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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA9CEA it is the complementary color #056315. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA9CEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA9CEA shade: #FF9CE5, #FFAEF8, #FFC0FF, #FFD2FF and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA9CEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA9CEA shade: #FA9CEA, #E98AD7, #D878C4, #C766B1 and #B6549E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA9CEA shade: #F99EEA, #F99ED1, #F99EB8, #F99EA0 and #F99E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA9CEA shade: #F99EEA, #F09EF9, #D89EF9, #BF9EF9 and #A69EF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA9CEA shade matches the following richer shades: #F99EEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA9CEA shade: #F99EEA, #F1A6E4, #E9AEDF, #E1B6D9 and #D8BFD4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA9CEA shade: #D89EF9, #F09EF9, #F99EEA, #F99ED2 and #F99EB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA9CEA shade: #F54FD9, #F776E1, #F99EEA, #FBC5F2 and #FEECFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA9CEA shade: #FA9CEA, #F9BF9E and #9EF9E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA9CEA shade: #FA9CEA, #EAF99E and #9EEAF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA9CEA shade: #FA9CEA, #F9BF9E, #9EF9AD and #9ED8F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA9CEA shade: #FA9CEA, #F9DB9E, #9EF9AD and #9EBCF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 6 / 2

HEX #FA9CEA

RGB 250 156 234

HSL 310.21, 0.9%, 0.8%

LAB 76.09, 46.17, -24.66

 

Complementary color

CMYK 95 / 0 / 79 / 61

HEX #056315

RGB 5 99 21

HSL 130.21, 0.9%, 0.2%

LAB 36, -41.16, 35.16

 

CMYK 0 / 39 / 10 / 0

HEX #FF9CE5

RGB 255 156 229

HSL 315.76, 1%, 0.81%

LAB 76.49, 46.91, -21.28

 

CMYK 0 / 32 / 3 / 0

HEX #FFAEF8

RGB 255 174 248

HSL 305.19, 1%, 0.84%

LAB 80.91, 40.84, -24.82

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 38 / 6 / 2

HEX #FA9CEA

RGB 250 156 234

HSL 310.21, 0.9%, 0.8%

LAB 76.09, 46.17, -24.66

 

CMYK 0 / 41 / 8 / 9

HEX #E98AD7

RGB 233 138 215

HSL 311.37, 0.68%, 0.73%

LAB 69.76, 46.9, -24.09

 

CMYK 0 / 44 / 9 / 15

HEX #D878C4

RGB 216 120 196

HSL 312.5, 0.55%, 0.66%

LAB 63.36, 47.64, -23.45

 

CMYK 0 / 49 / 11 / 22

HEX #C766B1

RGB 199 102 177

HSL 313.61, 0.46%, 0.59%

LAB 56.9, 48.35, -22.71

 

CMYK 0 / 54 / 13 / 29

HEX #B6549E

RGB 182 84 158

HSL 314.69, 0.4%, 0.52%

LAB 50.4, 48.98, -21.81

 

CMYK 0 / 37 / 6 / 2

HEX #F99EEA

RGB 249 158 234

HSL 309.89, 0.88%, 0.8%

LAB 76.4, 44.83, -24.21

 

CMYK 0 / 37 / 16 / 2

HEX #F99ED1

RGB 249 158 209

HSL 326.37, 0.88%, 0.8%

LAB 75.57, 40.78, -11.81

 

CMYK 0 / 37 / 26 / 2

HEX #F99EB8

RGB 249 158 184

HSL 342.86, 0.88%, 0.8%

LAB 74.86, 37.15, 0.86

 

CMYK 0 / 37 / 36 / 2

HEX #F99EA0

RGB 249 158 160

HSL 358.68, 0.88%, 0.8%

LAB 74.27, 34.11, 13.22

 

CMYK 0 / 37 / 37 / 2

HEX #F99E9E

RGB 249 158 158

HSL 0, 0.88%, 0.8%

LAB 74.23, 33.87, 14.26

 

CMYK 0 / 37 / 6 / 2

HEX #F99EEA

RGB 249 158 234

HSL 309.89, 0.88%, 0.8%

LAB 76.4, 44.83, -24.21

 

CMYK 4 / 37 / 0 / 2

HEX #F09EF9

RGB 240 158 249

HSL 294.07, 0.88%, 0.8%

LAB 75.96, 44.74, -33.1

 

CMYK 13 / 37 / 0 / 2

HEX #D89EF9

RGB 216 158 249

HSL 278.24, 0.88%, 0.8%

LAB 73.48, 37.56, -37.14

 

CMYK 23 / 37 / 0 / 2

HEX #BF9EF9

RGB 191 158 249

HSL 261.76, 0.88%, 0.8%

LAB 71.13, 30.26, -40.98

 

CMYK 33 / 37 / 0 / 2

HEX #A69EF9

RGB 166 158 249

HSL 245.27, 0.88%, 0.8%

LAB 69.04, 23.29, -44.39

 

CMYK 0 / 37 / 6 / 2

HEX #F99EEA

RGB 249 158 234

HSL 309.89, 0.88%, 0.8%

LAB 76.4, 44.83, -24.21

 

CMYK 0 / 37 / 6 / 2

HEX #F99EEA

RGB 249 158 234

HSL 309.89, 0.88%, 0.8%

LAB 76.4, 44.83, -24.21

 

CMYK 0 / 31 / 5 / 5

HEX #F1A6E4

RGB 241 166 228

HSL 310.4, 0.73%, 0.8%

LAB 77.03, 37.08, -20.07

 

CMYK 0 / 25 / 4 / 9

HEX #E9AEDF

RGB 233 174 223

HSL 310.17, 0.57%, 0.8%

LAB 77.83, 29.33, -16.22

 

CMYK 0 / 19 / 4 / 12

HEX #E1B6D9

RGB 225 182 217

HSL 311.16, 0.42%, 0.8%

LAB 78.74, 21.29, -11.69

 

CMYK 0 / 12 / 2 / 15

HEX #D8BFD4

RGB 216 191 212

HSL 309.6, 0.24%, 0.8%

LAB 79.96, 12.49, -7.26

 

CMYK 13 / 37 / 0 / 2

HEX #D89EF9

RGB 216 158 249

HSL 278.24, 0.88%, 0.8%

LAB 73.48, 37.56, -37.14

 

CMYK 4 / 37 / 0 / 2

HEX #F09EF9

RGB 240 158 249

HSL 294.07, 0.88%, 0.8%

LAB 75.96, 44.74, -33.1

 

CMYK 0 / 37 / 6 / 2

HEX #F99EEA

RGB 249 158 234

HSL 309.89, 0.88%, 0.8%

LAB 76.4, 44.83, -24.21

 

CMYK 0 / 37 / 16 / 2

HEX #F99ED2

RGB 249 158 210

HSL 325.71, 0.88%, 0.8%

LAB 75.6, 40.93, -12.31

 

CMYK 0 / 37 / 26 / 2

HEX #F99EB9

RGB 249 158 185

HSL 342.2, 0.88%, 0.8%

LAB 74.89, 37.29, 0.35

 

CMYK 0 / 68 / 11 / 4

HEX #F54FD9

RGB 245 79 217

HSL 310.12, 0.89%, 0.64%

LAB 61.67, 76.71, -37.59

 

CMYK 0 / 52 / 9 / 3

HEX #F776E1

RGB 247 118 225

HSL 310.23, 0.89%, 0.72%

LAB 68.14, 62.45, -31.96

 

CMYK 0 / 37 / 6 / 2

HEX #F99EEA

RGB 249 158 234

HSL 309.89, 0.88%, 0.8%

LAB 76.4, 44.83, -24.21

 

CMYK 0 / 22 / 4 / 2

HEX #FBC5F2

RGB 251 197 242

HSL 310, 0.87%, 0.88%

LAB 85.43, 26.43, -14.82

 

CMYK 0 / 7 / 1 / 0

HEX #FEECFB

RGB 254 236 251

HSL 310, 0.9%, 0.96%

LAB 95.17, 8.65, -5.04

 

CMYK 0 / 38 / 6 / 2

HEX #FA9CEA

RGB 250 156 234

HSL 310.21, 0.9%, 0.8%

LAB 76.09, 46.17, -24.66

 

CMYK 0 / 23 / 37 / 2

HEX #F9BF9E

RGB 249 191 158

HSL 21.76, 0.88%, 0.8%

LAB 81.77, 16.54, 24.69

 

CMYK 37 / 0 / 8 / 2

HEX #9EF9E4

RGB 158 249 228

HSL 166.15, 0.88%, 0.8%

LAB 91.96, -31.77, 1.49

 

CMYK 0 / 38 / 6 / 2

HEX #FA9CEA

RGB 250 156 234

HSL 310.21, 0.9%, 0.8%

LAB 76.09, 46.17, -24.66

 

CMYK 6 / 0 / 37 / 2

HEX #EAF99E

RGB 234 249 158

HSL 69.89, 0.88%, 0.8%

LAB 95.04, -18.69, 42.06

 

CMYK 37 / 6 / 0 / 2

HEX #9EEAF9

RGB 158 234 249

HSL 189.89, 0.88%, 0.8%

LAB 88.43, -19.72, -14.69

 

CMYK 0 / 38 / 6 / 2

HEX #FA9CEA

RGB 250 156 234

HSL 310.21, 0.9%, 0.8%

LAB 76.09, 46.17, -24.66

 

CMYK 0 / 23 / 37 / 2

HEX #F9BF9E

RGB 249 191 158

HSL 21.76, 0.88%, 0.8%

LAB 81.77, 16.54, 24.69

 

CMYK 37 / 0 / 31 / 2

HEX #9EF9AD

RGB 158 249 173

HSL 129.89, 0.88%, 0.8%

LAB 90.8, -42.37, 28.13

 

CMYK 37 / 13 / 0 / 2

HEX #9ED8F9

RGB 158 216 249

HSL 201.76, 0.88%, 0.8%

LAB 83.56, -10.58, -22.03

 

CMYK 0 / 38 / 6 / 2

HEX #FA9CEA

RGB 250 156 234

HSL 310.21, 0.9%, 0.8%

LAB 76.09, 46.17, -24.66

 

CMYK 0 / 12 / 37 / 2

HEX #F9DB9E

RGB 249 219 158

HSL 40.22, 0.88%, 0.8%

LAB 88.58, 1.99, 33.83

 

CMYK 37 / 0 / 31 / 2

HEX #9EF9AD

RGB 158 249 173

HSL 129.89, 0.88%, 0.8%

LAB 90.8, -42.37, 28.13

 

CMYK 37 / 24 / 0 / 2

HEX #9EBCF9

RGB 158 188 249

HSL 220.22, 0.88%, 0.8%

LAB 76.12, 4.37, -33.42

 

Description

Color code: HEX #FA9CEA | qconv.com Color code: HEX #FA9CEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 156 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 156 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 6 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 6% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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