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Color name
HEX #FA7632

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA7632 it is the complementary color #0589CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA7632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA7632 shade: #FF762D, #FF8840, #FF9A53, #FFAC66 and #FFBE79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA7632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA7632 shade: #FA7632, #E9641F, #D8520C, #C74000 and #B62E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA7632 shade: #F97633, #F94133 and #F93333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA7632 shade: #F97633, #F9AC33, #F9E133, #DCF933 and #A6F933

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA7632 shade matches the following richer shades: #F97633

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA7632 shade: #F97633, #E87C44, #D78154, #C78665 and #B68C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA7632 shade: #F9335A, #F94033, #F97533, #F9AA33 and #F9DF33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA7632 shade: #D44B05, #F85B0A, #F97633, #FA915B and #FBAC83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA7632 shade: #FA7632, #8FF933 and #3340F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA7632 shade: #FA7632, #33F975 and #7533F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA7632 shade: #FA7632, #8FF933, #33B7F9 and #9D33F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA7632 shade: #FA7632, #54F933, #33B7F9 and #D833F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 80 / 2

HEX #FA7632

RGB 250 118 50

HSL 20.4, 0.95%, 0.59%

LAB 64.57, 46.62, 58.66

 

Complementary color

CMYK 98 / 33 / 0 / 20

HEX #0589CD

RGB 5 137 205

HSL 200.4, 0.95%, 0.41%

LAB 54.38, -5.82, -43.55

 

CMYK 0 / 54 / 82 / 0

HEX #FF762D

RGB 255 118 45

HSL 20.86, 1%, 0.59%

LAB 65.28, 48.34, 61.65

 

CMYK 0 / 47 / 75 / 0

HEX #FF8840

RGB 255 136 64

HSL 22.62, 1%, 0.63%

LAB 68.92, 40.17, 56.98

 

CMYK 0 / 40 / 67 / 0

HEX #FF9A53

RGB 255 154 83

HSL 24.77, 1%, 0.66%

LAB 72.89, 31.88, 52.3

 

CMYK 0 / 33 / 60 / 0

HEX #FFAC66

RGB 255 172 102

HSL 27.45, 1%, 0.7%

LAB 77.12, 23.69, 47.86

 

CMYK 0 / 25 / 53 / 0

HEX #FFBE79

RGB 255 190 121

HSL 30.9, 1%, 0.74%

LAB 81.55, 15.73, 43.72

 

CMYK 0 / 53 / 80 / 2

HEX #FA7632

RGB 250 118 50

HSL 20.4, 0.95%, 0.59%

LAB 64.57, 46.62, 58.66

 

CMYK 0 / 57 / 87 / 9

HEX #E9641F

RGB 233 100 31

HSL 20.5, 0.82%, 0.52%

LAB 58.54, 48.35, 59.92

 

CMYK 0 / 62 / 94 / 15

HEX #D8520C

RGB 216 82 12

HSL 20.59, 0.89%, 0.45%

LAB 52.58, 50.07, 60.05

 

CMYK 0 / 68 / 100 / 22

HEX #C74000

RGB 199 64 0

HSL 19.3, 1%, 0.39%

LAB 46.72, 51.65, 58.02

 

CMYK 0 / 75 / 100 / 29

HEX #B62E00

RGB 182 46 0

HSL 15.16, 1%, 0.36%

LAB 41.06, 52.79, 53.51

 

CMYK 0 / 53 / 80 / 2

HEX #F97633

RGB 249 118 51

HSL 20.3, 0.94%, 0.59%

LAB 64.43, 46.28, 58.05

 

CMYK 0 / 74 / 80 / 2

HEX #F94133

RGB 249 65 51

HSL 4.24, 0.94%, 0.59%

LAB 56.25, 68.08, 50.16

 

CMYK 0 / 80 / 80 / 2

HEX #F93333

RGB 249 51 51

HSL 0, 0.94%, 0.59%

LAB 54.81, 72.11, 48.74

 

CMYK 0 / 53 / 80 / 2

HEX #F97633

RGB 249 118 51

HSL 20.3, 0.94%, 0.59%

LAB 64.43, 46.28, 58.05

 

CMYK 0 / 31 / 80 / 2

HEX #F9AC33

RGB 249 172 51

HSL 36.67, 0.94%, 0.59%

LAB 76, 18.64, 68.71

 

CMYK 0 / 10 / 80 / 2

HEX #F9E133

RGB 249 225 51

HSL 52.73, 0.94%, 0.59%

LAB 89.03, -8.64, 80.26

 

CMYK 12 / 0 / 80 / 2

HEX #DCF933

RGB 220 249 51

HSL 68.79, 0.94%, 0.59%

LAB 93.1, -32.06, 82.97

 

CMYK 33 / 0 / 80 / 2

HEX #A6F933

RGB 166 249 51

HSL 85.15, 0.94%, 0.59%

LAB 89.9, -52.32, 78.9

 

CMYK 0 / 53 / 80 / 2

HEX #F97633

RGB 249 118 51

HSL 20.3, 0.94%, 0.59%

LAB 64.43, 46.28, 58.05

 

CMYK 0 / 53 / 80 / 2

HEX #F97633

RGB 249 118 51

HSL 20.3, 0.94%, 0.59%

LAB 64.43, 46.28, 58.05

 

CMYK 0 / 47 / 71 / 9

HEX #E87C44

RGB 232 124 68

HSL 20.49, 0.78%, 0.59%

LAB 63.33, 37.46, 48.22

 

CMYK 0 / 40 / 61 / 16

HEX #D78154

RGB 215 129 84

HSL 20.61, 0.62%, 0.59%

LAB 62.33, 29.02, 38.22

 

CMYK 0 / 33 / 49 / 22

HEX #C78665

RGB 199 134 101

HSL 20.2, 0.47%, 0.59%

LAB 61.77, 21.21, 27.86

 

CMYK 0 / 23 / 35 / 29

HEX #B68C76

RGB 182 140 118

HSL 20.63, 0.3%, 0.59%

LAB 61.66, 12.87, 17.89

 

CMYK 0 / 80 / 64 / 2

HEX #F9335A

RGB 249 51 90

HSL 348.18, 0.94%, 0.59%

LAB 55.32, 73.7, 27.24

 

CMYK 0 / 74 / 80 / 2

HEX #F94033

RGB 249 64 51

HSL 3.94, 0.94%, 0.59%

LAB 56.13, 68.39, 50.05

 

CMYK 0 / 53 / 80 / 2

HEX #F97533

RGB 249 117 51

HSL 20, 0.94%, 0.59%

LAB 64.24, 46.76, 57.87

 

CMYK 0 / 32 / 80 / 2

HEX #F9AA33

RGB 249 170 51

HSL 36.06, 0.94%, 0.59%

LAB 75.53, 19.69, 68.28

 

CMYK 0 / 10 / 80 / 2

HEX #F9DF33

RGB 249 223 51

HSL 52.12, 0.94%, 0.59%

LAB 88.52, -7.64, 79.82

 

CMYK 0 / 65 / 98 / 17

HEX #D44B05

RGB 212 75 5

HSL 20.29, 0.95%, 0.43%

LAB 50.73, 51.63, 60.15

 

CMYK 0 / 63 / 96 / 3

HEX #F85B0A

RGB 248 91 10

HSL 20.42, 0.94%, 0.51%

LAB 59.4, 57.37, 67.34

 

CMYK 0 / 53 / 80 / 2

HEX #F97633

RGB 249 118 51

HSL 20.3, 0.94%, 0.59%

LAB 64.43, 46.28, 58.05

 

CMYK 0 / 42 / 64 / 2

HEX #FA915B

RGB 250 145 91

HSL 20.38, 0.94%, 0.67%

LAB 70.41, 35.02, 45.31

 

CMYK 0 / 31 / 48 / 2

HEX #FBAC83

RGB 251 172 131

HSL 20.5, 0.94%, 0.75%

LAB 77.07, 24.46, 32.76

 

CMYK 0 / 53 / 80 / 2

HEX #FA7632

RGB 250 118 50

HSL 20.4, 0.95%, 0.59%

LAB 64.57, 46.62, 58.66

 

CMYK 43 / 0 / 80 / 2

HEX #8FF933

RGB 143 249 51

HSL 92.12, 0.94%, 0.59%

LAB 88.84, -59.91, 77.54

 

CMYK 80 / 74 / 0 / 2

HEX #3340F9

RGB 51 64 249

HSL 236.06, 0.94%, 0.59%

LAB 39.93, 57.78, -91.76

 

CMYK 0 / 53 / 80 / 2

HEX #FA7632

RGB 250 118 50

HSL 20.4, 0.95%, 0.59%

LAB 64.57, 46.62, 58.66

 

CMYK 80 / 0 / 53 / 2

HEX #33F975

RGB 51 249 117

HSL 140, 0.94%, 0.59%

LAB 86.87, -73.6, 49.78

 

CMYK 53 / 80 / 0 / 2

HEX #7533F9

RGB 117 51 249

HSL 260, 0.94%, 0.59%

LAB 42.75, 69.76, -86.95

 

CMYK 0 / 53 / 80 / 2

HEX #FA7632

RGB 250 118 50

HSL 20.4, 0.95%, 0.59%

LAB 64.57, 46.62, 58.66

 

CMYK 43 / 0 / 80 / 2

HEX #8FF933

RGB 143 249 51

HSL 92.12, 0.94%, 0.59%

LAB 88.84, -59.91, 77.54

 

CMYK 80 / 27 / 0 / 2

HEX #33B7F9

RGB 51 183 249

HSL 200, 0.94%, 0.59%

LAB 70.46, -12.95, -42.54

 

CMYK 37 / 80 / 0 / 2

HEX #9D33F9

RGB 157 51 249

HSL 272.12, 0.94%, 0.59%

LAB 47.46, 74.97, -79.03

 

CMYK 0 / 53 / 80 / 2

HEX #FA7632

RGB 250 118 50

HSL 20.4, 0.95%, 0.59%

LAB 64.57, 46.62, 58.66

 

CMYK 66 / 0 / 80 / 2

HEX #54F933

RGB 84 249 51

HSL 110, 0.94%, 0.59%

LAB 86.94, -74.93, 75.09

 

CMYK 80 / 27 / 0 / 2

HEX #33B7F9

RGB 51 183 249

HSL 200, 0.94%, 0.59%

LAB 70.46, -12.95, -42.54

 

CMYK 13 / 80 / 0 / 2

HEX #D833F9

RGB 216 51 249

HSL 290, 0.94%, 0.59%

LAB 55.89, 84.38, -64.96

 

Description

Color code: HEX #FA7632 | qconv.com Color code: HEX #FA7632 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 118 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 118 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 80 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 80% 2% C M Y K

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Provide designers and agencies with accurate color values.

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