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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA46BB it is the complementary color #05B944. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA46BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA46BB shade: #FF46B6, #FF58C9, #FF6ADC, #FF7CEF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA46BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA46BB shade: #FA46BB, #E934A8, #D82295, #C71082 and #B6006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA46BB shade: #FA47BB, #FA478B, #FA475A and #FA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA46BB shade: #FA47BB, #FA47EB, #D847FA, #A747FA and #7747FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA46BB shade matches the following richer shades: #FA47BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA46BB shade: #FA47BB, #EB56B6, #DB65B2, #CC74AD and #BD84A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA46BB shade: #D947FA, #FA47EB, #FA47BB, #FA478B and #FA475B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA46BB shade: #E80599, #F91EAC, #FA47BB, #FB6FCA and #FC97D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA46BB shade: #FA46BB, #FAA947 and #47FAF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA46BB shade: #FA46BB, #BBFA47 and #47BBFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA46BB shade: #FA46BB, #FAA947, #47FA85 and #4797FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA46BB shade: #FA46BB, #FADF47, #47FA85 and #4761FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 25 / 2

HEX #FA46BB

RGB 250 70 187

HSL 321, 0.95%, 0.63%

LAB 60.15, 76.95, -22.81

 

Complementary color

CMYK 97 / 0 / 63 / 27

HEX #05B944

RGB 5 185 68

HSL 141, 0.95%, 0.37%

LAB 65.86, -63.33, 47.21

 

CMYK 0 / 73 / 29 / 0

HEX #FF46B6

RGB 255 70 182

HSL 323.68, 1%, 0.64%

LAB 60.8, 77.58, -18.87

 

CMYK 0 / 65 / 21 / 0

HEX #FF58C9

RGB 255 88 201

HSL 319.4, 1%, 0.67%

LAB 63.72, 73.73, -25.25

 

CMYK 0 / 58 / 14 / 0

HEX #FF6ADC

RGB 255 106 220

HSL 314.09, 1%, 0.71%

LAB 67.08, 69.18, -30.74

 

CMYK 0 / 51 / 6 / 0

HEX #FF7CEF

RGB 255 124 239

HSL 307.33, 1%, 0.74%

LAB 70.81, 64.14, -35.48

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 72 / 25 / 2

HEX #FA46BB

RGB 250 70 187

HSL 321, 0.95%, 0.63%

LAB 60.15, 76.95, -22.81

 

CMYK 0 / 78 / 28 / 9

HEX #E934A8

RGB 233 52 168

HSL 321.55, 0.8%, 0.56%

LAB 54.66, 75.95, -20.44

 

CMYK 0 / 84 / 31 / 15

HEX #D82295

RGB 216 34 149

HSL 322.09, 0.73%, 0.49%

LAB 49.39, 74.18, -17.52

 

CMYK 0 / 92 / 35 / 22

HEX #C71082

RGB 199 16 130

HSL 322.62, 0.85%, 0.42%

LAB 44.41, 71.38, -13.88

 

CMYK 0 / 100 / 39 / 29

HEX #B6006F

RGB 182 0 111

HSL 323.41, 1%, 0.36%

LAB 39.74, 67.5, -9.47

 

CMYK 0 / 72 / 25 / 2

HEX #FA47BB

RGB 250 71 187

HSL 321.12, 0.95%, 0.63%

LAB 60.26, 76.63, -22.63

 

CMYK 0 / 72 / 44 / 2

HEX #FA478B

RGB 250 71 139

HSL 337.21, 0.95%, 0.63%

LAB 58.69, 71.58, 2.91

 

CMYK 0 / 72 / 64 / 2

HEX #FA475A

RGB 250 71 90

HSL 353.63, 0.95%, 0.63%

LAB 57.63, 68.04, 30.22

 

CMYK 0 / 72 / 72 / 2

HEX #FA4747

RGB 250 71 71

HSL 0, 0.95%, 0.63%

LAB 57.35, 67.11, 40.71

 

CMYK 0 / 72 / 25 / 2

HEX #FA47BB

RGB 250 71 187

HSL 321.12, 0.95%, 0.63%

LAB 60.26, 76.63, -22.63

 

CMYK 0 / 72 / 6 / 2

HEX #FA47EB

RGB 250 71 235

HSL 305.03, 0.95%, 0.63%

LAB 62.36, 83.07, -46.53

 

CMYK 14 / 72 / 0 / 2

HEX #D847FA

RGB 216 71 250

HSL 288.6, 0.95%, 0.63%

LAB 58.04, 78.54, -62.06

 

CMYK 33 / 72 / 0 / 2

HEX #A747FA

RGB 167 71 250

HSL 272.18, 0.95%, 0.63%

LAB 51.41, 69.34, -73.1

 

CMYK 52 / 72 / 0 / 2

HEX #7747FA

RGB 119 71 250

HSL 256.09, 0.95%, 0.63%

LAB 46.08, 61.55, -82.02

 

CMYK 0 / 72 / 25 / 2

HEX #FA47BB

RGB 250 71 187

HSL 321.12, 0.95%, 0.63%

LAB 60.26, 76.63, -22.63

 

CMYK 0 / 72 / 25 / 2

HEX #FA47BB

RGB 250 71 187

HSL 321.12, 0.95%, 0.63%

LAB 60.26, 76.63, -22.63

 

CMYK 0 / 63 / 23 / 8

HEX #EB56B6

RGB 235 86 182

HSL 321.34, 0.79%, 0.63%

LAB 59.61, 66.74, -20.97

 

CMYK 0 / 54 / 19 / 14

HEX #DB65B2

RGB 219 101 178

HSL 320.85, 0.62%, 0.63%

LAB 59.51, 55.07, -19.05

 

CMYK 0 / 43 / 15 / 20

HEX #CC74AD

RGB 204 116 173

HSL 321.14, 0.46%, 0.63%

LAB 60.2, 42.11, -15.32

 

CMYK 0 / 30 / 11 / 26

HEX #BD84A9

RGB 189 132 169

HSL 321.05, 0.3%, 0.63%

LAB 61.81, 27.69, -10.78

 

CMYK 13 / 72 / 0 / 2

HEX #D947FA

RGB 217 71 250

HSL 288.94, 0.95%, 0.63%

LAB 58.19, 78.73, -61.82

 

CMYK 0 / 72 / 6 / 2

HEX #FA47EB

RGB 250 71 235

HSL 305.03, 0.95%, 0.63%

LAB 62.36, 83.07, -46.53

 

CMYK 0 / 72 / 25 / 2

HEX #FA47BB

RGB 250 71 187

HSL 321.12, 0.95%, 0.63%

LAB 60.26, 76.63, -22.63

 

CMYK 0 / 72 / 44 / 2

HEX #FA478B

RGB 250 71 139

HSL 337.21, 0.95%, 0.63%

LAB 58.69, 71.58, 2.91

 

CMYK 0 / 72 / 64 / 2

HEX #FA475B

RGB 250 71 91

HSL 353.3, 0.95%, 0.63%

LAB 57.64, 68.09, 29.66

 

CMYK 0 / 98 / 34 / 9

HEX #E80599

RGB 232 5 153

HSL 320.88, 0.96%, 0.46%

LAB 51.34, 81.55, -16.66

 

CMYK 0 / 88 / 31 / 2

HEX #F91EAC

RGB 249 30 172

HSL 321.1, 0.95%, 0.55%

LAB 56.13, 84.4, -20.28

 

CMYK 0 / 72 / 25 / 2

HEX #FA47BB

RGB 250 71 187

HSL 321.12, 0.95%, 0.63%

LAB 60.26, 76.63, -22.63

 

CMYK 0 / 56 / 20 / 2

HEX #FB6FCA

RGB 251 111 202

HSL 321, 0.95%, 0.71%

LAB 66.63, 63.33, -21.41

 

CMYK 0 / 40 / 14 / 1

HEX #FC97D9

RGB 252 151 217

HSL 320.79, 0.94%, 0.79%

LAB 74.72, 46.59, -17.44

 

CMYK 0 / 72 / 25 / 2

HEX #FA46BB

RGB 250 70 187

HSL 321, 0.95%, 0.63%

LAB 60.15, 76.95, -22.81

 

CMYK 0 / 32 / 72 / 2

HEX #FAA947

RGB 250 169 71

HSL 32.85, 0.95%, 0.63%

LAB 75.55, 21.42, 60.47

 

CMYK 72 / 0 / 4 / 2

HEX #47FAF1

RGB 71 250 241

HSL 176.98, 0.95%, 0.63%

LAB 89.89, -45.75, -8.63

 

CMYK 0 / 72 / 25 / 2

HEX #FA46BB

RGB 250 70 187

HSL 321, 0.95%, 0.63%

LAB 60.15, 76.95, -22.81

 

CMYK 25 / 0 / 72 / 2

HEX #BBFA47

RGB 187 250 71

HSL 81.12, 0.95%, 0.63%

LAB 91.41, -44.27, 74.73

 

CMYK 72 / 25 / 0 / 2

HEX #47BBFA

RGB 71 187 250

HSL 201.12, 0.95%, 0.63%

LAB 72.08, -12.54, -40.52

 

CMYK 0 / 72 / 25 / 2

HEX #FA46BB

RGB 250 70 187

HSL 321, 0.95%, 0.63%

LAB 60.15, 76.95, -22.81

 

CMYK 0 / 32 / 72 / 2

HEX #FAA947

RGB 250 169 71

HSL 32.85, 0.95%, 0.63%

LAB 75.55, 21.42, 60.47

 

CMYK 72 / 0 / 47 / 2

HEX #47FA85

RGB 71 250 133

HSL 140.78, 0.95%, 0.63%

LAB 87.68, -69.06, 43.33

 

CMYK 72 / 40 / 0 / 2

HEX #4797FA

RGB 71 151 250

HSL 213.18, 0.95%, 0.63%

LAB 61.98, 7.77, -56.45

 

CMYK 0 / 72 / 25 / 2

HEX #FA46BB

RGB 250 70 187

HSL 321, 0.95%, 0.63%

LAB 60.15, 76.95, -22.81

 

CMYK 0 / 11 / 72 / 2

HEX #FADF47

RGB 250 223 71

HSL 50.95, 0.95%, 0.63%

LAB 88.71, -6.47, 73.63

 

CMYK 72 / 0 / 47 / 2

HEX #47FA85

RGB 71 250 133

HSL 140.78, 0.95%, 0.63%

LAB 87.68, -69.06, 43.33

 

CMYK 72 / 61 / 0 / 2

HEX #4761FA

RGB 71 97 250

HSL 231.28, 0.95%, 0.63%

LAB 48, 40.75, -79.02

 

Description

Color code: HEX #FA46BB | qconv.com Color code: HEX #FA46BB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 70 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 70 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 25 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 25% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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