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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCFC86 it is the complementary color #030379. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCFC86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCFC86 shade: #FFFC81, #FFFF94, #FFFFA7, #FFFFBA and #FFFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCFC86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCFC86 shade: #FCFC86, #EBEA73, #DAD860, #C9C64D and #B8B43A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCFC86 shade: #FBFB87, #FBDC87, #FBBD87, #FB9D87 and #FB8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCFC86 shade: #FBFB87, #DCFB87, #BDFB87, #9DFB87 and #87FB90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCFC86 shade matches the following richer shades: #FBFB87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCFC86 shade: #FBFB87, #F2F291, #E8E89B, #DEDEA5 and #D4D4AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCFC86 shade: #FBBD87, #FBDC87, #FBFB87, #DCFB87 and #BDFB87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCFC86 shade: #F9F937, #FAFA5F, #FBFB87, #FCFCAF and #FEFED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCFC86 shade: #FCFC86, #87FB9E and #CD87FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCFC86 shade: #FCFC86, #87FBFB and #FB87FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCFC86 shade: #FCFC86, #87FB9E, #8787FB and #FB87E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCFC86 shade: #FCFC86, #87FBC1, #8787FB and #FB87C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 47 / 1

HEX #FCFC86

RGB 252 252 134

HSL 60, 0.95%, 0.76%

LAB 96.84, -15.74, 56.07

 

Complementary color

CMYK 98 / 98 / 0 / 53

HEX #030379

RGB 3 3 121

HSL 240, 0.95%, 0.24%

LAB 12.38, 44.34, -61.21

 

CMYK 0 / 1 / 49 / 0

HEX #FFFC81

RGB 255 252 129

HSL 58.57, 1%, 0.75%

LAB 97.01, -15, 58.63

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 47 / 1

HEX #FCFC86

RGB 252 252 134

HSL 60, 0.95%, 0.76%

LAB 96.84, -15.74, 56.07

 

CMYK 0 / 0 / 51 / 8

HEX #EBEA73

RGB 235 234 115

HSL 59.5, 0.75%, 0.69%

LAB 90.66, -15.26, 57.17

 

CMYK 0 / 1 / 56 / 15

HEX #DAD860

RGB 218 216 96

HSL 59.02, 0.62%, 0.62%

LAB 84.41, -14.69, 58.2

 

CMYK 0 / 1 / 62 / 21

HEX #C9C64D

RGB 201 198 77

HSL 58.55, 0.53%, 0.55%

LAB 78.08, -14.02, 59.11

 

CMYK 0 / 2 / 68 / 28

HEX #B8B43A

RGB 184 180 58

HSL 58.1, 0.52%, 0.47%

LAB 71.65, -13.2, 59.73

 

CMYK 0 / 0 / 46 / 2

HEX #FBFB87

RGB 251 251 135

HSL 60, 0.94%, 0.76%

LAB 96.51, -15.55, 55.2

 

CMYK 0 / 12 / 46 / 2

HEX #FBDC87

RGB 251 220 135

HSL 43.97, 0.94%, 0.76%

LAB 88.66, -0.12, 45.53

 

CMYK 0 / 25 / 46 / 2

HEX #FBBD87

RGB 251 189 135

HSL 27.93, 0.94%, 0.76%

LAB 81.1, 15.92, 35.9

 

CMYK 0 / 37 / 46 / 2

HEX #FB9D87

RGB 251 157 135

HSL 11.38, 0.94%, 0.76%

LAB 73.79, 32.69, 26.26

 

CMYK 0 / 46 / 46 / 2

HEX #FB8787

RGB 251 135 135

HSL 0, 0.94%, 0.76%

LAB 69.17, 43.95, 20

 

CMYK 0 / 0 / 46 / 2

HEX #FBFB87

RGB 251 251 135

HSL 60, 0.94%, 0.76%

LAB 96.51, -15.55, 55.2

 

CMYK 12 / 0 / 46 / 2

HEX #DCFB87

RGB 220 251 135

HSL 76.03, 0.94%, 0.76%

LAB 94.29, -27.37, 51.98

 

CMYK 25 / 0 / 46 / 2

HEX #BDFB87

RGB 189 251 135

HSL 92.07, 0.94%, 0.76%

LAB 92.38, -38.59, 49.2

 

CMYK 37 / 0 / 46 / 2

HEX #9DFB87

RGB 157 251 135

HSL 108.62, 0.94%, 0.76%

LAB 90.74, -49.12, 46.8

 

CMYK 46 / 0 / 43 / 2

HEX #87FB90

RGB 135 251 144

HSL 124.66, 0.94%, 0.76%

LAB 89.93, -54.27, 41.25

 

CMYK 0 / 0 / 46 / 2

HEX #FBFB87

RGB 251 251 135

HSL 60, 0.94%, 0.76%

LAB 96.51, -15.55, 55.2

 

CMYK 0 / 0 / 46 / 2

HEX #FBFB87

RGB 251 251 135

HSL 60, 0.94%, 0.76%

LAB 96.51, -15.55, 55.2

 

CMYK 0 / 0 / 40 / 5

HEX #F2F291

RGB 242 242 145

HSL 60, 0.79%, 0.76%

LAB 93.64, -13.67, 46.73

 

CMYK 0 / 0 / 33 / 9

HEX #E8E89B

RGB 232 232 155

HSL 60, 0.63%, 0.76%

LAB 90.43, -11.44, 37.53

 

CMYK 0 / 0 / 26 / 13

HEX #DEDEA5

RGB 222 222 165

HSL 60, 0.46%, 0.76%

LAB 87.24, -8.95, 28.05

 

CMYK 0 / 0 / 17 / 17

HEX #D4D4AF

RGB 212 212 175

HSL 60, 0.3%, 0.76%

LAB 84.06, -6.14, 18.35

 

CMYK 0 / 25 / 46 / 2

HEX #FBBD87

RGB 251 189 135

HSL 27.93, 0.94%, 0.76%

LAB 81.1, 15.92, 35.9

 

CMYK 0 / 12 / 46 / 2

HEX #FBDC87

RGB 251 220 135

HSL 43.97, 0.94%, 0.76%

LAB 88.66, -0.12, 45.53

 

CMYK 0 / 0 / 46 / 2

HEX #FBFB87

RGB 251 251 135

HSL 60, 0.94%, 0.76%

LAB 96.51, -15.55, 55.2

 

CMYK 12 / 0 / 46 / 2

HEX #DCFB87

RGB 220 251 135

HSL 76.03, 0.94%, 0.76%

LAB 94.29, -27.37, 51.98

 

CMYK 25 / 0 / 46 / 2

HEX #BDFB87

RGB 189 251 135

HSL 92.07, 0.94%, 0.76%

LAB 92.38, -38.59, 49.2

 

CMYK 0 / 0 / 78 / 2

HEX #F9F937

RGB 249 249 55

HSL 60, 0.94%, 0.6%

LAB 95.23, -20.23, 84.61

 

CMYK 0 / 0 / 62 / 2

HEX #FAFA5F

RGB 250 250 95

HSL 60, 0.94%, 0.68%

LAB 95.8, -18.47, 71.75

 

CMYK 0 / 0 / 46 / 2

HEX #FBFB87

RGB 251 251 135

HSL 60, 0.94%, 0.76%

LAB 96.51, -15.55, 55.2

 

CMYK 0 / 0 / 31 / 1

HEX #FCFCAF

RGB 252 252 175

HSL 60, 0.93%, 0.84%

LAB 97.39, -11.44, 36.97

 

CMYK 0 / 0 / 15 / 0

HEX #FEFED8

RGB 254 254 216

HSL 60, 0.95%, 0.92%

LAB 98.79, -6.17, 18.21

 

CMYK 0 / 0 / 47 / 1

HEX #FCFC86

RGB 252 252 134

HSL 60, 0.95%, 0.76%

LAB 96.84, -15.74, 56.07

 

CMYK 46 / 0 / 37 / 2

HEX #87FB9E

RGB 135 251 158

HSL 131.9, 0.94%, 0.76%

LAB 90.14, -52.12, 34.62

 

CMYK 18 / 46 / 0 / 2

HEX #CD87FB

RGB 205 135 251

HSL 276.21, 0.94%, 0.76%

LAB 67.48, 47.14, -47.69

 

CMYK 0 / 0 / 47 / 1

HEX #FCFC86

RGB 252 252 134

HSL 60, 0.95%, 0.76%

LAB 96.84, -15.74, 56.07

 

CMYK 46 / 0 / 0 / 2

HEX #87FBFB

RGB 135 251 251

HSL 180, 0.94%, 0.76%

LAB 92.18, -32.89, -10.23

 

CMYK 0 / 46 / 0 / 2

HEX #FB87FB

RGB 251 135 251

HSL 300, 0.94%, 0.76%

LAB 72.76, 59.86, -39.04

 

CMYK 0 / 0 / 47 / 1

HEX #FCFC86

RGB 252 252 134

HSL 60, 0.95%, 0.76%

LAB 96.84, -15.74, 56.07

 

CMYK 46 / 0 / 37 / 2

HEX #87FB9E

RGB 135 251 158

HSL 131.9, 0.94%, 0.76%

LAB 90.14, -52.12, 34.62

 

CMYK 46 / 46 / 0 / 2

HEX #8787FB

RGB 135 135 251

HSL 240, 0.94%, 0.76%

LAB 61.17, 29.36, -58.09

 

CMYK 0 / 46 / 9 / 2

HEX #FB87E4

RGB 251 135 228

HSL 311.9, 0.94%, 0.76%

LAB 71.85, 56.01, -27.86

 

CMYK 0 / 0 / 47 / 1

HEX #FCFC86

RGB 252 252 134

HSL 60, 0.95%, 0.76%

LAB 96.84, -15.74, 56.07

 

CMYK 46 / 0 / 23 / 2

HEX #87FBC1

RGB 135 251 193

HSL 150, 0.94%, 0.76%

LAB 90.78, -45.84, 17.75

 

CMYK 46 / 46 / 0 / 2

HEX #8787FB

RGB 135 135 251

HSL 240, 0.94%, 0.76%

LAB 61.17, 29.36, -58.09

 

CMYK 0 / 46 / 23 / 2

HEX #FB87C1

RGB 251 135 193

HSL 330, 0.94%, 0.76%

LAB 70.65, 50.76, -10.3

 

Description

Color code: HEX #FCFC86 | qconv.com Color code: HEX #FCFC86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 252 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 252 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 47 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 47% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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