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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCE24F it is the complementary color #031DB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCE24F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCE24F shade: #FFE24A, #FFF45D, #FFFF70, #FFFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCE24F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCE24F shade: #FCE24F, #EBD03C, #DABE29, #C9AC16 and #B89A03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCE24F shade: #FCE24F, #FCB34F, #FC844F, #FC564F and #FC4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCE24F shade: #FCE24F, #E7FC4F, #B8FC4F, #8AFC4F and #5BFC4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCE24F shade matches the following richer shades: #FCE24F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCE24F shade: #FCE24F, #EDD85D, #DFCE6C, #D1C37A and #C2B988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCE24F shade: #FC834F, #FCB14F, #FCDF4F, #EBFC4F and #BCFC4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCE24F shade: #F5D003, #FBDB26, #FCE24F, #FCE877 and #FDEFA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCE24F shade: #FCE24F, #4FFC54 and #9A4FFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCE24F shade: #FCE24F, #4FFCDF and #DF4FFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCE24F shade: #FCE24F, #4FFC54, #4F6CFC and #FC4FF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCE24F shade: #FCE24F, #4FFC88, #4F6CFC and #FC4FC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

Complementary color

CMYK 98 / 84 / 0 / 31

HEX #031DB0

RGB 3 29 176

HSL 230.98, 0.97%, 0.35%

LAB 23.78, 50.49, -76.32

 

CMYK 0 / 11 / 71 / 0

HEX #FFE24A

RGB 255 226 74

HSL 50.39, 1%, 0.65%

LAB 89.93, -5.76, 73.88

 

CMYK 0 / 4 / 64 / 0

HEX #FFF45D

RGB 255 244 93

HSL 55.93, 1%, 0.68%

LAB 94.63, -13.67, 71.43

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 0 / 11 / 74 / 8

HEX #EBD03C

RGB 235 208 60

HSL 50.74, 0.81%, 0.58%

LAB 83.5, -5.66, 72.02

 

CMYK 0 / 13 / 81 / 15

HEX #DABE29

RGB 218 190 41

HSL 50.51, 0.71%, 0.51%

LAB 77.22, -4.38, 71.71

 

CMYK 0 / 14 / 89 / 21

HEX #C9AC16

RGB 201 172 22

HSL 50.28, 0.8%, 0.44%

LAB 70.86, -2.89, 70.38

 

CMYK 0 / 16 / 98 / 28

HEX #B89A03

RGB 184 154 3

HSL 50.06, 0.97%, 0.37%

LAB 64.41, -1.17, 67.68

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 0 / 29 / 69 / 1

HEX #FCB34F

RGB 252 179 79

HSL 34.68, 0.97%, 0.65%

LAB 78.17, 17.41, 59.8

 

CMYK 0 / 48 / 69 / 1

HEX #FC844F

RGB 252 132 79

HSL 18.38, 0.97%, 0.65%

LAB 67.85, 41.71, 48.51

 

CMYK 0 / 66 / 69 / 1

HEX #FC564F

RGB 252 86 79

HSL 2.43, 0.97%, 0.65%

LAB 59.81, 62.59, 39.23

 

CMYK 0 / 69 / 69 / 1

HEX #FC4F4F

RGB 252 79 79

HSL 0, 0.97%, 0.65%

LAB 58.84, 65.25, 38.07

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 8 / 0 / 69 / 1

HEX #E7FC4F

RGB 231 252 79

HSL 67.28, 0.97%, 0.65%

LAB 94.81, -27.88, 76.28

 

CMYK 27 / 0 / 69 / 1

HEX #B8FC4F

RGB 184 252 79

HSL 83.58, 0.97%, 0.65%

LAB 91.85, -45.75, 72.34

 

CMYK 45 / 0 / 69 / 1

HEX #8AFC4F

RGB 138 252 79

HSL 99.54, 0.97%, 0.65%

LAB 89.67, -60.91, 69.4

 

CMYK 64 / 0 / 69 / 1

HEX #5BFC4F

RGB 91 252 79

HSL 115.84, 0.97%, 0.65%

LAB 88.17, -72.63, 67.37

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 0 / 9 / 61 / 7

HEX #EDD85D

RGB 237 216 93

HSL 51.25, 0.8%, 0.65%

LAB 85.96, -7.12, 61.68

 

CMYK 0 / 8 / 52 / 13

HEX #DFCE6C

RGB 223 206 108

HSL 51.13, 0.64%, 0.65%

LAB 82.33, -6.66, 50.37

 

CMYK 0 / 7 / 42 / 18

HEX #D1C37A

RGB 209 195 122

HSL 50.34, 0.49%, 0.65%

LAB 78.46, -5.34, 38.4

 

CMYK 0 / 5 / 30 / 24

HEX #C2B988

RGB 194 185 136

HSL 50.69, 0.32%, 0.65%

LAB 74.79, -4.43, 26.07

 

CMYK 0 / 48 / 69 / 1

HEX #FC834F

RGB 252 131 79

HSL 18.03, 0.97%, 0.65%

LAB 67.64, 42.21, 48.28

 

CMYK 0 / 30 / 69 / 1

HEX #FCB14F

RGB 252 177 79

HSL 33.99, 0.97%, 0.65%

LAB 77.7, 18.45, 59.3

 

CMYK 0 / 12 / 69 / 1

HEX #FCDF4F

RGB 252 223 79

HSL 49.94, 0.97%, 0.65%

LAB 88.94, -5.26, 70.95

 

CMYK 7 / 0 / 69 / 1

HEX #EBFC4F

RGB 235 252 79

HSL 65.9, 0.97%, 0.65%

LAB 95.1, -26.3, 76.66

 

CMYK 25 / 0 / 69 / 1

HEX #BCFC4F

RGB 188 252 79

HSL 82.2, 0.97%, 0.65%

LAB 92.08, -44.3, 72.64

 

CMYK 0 / 15 / 99 / 4

HEX #F5D003

RGB 245 208 3

HSL 50.83, 0.98%, 0.49%

LAB 84.24, -2.61, 84.54

 

CMYK 0 / 13 / 85 / 2

HEX #FBDB26

RGB 251 219 38

HSL 50.99, 0.96%, 0.57%

LAB 87.64, -5.14, 82.4

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 0 / 8 / 53 / 1

HEX #FCE877

RGB 252 232 119

HSL 50.98, 0.96%, 0.73%

LAB 91.57, -7.17, 56.74

 

CMYK 0 / 6 / 37 / 1

HEX #FDEFA0

RGB 253 239 160

HSL 50.97, 0.96%, 0.81%

LAB 93.95, -6.36, 39.94

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 69 / 0 / 67 / 1

HEX #4FFC54

RGB 79 252 84

HSL 121.73, 0.97%, 0.65%

LAB 87.93, -74.43, 65.16

 

CMYK 39 / 69 / 0 / 1

HEX #9A4FFC

RGB 154 79 252

HSL 266.01, 0.97%, 0.65%

LAB 51.26, 63.97, -74.53

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 69 / 0 / 12 / 1

HEX #4FFCDF

RGB 79 252 223

HSL 169.94, 0.97%, 0.65%

LAB 90.14, -50.27, 1.12

 

CMYK 12 / 69 / 0 / 1

HEX #DF4FFC

RGB 223 79 252

HSL 289.94, 0.97%, 0.65%

LAB 60.17, 77.46, -59.71

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 69 / 0 / 67 / 1

HEX #4FFC54

RGB 79 252 84

HSL 121.73, 0.97%, 0.65%

LAB 87.93, -74.43, 65.16

 

CMYK 69 / 57 / 0 / 1

HEX #4F6CFC

RGB 79 108 252

HSL 229.94, 0.97%, 0.65%

LAB 51.17, 35.7, -74.94

 

CMYK 0 / 69 / 2 / 1

HEX #FC4FF6

RGB 252 79 246

HSL 302.08, 0.97%, 0.65%

LAB 64.11, 82.59, -49.85

 

CMYK 0 / 10 / 69 / 1

HEX #FCE24F

RGB 252 226 79

HSL 50.98, 0.97%, 0.65%

LAB 89.7, -6.76, 71.71

 

CMYK 69 / 0 / 46 / 1

HEX #4FFC88

RGB 79 252 136

HSL 139.77, 0.97%, 0.65%

LAB 88.48, -68.05, 42.93

 

CMYK 69 / 57 / 0 / 1

HEX #4F6CFC

RGB 79 108 252

HSL 229.94, 0.97%, 0.65%

LAB 51.17, 35.7, -74.94

 

CMYK 0 / 69 / 23 / 1

HEX #FC4FC2

RGB 252 79 194

HSL 320.12, 0.97%, 0.65%

LAB 61.81, 75.32, -24.24

 

Description

Color code: HEX #FCE24F | qconv.com Color code: HEX #FCE24F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 226 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 226 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 69 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 69% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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