21

RGB 127 251 33

HSL 94.13, 0.96%, 0.56%

LAB 88.74, -66.08, 81.22

 

CMYK 73 / 0 / 87 / 2

HEX #45FB21

RGB 69 251 33

HSL 110.09, 0.96%, 0.56%

LAB 87.18, -78.91, 79.26

 

CMYK 0 / 21 / 87 / 2

HEX #FBC721

RGB 251 199 33

HSL 45.69, 0.96%, 0.56%

LAB 82.63, 4.94, 79.47

 

CMYK 0 / 21 / 87 / 2

HEX #FBC721

RGB 251 199 33

HSL 45.69, 0.96%, 0.56%

LAB 82.63, 4.94, 79.47

 

CMYK 0 / 19 / 78 / 9

HEX #E9BD34

RGB 233 189 52

HSL 45.41, 0.8%, 0.56%

LAB 78.44, 2.96, 69.96

 

CMYK 0 / 16 / 67 / 16

HEX #D7B446

RGB 215 180 70

HSL 45.52, 0.64%, 0.56%

LAB 74.53, 0.79, 58.69

 

CMYK 0 / 14 / 55 / 23

HEX #C5AA58

RGB 197 170 88

HSL 45.14, 0.48%, 0.56%

LAB 70.4, -0.37, 45.34

 

CMYK 0 / 10 / 41 / 30

HEX #B3A16A

RGB 179 161 106

HSL 45.21, 0.32%, 0.56%

LAB 66.61, -1.35, 31.02

 

CMYK 0 / 68 / 87 / 2

HEX #FB5121

RGB 251 81 33

HSL 13.21, 0.96%, 0.56%

LAB 58.51, 62.67, 60.42

 

CMYK 0 / 45 / 87 / 2

HEX #FB8B21

RGB 251 139 33

HSL 29.17, 0.96%, 0.56%

LAB 68.81, 36.14, 68.53

 

CMYK 0 / 22 / 87 / 2

HEX #FBC521

RGB 251 197 33

HSL 45.14, 0.96%, 0.56%

LAB 82.14, 5.97, 79.08

 

CMYK 1 / 0 / 87 / 2

HEX #F8FB21

RGB 248 251 33

HSL 60.83, 0.96%, 0.56%

LAB 95.61, -22.16, 89.69

 

CMYK 25 / 0 / 87 / 2

HEX #BDFB21

RGB 189 251 33

HSL 77.06, 0.96%, 0.56%

LAB 91.65, -45.45, 84.83

 

CMYK 0 / 24 / 99 / 22

HEX #C89803

RGB 200 152 3

HSL 45.38, 0.97%, 0.4%

LAB 65.55, 7.1, 69.25

 

CMYK 0 / 24 / 99 / 6

HEX #F0B703

RGB 240 183 3

HSL 45.57, 0.98%, 0.48%

LAB 77.52, 8.15, 79.57

 

CMYK 0 / 21 / 87 / 2

HEX #FBC721

RGB 251 199 33

HSL 45.69, 0.96%, 0.56%

LAB 82.63, 4.94, 79.47

 

CMYK 0 / 17 / 71 / 1

HEX #FCD14A

RGB 252 209 74

HSL 45.51, 0.97%, 0.64%

LAB 85.4, 1.6, 69.31

 

CMYK 0 / 13 / 54 / 1

HEX #FCDB73

RGB 252 219 115

HSL 45.55, 0.96%, 0.72%

LAB 88.25, -0.93, 54.69

 

CMYK 0 / 21 / 87 / 1

HEX #FCC720

RGB 252 199 32

HSL 45.55, 0.97%, 0.56%

LAB 82.73, 5.35, 79.8

 

CMYK 82 / 0 / 87 / 2

HEX #2CFB21

RGB 44 251 33

HSL 116.97, 0.96%, 0.56%

LAB 86.82, -82.06, 78.81

 

CMYK 56 / 87 / 0 / 2

HEX #6E21FB

RGB 110 33 251

HSL 261.19, 0.96%, 0.56%

LAB 40.19, 75.51, -92.31

 

CMYK 0 / 21 / 87 / 1

HEX #FCC720

RGB 252 199 32

HSL 45.55, 0.97%, 0.56%

LAB 82.73, 5.35, 79.8

 

CMYK 87 / 0 / 22 / 2

HEX #21FBC5

RGB 33 251 197

HSL 165.14, 0.96%, 0.56%

LAB 88.61, -60.64, 12.31

 

CMYK 22 / 87 / 0 / 2

HEX #C521FB

RGB 197 33 251

HSL 285.14, 0.96%, 0.56%

LAB 51.75, 85.71, -72.92

 

CMYK 0 / 21 / 87 / 1

HEX #FCC720

RGB 252 199 32

HSL 45.55, 0.97%, 0.56%

LAB 82.73, 5.35, 79.8

 

CMYK 82 / 0 / 87 / 2

HEX #2CFB21

RGB 44 251 33

HSL 116.97, 0.96%, 0.56%

LAB 86.82, -82.06, 78.81

 

CMYK 87 / 65 / 0 / 2

HEX #2158FB

RGB 33 88 251

HSL 224.86, 0.96%, 0.56%

LAB 44.61, 43.52, -85.17

 

CMYK 4 / 87 / 0 / 2

HEX #F021FB

RGB 240 33 251

HSL 296.97, 0.96%, 0.56%

LAB 58.58, 92.37, -61.55

 

CMYK 0 / 21 / 87 / 1

HEX #FCC720

RGB 252 199 32

HSL 45.55, 0.97%, 0.56%

LAB 82.73, 5.35, 79.8

 

CMYK 87 / 0 / 65 / 2

HEX #21FB58

RGB 33 251 88

HSL 135.14, 0.96%, 0.56%

LAB 87.01, -79.29, 62.41

 

CMYK 87 / 65 / 0 / 2

HEX #2158FB

RGB 33 88 251

HSL 224.86, 0.96%, 0.56%

LAB 44.61, 43.52, -85.17

 

CMYK 0 / 87 / 22 / 2

HEX #FB21C5

RGB 251 33 197

HSL 314.86, 0.96%, 0.56%

LAB 57.68, 87.12, -32.35

 

Description

Color code: HEX #FCC720 | qconv.com Color code: HEX #FCC720 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 199 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 199 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 87 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 87% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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