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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA8700 it is the complementary color #0578FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA8700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA8700 shade: #FF8700, #FF990E, #FFAB21, #FFBD34 and #FFCF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA8700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA8700 shade: #FA8700, #E97500, #D86300, #C75100 and #B63F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA8700 shade: #F98600, #F94300, #F90000 and #F90000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA8700 shade: #F98600, #F9CA00, #E6F900, #A2F900 and #5FF900

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA8700 shade matches the following richer shades: #F98600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA8700 shade: #F98600, #E58514, #D18328, #BD823C and #A98050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA8700 shade: #F90000, #F94200, #F98500, #F9C700 and #E9F900

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA8700 shade: #A75A00, #D07000, #F98600, #FF9A24 and #FFAD4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA8700 shade: #FA8700, #42F900 and #2100F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA8700 shade: #FA8700, #00F985 and #8500F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA8700 shade: #FA8700, #42F900, #0074F9 and #B700F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA8700 shade: #FA8700, #00F908, #0074F9 and #F900F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 100 / 2

HEX #FA8700

RGB 250 135 0

HSL 32.4, 1%, 0.49%

LAB 67.76, 37.37, 74.1

 

Complementary color

CMYK 98 / 53 / 0 / 0

HEX #0578FF

RGB 5 120 255

HSL 212.4, 1%, 0.51%

LAB 52.6, 23.92, -74.35

 

CMYK 0 / 47 / 100 / 0

HEX #FF8700

RGB 255 135 0

HSL 31.76, 1%, 0.5%

LAB 68.45, 39.35, 74.87

 

CMYK 0 / 40 / 95 / 0

HEX #FF990E

RGB 255 153 14

HSL 34.61, 1%, 0.53%

LAB 72.28, 30.28, 75.49

 

CMYK 0 / 33 / 87 / 0

HEX #FFAB21

RGB 255 171 33

HSL 37.3, 1%, 0.56%

LAB 76.37, 21.2, 74.7

 

CMYK 0 / 26 / 80 / 0

HEX #FFBD34

RGB 255 189 52

HSL 40.49, 1%, 0.6%

LAB 80.68, 12.31, 72.82

 

CMYK 0 / 19 / 72 / 0

HEX #FFCF47

RGB 255 207 71

HSL 44.35, 1%, 0.64%

LAB 85.17, 3.74, 70.32

 

CMYK 0 / 46 / 100 / 2

HEX #FA8700

RGB 250 135 0

HSL 32.4, 1%, 0.49%

LAB 67.76, 37.37, 74.1

 

CMYK 0 / 50 / 100 / 9

HEX #E97500

RGB 233 117 0

HSL 30.13, 1%, 0.46%

LAB 61.69, 39.7, 69.22

 

CMYK 0 / 54 / 100 / 15

HEX #D86300

RGB 216 99 0

HSL 27.5, 1%, 0.42%

LAB 55.61, 41.99, 64.34

 

CMYK 0 / 59 / 100 / 22

HEX #C75100

RGB 199 81 0

HSL 24.42, 1%, 0.39%

LAB 49.53, 44.17, 59.49

 

CMYK 0 / 65 / 100 / 29

HEX #B63F00

RGB 182 63 0

HSL 20.77, 1%, 0.36%

LAB 43.51, 46.1, 54.7

 

CMYK 0 / 46 / 100 / 2

HEX #F98600

RGB 249 134 0

HSL 32.29, 1%, 0.49%

LAB 67.42, 37.48, 73.82

 

CMYK 0 / 73 / 100 / 2

HEX #F94300

RGB 249 67 0

HSL 16.14, 1%, 0.49%

LAB 56.24, 66.63, 67.73

 

CMYK 0 / 100 / 100 / 2

HEX #F90000

RGB 249 0 0

HSL 0, 1%, 0.49%

LAB 51.99, 78.68, 66.02

 

CMYK 0 / 100 / 100 / 2

HEX #F90000

RGB 249 0 0

HSL 0, 1%, 0.49%

LAB 51.99, 78.68, 66.02

 

CMYK 0 / 46 / 100 / 2

HEX #F98600

RGB 249 134 0

HSL 32.29, 1%, 0.49%

LAB 67.42, 37.48, 73.82

 

CMYK 0 / 19 / 100 / 2

HEX #F9CA00

RGB 249 202 0

HSL 48.67, 1%, 0.49%

LAB 83.12, 2.14, 84.19

 

CMYK 8 / 0 / 100 / 2

HEX #E6F900

RGB 230 249 0

HSL 64.58, 1%, 0.49%

LAB 93.7, -28.94, 91.11

 

CMYK 35 / 0 / 100 / 2

HEX #A2F900

RGB 162 249 0

HSL 80.96, 1%, 0.49%

LAB 89.6, -54.85, 86.2

 

CMYK 62 / 0 / 100 / 2

HEX #5FF900

RGB 95 249 0

HSL 97.11, 1%, 0.49%

LAB 87.09, -74.09, 83.16

 

CMYK 0 / 46 / 100 / 2

HEX #F98600

RGB 249 134 0

HSL 32.29, 1%, 0.49%

LAB 67.42, 37.48, 73.82

 

CMYK 0 / 46 / 100 / 2

HEX #F98600

RGB 249 134 0

HSL 32.29, 1%, 0.49%

LAB 67.42, 37.48, 73.82

 

CMYK 0 / 42 / 91 / 10

HEX #E58514

RGB 229 133 20

HSL 32.44, 0.84%, 0.49%

LAB 64.55, 30.06, 67.39

 

CMYK 0 / 37 / 81 / 18

HEX #D18328

RGB 209 131 40

HSL 32.31, 0.68%, 0.49%

LAB 61.6, 23.18, 57.89

 

CMYK 0 / 31 / 68 / 26

HEX #BD823C

RGB 189 130 60

HSL 32.56, 0.52%, 0.49%

LAB 59.08, 16.01, 45.89

 

CMYK 0 / 24 / 53 / 34

HEX #A98050

RGB 169 128 80

HSL 32.36, 0.36%, 0.49%

LAB 56.54, 9.94, 32.02

 

CMYK 0 / 100 / 100 / 2

HEX #F90000

RGB 249 0 0

HSL 0, 1%, 0.49%

LAB 51.99, 78.68, 66.02

 

CMYK 0 / 73 / 100 / 2

HEX #F94200

RGB 249 66 0

HSL 15.9, 1%, 0.49%

LAB 56.12, 66.96, 67.68

 

CMYK 0 / 47 / 100 / 2

HEX #F98500

RGB 249 133 0

HSL 32.05, 1%, 0.49%

LAB 67.21, 37.98, 73.69

 

CMYK 0 / 20 / 100 / 2

HEX #F9C700

RGB 249 199 0

HSL 47.95, 1%, 0.49%

LAB 82.37, 3.68, 83.68

 

CMYK 6 / 0 / 100 / 2

HEX #E9F900

RGB 233 249 0

HSL 63.86, 1%, 0.49%

LAB 93.92, -27.72, 91.37

 

CMYK 0 / 46 / 100 / 35

HEX #A75A00

RGB 167 90 0

HSL 32.34, 1%, 0.33%

LAB 46.35, 26.62, 55.04

 

CMYK 0 / 46 / 100 / 18

HEX #D07000

RGB 208 112 0

HSL 32.31, 1%, 0.41%

LAB 57.07, 32.16, 64.6

 

CMYK 0 / 46 / 100 / 2

HEX #F98600

RGB 249 134 0

HSL 32.29, 1%, 0.49%

LAB 67.42, 37.48, 73.82

 

CMYK 0 / 40 / 86 / 0

HEX #FF9A24

RGB 255 154 36

HSL 32.33, 1%, 0.57%

LAB 72.56, 30.11, 70.86

 

CMYK 0 / 32 / 70 / 0

HEX #FFAD4D

RGB 255 173 77

HSL 32.36, 1%, 0.65%

LAB 77.09, 21.68, 59.64

 

CMYK 0 / 46 / 100 / 2

HEX #FA8700

RGB 250 135 0

HSL 32.4, 1%, 0.49%

LAB 67.76, 37.37, 74.1

 

CMYK 73 / 0 / 100 / 2

HEX #42F900

RGB 66 249 0

HSL 104.1, 1%, 0.49%

LAB 86.46, -79.46, 82.4

 

CMYK 87 / 100 / 0 / 2

HEX #2100F9

RGB 33 0 249

HSL 247.95, 1%, 0.49%

LAB 32.17, 78.02, -104.69

 

CMYK 0 / 46 / 100 / 2

HEX #FA8700

RGB 250 135 0

HSL 32.4, 1%, 0.49%

LAB 67.76, 37.37, 74.1

 

CMYK 100 / 0 / 47 / 2

HEX #00F985

RGB 0 249 133

HSL 152.05, 1%, 0.49%

LAB 86.72, -74.08, 41.98

 

CMYK 47 / 100 / 0 / 2

HEX #8500F9

RGB 133 0 249

HSL 272.05, 1%, 0.49%

LAB 40.94, 82.33, -89.87

 

CMYK 0 / 46 / 100 / 2

HEX #FA8700

RGB 250 135 0

HSL 32.4, 1%, 0.49%

LAB 67.76, 37.37, 74.1

 

CMYK 73 / 0 / 100 / 2

HEX #42F900

RGB 66 249 0

HSL 104.1, 1%, 0.49%

LAB 86.46, -79.46, 82.4

 

CMYK 100 / 53 / 0 / 2

HEX #0074F9

RGB 0 116 249

HSL 212.05, 1%, 0.49%

LAB 51.07, 24.02, -73.52

 

CMYK 27 / 100 / 0 / 2

HEX #B700F9

RGB 183 0 249

HSL 284.1, 1%, 0.49%

LAB 48.14, 87.38, -77.77

 

CMYK 0 / 46 / 100 / 2

HEX #FA8700

RGB 250 135 0

HSL 32.4, 1%, 0.49%

LAB 67.76, 37.37, 74.1

 

CMYK 100 / 0 / 97 / 2

HEX #00F908

RGB 0 249 8

HSL 121.93, 1%, 0.49%

LAB 85.89, -84.53, 81.07

 

CMYK 100 / 53 / 0 / 2

HEX #0074F9

RGB 0 116 249

HSL 212.05, 1%, 0.49%

LAB 51.07, 24.02, -73.52

 

CMYK 0 / 100 / 3 / 2

HEX #F900F1

RGB 249 0 241

HSL 301.93, 1%, 0.49%

LAB 58.5, 95.4, -56.02

 

Description

Color code: HEX #FA8700 | qconv.com Color code: HEX #FA8700 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 135 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 135 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 100 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 100% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

52% - Accueil - CGT ARLES
Link: http://cgtarles.courriel.me

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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