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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAAB28 it is the complementary color #0554D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAAB28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAAB28 shade: #FFAB23, #FFBD36, #FFCF49, #FFE15C and #FFF36F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAAB28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAAB28 shade: #FAAB28, #E99915, #D88702, #C77500 and #B66300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAAB28 shade: #F9AB29, #F97229, #F93A29 and #F92929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAAB28 shade: #F9AB29, #F9E329, #D7F929, #9FF929 and #67F929

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAAB28 shade matches the following richer shades: #F9AB29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAAB28 shade: #F9AB29, #E7A63A, #D6A24C, #C49D5E and #B29970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAAB28 shade: #F93A29, #F97229, #F9A929, #F9E129 and #DAF929

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAAB28 shade: #CA8005, #F39A06, #F9AB29, #FABA51 and #FBCA79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAAB28 shade: #FAAB28, #4FF929 and #5629F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAAB28 shade: #FAAB28, #29F9A9 and #A929F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAAB28 shade: #FAAB28, #4FF929, #2979F9 and #D329F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAAB28 shade: #FAAB28, #29F941, #2979F9 and #F929E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 84 / 2

HEX #FAAB28

RGB 250 171 40

HSL 37.43, 0.95%, 0.57%

LAB 75.82, 19.26, 72.12

 

Complementary color

CMYK 98 / 61 / 0 / 16

HEX #0554D7

RGB 5 84 215

HSL 217.43, 0.95%, 0.43%

LAB 40.05, 31.58, -72.33

 

CMYK 0 / 33 / 86 / 0

HEX #FFAB23

RGB 255 171 35

HSL 37.09, 1%, 0.57%

LAB 76.38, 21.24, 74.2

 

CMYK 0 / 26 / 79 / 0

HEX #FFBD36

RGB 255 189 54

HSL 40.3, 1%, 0.61%

LAB 80.7, 12.37, 72.17

 

CMYK 0 / 19 / 71 / 0

HEX #FFCF49

RGB 255 207 73

HSL 44.18, 1%, 0.64%

LAB 85.18, 3.83, 69.58

 

CMYK 0 / 12 / 64 / 0

HEX #FFE15C

RGB 255 225 92

HSL 48.96, 1%, 0.68%

LAB 89.81, -4.31, 66.73

 

CMYK 0 / 5 / 56 / 0

HEX #FFF36F

RGB 255 243 111

HSL 55, 1%, 0.72%

LAB 94.53, -12.01, 63.81

 

CMYK 0 / 32 / 84 / 2

HEX #FAAB28

RGB 250 171 40

HSL 37.43, 0.95%, 0.57%

LAB 75.82, 19.26, 72.12

 

CMYK 0 / 34 / 91 / 9

HEX #E99915

RGB 233 153 21

HSL 37.36, 0.83%, 0.5%

LAB 69.58, 21.18, 71.1

 

CMYK 0 / 38 / 99 / 15

HEX #D88702

RGB 216 135 2

HSL 37.29, 0.98%, 0.43%

LAB 63.29, 23.31, 68.75

 

CMYK 0 / 41 / 100 / 22

HEX #C77500

RGB 199 117 0

HSL 35.28, 1%, 0.39%

LAB 56.94, 25.7, 63.9

 

CMYK 0 / 46 / 100 / 29

HEX #B66300

RGB 182 99 0

HSL 32.64, 1%, 0.36%

LAB 50.53, 28.16, 58.71

 

CMYK 0 / 31 / 84 / 2

HEX #F9AB29

RGB 249 171 41

HSL 37.5, 0.95%, 0.57%

LAB 75.72, 18.87, 71.69

 

CMYK 0 / 54 / 84 / 2

HEX #F97229

RGB 249 114 41

HSL 21.06, 0.95%, 0.57%

LAB 63.62, 47.91, 61.41

 

CMYK 0 / 77 / 84 / 2

HEX #F93A29

RGB 249 58 41

HSL 4.9, 0.95%, 0.57%

LAB 55.41, 69.94, 54.27

 

CMYK 0 / 84 / 84 / 2

HEX #F92929

RGB 249 41 41

HSL 0, 0.95%, 0.57%

LAB 53.91, 74.19, 52.95

 

CMYK 0 / 31 / 84 / 2

HEX #F9AB29

RGB 249 171 41

HSL 37.5, 0.95%, 0.57%

LAB 75.72, 18.87, 71.69

 

CMYK 0 / 9 / 84 / 2

HEX #F9E329

RGB 249 227 41

HSL 53.65, 0.95%, 0.57%

LAB 89.5, -9.91, 83.19

 

CMYK 14 / 0 / 84 / 2

HEX #D7F929

RGB 215 249 41

HSL 69.81, 0.95%, 0.57%

LAB 92.73, -34.35, 84.84

 

CMYK 36 / 0 / 84 / 2

HEX #9FF929

RGB 159 249 41

HSL 85.96, 0.95%, 0.57%

LAB 89.53, -55.1, 80.83

 

CMYK 59 / 0 / 84 / 2

HEX #67F929

RGB 103 249 41

HSL 102.12, 0.95%, 0.57%

LAB 87.39, -71.34, 78.13

 

CMYK 0 / 31 / 84 / 2

HEX #F9AB29

RGB 249 171 41

HSL 37.5, 0.95%, 0.57%

LAB 75.72, 18.87, 71.69

 

CMYK 0 / 31 / 84 / 2

HEX #F9AB29

RGB 249 171 41

HSL 37.5, 0.95%, 0.57%

LAB 75.72, 18.87, 71.69

 

CMYK 0 / 28 / 75 / 9

HEX #E7A63A

RGB 231 166 58

HSL 37.46, 0.78%, 0.57%

LAB 72.61, 14.46, 62.21

 

CMYK 0 / 24 / 64 / 16

HEX #D6A24C

RGB 214 162 76

HSL 37.39, 0.63%, 0.57%

LAB 69.94, 10.29, 51.03

 

CMYK 0 / 20 / 52 / 23

HEX #C49D5E

RGB 196 157 94

HSL 37.06, 0.46%, 0.57%

LAB 67.02, 6.72, 38.21

 

CMYK 0 / 14 / 37 / 30

HEX #B29970

RGB 178 153 112

HSL 37.27, 0.3%, 0.57%

LAB 64.5, 3.3, 24.99

 

CMYK 0 / 77 / 84 / 2

HEX #F93A29

RGB 249 58 41

HSL 4.9, 0.95%, 0.57%

LAB 55.41, 69.94, 54.27

 

CMYK 0 / 54 / 84 / 2

HEX #F97229

RGB 249 114 41

HSL 21.06, 0.95%, 0.57%

LAB 63.62, 47.91, 61.41

 

CMYK 0 / 32 / 84 / 2

HEX #F9A929

RGB 249 169 41

HSL 36.92, 0.95%, 0.57%

LAB 75.25, 19.92, 71.3

 

CMYK 0 / 10 / 84 / 2

HEX #F9E129

RGB 249 225 41

HSL 53.08, 0.95%, 0.57%

LAB 88.99, -8.92, 82.77

 

CMYK 12 / 0 / 84 / 2

HEX #DAF929

RGB 218 249 41

HSL 68.94, 0.95%, 0.57%

LAB 92.93, -33.16, 85.09

 

CMYK 0 / 37 / 98 / 21

HEX #CA8005

RGB 202 128 5

HSL 37.46, 0.95%, 0.41%

LAB 59.89, 21.08, 65.17

 

CMYK 0 / 37 / 98 / 5

HEX #F39A06

RGB 243 154 6

HSL 37.47, 0.95%, 0.49%

LAB 70.99, 24.71, 74.93

 

CMYK 0 / 31 / 84 / 2

HEX #F9AB29

RGB 249 171 41

HSL 37.5, 0.95%, 0.57%

LAB 75.72, 18.87, 71.69

 

CMYK 0 / 26 / 68 / 2

HEX #FABA51

RGB 250 186 81

HSL 37.28, 0.94%, 0.65%

LAB 79.63, 13.02, 60.42

 

CMYK 0 / 20 / 52 / 2

HEX #FBCA79

RGB 251 202 121

HSL 37.38, 0.94%, 0.73%

LAB 84.03, 7.87, 46.7

 

CMYK 0 / 32 / 84 / 2

HEX #FAAB28

RGB 250 171 40

HSL 37.43, 0.95%, 0.57%

LAB 75.82, 19.26, 72.12

 

CMYK 68 / 0 / 84 / 2

HEX #4FF929

RGB 79 249 41

HSL 109.04, 0.95%, 0.57%

LAB 86.79, -76.33, 77.37

 

CMYK 65 / 84 / 0 / 2

HEX #5629F9

RGB 86 41 249

HSL 252.98, 0.95%, 0.57%

LAB 38.56, 70.57, -93.97

 

CMYK 0 / 32 / 84 / 2

HEX #FAAB28

RGB 250 171 40

HSL 37.43, 0.95%, 0.57%

LAB 75.82, 19.26, 72.12

 

CMYK 84 / 0 / 32 / 2

HEX #29F9A9

RGB 41 249 169

HSL 156.92, 0.95%, 0.57%

LAB 87.53, -65.55, 25.18

 

CMYK 32 / 84 / 0 / 2

HEX #A929F9

RGB 169 41 249

HSL 276.92, 0.95%, 0.57%

LAB 48.08, 79.59, -77.95

 

CMYK 0 / 32 / 84 / 2

HEX #FAAB28

RGB 250 171 40

HSL 37.43, 0.95%, 0.57%

LAB 75.82, 19.26, 72.12

 

CMYK 68 / 0 / 84 / 2

HEX #4FF929

RGB 79 249 41

HSL 109.04, 0.95%, 0.57%

LAB 86.79, -76.33, 77.37

 

CMYK 84 / 51 / 0 / 2

HEX #2979F9

RGB 41 121 249

HSL 216.92, 0.95%, 0.57%

LAB 52.93, 22.59, -70.47

 

CMYK 15 / 84 / 0 / 2

HEX #D329F9

RGB 211 41 249

HSL 289.04, 0.95%, 0.57%

LAB 54.32, 85.9, -67.54

 

CMYK 0 / 32 / 84 / 2

HEX #FAAB28

RGB 250 171 40

HSL 37.43, 0.95%, 0.57%

LAB 75.82, 19.26, 72.12

 

CMYK 84 / 0 / 74 / 2

HEX #29F941

RGB 41 249 65

HSL 126.92, 0.95%, 0.57%

LAB 86.31, -80.08, 70.07

 

CMYK 84 / 51 / 0 / 2

HEX #2979F9

RGB 41 121 249

HSL 216.92, 0.95%, 0.57%

LAB 52.93, 22.59, -70.47

 

CMYK 0 / 84 / 10 / 2

HEX #F929E1

RGB 249 41 225

HSL 306.92, 0.95%, 0.57%

LAB 59.12, 88.9, -46.05

 

Description

Color code: HEX #FAAB28 | qconv.com Color code: HEX #FAAB28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 171 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 171 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 84 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 84% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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