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Color name
HEX #FA9747

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA9747 it is the complementary color #0568B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA9747. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA9747 shade: #FF9742, #FFA955, #FFBB68, #FFCD7B and #FFDF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA9747. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA9747 shade: #FA9747, #E98534, #D87321, #C7610E and #B64F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA9747 shade: #FA9747, #FA6647 and #FA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA9747 shade: #FA9747, #FAC747, #FAF747, #CCFA47 and #9CFA47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA9747 shade matches the following richer shades: #FA9747

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA9747 shade: #FA9747, #EB9856, #DB9A65, #CC9C74 and #BD9D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA9747 shade: #FA4758, #FA6447, #FA9447, #FAC447 and #FAF447

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA9747 shade: #E86B05, #F9801E, #FA9747, #FBAD6F and #FCC497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA9747 shade: #FA9747, #88FA47 and #4C47FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA9747 shade: #FA9747, #47FA94 and #9447FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA9747 shade: #FA9747, #88FA47, #47ACFA and #B847FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA9747 shade: #FA9747, #52FA47, #47ACFA and #EE47FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

Complementary color

CMYK 97 / 43 / 0 / 28

HEX #0568B8

RGB 5 104 184

HSL 206.82, 0.95%, 0.37%

LAB 43.35, 6.11, -49.05

 

CMYK 0 / 41 / 74 / 0

HEX #FF9742

RGB 255 151 66

HSL 26.98, 1%, 0.63%

LAB 72.09, 32.61, 59.3

 

CMYK 0 / 34 / 67 / 0

HEX #FFA955

RGB 255 169 85

HSL 29.65, 1%, 0.67%

LAB 76.25, 24.19, 55.08

 

CMYK 0 / 27 / 59 / 0

HEX #FFBB68

RGB 255 187 104

HSL 32.98, 1%, 0.7%

LAB 80.63, 15.99, 51.02

 

CMYK 0 / 20 / 52 / 0

HEX #FFCD7B

RGB 255 205 123

HSL 37.27, 1%, 0.74%

LAB 85.18, 8.1, 47.21

 

CMYK 0 / 13 / 44 / 0

HEX #FFDF8E

RGB 255 223 142

HSL 43.01, 1%, 0.78%

LAB 89.85, 0.6, 43.65

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 0 / 43 / 78 / 9

HEX #E98534

RGB 233 133 52

HSL 26.85, 0.8%, 0.56%

LAB 65.24, 32.52, 57.6

 

CMYK 0 / 47 / 85 / 15

HEX #D87321

RGB 216 115 33

HSL 26.89, 0.73%, 0.49%

LAB 58.95, 34.39, 58.5

 

CMYK 0 / 51 / 93 / 22

HEX #C7610E

RGB 199 97 14

HSL 26.92, 0.87%, 0.42%

LAB 52.65, 36.44, 58.32

 

CMYK 0 / 57 / 100 / 29

HEX #B64F00

RGB 182 79 0

HSL 26.04, 1%, 0.36%

LAB 46.36, 38.6, 56.24

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 0 / 59 / 72 / 2

HEX #FA6647

RGB 250 102 71

HSL 10.39, 0.95%, 0.63%

LAB 61.9, 54.84, 45.85

 

CMYK 0 / 72 / 72 / 2

HEX #FA4747

RGB 250 71 71

HSL 0, 0.95%, 0.63%

LAB 57.35, 67.11, 40.71

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 0 / 20 / 72 / 2

HEX #FAC747

RGB 250 199 71

HSL 42.91, 0.95%, 0.63%

LAB 82.71, 5.76, 67.73

 

CMYK 0 / 1 / 72 / 2

HEX #FAF747

RGB 250 247 71

HSL 58.99, 0.95%, 0.63%

LAB 94.87, -18.26, 79.54

 

CMYK 18 / 0 / 72 / 2

HEX #CCFA47

RGB 204 250 71

HSL 75.42, 0.95%, 0.63%

LAB 92.43, -37.9, 76.07

 

CMYK 38 / 0 / 72 / 2

HEX #9CFA47

RGB 156 250 71

HSL 91.51, 0.95%, 0.63%

LAB 89.81, -55.07, 72.61

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 0 / 35 / 63 / 8

HEX #EB9856

RGB 235 152 86

HSL 26.58, 0.79%, 0.63%

LAB 70.03, 25.05, 46.92

 

CMYK 0 / 30 / 54 / 14

HEX #DB9A65

RGB 219 154 101

HSL 26.95, 0.62%, 0.63%

LAB 68.83, 18.53, 37.34

 

CMYK 0 / 24 / 43 / 20

HEX #CC9C74

RGB 204 156 116

HSL 27.27, 0.46%, 0.63%

LAB 67.93, 12.75, 27.83

 

CMYK 0 / 17 / 30 / 26

HEX #BD9D84

RGB 189 157 132

HSL 26.32, 0.3%, 0.63%

LAB 66.97, 8.12, 17.51

 

CMYK 0 / 72 / 65 / 2

HEX #FA4758

RGB 250 71 88

HSL 354.3, 0.95%, 0.63%

LAB 57.59, 67.93, 31.34

 

CMYK 0 / 60 / 72 / 2

HEX #FA6447

RGB 250 100 71

HSL 9.72, 0.95%, 0.63%

LAB 61.56, 55.72, 45.48

 

CMYK 0 / 41 / 72 / 2

HEX #FA9447

RGB 250 148 71

HSL 25.81, 0.95%, 0.63%

LAB 70.84, 32.38, 55.56

 

CMYK 0 / 22 / 72 / 2

HEX #FAC447

RGB 250 196 71

HSL 41.9, 0.95%, 0.63%

LAB 81.98, 7.31, 67

 

CMYK 0 / 2 / 72 / 2

HEX #FAF447

RGB 250 244 71

HSL 57.99, 0.95%, 0.63%

LAB 94.09, -16.81, 78.8

 

CMYK 0 / 54 / 98 / 9

HEX #E86B05

RGB 232 107 5

HSL 26.96, 0.96%, 0.46%

LAB 59.6, 44.29, 67.03

 

CMYK 0 / 49 / 88 / 2

HEX #F9801E

RGB 249 128 30

HSL 26.85, 0.95%, 0.55%

LAB 66.27, 40.84, 67.31

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 0 / 31 / 56 / 2

HEX #FBAD6F

RGB 251 173 111

HSL 26.57, 0.95%, 0.71%

LAB 77.01, 22.22, 43.08

 

CMYK 0 / 22 / 40 / 1

HEX #FCC497

RGB 252 196 151

HSL 26.73, 0.94%, 0.79%

LAB 83.13, 14.29, 30.26

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 46 / 0 / 72 / 2

HEX #88FA47

RGB 136 250 71

HSL 98.21, 0.95%, 0.63%

LAB 88.95, -61.31, 71.47

 

CMYK 70 / 72 / 0 / 2

HEX #4C47FA

RGB 76 71 250

HSL 241.68, 0.95%, 0.63%

LAB 42.68, 56.32, -87.74

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 72 / 0 / 41 / 2

HEX #47FA94

RGB 71 250 148

HSL 145.81, 0.95%, 0.63%

LAB 87.9, -66.6, 36.29

 

CMYK 41 / 72 / 0 / 2

HEX #9447FA

RGB 148 71 250

HSL 265.81, 0.95%, 0.63%

LAB 49.14, 66.07, -76.9

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 46 / 0 / 72 / 2

HEX #88FA47

RGB 136 250 71

HSL 98.21, 0.95%, 0.63%

LAB 88.95, -61.31, 71.47

 

CMYK 72 / 31 / 0 / 2

HEX #47ACFA

RGB 71 172 250

HSL 206.15, 0.95%, 0.63%

LAB 67.83, -4.32, -47.17

 

CMYK 26 / 72 / 0 / 2

HEX #B847FA

RGB 184 71 250

HSL 277.88, 0.95%, 0.63%

LAB 53.6, 72.42, -69.45

 

CMYK 0 / 40 / 72 / 2

HEX #FA9747

RGB 250 151 71

HSL 26.82, 0.95%, 0.63%

LAB 71.5, 30.83, 56.25

 

CMYK 67 / 0 / 72 / 2

HEX #52FA47

RGB 82 250 71

HSL 116.31, 0.95%, 0.63%

LAB 87.3, -74.34, 69.27

 

CMYK 72 / 31 / 0 / 2

HEX #47ACFA

RGB 71 172 250

HSL 206.15, 0.95%, 0.63%

LAB 67.83, -4.32, -47.17

 

CMYK 5 / 72 / 0 / 2

HEX #EE47FA

RGB 238 71 250

HSL 295.98, 0.95%, 0.63%

LAB 61.3, 82.9, -56.67

 

Description

Color code: HEX #FA9747 | qconv.com Color code: HEX #FA9747 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 151 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 151 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 72 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 72% 2% C M Y K

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Provide designers and agencies with accurate color values.

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