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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA42BF it is the complementary color #05BD40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA42BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA42BF shade: #FF42BA, #FF54CD, #FF66E0, #FF78F3 and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA42BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA42BF shade: #FA42BF, #E930AC, #D81E99, #C70C86 and #B60073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA42BF shade: #FA42BF, #FA428D, #FA425B and #FA4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA42BF shade: #FA42BF, #FA42F0, #D142FA, #A042FA and #6E42FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA42BF shade matches the following richer shades: #FA42BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA42BF shade: #FA42BF, #EA51B9, #DA61B3, #CB71AE and #BB80A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA42BF shade: #D242FA, #FA42F0, #FA42BF, #FA428E and #FA425D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA42BF shade: #E3059C, #F919B1, #FA42BF, #FB6ACC and #FC92DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA42BF shade: #FA42BF, #FAA142 and #42FAEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA42BF shade: #FA42BF, #BFFA42 and #42BFFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA42BF shade: #FA42BF, #FAA142, #42FA7C and #429BFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA42BF shade: #FA42BF, #FAD842, #42FA7C and #4263FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

Complementary color

CMYK 97 / 0 / 66 / 26

HEX #05BD40

RGB 5 189 64

HSL 139.24, 0.95%, 0.38%

LAB 67.12, -64.99, 50.33

 

CMYK 0 / 74 / 27 / 0

HEX #FF42BA

RGB 255 66 186

HSL 321.9, 1%, 0.63%

LAB 60.52, 79.26, -21.6

 

CMYK 0 / 67 / 20 / 0

HEX #FF54CD

RGB 255 84 205

HSL 317.54, 1%, 0.66%

LAB 63.35, 75.71, -28.08

 

CMYK 0 / 60 / 12 / 0

HEX #FF66E0

RGB 255 102 224

HSL 312.16, 1%, 0.7%

LAB 66.63, 71.43, -33.66

 

CMYK 0 / 53 / 5 / 0

HEX #FF78F3

RGB 255 120 243

HSL 305.33, 1%, 0.74%

LAB 70.29, 66.61, -38.47

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 79 / 26 / 9

HEX #E930AC

RGB 233 48 172

HSL 319.78, 0.81%, 0.55%

LAB 54.47, 77.43, -23.09

 

CMYK 0 / 86 / 29 / 15

HEX #D81E99

RGB 216 30 153

HSL 320.32, 0.76%, 0.48%

LAB 49.29, 75.38, -20.07

 

CMYK 0 / 94 / 33 / 22

HEX #C70C86

RGB 199 12 134

HSL 320.86, 0.89%, 0.41%

LAB 44.41, 72.24, -16.33

 

CMYK 0 / 100 / 37 / 29

HEX #B60073

RGB 182 0 115

HSL 322.09, 1%, 0.36%

LAB 39.89, 67.89, -11.75

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 74 / 44 / 2

HEX #FA428D

RGB 250 66 141

HSL 335.54, 0.95%, 0.62%

LAB 58.17, 73.36, 0.99

 

CMYK 0 / 74 / 64 / 2

HEX #FA425B

RGB 250 66 91

HSL 351.85, 0.95%, 0.62%

LAB 57.05, 69.73, 28.91

 

CMYK 0 / 74 / 74 / 2

HEX #FA4242

RGB 250 66 66

HSL 0, 0.95%, 0.62%

LAB 56.7, 68.56, 42.73

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 74 / 4 / 2

HEX #FA42F0

RGB 250 66 240

HSL 303.26, 0.95%, 0.62%

LAB 62.09, 85.29, -49.74

 

CMYK 16 / 74 / 0 / 2

HEX #D142FA

RGB 209 66 250

HSL 286.63, 0.95%, 0.62%

LAB 56.44, 78.89, -64.69

 

CMYK 36 / 74 / 0 / 2

HEX #A042FA

RGB 160 66 250

HSL 270.65, 0.95%, 0.62%

LAB 49.82, 70.17, -75.72

 

CMYK 56 / 74 / 0 / 2

HEX #6E42FA

RGB 110 66 250

HSL 254.35, 0.95%, 0.62%

LAB 44.4, 62.72, -84.82

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 65 / 21 / 8

HEX #EA51B9

RGB 234 81 185

HSL 319.22, 0.78%, 0.62%

LAB 58.86, 68.83, -23.86

 

CMYK 0 / 56 / 18 / 15

HEX #DA61B3

RGB 218 97 179

HSL 319.34, 0.62%, 0.62%

LAB 58.7, 56.78, -20.86

 

CMYK 0 / 44 / 14 / 20

HEX #CB71AE

RGB 203 113 174

HSL 319.33, 0.46%, 0.62%

LAB 59.49, 43.51, -16.98

 

CMYK 0 / 32 / 10 / 27

HEX #BB80A8

RGB 187 128 168

HSL 319.32, 0.3%, 0.62%

LAB 60.63, 29.03, -12.01

 

CMYK 16 / 74 / 0 / 2

HEX #D242FA

RGB 210 66 250

HSL 286.96, 0.95%, 0.62%

LAB 56.59, 79.07, -64.45

 

CMYK 0 / 74 / 4 / 2

HEX #FA42F0

RGB 250 66 240

HSL 303.26, 0.95%, 0.62%

LAB 62.09, 85.29, -49.74

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 74 / 43 / 2

HEX #FA428E

RGB 250 66 142

HSL 335.22, 0.95%, 0.62%

LAB 58.2, 73.45, 0.44

 

CMYK 0 / 74 / 63 / 2

HEX #FA425D

RGB 250 66 93

HSL 351.2, 0.95%, 0.62%

LAB 57.09, 69.85, 27.78

 

CMYK 0 / 98 / 31 / 11

HEX #E3059C

RGB 227 5 156

HSL 319.19, 0.96%, 0.45%

LAB 50.5, 80.85, -19.82

 

CMYK 0 / 90 / 29 / 2

HEX #F919B1

RGB 249 25 177

HSL 319.29, 0.95%, 0.54%

LAB 56.1, 85.6, -23.26

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 58 / 19 / 2

HEX #FB6ACC

RGB 251 106 204

HSL 319.45, 0.95%, 0.7%

LAB 65.89, 65.8, -23.67

 

CMYK 0 / 42 / 13 / 1

HEX #FC92DA

RGB 252 146 218

HSL 319.25, 0.95%, 0.78%

LAB 73.75, 49.28, -19.46

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 36 / 74 / 2

HEX #FAA142

RGB 250 161 66

HSL 30.98, 0.95%, 0.62%

LAB 73.68, 25.39, 60.71

 

CMYK 74 / 0 / 6 / 2

HEX #42FAEA

RGB 66 250 234

HSL 174.78, 0.95%, 0.62%

LAB 89.61, -48.17, -5.4

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 24 / 0 / 74 / 2

HEX #BFFA42

RGB 191 250 66

HSL 79.24, 0.95%, 0.62%

LAB 91.61, -43.06, 76.64

 

CMYK 74 / 24 / 0 / 2

HEX #42BFFA

RGB 66 191 250

HSL 199.24, 0.95%, 0.62%

LAB 73.1, -15.3, -38.94

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 36 / 74 / 2

HEX #FAA142

RGB 250 161 66

HSL 30.98, 0.95%, 0.62%

LAB 73.68, 25.39, 60.71

 

CMYK 74 / 0 / 50 / 2

HEX #42FA7C

RGB 66 250 124

HSL 138.91, 0.95%, 0.62%

LAB 87.48, -71.11, 47.32

 

CMYK 74 / 38 / 0 / 2

HEX #429BFA

RGB 66 155 250

HSL 210.98, 0.95%, 0.62%

LAB 62.93, 4.78, -54.94

 

CMYK 0 / 74 / 24 / 2

HEX #FA42BF

RGB 250 66 191

HSL 319.24, 0.95%, 0.62%

LAB 59.87, 78.67, -25.53

 

CMYK 0 / 14 / 74 / 2

HEX #FAD842

RGB 250 216 66

HSL 48.91, 0.95%, 0.62%

LAB 86.91, -3.16, 73.67

 

CMYK 74 / 0 / 50 / 2

HEX #42FA7C

RGB 66 250 124

HSL 138.91, 0.95%, 0.62%

LAB 87.48, -71.11, 47.32

 

CMYK 74 / 60 / 0 / 2

HEX #4263FA

RGB 66 99 250

HSL 229.24, 0.95%, 0.62%

LAB 48.24, 38.97, -78.63

 

Description

Color code: HEX #FA42BF | qconv.com Color code: HEX #FA42BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 66 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 66 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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