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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA47BE it is the complementary color #05B841. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA47BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA47BE shade: #FF47B9, #FF59CC, #FF6BDF, #FF7DF2 and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA47BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA47BE shade: #FA47BE, #E935AB, #D82398, #C71185 and #B60072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA47BE shade: #FA47BE, #FA478D, #FA475D and #FA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA47BE shade: #FA47BE, #FA47EE, #D547FA, #A547FA and #7447FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA47BE shade matches the following richer shades: #FA47BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA47BE shade: #FA47BE, #EB56B9, #DB65B4, #CC74AF and #BD84AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA47BE shade: #D647FA, #FA47EE, #FA47BE, #FA478E and #FA475E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA47BE shade: #E8059C, #F91EB0, #FA47BE, #FB6FCC and #FC97DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA47BE shade: #FA47BE, #FAA647 and #47FAEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA47BE shade: #FA47BE, #BEFA47 and #47BEFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA47BE shade: #FA47BE, #FAA647, #47FA82 and #479AFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA47BE shade: #FA47BE, #FADC47, #47FA82 and #4764FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

Complementary color

CMYK 97 / 0 / 65 / 28

HEX #05B841

RGB 5 184 65

HSL 140.11, 0.95%, 0.37%

LAB 65.51, -63.37, 48.12

 

CMYK 0 / 72 / 27 / 0

HEX #FF47B9

RGB 255 71 185

HSL 322.83, 1%, 0.64%

LAB 61.02, 77.62, -20.26

 

CMYK 0 / 65 / 20 / 0

HEX #FF59CC

RGB 255 89 204

HSL 318.43, 1%, 0.67%

LAB 63.97, 73.75, -26.56

 

CMYK 0 / 58 / 13 / 0

HEX #FF6BDF

RGB 255 107 223

HSL 312.97, 1%, 0.71%

LAB 67.35, 69.2, -31.98

 

CMYK 0 / 51 / 5 / 0

HEX #FF7DF2

RGB 255 125 242

HSL 306, 1%, 0.75%

LAB 71.1, 64.17, -36.66

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 77 / 27 / 9

HEX #E935AB

RGB 233 53 171

HSL 320.67, 0.8%, 0.56%

LAB 54.88, 76.03, -21.88

 

CMYK 0 / 84 / 30 / 15

HEX #D82398

RGB 216 35 152

HSL 321.22, 0.72%, 0.49%

LAB 49.58, 74.3, -19.03

 

CMYK 0 / 91 / 33 / 22

HEX #C71185

RGB 199 17 133

HSL 321.76, 0.84%, 0.42%

LAB 44.57, 71.56, -15.47

 

CMYK 0 / 100 / 37 / 29

HEX #B60072

RGB 182 0 114

HSL 322.42, 1%, 0.36%

LAB 39.85, 67.79, -11.19

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 72 / 44 / 2

HEX #FA478D

RGB 250 71 141

HSL 336.54, 0.95%, 0.63%

LAB 58.75, 71.76, 1.82

 

CMYK 0 / 72 / 63 / 2

HEX #FA475D

RGB 250 71 93

HSL 352.63, 0.95%, 0.63%

LAB 57.68, 68.21, 28.54

 

CMYK 0 / 72 / 72 / 2

HEX #FA4747

RGB 250 71 71

HSL 0, 0.95%, 0.63%

LAB 57.35, 67.11, 40.71

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 72 / 5 / 2

HEX #FA47EE

RGB 250 71 238

HSL 304.02, 0.95%, 0.63%

LAB 62.51, 83.51, -47.97

 

CMYK 15 / 72 / 0 / 2

HEX #D547FA

RGB 213 71 250

HSL 287.6, 0.95%, 0.63%

LAB 57.61, 77.95, -62.77

 

CMYK 34 / 72 / 0 / 2

HEX #A547FA

RGB 165 71 250

HSL 271.51, 0.95%, 0.63%

LAB 51.16, 68.98, -73.52

 

CMYK 54 / 72 / 0 / 2

HEX #7447FA

RGB 116 71 250

HSL 255.08, 0.95%, 0.63%

LAB 45.8, 61.13, -82.49

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 63 / 21 / 8

HEX #EB56B9

RGB 235 86 185

HSL 320.13, 0.79%, 0.63%

LAB 59.73, 67.14, -22.52

 

CMYK 0 / 54 / 18 / 14

HEX #DB65B4

RGB 219 101 180

HSL 319.83, 0.62%, 0.63%

LAB 59.58, 55.37, -20.08

 

CMYK 0 / 43 / 14 / 20

HEX #CC74AF

RGB 204 116 175

HSL 319.77, 0.46%, 0.63%

LAB 60.27, 42.43, -16.36

 

CMYK 0 / 30 / 10 / 26

HEX #BD84AA

RGB 189 132 170

HSL 320, 0.3%, 0.63%

LAB 61.85, 27.86, -11.3

 

CMYK 14 / 72 / 0 / 2

HEX #D647FA

RGB 214 71 250

HSL 287.93, 0.95%, 0.63%

LAB 57.76, 78.15, -62.54

 

CMYK 0 / 72 / 5 / 2

HEX #FA47EE

RGB 250 71 238

HSL 304.02, 0.95%, 0.63%

LAB 62.51, 83.51, -47.97

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 72 / 43 / 2

HEX #FA478E

RGB 250 71 142

HSL 336.2, 0.95%, 0.63%

LAB 58.77, 71.85, 1.27

 

CMYK 0 / 72 / 62 / 2

HEX #FA475E

RGB 250 71 94

HSL 352.29, 0.95%, 0.63%

LAB 57.69, 68.26, 27.98

 

CMYK 0 / 98 / 33 / 9

HEX #E8059C

RGB 232 5 156

HSL 320.09, 0.96%, 0.46%

LAB 51.46, 81.84, -18.28

 

CMYK 0 / 88 / 29 / 2

HEX #F91EB0

RGB 249 30 176

HSL 320, 0.95%, 0.55%

LAB 56.29, 84.82, -22.38

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 56 / 19 / 2

HEX #FB6FCC

RGB 251 111 204

HSL 320.14, 0.95%, 0.71%

LAB 66.7, 63.61, -22.42

 

CMYK 0 / 40 / 13 / 1

HEX #FC97DA

RGB 252 151 218

HSL 320.2, 0.94%, 0.79%

LAB 74.76, 46.75, -17.93

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 34 / 72 / 2

HEX #FAA647

RGB 250 166 71

HSL 31.84, 0.95%, 0.63%

LAB 74.86, 22.99, 59.76

 

CMYK 72 / 0 / 5 / 2

HEX #47FAEE

RGB 71 250 238

HSL 175.98, 0.95%, 0.63%

LAB 89.81, -46.55, -7.19

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 24 / 0 / 72 / 2

HEX #BEFA47

RGB 190 250 71

HSL 80.11, 0.95%, 0.63%

LAB 91.58, -43.17, 74.96

 

CMYK 72 / 24 / 0 / 2

HEX #47BEFA

RGB 71 190 250

HSL 200.11, 0.95%, 0.63%

LAB 72.94, -14.15, -39.18

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 34 / 72 / 2

HEX #FAA647

RGB 250 166 71

HSL 31.84, 0.95%, 0.63%

LAB 74.86, 22.99, 59.76

 

CMYK 72 / 0 / 48 / 2

HEX #47FA82

RGB 71 250 130

HSL 139.78, 0.95%, 0.63%

LAB 87.64, -69.51, 44.71

 

CMYK 72 / 38 / 0 / 2

HEX #479AFA

RGB 71 154 250

HSL 212.18, 0.95%, 0.63%

LAB 62.8, 6.01, -55.13

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BE

RGB 250 71 190

HSL 320.11, 0.95%, 0.63%

LAB 60.38, 77, -24.18

 

CMYK 0 / 12 / 72 / 2

HEX #FADC47

RGB 250 220 71

HSL 49.94, 0.95%, 0.63%

LAB 87.95, -4.96, 72.89

 

CMYK 72 / 0 / 48 / 2

HEX #47FA82

RGB 71 250 130

HSL 139.78, 0.95%, 0.63%

LAB 87.64, -69.51, 44.71

 

CMYK 72 / 60 / 0 / 2

HEX #4764FA

RGB 71 100 250

HSL 230.28, 0.95%, 0.63%

LAB 48.71, 38.92, -77.86

 

Description

Color code: HEX #FA47BE | qconv.com Color code: HEX #FA47BE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 71 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 71 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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