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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCF46E it is the complementary color #030B91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCF46E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCF46E shade: #FFF469, #FFFF7C, #FFFF8F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCF46E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCF46E shade: #FCF46E, #EBE25B, #DAD048, #C9BE35 and #B8AC22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCF46E shade: #FCF46E, #FCCD6E, #FCA76E, #FC816E and #FC6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCF46E shade: #FCF46E, #DDFC6E, #B7FC6E, #91FC6E and #6EFC71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCF46E shade matches the following richer shades: #FCF46E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCF46E shade: #FCF46E, #F0E97A, #E4DE85, #D8D491 and #CCC99D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCF46E shade: #FCA66E, #FCCC6E, #FCF26E, #DFFC6E and #B9FC6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCF46E shade: #FAED1D, #FBF045, #FCF46E, #FCF796 and #FDFABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCF46E shade: #FCF46E, #6EFC80 and #B96EFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCF46E shade: #FCF46E, #6EFCF2 and #F26EFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCF46E shade: #FCF46E, #6EFC80, #6E77FC and #FC6EE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCF46E shade: #FCF46E, #6EFCAB, #6E77FC and #FC6EBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

Complementary color

CMYK 98 / 92 / 0 / 43

HEX #030B91

RGB 3 11 145

HSL 236.62, 0.96%, 0.29%

LAB 17, 48.38, -68.68

 

CMYK 0 / 4 / 59 / 0

HEX #FFF469

RGB 255 244 105

HSL 55.6, 1%, 0.71%

LAB 94.73, -12.92, 66.61

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 0 / 4 / 61 / 8

HEX #EBE25B

RGB 235 226 91

HSL 56.25, 0.78%, 0.64%

LAB 88.36, -13.07, 65.09

 

CMYK 0 / 5 / 67 / 15

HEX #DAD048

RGB 218 208 72

HSL 55.89, 0.66%, 0.57%

LAB 82.1, -12.24, 65.77

 

CMYK 0 / 5 / 74 / 21

HEX #C9BE35

RGB 201 190 53

HSL 55.54, 0.58%, 0.5%

LAB 75.76, -11.26, 66.06

 

CMYK 0 / 7 / 82 / 28

HEX #B8AC22

RGB 184 172 34

HSL 55.2, 0.69%, 0.43%

LAB 69.33, -10.09, 65.65

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 0 / 19 / 56 / 1

HEX #FCCD6E

RGB 252 205 110

HSL 40.14, 0.96%, 0.71%

LAB 84.73, 5.85, 52.9

 

CMYK 0 / 34 / 56 / 1

HEX #FCA76E

RGB 252 167 110

HSL 24.08, 0.96%, 0.71%

LAB 75.74, 25.69, 42.05

 

CMYK 0 / 49 / 56 / 1

HEX #FC816E

RGB 252 129 110

HSL 8.03, 0.96%, 0.71%

LAB 67.67, 45.16, 31.87

 

CMYK 0 / 56 / 56 / 1

HEX #FC6E6E

RGB 252 110 110

HSL 0, 0.96%, 0.71%

LAB 64.14, 54.22, 27.28

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 12 / 0 / 56 / 1

HEX #DDFC6E

RGB 221 252 110

HSL 73.1, 0.96%, 0.71%

LAB 94.36, -29.73, 63.37

 

CMYK 27 / 0 / 56 / 1

HEX #B7FC6E

RGB 183 252 110

HSL 89.15, 0.96%, 0.71%

LAB 92.05, -43.7, 60.12

 

CMYK 42 / 0 / 56 / 1

HEX #91FC6E

RGB 145 252 110

HSL 105.21, 0.96%, 0.71%

LAB 90.21, -56.08, 57.52

 

CMYK 56 / 0 / 55 / 1

HEX #6EFC71

RGB 110 252 113

HSL 121.27, 0.96%, 0.71%

LAB 88.98, -65.08, 54.43

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 0 / 3 / 49 / 6

HEX #F0E97A

RGB 240 233 122

HSL 56.44, 0.8%, 0.71%

LAB 90.87, -12.19, 54.28

 

CMYK 0 / 3 / 42 / 11

HEX #E4DE85

RGB 228 222 133

HSL 56.21, 0.64%, 0.71%

LAB 87.21, -10.41, 44.28

 

CMYK 0 / 2 / 33 / 15

HEX #D8D491

RGB 216 212 145

HSL 56.62, 0.48%, 0.71%

LAB 83.83, -8.7, 33.71

 

CMYK 0 / 1 / 23 / 20

HEX #CCC99D

RGB 204 201 157

HSL 56.17, 0.32%, 0.71%

LAB 80.2, -6.07, 22.42

 

CMYK 0 / 34 / 56 / 1

HEX #FCA66E

RGB 252 166 110

HSL 23.66, 0.96%, 0.71%

LAB 75.51, 26.21, 41.77

 

CMYK 0 / 19 / 56 / 1

HEX #FCCC6E

RGB 252 204 110

HSL 39.72, 0.96%, 0.71%

LAB 84.49, 6.37, 52.61

 

CMYK 0 / 4 / 56 / 1

HEX #FCF26E

RGB 252 242 110

HSL 55.77, 0.96%, 0.71%

LAB 94.02, -12.79, 63.61

 

CMYK 12 / 0 / 56 / 1

HEX #DFFC6E

RGB 223 252 110

HSL 72.25, 0.96%, 0.71%

LAB 94.5, -28.97, 63.56

 

CMYK 27 / 0 / 56 / 1

HEX #B9FC6E

RGB 185 252 110

HSL 88.31, 0.96%, 0.71%

LAB 92.16, -43, 60.27

 

CMYK 0 / 5 / 88 / 2

HEX #FAED1D

RGB 250 237 29

HSL 56.47, 0.96%, 0.55%

LAB 92.12, -14.67, 87.67

 

CMYK 0 / 4 / 73 / 2

HEX #FBF045

RGB 251 240 69

HSL 56.37, 0.96%, 0.63%

LAB 93.13, -14.55, 78.58

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 0 / 2 / 40 / 1

HEX #FCF796

RGB 252 247 150

HSL 57.06, 0.94%, 0.79%

LAB 95.76, -11.77, 47.15

 

CMYK 0 / 1 / 25 / 1

HEX #FDFABE

RGB 253 250 190

HSL 57.14, 0.94%, 0.87%

LAB 97.22, -8.2, 29.22

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 56 / 0 / 49 / 1

HEX #6EFC80

RGB 110 252 128

HSL 127.61, 0.96%, 0.71%

LAB 89.16, -63.16, 47.75

 

CMYK 27 / 56 / 0 / 1

HEX #B96EFC

RGB 185 110 252

HSL 271.69, 0.96%, 0.71%

LAB 60.33, 55.27, -59.72

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 56 / 0 / 4 / 1

HEX #6EFCF2

RGB 110 252 242

HSL 175.77, 0.96%, 0.71%

LAB 91.39, -40.59, -6.82

 

CMYK 4 / 56 / 0 / 1

HEX #F26EFC

RGB 242 110 252

HSL 295.77, 0.96%, 0.71%

LAB 67.32, 69.22, -48.19

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 56 / 0 / 49 / 1

HEX #6EFC80

RGB 110 252 128

HSL 127.61, 0.96%, 0.71%

LAB 89.16, -63.16, 47.75

 

CMYK 56 / 53 / 0 / 1

HEX #6E77FC

RGB 110 119 252

HSL 236.2, 0.96%, 0.71%

LAB 55.62, 33.97, -67.64

 

CMYK 0 / 56 / 8 / 1

HEX #FC6EE9

RGB 252 110 233

HSL 308.03, 0.96%, 0.71%

LAB 67.82, 68.64, -36.84

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 56 / 0 / 32 / 1

HEX #6EFCAB

RGB 110 252 171

HSL 145.77, 0.96%, 0.71%

LAB 89.8, -56.24, 27.49

 

CMYK 56 / 53 / 0 / 1

HEX #6E77FC

RGB 110 119 252

HSL 236.2, 0.96%, 0.71%

LAB 55.62, 33.97, -67.64

 

CMYK 0 / 56 / 25 / 1

HEX #FC6EBE

RGB 252 110 190

HSL 326.2, 0.96%, 0.71%

LAB 66.19, 62.44, -15.31

 

Description

Color code: HEX #FCF46E | qconv.com Color code: HEX #FCF46E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 244 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 244 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 56 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 56% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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