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Color name
HEX #FA2355

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA2355 it is the complementary color #05DCAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA2355. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA2355 shade: #FF2350, #FF3563, #FF4776, #FF5989 and #FF6B9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA2355. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA2355 shade: #FA2355, #E91142, #D8002F, #C7001C and #B60009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA2355 shade: #FA2355 and #FA2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA2355 shade: #FA2355, #FA238F, #FA23C9, #F123FA and #B723FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA2355 shade matches the following richer shades: #FA2355

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA2355 shade: #FA2355, #E8355E, #D64768, #C45972 and #B16B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA2355 shade: #FA23C8, #FA238E, #FA2355, #FA2A23 and #FA6323

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA2355 shade: #C70431, #EF043B, #FA2355, #FB4B74 and #FC7393

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA2355 shade: #FA2355, #FAF323 and #23ABFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA2355 shade: #FA2355, #55FA23 and #2355FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA2355 shade: #FA2355, #FAF323, #23FAC8 and #232AFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA2355 shade: #FA2355, #C1FA23, #23FAC8 and #5C23FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

Complementary color

CMYK 98 / 0 / 23 / 14

HEX #05DCAA

RGB 5 220 170

HSL 166.05, 0.96%, 0.44%

LAB 78.53, -56.36, 12.11

 

CMYK 0 / 86 / 69 / 0

HEX #FF2350

RGB 255 35 80

HSL 347.73, 1%, 0.57%

LAB 55.11, 78.17, 33.12

 

CMYK 0 / 79 / 61 / 0

HEX #FF3563

RGB 255 53 99

HSL 346.34, 1%, 0.6%

LAB 56.79, 75.27, 24.04

 

CMYK 0 / 72 / 54 / 0

HEX #FF4776

RGB 255 71 118

HSL 344.67, 1%, 0.64%

LAB 59.04, 71.26, 15.88

 

CMYK 0 / 65 / 46 / 0

HEX #FF5989

RGB 255 89 137

HSL 342.65, 1%, 0.67%

LAB 61.84, 66.31, 8.71

 

CMYK 0 / 58 / 39 / 0

HEX #FF6B9C

RGB 255 107 156

HSL 340.14, 1%, 0.71%

LAB 65.1, 60.66, 2.46

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 0 / 93 / 72 / 9

HEX #E91142

RGB 233 17 66

HSL 346.39, 0.86%, 0.49%

LAB 49.64, 74.73, 33.75

 

CMYK 0 / 100 / 78 / 15

HEX #D8002F

RGB 216 0 47

HSL 346.94, 1%, 0.42%

LAB 45.36, 71.45, 39.17

 

CMYK 0 / 100 / 86 / 22

HEX #C7001C

RGB 199 0 28

HSL 351.56, 1%, 0.39%

LAB 41.57, 66.83, 44.74

 

CMYK 0 / 100 / 95 / 29

HEX #B60009

RGB 182 0 9

HSL 357.03, 1%, 0.36%

LAB 37.78, 62.28, 48.68

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 0 / 86 / 86 / 2

HEX #FA2323

RGB 250 35 35

HSL 0, 0.96%, 0.56%

LAB 53.65, 75.5, 55.64

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 0 / 86 / 43 / 2

HEX #FA238F

RGB 250 35 143

HSL 329.86, 0.96%, 0.56%

LAB 55.59, 81.06, -3.98

 

CMYK 0 / 86 / 20 / 2

HEX #FA23C9

RGB 250 35 201

HSL 313.67, 0.96%, 0.56%

LAB 57.79, 87.08, -34.49

 

CMYK 4 / 86 / 0 / 2

HEX #F123FA

RGB 241 35 250

HSL 297.49, 0.96%, 0.56%

LAB 58.79, 92.07, -60.64

 

CMYK 27 / 86 / 0 / 2

HEX #B723FA

RGB 183 35 250

HSL 281.3, 0.96%, 0.56%

LAB 49.7, 83.14, -75.78

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 0 / 77 / 59 / 9

HEX #E8355E

RGB 232 53 94

HSL 346.26, 0.8%, 0.56%

LAB 52.41, 68.8, 20.43

 

CMYK 0 / 67 / 51 / 16

HEX #D64768

RGB 214 71 104

HSL 346.15, 0.64%, 0.56%

LAB 51.61, 58.14, 12.81

 

CMYK 0 / 55 / 42 / 23

HEX #C45972

RGB 196 89 114

HSL 345.98, 0.48%, 0.56%

LAB 51.94, 45.18, 6.87

 

CMYK 0 / 40 / 30 / 31

HEX #B16B7C

RGB 177 107 124

HSL 345.43, 0.31%, 0.56%

LAB 53.3, 30.11, 2.55

 

CMYK 0 / 86 / 20 / 2

HEX #FA23C8

RGB 250 35 200

HSL 313.95, 0.96%, 0.56%

LAB 57.75, 86.96, -33.99

 

CMYK 0 / 86 / 43 / 2

HEX #FA238E

RGB 250 35 142

HSL 330.14, 0.96%, 0.56%

LAB 55.56, 80.97, -3.43

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 0 / 83 / 86 / 2

HEX #FA2A23

RGB 250 42 35

HSL 1.95, 0.96%, 0.56%

LAB 54.13, 74.12, 56.03

 

CMYK 0 / 60 / 86 / 2

HEX #FA6323

RGB 250 99 35

HSL 17.86, 0.96%, 0.56%

LAB 61.11, 54.99, 61.66

 

CMYK 0 / 98 / 75 / 22

HEX #C70431

RGB 199 4 49

HSL 346.15, 0.96%, 0.4%

LAB 41.92, 67.02, 33.18

 

CMYK 0 / 98 / 75 / 6

HEX #EF043B

RGB 239 4 59

HSL 345.96, 0.97%, 0.48%

LAB 50.4, 77, 39.06

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 0 / 70 / 54 / 2

HEX #FB4B74

RGB 251 75 116

HSL 346.02, 0.96%, 0.64%

LAB 58.79, 68.62, 16.6

 

CMYK 0 / 54 / 42 / 1

HEX #FC7393

RGB 252 115 147

HSL 345.99, 0.96%, 0.72%

LAB 65.8, 55.16, 8.54

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 0 / 3 / 86 / 2

HEX #FAF323

RGB 250 243 35

HSL 58.05, 0.96%, 0.56%

LAB 93.69, -17.47, 87.87

 

CMYK 86 / 32 / 0 / 2

HEX #23ABFA

RGB 35 171 250

HSL 202.05, 0.96%, 0.56%

LAB 66.81, -7.28, -48.83

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 66 / 0 / 86 / 2

HEX #55FA23

RGB 85 250 35

HSL 106.05, 0.96%, 0.56%

LAB 87.2, -75.75, 79.03

 

CMYK 86 / 66 / 0 / 2

HEX #2355FA

RGB 35 85 250

HSL 226.05, 0.96%, 0.56%

LAB 43.88, 45.1, -85.82

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 0 / 3 / 86 / 2

HEX #FAF323

RGB 250 243 35

HSL 58.05, 0.96%, 0.56%

LAB 93.69, -17.47, 87.87

 

CMYK 86 / 0 / 20 / 2

HEX #23FAC8

RGB 35 250 200

HSL 166.05, 0.96%, 0.56%

LAB 88.4, -59.42, 10.46

 

CMYK 86 / 83 / 0 / 2

HEX #232AFA

RGB 35 42 250

HSL 238.05, 0.96%, 0.56%

LAB 35.82, 67.84, -99.16

 

CMYK 0 / 86 / 66 / 2

HEX #FA2355

RGB 250 35 85

HSL 346.05, 0.96%, 0.56%

LAB 54.22, 77.15, 28.83

 

CMYK 23 / 0 / 86 / 2

HEX #C1FA23

RGB 193 250 35

HSL 75.91, 0.96%, 0.56%

LAB 91.61, -43.47, 84.53

 

CMYK 86 / 0 / 20 / 2

HEX #23FAC8

RGB 35 250 200

HSL 166.05, 0.96%, 0.56%

LAB 88.4, -59.42, 10.46

 

CMYK 63 / 86 / 0 / 2

HEX #5C23FA

RGB 92 35 250

HSL 255.91, 0.96%, 0.56%

LAB 38.52, 73.27, -94.59

 

Description

Color code: HEX #FA2355 | qconv.com Color code: HEX #FA2355 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 35 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 35 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 66 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 66% 2% C M Y K

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