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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA5576 it is the complementary color #05AA89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA5576. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA5576 shade: #FF5571, #FF6784, #FF7997, #FF8BAA and #FF9DBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA5576. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA5576 shade: #FA5576, #E94363, #D83150, #C71F3D and #B60D2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA5576 shade: #F95677 and #F95656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA5576 shade: #F95677, #F956A3, #F956CF, #F856F9 and #CC56F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA5576 shade matches the following richer shades: #F95677

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA5576 shade: #F95677, #EB647F, #DD7288, #CF8090 and #C18E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA5576 shade: #F956CE, #F956A2, #F95677, #F96156 and #F98D56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA5576 shade: #F60737, #F82E57, #F95677, #FB7E97 and #FCA6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA5576 shade: #FA5576, #F9F956 and #56B8F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA5576 shade: #FA5576, #77F956 and #5677F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA5576 shade: #FA5576, #F9F956, #56F9D9 and #5656F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA5576 shade: #FA5576, #C8F956, #56F9D9 and #8756F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 53 / 2

HEX #FA5576

RGB 250 85 118

HSL 348, 0.94%, 0.66%

LAB 60.01, 64.79, 17.08

 

Complementary color

CMYK 97 / 0 / 19 / 33

HEX #05AA89

RGB 5 170 137

HSL 168, 0.94%, 0.34%

LAB 62.16, -44.78, 6.71

 

CMYK 0 / 67 / 56 / 0

HEX #FF5571

RGB 255 85 113

HSL 350.12, 1%, 0.67%

LAB 60.74, 65.94, 21.12

 

CMYK 0 / 60 / 48 / 0

HEX #FF6784

RGB 255 103 132

HSL 348.55, 1%, 0.7%

LAB 63.86, 60.1, 14.44

 

CMYK 0 / 53 / 41 / 0

HEX #FF7997

RGB 255 121 151

HSL 346.57, 1%, 0.74%

LAB 67.4, 53.75, 8.61

 

CMYK 0 / 45 / 33 / 0

HEX #FF8BAA

RGB 255 139 170

HSL 343.97, 1%, 0.77%

LAB 71.3, 47.14, 3.54

 

CMYK 0 / 38 / 26 / 0

HEX #FF9DBD

RGB 255 157 189

HSL 340.41, 1%, 0.81%

LAB 75.48, 40.44, -0.89

 

CMYK 0 / 66 / 53 / 2

HEX #FA5576

RGB 250 85 118

HSL 348, 0.94%, 0.66%

LAB 60.01, 64.79, 17.08

 

CMYK 0 / 71 / 58 / 9

HEX #E94363

RGB 233 67 99

HSL 348.43, 0.79%, 0.59%

LAB 54.28, 64.97, 19.98

 

CMYK 0 / 77 / 63 / 15

HEX #D83150

RGB 216 49 80

HSL 348.86, 0.68%, 0.52%

LAB 48.73, 64.67, 23.47

 

CMYK 0 / 84 / 69 / 22

HEX #C71F3D

RGB 199 31 61

HSL 349.29, 0.73%, 0.45%

LAB 43.45, 63.63, 27.67

 

CMYK 0 / 93 / 77 / 29

HEX #B60D2A

RGB 182 13 42

HSL 349.7, 0.87%, 0.38%

LAB 38.55, 61.53, 32.65

 

CMYK 0 / 65 / 52 / 2

HEX #F95677

RGB 249 86 119

HSL 347.85, 0.93%, 0.66%

LAB 60, 64.18, 16.46

 

CMYK 0 / 65 / 65 / 2

HEX #F95656

RGB 249 86 86

HSL 0, 0.93%, 0.66%

LAB 59.4, 61.99, 34.7

 

CMYK 0 / 65 / 52 / 2

HEX #F95677

RGB 249 86 119

HSL 347.85, 0.93%, 0.66%

LAB 60, 64.18, 16.46

 

CMYK 0 / 65 / 35 / 2

HEX #F956A3

RGB 249 86 163

HSL 331.66, 0.93%, 0.66%

LAB 61.17, 68.31, -7.45

 

CMYK 0 / 65 / 17 / 2

HEX #F956CF

RGB 249 86 207

HSL 315.46, 0.93%, 0.66%

LAB 62.76, 73.75, -30.19

 

CMYK 0 / 65 / 0 / 2

HEX #F856F9

RGB 248 86 249

HSL 299.63, 0.93%, 0.66%

LAB 64.52, 79.76, -50.9

 

CMYK 18 / 65 / 0 / 2

HEX #CC56F9

RGB 204 86 249

HSL 283.44, 0.93%, 0.66%

LAB 58.35, 70.16, -61.1

 

CMYK 0 / 65 / 52 / 2

HEX #F95677

RGB 249 86 119

HSL 347.85, 0.93%, 0.66%

LAB 60, 64.18, 16.46

 

CMYK 0 / 65 / 52 / 2

HEX #F95677

RGB 249 86 119

HSL 347.85, 0.93%, 0.66%

LAB 60, 64.18, 16.46

 

CMYK 0 / 57 / 46 / 8

HEX #EB647F

RGB 235 100 127

HSL 348, 0.77%, 0.66%

LAB 60.17, 54.48, 11.7

 

CMYK 0 / 48 / 38 / 13

HEX #DD7288

RGB 221 114 136

HSL 347.66, 0.61%, 0.66%

LAB 60.94, 43.91, 7.32

 

CMYK 0 / 38 / 30 / 19

HEX #CF8090

RGB 207 128 144

HSL 347.85, 0.45%, 0.66%

LAB 62.27, 32.54, 4.39

 

CMYK 0 / 26 / 21 / 24

HEX #C18E99

RGB 193 142 153

HSL 347.06, 0.29%, 0.66%

LAB 64.15, 20.98, 1.8

 

CMYK 0 / 65 / 17 / 2

HEX #F956CE

RGB 249 86 206

HSL 315.83, 0.93%, 0.66%

LAB 62.72, 73.62, -29.69

 

CMYK 0 / 65 / 35 / 2

HEX #F956A2

RGB 249 86 162

HSL 332.02, 0.93%, 0.66%

LAB 61.14, 68.21, -6.92

 

CMYK 0 / 65 / 52 / 2

HEX #F95677

RGB 249 86 119

HSL 347.85, 0.93%, 0.66%

LAB 60, 64.18, 16.46

 

CMYK 0 / 61 / 65 / 2

HEX #F96156

RGB 249 97 86

HSL 4.05, 0.93%, 0.66%

LAB 61.1, 57.44, 36.78

 

CMYK 0 / 43 / 65 / 2

HEX #F98D56

RGB 249 141 86

HSL 20.25, 0.93%, 0.66%

LAB 69.37, 36.38, 46.61

 

CMYK 0 / 97 / 78 / 4

HEX #F60737

RGB 246 7 55

HSL 347.95, 0.94%, 0.5%

LAB 51.86, 78.32, 43.36

 

CMYK 0 / 81 / 65 / 3

HEX #F82E57

RGB 248 46 87

HSL 347.82, 0.94%, 0.58%

LAB 54.66, 74.49, 28.12

 

CMYK 0 / 65 / 52 / 2

HEX #F95677

RGB 249 86 119

HSL 347.85, 0.93%, 0.66%

LAB 60, 64.18, 16.46

 

CMYK 0 / 50 / 40 / 2

HEX #FB7E97

RGB 251 126 151

HSL 348, 0.94%, 0.74%

LAB 67.77, 50.01, 9.07

 

CMYK 0 / 34 / 27 / 1

HEX #FCA6B7

RGB 252 166 183

HSL 348.14, 0.93%, 0.82%

LAB 76.91, 33.91, 4.43

 

CMYK 0 / 66 / 53 / 2

HEX #FA5576

RGB 250 85 118

HSL 348, 0.94%, 0.66%

LAB 60.01, 64.79, 17.08

 

CMYK 0 / 0 / 65 / 2

HEX #F9F956

RGB 249 249 86

HSL 60, 0.93%, 0.66%

LAB 95.4, -18.9, 74.77

 

CMYK 65 / 26 / 0 / 2

HEX #56B8F9

RGB 86 184 249

HSL 203.93, 0.93%, 0.66%

LAB 71.62, -9.09, -40.66

 

CMYK 0 / 66 / 53 / 2

HEX #FA5576

RGB 250 85 118

HSL 348, 0.94%, 0.66%

LAB 60.01, 64.79, 17.08

 

CMYK 52 / 0 / 65 / 2

HEX #77F956

RGB 119 249 86

HSL 107.85, 0.93%, 0.66%

LAB 88.13, -64.53, 64.93

 

CMYK 65 / 52 / 0 / 2

HEX #5677F9

RGB 86 119 249

HSL 227.85, 0.93%, 0.66%

LAB 54.04, 28.94, -68.61

 

CMYK 0 / 66 / 53 / 2

HEX #FA5576

RGB 250 85 118

HSL 348, 0.94%, 0.66%

LAB 60.01, 64.79, 17.08

 

CMYK 0 / 0 / 65 / 2

HEX #F9F956

RGB 249 249 86

HSL 60, 0.93%, 0.66%

LAB 95.4, -18.9, 74.77

 

CMYK 65 / 0 / 13 / 2

HEX #56F9D9

RGB 86 249 217

HSL 168.22, 0.93%, 0.66%

LAB 89.27, -49.49, 2.99

 

CMYK 65 / 65 / 0 / 2

HEX #5656F9

RGB 86 86 249

HSL 240, 0.93%, 0.66%

LAB 46.28, 48.75, -81.24

 

CMYK 0 / 66 / 53 / 2

HEX #FA5576

RGB 250 85 118

HSL 348, 0.94%, 0.66%

LAB 60.01, 64.79, 17.08

 

CMYK 20 / 0 / 65 / 2

HEX #C8F956

RGB 200 249 86

HSL 78.04, 0.93%, 0.66%

LAB 92, -38.09, 70.19

 

CMYK 65 / 0 / 13 / 2

HEX #56F9D9

RGB 86 249 217

HSL 168.22, 0.93%, 0.66%

LAB 89.27, -49.49, 2.99

 

CMYK 46 / 65 / 0 / 2

HEX #8756F9

RGB 135 86 249

HSL 258.04, 0.93%, 0.66%

LAB 50.27, 56.36, -74.56

 

Description

Color code: HEX #FA5576 | qconv.com Color code: HEX #FA5576 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 85 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 85 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 53 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 53% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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