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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA3DF3 it is the complementary color #05C20C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA3DF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA3DF3 shade: #FF3DEE, #FF4FFF, #FF61FF, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA3DF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA3DF3 shade: #FA3DF3, #E92BE0, #D819CD, #C707BA and #B600A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA3DF3 shade: #FA3DF3, #FA3DC0, #FA3D8D, #FA3D5A and #FA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA3DF3 shade: #FA3DF3, #CE3DFA, #9B3DFA, #683DFA and #3D3DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA3DF3 shade matches the following richer shades: #FA3DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA3DF3 shade: #FA3DF3, #E94DE4, #D95DD5, #C96DC6 and #B97DB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA3DF3 shade: #9B3DFA, #CD3DFA, #FA3DF3, #FA3DC1 and #FA3D8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA3DF3 shade: #DE05D6, #F814F0, #FA3DF3, #FB65F5 and #FC8DF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA3DF3 shade: #FA3DF3, #FA693D and #3DFAB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA3DF3 shade: #FA3DF3, #F3FA3D and #3DF3FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA3DF3 shade: #FA3DF3, #FA693D, #3DFA43 and #3DCDFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA3DF3 shade: #FA3DF3, #FAA13D, #3DFA43 and #3D95FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

Complementary color

CMYK 97 / 0 / 94 / 24

HEX #05C20C

RGB 5 194 12

HSL 122.22, 0.95%, 0.39%

LAB 68.49, -69.69, 66.39

 

CMYK 0 / 76 / 7 / 0

HEX #FF3DEE

RGB 255 61 238

HSL 305.26, 1%, 0.62%

LAB 62.31, 87.37, -48.23

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 0 / 82 / 4 / 9

HEX #E92BE0

RGB 233 43 224

HSL 302.84, 0.81%, 0.54%

LAB 56.52, 85.38, -49.78

 

CMYK 0 / 88 / 5 / 15

HEX #D819CD

RGB 216 25 205

HSL 303.46, 0.79%, 0.47%

LAB 51.5, 82.77, -47.11

 

CMYK 0 / 96 / 7 / 22

HEX #C707BA

RGB 199 7 186

HSL 304.06, 0.93%, 0.4%

LAB 46.76, 79.08, -43.79

 

CMYK 0 / 100 / 8 / 29

HEX #B600A7

RGB 182 0 167

HSL 304.95, 1%, 0.36%

LAB 42.36, 74.12, -39.73

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 0 / 76 / 23 / 2

HEX #FA3DC0

RGB 250 61 192

HSL 318.41, 0.95%, 0.61%

LAB 59.4, 80.24, -26.83

 

CMYK 0 / 76 / 44 / 2

HEX #FA3D8D

RGB 250 61 141

HSL 334.6, 0.95%, 0.61%

LAB 57.64, 74.86, 0.21

 

CMYK 0 / 76 / 64 / 2

HEX #FA3D5A

RGB 250 61 90

HSL 350.79, 0.95%, 0.61%

LAB 56.49, 71.22, 28.77

 

CMYK 0 / 76 / 76 / 2

HEX #FA3D3D

RGB 250 61 61

HSL 0, 0.95%, 0.61%

LAB 56.09, 69.93, 44.79

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 18 / 76 / 0 / 2

HEX #CE3DFA

RGB 206 61 250

HSL 286.03, 0.95%, 0.61%

LAB 55.44, 79.95, -66.32

 

CMYK 38 / 76 / 0 / 2

HEX #9B3DFA

RGB 155 61 250

HSL 269.84, 0.95%, 0.61%

LAB 48.52, 71.32, -77.87

 

CMYK 58 / 76 / 0 / 2

HEX #683DFA

RGB 104 61 250

HSL 253.65, 0.95%, 0.61%

LAB 43.04, 64.31, -87.08

 

CMYK 76 / 76 / 0 / 2

HEX #3D3DFA

RGB 61 61 250

HSL 240, 0.95%, 0.61%

LAB 39.97, 60.3, -92.25

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 0 / 67 / 2 / 9

HEX #E94DE4

RGB 233 77 228

HSL 301.92, 0.78%, 0.61%

LAB 60.1, 76.32, -46.36

 

CMYK 0 / 57 / 2 / 15

HEX #D95DD5

RGB 217 93 213

HSL 301.94, 0.62%, 0.61%

LAB 59.33, 63.67, -39.29

 

CMYK 0 / 46 / 1 / 21

HEX #C96DC6

RGB 201 109 198

HSL 301.96, 0.46%, 0.61%

LAB 59.37, 49.03, -30.88

 

CMYK 0 / 32 / 1 / 27

HEX #B97DB7

RGB 185 125 183

HSL 302, 0.3%, 0.61%

LAB 60.25, 32.73, -21.16

 

CMYK 38 / 76 / 0 / 2

HEX #9B3DFA

RGB 155 61 250

HSL 269.84, 0.95%, 0.61%

LAB 48.52, 71.32, -77.87

 

CMYK 18 / 76 / 0 / 2

HEX #CD3DFA

RGB 205 61 250

HSL 285.71, 0.95%, 0.61%

LAB 55.3, 79.77, -66.56

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 0 / 76 / 23 / 2

HEX #FA3DC1

RGB 250 61 193

HSL 318.1, 0.95%, 0.61%

LAB 59.45, 80.36, -27.34

 

CMYK 0 / 76 / 43 / 2

HEX #FA3D8E

RGB 250 61 142

HSL 334.29, 0.95%, 0.61%

LAB 57.67, 74.95, -0.34

 

CMYK 0 / 98 / 4 / 13

HEX #DE05D6

RGB 222 5 214

HSL 302.21, 0.96%, 0.45%

LAB 52.39, 87.01, -50.78

 

CMYK 0 / 92 / 3 / 3

HEX #F814F0

RGB 248 20 240

HSL 302.11, 0.94%, 0.53%

LAB 58.74, 93.71, -55.09

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 0 / 60 / 2 / 2

HEX #FB65F5

RGB 251 101 245

HSL 302.4, 0.95%, 0.69%

LAB 66.83, 74.06, -45.03

 

CMYK 0 / 44 / 2 / 1

HEX #FC8DF7

RGB 252 141 247

HSL 302.7, 0.95%, 0.77%

LAB 73.84, 56.53, -35.17

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 0 / 58 / 76 / 2

HEX #FA693D

RGB 250 105 61

HSL 13.97, 0.95%, 0.61%

LAB 62.31, 53.08, 51.37

 

CMYK 76 / 0 / 28 / 2

HEX #3DFAB4

RGB 61 250 180

HSL 157.78, 0.95%, 0.61%

LAB 88.28, -61.7, 20.65

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 3 / 0 / 76 / 2

HEX #F3FA3D

RGB 243 250 61

HSL 62.22, 0.95%, 0.61%

LAB 95.06, -22.94, 82.62

 

CMYK 76 / 3 / 0 / 2

HEX #3DF3FA

RGB 61 243 250

HSL 182.22, 0.95%, 0.61%

LAB 87.97, -41.22, -16.21

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 0 / 58 / 76 / 2

HEX #FA693D

RGB 250 105 61

HSL 13.97, 0.95%, 0.61%

LAB 62.31, 53.08, 51.37

 

CMYK 76 / 0 / 73 / 2

HEX #3DFA43

RGB 61 250 67

HSL 121.9, 0.95%, 0.61%

LAB 86.88, -77.97, 70.07

 

CMYK 76 / 18 / 0 / 2

HEX #3DCDFA

RGB 61 205 250

HSL 194.29, 0.95%, 0.61%

LAB 77.02, -23.1, -32.88

 

CMYK 0 / 76 / 3 / 2

HEX #FA3DF3

RGB 250 61 243

HSL 302.22, 0.95%, 0.61%

LAB 61.77, 87.1, -51.92

 

CMYK 0 / 36 / 76 / 2

HEX #FAA13D

RGB 250 161 61

HSL 31.75, 0.95%, 0.61%

LAB 73.64, 25.18, 62.76

 

CMYK 76 / 0 / 73 / 2

HEX #3DFA43

RGB 61 250 67

HSL 121.9, 0.95%, 0.61%

LAB 86.88, -77.97, 70.07

 

CMYK 76 / 40 / 0 / 2

HEX #3D95FA

RGB 61 149 250

HSL 212.06, 0.95%, 0.61%

LAB 61.12, 7.73, -57.83

 

Description

Color code: HEX #FA3DF3 | qconv.com Color code: HEX #FA3DF3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 61 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 61 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 3 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 3% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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