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Color name
HEX #FCD78C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCD78C it is the complementary color #032873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCD78C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCD78C shade: #FFD787, #FFE99A, #FFFBAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCD78C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCD78C shade: #FCD78C, #EBC579, #DAB366, #C9A153 and #B88F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCD78C shade: #FCD78C, #FCB98C, #FC9B8C and #FC8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCD78C shade: #FCD78C, #FCF58C, #E4FC8C, #C6FC8C and #A8FC8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCD78C shade matches the following richer shades: #FCD78C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCD78C shade: #FCD78C, #F2D496, #E9D09F, #DFCDA9 and #D6CAB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCD78C shade: #FC9B8C, #FCB98C, #FCD68C, #FCF48C and #E5FC8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCD78C shade: #FABB3C, #FBC964, #FCD78C, #FDE5B4 and #FEF3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCD78C shade: #FCD78C, #9BFC8C and #AA8CFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCD78C shade: #FCD78C, #8CFCD6 and #D68CFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCD78C shade: #FCD78C, #9BFC8C, #8CB1FC and #ED8CFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCD78C shade: #FCD78C, #8CFC9F, #8CB1FC and #FC8CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

Complementary color

CMYK 97 / 65 / 0 / 55

HEX #032873

RGB 3 40 115

HSL 220.18, 0.95%, 0.23%

LAB 19.12, 20.95, -46.19

 

CMYK 0 / 16 / 47 / 0

HEX #FFD787

RGB 255 215 135

HSL 40, 1%, 0.76%

LAB 87.78, 4.02, 44.51

 

CMYK 0 / 9 / 40 / 0

HEX #FFE99A

RGB 255 233 154

HSL 46.93, 1%, 0.8%

LAB 92.52, -3.24, 41.1

 

CMYK 0 / 2 / 32 / 0

HEX #FFFBAD

RGB 255 251 173

HSL 57.07, 1%, 0.84%

LAB 97.34, -10.07, 37.94

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 0 / 16 / 49 / 8

HEX #EBC579

RGB 235 197 121

HSL 40, 0.74%, 0.7%

LAB 81.28, 4.01, 42.96

 

CMYK 0 / 18 / 53 / 15

HEX #DAB366

RGB 218 179 102

HSL 39.83, 0.61%, 0.63%

LAB 74.89, 4.82, 44.25

 

CMYK 0 / 20 / 59 / 21

HEX #C9A153

RGB 201 161 83

HSL 39.66, 0.52%, 0.56%

LAB 68.41, 5.77, 45.57

 

CMYK 0 / 22 / 65 / 28

HEX #B88F40

RGB 184 143 64

HSL 39.5, 0.48%, 0.49%

LAB 61.83, 6.89, 46.84

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 0 / 27 / 44 / 1

HEX #FCB98C

RGB 252 185 140

HSL 24.11, 0.95%, 0.77%

LAB 80.34, 18.9, 32.32

 

CMYK 0 / 38 / 44 / 1

HEX #FC9B8C

RGB 252 155 140

HSL 8.04, 0.95%, 0.77%

LAB 73.57, 34.6, 23.26

 

CMYK 0 / 44 / 44 / 1

HEX #FC8C8C

RGB 252 140 140

HSL 0, 0.95%, 0.77%

LAB 70.42, 42.28, 18.95

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 0 / 3 / 44 / 1

HEX #FCF58C

RGB 252 245 140

HSL 56.25, 0.95%, 0.77%

LAB 95.12, -11.77, 51.15

 

CMYK 10 / 0 / 44 / 1

HEX #E4FC8C

RGB 228 252 140

HSL 72.86, 0.95%, 0.77%

LAB 95.16, -24.34, 50.82

 

CMYK 21 / 0 / 44 / 1

HEX #C6FC8C

RGB 198 252 140

HSL 88.93, 0.95%, 0.77%

LAB 93.24, -35.3, 48.01

 

CMYK 33 / 0 / 44 / 1

HEX #A8FC8C

RGB 168 252 140

HSL 105, 0.95%, 0.77%

LAB 91.61, -45.45, 45.61

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 0 / 12 / 38 / 5

HEX #F2D496

RGB 242 212 150

HSL 40.43, 0.78%, 0.77%

LAB 86.09, 1.98, 34.53

 

CMYK 0 / 11 / 32 / 9

HEX #E9D09F

RGB 233 208 159

HSL 39.73, 0.63%, 0.77%

LAB 84.45, 1.62, 27.55

 

CMYK 0 / 8 / 24 / 13

HEX #DFCDA9

RGB 223 205 169

HSL 40, 0.46%, 0.77%

LAB 83.03, 0.7, 20.22

 

CMYK 0 / 6 / 17 / 16

HEX #D6CAB2

RGB 214 202 178

HSL 40, 0.31%, 0.77%

LAB 81.7, 0.24, 13.48

 

CMYK 0 / 38 / 44 / 1

HEX #FC9B8C

RGB 252 155 140

HSL 8.04, 0.95%, 0.77%

LAB 73.57, 34.6, 23.26

 

CMYK 0 / 27 / 44 / 1

HEX #FCB98C

RGB 252 185 140

HSL 24.11, 0.95%, 0.77%

LAB 80.34, 18.9, 32.32

 

CMYK 0 / 15 / 44 / 1

HEX #FCD68C

RGB 252 214 140

HSL 39.64, 0.95%, 0.77%

LAB 87.33, 3.82, 41.39

 

CMYK 0 / 3 / 44 / 1

HEX #FCF48C

RGB 252 244 140

HSL 55.71, 0.95%, 0.77%

LAB 94.86, -11.28, 50.84

 

CMYK 9 / 0 / 44 / 1

HEX #E5FC8C

RGB 229 252 140

HSL 72.32, 0.95%, 0.77%

LAB 95.23, -23.96, 50.92

 

CMYK 0 / 25 / 76 / 2

HEX #FABB3C

RGB 250 187 60

HSL 40.11, 0.95%, 0.61%

LAB 79.72, 11.53, 68.98

 

CMYK 0 / 20 / 60 / 2

HEX #FBC964

RGB 251 201 100

HSL 40.13, 0.95%, 0.69%

LAB 83.55, 6.79, 56.2

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 0 / 9 / 29 / 1

HEX #FDE5B4

RGB 253 229 180

HSL 40.27, 0.95%, 0.85%

LAB 91.78, 1.06, 26.92

 

CMYK 0 / 4 / 13 / 0

HEX #FEF3DD

RGB 254 243 221

HSL 40, 0.94%, 0.93%

LAB 96.16, 0.11, 11.92

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 38 / 0 / 44 / 1

HEX #9BFC8C

RGB 155 252 140

HSL 111.96, 0.95%, 0.77%

LAB 91, -49.5, 44.71

 

CMYK 33 / 44 / 0 / 1

HEX #AA8CFC

RGB 170 140 252

HSL 256.07, 0.95%, 0.77%

LAB 65.22, 35.29, -52.02

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 44 / 0 / 15 / 1

HEX #8CFCD6

RGB 140 252 214

HSL 159.64, 0.95%, 0.77%

LAB 91.71, -40.74, 8.27

 

CMYK 15 / 44 / 0 / 1

HEX #D68CFC

RGB 214 140 252

HSL 279.64, 0.95%, 0.77%

LAB 69.53, 47.2, -44.95

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 38 / 0 / 44 / 1

HEX #9BFC8C

RGB 155 252 140

HSL 111.96, 0.95%, 0.77%

LAB 91, -49.5, 44.71

 

CMYK 44 / 30 / 0 / 1

HEX #8CB1FC

RGB 140 177 252

HSL 220.18, 0.95%, 0.77%

LAB 72.26, 6.67, -41.11

 

CMYK 6 / 44 / 0 / 1

HEX #ED8CFC

RGB 237 140 252

HSL 291.96, 0.95%, 0.77%

LAB 72.09, 53.65, -40.76

 

CMYK 0 / 15 / 44 / 1

HEX #FCD78C

RGB 252 215 140

HSL 40.18, 0.95%, 0.77%

LAB 87.58, 3.31, 41.7

 

CMYK 44 / 0 / 37 / 1

HEX #8CFC9F

RGB 140 252 159

HSL 130.18, 0.95%, 0.77%

LAB 90.64, -51.03, 34.82

 

CMYK 44 / 30 / 0 / 1

HEX #8CB1FC

RGB 140 177 252

HSL 220.18, 0.95%, 0.77%

LAB 72.26, 6.67, -41.11

 

CMYK 0 / 44 / 8 / 1

HEX #FC8CE9

RGB 252 140 233

HSL 310.18, 0.95%, 0.77%

LAB 73.11, 54.67, -28.66

 

Description

Color code: HEX #FCD78C | qconv.com Color code: HEX #FCD78C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 215 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 215 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 44 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 44% 1% C M Y K

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Provide designers and agencies with accurate color values.

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