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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA3DF6 it is the complementary color #05C209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA3DF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA3DF6 shade: #FF3DF1, #FF4FFF, #FF61FF, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA3DF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA3DF6 shade: #FA3DF6, #E92BE3, #D819D0, #C707BD and #B600AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA3DF6 shade: #FA3DF6, #FA3DC3, #FA3D90, #FA3D5D and #FA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA3DF6 shade: #FA3DF6, #CB3DFA, #983DFA, #653DFA and #3D3DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA3DF6 shade matches the following richer shades: #FA3DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA3DF6 shade: #FA3DF6, #E94DE6, #D95DD7, #C96DC7 and #B97DB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA3DF6 shade: #983DFA, #CA3DFA, #FA3DF6, #FA3DC4 and #FA3D92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA3DF6 shade: #DE05DA, #F814F4, #FA3DF6, #FB65F7 and #FC8DF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA3DF6 shade: #FA3DF6, #FA663D and #3DFAB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA3DF6 shade: #FA3DF6, #F6FA3D and #3DF6FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA3DF6 shade: #FA3DF6, #FA663D, #3DFA40 and #3DD1FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA3DF6 shade: #FA3DF6, #FA9E3D, #3DFA40 and #3D98FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

Complementary color

CMYK 97 / 0 / 95 / 24

HEX #05C209

RGB 5 194 9

HSL 121.27, 0.95%, 0.39%

LAB 68.49, -69.76, 66.73

 

CMYK 0 / 76 / 5 / 0

HEX #FF3DF1

RGB 255 61 241

HSL 304.33, 1%, 0.62%

LAB 62.46, 87.8, -49.66

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 0 / 82 / 3 / 9

HEX #E92BE3

RGB 233 43 227

HSL 301.89, 0.81%, 0.54%

LAB 56.68, 85.81, -51.22

 

CMYK 0 / 88 / 4 / 15

HEX #D819D0

RGB 216 25 208

HSL 302.51, 0.79%, 0.47%

LAB 51.67, 83.2, -48.57

 

CMYK 0 / 96 / 5 / 22

HEX #C707BD

RGB 199 7 189

HSL 303.13, 0.93%, 0.4%

LAB 46.93, 79.5, -45.28

 

CMYK 0 / 100 / 7 / 29

HEX #B600AA

RGB 182 0 170

HSL 303.96, 1%, 0.36%

LAB 42.53, 74.54, -41.25

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 0 / 76 / 22 / 2

HEX #FA3DC3

RGB 250 61 195

HSL 317.46, 0.95%, 0.61%

LAB 59.53, 80.6, -28.36

 

CMYK 0 / 76 / 42 / 2

HEX #FA3D90

RGB 250 61 144

HSL 333.65, 0.95%, 0.61%

LAB 57.73, 75.13, -1.43

 

CMYK 0 / 76 / 63 / 2

HEX #FA3D5D

RGB 250 61 93

HSL 349.84, 0.95%, 0.61%

LAB 56.54, 71.38, 27.08

 

CMYK 0 / 76 / 76 / 2

HEX #FA3D3D

RGB 250 61 61

HSL 0, 0.95%, 0.61%

LAB 56.09, 69.93, 44.79

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 19 / 76 / 0 / 2

HEX #CB3DFA

RGB 203 61 250

HSL 285.08, 0.95%, 0.61%

LAB 55.01, 79.41, -67.04

 

CMYK 39 / 76 / 0 / 2

HEX #983DFA

RGB 152 61 250

HSL 268.89, 0.95%, 0.61%

LAB 48.15, 70.85, -78.49

 

CMYK 60 / 76 / 0 / 2

HEX #653DFA

RGB 101 61 250

HSL 252.7, 0.95%, 0.61%

LAB 42.77, 63.97, -87.52

 

CMYK 76 / 76 / 0 / 2

HEX #3D3DFA

RGB 61 61 250

HSL 240, 0.95%, 0.61%

LAB 39.97, 60.3, -92.25

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 0 / 67 / 1 / 9

HEX #E94DE6

RGB 233 77 230

HSL 301.15, 0.78%, 0.61%

LAB 60.2, 76.64, -47.32

 

CMYK 0 / 57 / 1 / 15

HEX #D95DD7

RGB 217 93 215

HSL 300.97, 0.62%, 0.61%

LAB 59.42, 64.01, -40.27

 

CMYK 0 / 46 / 1 / 21

HEX #C96DC7

RGB 201 109 199

HSL 301.3, 0.46%, 0.61%

LAB 59.41, 49.21, -31.39

 

CMYK 0 / 32 / 1 / 27

HEX #B97DB8

RGB 185 125 184

HSL 301, 0.3%, 0.61%

LAB 60.29, 32.92, -21.67

 

CMYK 39 / 76 / 0 / 2

HEX #983DFA

RGB 152 61 250

HSL 268.89, 0.95%, 0.61%

LAB 48.15, 70.85, -78.49

 

CMYK 19 / 76 / 0 / 2

HEX #CA3DFA

RGB 202 61 250

HSL 284.76, 0.95%, 0.61%

LAB 54.86, 79.23, -67.29

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 0 / 76 / 22 / 2

HEX #FA3DC4

RGB 250 61 196

HSL 317.14, 0.95%, 0.61%

LAB 59.57, 80.73, -28.86

 

CMYK 0 / 76 / 42 / 2

HEX #FA3D92

RGB 250 61 146

HSL 333.02, 0.95%, 0.61%

LAB 57.79, 75.32, -2.52

 

CMYK 0 / 98 / 2 / 13

HEX #DE05DA

RGB 222 5 218

HSL 301.11, 0.96%, 0.45%

LAB 52.62, 87.57, -52.7

 

CMYK 0 / 92 / 2 / 3

HEX #F814F4

RGB 248 20 244

HSL 301.05, 0.94%, 0.53%

LAB 58.96, 94.27, -56.97

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 0 / 60 / 2 / 2

HEX #FB65F7

RGB 251 101 247

HSL 301.6, 0.95%, 0.69%

LAB 66.92, 74.39, -45.98

 

CMYK 0 / 44 / 1 / 1

HEX #FC8DF9

RGB 252 141 249

HSL 301.62, 0.95%, 0.77%

LAB 73.92, 56.87, -36.13

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 0 / 59 / 76 / 2

HEX #FA663D

RGB 250 102 61

HSL 13.02, 0.95%, 0.61%

LAB 61.8, 54.43, 50.84

 

CMYK 76 / 0 / 29 / 2

HEX #3DFAB1

RGB 61 250 177

HSL 156.83, 0.95%, 0.61%

LAB 88.23, -62.33, 22.1

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 2 / 0 / 76 / 2

HEX #F6FA3D

RGB 246 250 61

HSL 61.27, 0.95%, 0.61%

LAB 95.29, -21.72, 82.91

 

CMYK 76 / 2 / 0 / 2

HEX #3DF6FA

RGB 61 246 250

HSL 181.27, 0.95%, 0.61%

LAB 88.83, -42.56, -14.91

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 0 / 59 / 76 / 2

HEX #FA663D

RGB 250 102 61

HSL 13.02, 0.95%, 0.61%

LAB 61.8, 54.43, 50.84

 

CMYK 76 / 0 / 74 / 2

HEX #3DFA40

RGB 61 250 64

HSL 120.95, 0.95%, 0.61%

LAB 86.87, -78.19, 71.03

 

CMYK 76 / 16 / 0 / 2

HEX #3DD1FA

RGB 61 209 250

HSL 193.02, 0.95%, 0.61%

LAB 78.17, -25.11, -31.11

 

CMYK 0 / 76 / 2 / 2

HEX #FA3DF6

RGB 250 61 246

HSL 301.27, 0.95%, 0.61%

LAB 61.93, 87.55, -53.34

 

CMYK 0 / 37 / 76 / 2

HEX #FA9E3D

RGB 250 158 61

HSL 30.79, 0.95%, 0.61%

LAB 72.97, 26.75, 62.1

 

CMYK 76 / 0 / 74 / 2

HEX #3DFA40

RGB 61 250 64

HSL 120.95, 0.95%, 0.61%

LAB 86.87, -78.19, 71.03

 

CMYK 76 / 39 / 0 / 2

HEX #3D98FA

RGB 61 152 250

HSL 211.11, 0.95%, 0.61%

LAB 61.96, 5.95, -56.5

 

Description

Color code: HEX #FA3DF6 | qconv.com Color code: HEX #FA3DF6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 61 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 61 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 2 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 2% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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