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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA79E4 it is the complementary color #05861B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA79E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA79E4 shade: #FF79DF, #FF8BF2, #FF9DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA79E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA79E4 shade: #FA79E4, #E967D1, #D855BE, #C743AB and #B63198

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA79E4 shade: #FA7AE4, #FA7AC1, #FA7A9F, #FA7A7C and #FA7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA79E4 shade: #FA7AE4, #ED7AFA, #CA7AFA, #A87AFA and #857AFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA79E4 shade matches the following richer shades: #FA7AE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA79E4 shade: #FA7AE4, #EF85DD, #E390D5, #D89BCE and #CDA6C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA79E4 shade: #CB7AFA, #ED7AFA, #FA7AE4, #FA7AC2 and #FA7AA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA79E4 shade: #F72AD4, #F852DC, #FA7AE4, #FBA1EC and #FDC9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA79E4 shade: #FA79E4, #FAA97A and #7AFADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA79E4 shade: #FA79E4, #E4FA7A and #7AE4FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA79E4 shade: #FA79E4, #FAA97A, #7AFA8F and #7ACBFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA79E4 shade: #FA79E4, #FACF7A, #7AFA8F and #7AA4FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 9 / 2

HEX #FA79E4

RGB 250 121 228

HSL 310.23, 0.93%, 0.73%

LAB 69.18, 62.38, -31.98

 

Complementary color

CMYK 96 / 0 / 80 / 47

HEX #05861B

RGB 5 134 27

HSL 130.23, 0.93%, 0.27%

LAB 48.46, -51.79, 45.29

 

CMYK 0 / 53 / 13 / 0

HEX #FF79DF

RGB 255 121 223

HSL 314.33, 1%, 0.74%

LAB 69.66, 63.01, -28.43

 

CMYK 0 / 45 / 5 / 0

HEX #FF8BF2

RGB 255 139 242

HSL 306.72, 1%, 0.77%

LAB 73.63, 57.53, -32.74

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 52 / 9 / 2

HEX #FA79E4

RGB 250 121 228

HSL 310.23, 0.93%, 0.73%

LAB 69.18, 62.38, -31.98

 

CMYK 0 / 56 / 10 / 9

HEX #E967D1

RGB 233 103 209

HSL 311.08, 0.75%, 0.66%

LAB 63.03, 62.86, -31.09

 

CMYK 0 / 61 / 12 / 15

HEX #D855BE

RGB 216 85 190

HSL 311.91, 0.63%, 0.59%

LAB 56.89, 63.17, -30

 

CMYK 0 / 66 / 14 / 22

HEX #C743AB

RGB 199 67 171

HSL 312.73, 0.54%, 0.52%

LAB 50.8, 63.17, -28.64

 

CMYK 0 / 73 / 16 / 29

HEX #B63198

RGB 182 49 152

HSL 313.53, 0.58%, 0.45%

LAB 44.81, 62.69, -26.88

 

CMYK 0 / 51 / 9 / 2

HEX #FA7AE4

RGB 250 122 228

HSL 310.31, 0.93%, 0.73%

LAB 69.36, 61.91, -31.71

 

CMYK 0 / 51 / 23 / 2

HEX #FA7AC1

RGB 250 122 193

HSL 326.72, 0.93%, 0.73%

LAB 68.09, 56.74, -14.16

 

CMYK 0 / 51 / 36 / 2

HEX #FA7A9F

RGB 250 122 159

HSL 342.66, 0.93%, 0.73%

LAB 67.09, 52.48, 3.54

 

CMYK 0 / 51 / 50 / 2

HEX #FA7A7C

RGB 250 122 124

HSL 359.06, 0.93%, 0.73%

LAB 66.29, 48.99, 22.21

 

CMYK 0 / 51 / 51 / 2

HEX #FA7A7A

RGB 250 122 122

HSL 0, 0.93%, 0.73%

LAB 66.25, 48.82, 23.28

 

CMYK 0 / 51 / 9 / 2

HEX #FA7AE4

RGB 250 122 228

HSL 310.31, 0.93%, 0.73%

LAB 69.36, 61.91, -31.71

 

CMYK 5 / 51 / 0 / 2

HEX #ED7AFA

RGB 237 122 250

HSL 293.91, 0.93%, 0.73%

LAB 68.62, 62.1, -45.08

 

CMYK 19 / 51 / 0 / 2

HEX #CA7AFA

RGB 202 122 250

HSL 277.5, 0.93%, 0.73%

LAB 64.47, 52.91, -51.92

 

CMYK 33 / 51 / 0 / 2

HEX #A87AFA

RGB 168 122 250

HSL 261.56, 0.93%, 0.73%

LAB 60.91, 44.32, -57.79

 

CMYK 47 / 51 / 0 / 2

HEX #857AFA

RGB 133 122 250

HSL 245.16, 0.93%, 0.73%

LAB 57.85, 36.21, -62.86

 

CMYK 0 / 51 / 9 / 2

HEX #FA7AE4

RGB 250 122 228

HSL 310.31, 0.93%, 0.73%

LAB 69.36, 61.91, -31.71

 

CMYK 0 / 51 / 9 / 2

HEX #FA7AE4

RGB 250 122 228

HSL 310.31, 0.93%, 0.73%

LAB 69.36, 61.91, -31.71

 

CMYK 0 / 44 / 8 / 6

HEX #EF85DD

RGB 239 133 221

HSL 310.19, 0.77%, 0.73%

LAB 69.72, 52.27, -27.41

 

CMYK 0 / 37 / 6 / 11

HEX #E390D5

RGB 227 144 213

HSL 310.12, 0.6%, 0.73%

LAB 70.23, 41.56, -22.32

 

CMYK 0 / 28 / 5 / 15

HEX #D89BCE

RGB 216 155 206

HSL 309.84, 0.44%, 0.73%

LAB 71.21, 30.86, -17.08

 

CMYK 0 / 19 / 3 / 20

HEX #CDA6C6

RGB 205 166 198

HSL 310.77, 0.28%, 0.73%

LAB 72.45, 19.69, -10.92

 

CMYK 19 / 51 / 0 / 2

HEX #CB7AFA

RGB 203 122 250

HSL 277.97, 0.93%, 0.73%

LAB 64.58, 53.17, -51.74

 

CMYK 5 / 51 / 0 / 2

HEX #ED7AFA

RGB 237 122 250

HSL 293.91, 0.93%, 0.73%

LAB 68.62, 62.1, -45.08

 

CMYK 0 / 51 / 9 / 2

HEX #FA7AE4

RGB 250 122 228

HSL 310.31, 0.93%, 0.73%

LAB 69.36, 61.91, -31.71

 

CMYK 0 / 51 / 22 / 2

HEX #FA7AC2

RGB 250 122 194

HSL 326.25, 0.93%, 0.73%

LAB 68.12, 56.87, -14.67

 

CMYK 0 / 51 / 36 / 2

HEX #FA7AA0

RGB 250 122 160

HSL 342.19, 0.93%, 0.73%

LAB 67.11, 52.6, 3.01

 

CMYK 0 / 83 / 14 / 3

HEX #F72AD4

RGB 247 42 212

HSL 310.24, 0.93%, 0.57%

LAB 58.21, 86.61, -40.15

 

CMYK 0 / 67 / 11 / 3

HEX #F852DC

RGB 248 82 220

HSL 310.12, 0.92%, 0.65%

LAB 62.64, 76.79, -37.72

 

CMYK 0 / 51 / 9 / 2

HEX #FA7AE4

RGB 250 122 228

HSL 310.31, 0.93%, 0.73%

LAB 69.36, 61.91, -31.71

 

CMYK 0 / 36 / 6 / 2

HEX #FBA1EC

RGB 251 161 236

HSL 310, 0.92%, 0.81%

LAB 77.31, 44.25, -23.87

 

CMYK 0 / 21 / 4 / 1

HEX #FDC9F4

RGB 253 201 244

HSL 310.38, 0.93%, 0.89%

LAB 86.6, 25.34, -14.12

 

CMYK 0 / 52 / 9 / 2

HEX #FA79E4

RGB 250 121 228

HSL 310.23, 0.93%, 0.73%

LAB 69.18, 62.38, -31.98

 

CMYK 0 / 32 / 51 / 2

HEX #FAA97A

RGB 250 169 122

HSL 22.03, 0.93%, 0.73%

LAB 76.13, 24.83, 36.26

 

CMYK 51 / 0 / 12 / 2

HEX #7AFADC

RGB 122 250 220

HSL 165.94, 0.93%, 0.73%

LAB 90.63, -42.64, 3.53

 

CMYK 0 / 52 / 9 / 2

HEX #FA79E4

RGB 250 121 228

HSL 310.23, 0.93%, 0.73%

LAB 69.18, 62.38, -31.98

 

CMYK 9 / 0 / 51 / 2

HEX #E4FA7A

RGB 228 250 122

HSL 70.31, 0.93%, 0.73%

LAB 94.43, -25.11, 58.27

 

CMYK 51 / 9 / 0 / 2

HEX #7AE4FA

RGB 122 228 250

HSL 190.31, 0.93%, 0.73%

LAB 85.26, -24.88, -20.13

 

CMYK 0 / 52 / 9 / 2

HEX #FA79E4

RGB 250 121 228

HSL 310.23, 0.93%, 0.73%

LAB 69.18, 62.38, -31.98

 

CMYK 0 / 32 / 51 / 2

HEX #FAA97A

RGB 250 169 122

HSL 22.03, 0.93%, 0.73%

LAB 76.13, 24.83, 36.26

 

CMYK 51 / 0 / 43 / 2

HEX #7AFA8F

RGB 122 250 143

HSL 129.84, 0.93%, 0.73%

LAB 89.15, -57.39, 40.64

 

CMYK 51 / 19 / 0 / 2

HEX #7ACBFA

RGB 122 203 250

HSL 202.03, 0.93%, 0.73%

LAB 78.32, -12.17, -30.72

 

CMYK 0 / 52 / 9 / 2

HEX #FA79E4

RGB 250 121 228

HSL 310.23, 0.93%, 0.73%

LAB 69.18, 62.38, -31.98

 

CMYK 0 / 17 / 51 / 2

HEX #FACF7A

RGB 250 207 122

HSL 39.84, 0.93%, 0.73%

LAB 85.18, 4.97, 47.59

 

CMYK 51 / 0 / 43 / 2

HEX #7AFA8F

RGB 122 250 143

HSL 129.84, 0.93%, 0.73%

LAB 89.15, -57.39, 40.64

 

CMYK 51 / 34 / 0 / 2

HEX #7AA4FA

RGB 122 164 250

HSL 220.31, 0.93%, 0.73%

LAB 67.72, 9.28, -47.22

 

Description

Color code: HEX #FA79E4 | qconv.com Color code: HEX #FA79E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 121 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 121 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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