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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FABC7F it is the complementary color #054380. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FABC7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FABC7F shade: #FFBC7A, #FFCE8D, #FFE0A0, #FFF2B3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FABC7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FABC7F shade: #FABC7F, #E9AA6C, #D89859, #C78646 and #B67433

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FABC7F shade: #F9BC7F, #F99B7F and #F97F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FABC7F shade: #F9BC7F, #F9DD7F, #F5F97F, #D4F97F and #B3F97F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FABC7F shade matches the following richer shades: #F9BC7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FABC7F shade: #F9BC7F, #EEBC8A, #E4BC95, #D9BC9F and #CEBCAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FABC7F shade: #F97F85, #F99A7F, #F9BA7F, #F9DB7F and #F7F97F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FABC7F shade: #F69230, #F8A758, #F9BC7F, #FBD0A7 and #FCE5CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FABC7F shade: #FABC7F, #A6F97F and #897FF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FABC7F shade: #FABC7F, #7FF9BA and #BA7FF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FABC7F shade: #FABC7F, #A6F97F, #7FBEF9 and #D37FF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FABC7F shade: #FABC7F, #81F97F, #7FBEF9 and #F77FF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 49 / 2

HEX #FABC7F

RGB 250 188 127

HSL 29.76, 0.92%, 0.74%

LAB 80.64, 15.3, 39.42

 

Complementary color

CMYK 96 / 48 / 0 / 50

HEX #054380

RGB 5 67 128

HSL 209.76, 0.92%, 0.26%

LAB 28.39, 7.36, -39.36

 

CMYK 0 / 26 / 52 / 0

HEX #FFBC7A

RGB 255 188 122

HSL 29.77, 1%, 0.74%

LAB 81.09, 16.86, 42.65

 

CMYK 0 / 19 / 45 / 0

HEX #FFCE8D

RGB 255 206 141

HSL 34.21, 1%, 0.78%

LAB 85.67, 9.23, 38.8

 

CMYK 0 / 12 / 37 / 0

HEX #FFE0A0

RGB 255 224 160

HSL 40.42, 1%, 0.81%

LAB 90.37, 1.97, 35.28

 

CMYK 0 / 5 / 30 / 0

HEX #FFF2B3

RGB 255 242 179

HSL 49.74, 1%, 0.85%

LAB 95.17, -4.88, 32.04

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 25 / 49 / 2

HEX #FABC7F

RGB 250 188 127

HSL 29.76, 0.92%, 0.74%

LAB 80.64, 15.3, 39.42

 

CMYK 0 / 27 / 54 / 9

HEX #E9AA6C

RGB 233 170 108

HSL 29.76, 0.74%, 0.67%

LAB 74.29, 16.29, 40.82

 

CMYK 0 / 30 / 59 / 15

HEX #D89859

RGB 216 152 89

HSL 29.76, 0.62%, 0.6%

LAB 67.86, 17.42, 42.3

 

CMYK 0 / 33 / 65 / 22

HEX #C78646

RGB 199 134 70

HSL 29.77, 0.54%, 0.53%

LAB 61.34, 18.72, 43.82

 

CMYK 0 / 36 / 72 / 29

HEX #B67433

RGB 182 116 51

HSL 29.77, 0.56%, 0.46%

LAB 54.74, 20.24, 45.3

 

CMYK 0 / 24 / 49 / 2

HEX #F9BC7F

RGB 249 188 127

HSL 30, 0.91%, 0.74%

LAB 80.54, 14.9, 39.27

 

CMYK 0 / 38 / 49 / 2

HEX #F99B7F

RGB 249 155 127

HSL 13.77, 0.91%, 0.74%

LAB 72.97, 32.21, 29.46

 

CMYK 0 / 49 / 49 / 2

HEX #F97F7F

RGB 249 127 127

HSL 0, 0.91%, 0.74%

LAB 67.16, 46.46, 21.69

 

CMYK 0 / 24 / 49 / 2

HEX #F9BC7F

RGB 249 188 127

HSL 30, 0.91%, 0.74%

LAB 80.54, 14.9, 39.27

 

CMYK 0 / 11 / 49 / 2

HEX #F9DD7F

RGB 249 221 127

HSL 46.23, 0.91%, 0.74%

LAB 88.63, -2.16, 49.37

 

CMYK 2 / 0 / 49 / 2

HEX #F5F97F

RGB 245 249 127

HSL 61.97, 0.91%, 0.74%

LAB 95.45, -17.62, 57.51

 

CMYK 15 / 0 / 49 / 2

HEX #D4F97F

RGB 212 249 127

HSL 78.2, 0.91%, 0.74%

LAB 93.14, -30.22, 54.19

 

CMYK 28 / 0 / 49 / 2

HEX #B3F97F

RGB 179 249 127

HSL 94.43, 0.91%, 0.74%

LAB 91.17, -42.05, 51.35

 

CMYK 0 / 24 / 49 / 2

HEX #F9BC7F

RGB 249 188 127

HSL 30, 0.91%, 0.74%

LAB 80.54, 14.9, 39.27

 

CMYK 0 / 24 / 49 / 2

HEX #F9BC7F

RGB 249 188 127

HSL 30, 0.91%, 0.74%

LAB 80.54, 14.9, 39.27

 

CMYK 0 / 21 / 42 / 7

HEX #EEBC8A

RGB 238 188 138

HSL 30, 0.75%, 0.74%

LAB 79.6, 11.61, 32.13

 

CMYK 0 / 18 / 35 / 11

HEX #E4BC95

RGB 228 188 149

HSL 29.62, 0.59%, 0.74%

LAB 78.83, 8.93, 25.13

 

CMYK 0 / 13 / 27 / 15

HEX #D9BC9F

RGB 217 188 159

HSL 30, 0.43%, 0.74%

LAB 78.01, 5.98, 18.5

 

CMYK 0 / 9 / 17 / 19

HEX #CEBCAA

RGB 206 188 170

HSL 30, 0.27%, 0.74%

LAB 77.28, 3.43, 11.41

 

CMYK 0 / 49 / 47 / 2

HEX #F97F85

RGB 249 127 133

HSL 357.05, 0.91%, 0.74%

LAB 67.29, 47.02, 18.49

 

CMYK 0 / 38 / 49 / 2

HEX #F99A7F

RGB 249 154 127

HSL 13.28, 0.91%, 0.74%

LAB 72.75, 32.73, 29.17

 

CMYK 0 / 25 / 49 / 2

HEX #F9BA7F

RGB 249 186 127

HSL 29.02, 0.91%, 0.74%

LAB 80.06, 15.95, 38.66

 

CMYK 0 / 12 / 49 / 2

HEX #F9DB7F

RGB 249 219 127

HSL 45.25, 0.91%, 0.74%

LAB 88.13, -1.14, 48.75

 

CMYK 1 / 0 / 49 / 2

HEX #F7F97F

RGB 247 249 127

HSL 60.98, 0.91%, 0.74%

LAB 95.6, -16.84, 57.73

 

CMYK 0 / 41 / 80 / 4

HEX #F69230

RGB 246 146 48

HSL 29.7, 0.92%, 0.58%

LAB 69.73, 30.91, 63.99

 

CMYK 0 / 33 / 65 / 3

HEX #F8A758

RGB 248 167 88

HSL 29.63, 0.92%, 0.66%

LAB 75.01, 22.56, 52.06

 

CMYK 0 / 24 / 49 / 2

HEX #F9BC7F

RGB 249 188 127

HSL 30, 0.91%, 0.74%

LAB 80.54, 14.9, 39.27

 

CMYK 0 / 17 / 33 / 2

HEX #FBD0A7

RGB 251 208 167

HSL 29.29, 0.91%, 0.82%

LAB 86.21, 9.49, 26.04

 

CMYK 0 / 9 / 18 / 1

HEX #FCE5CE

RGB 252 229 206

HSL 30, 0.88%, 0.9%

LAB 92.22, 4.26, 14.06

 

CMYK 0 / 25 / 49 / 2

HEX #FABC7F

RGB 250 188 127

HSL 29.76, 0.92%, 0.74%

LAB 80.64, 15.3, 39.42

 

CMYK 33 / 0 / 49 / 2

HEX #A6F97F

RGB 166 249 127

HSL 100.82, 0.91%, 0.74%

LAB 90.5, -46.4, 50.37

 

CMYK 45 / 49 / 0 / 2

HEX #897FF9

RGB 137 127 249

HSL 244.92, 0.91%, 0.74%

LAB 59.28, 33.9, -60

 

CMYK 0 / 25 / 49 / 2

HEX #FABC7F

RGB 250 188 127

HSL 29.76, 0.92%, 0.74%

LAB 80.64, 15.3, 39.42

 

CMYK 49 / 0 / 25 / 2

HEX #7FF9BA

RGB 127 249 186

HSL 149.02, 0.91%, 0.74%

LAB 89.77, -48.31, 19.89

 

CMYK 25 / 49 / 0 / 2

HEX #BA7FF9

RGB 186 127 249

HSL 269.02, 0.91%, 0.74%

LAB 63.72, 45.9, -52.67

 

CMYK 0 / 25 / 49 / 2

HEX #FABC7F

RGB 250 188 127

HSL 29.76, 0.92%, 0.74%

LAB 80.64, 15.3, 39.42

 

CMYK 33 / 0 / 49 / 2

HEX #A6F97F

RGB 166 249 127

HSL 100.82, 0.91%, 0.74%

LAB 90.5, -46.4, 50.37

 

CMYK 49 / 24 / 0 / 2

HEX #7FBEF9

RGB 127 190 249

HSL 209.02, 0.91%, 0.74%

LAB 74.94, -4.41, -35.38

 

CMYK 15 / 49 / 0 / 2

HEX #D37FF9

RGB 211 127 249

HSL 281.31, 0.91%, 0.74%

LAB 66.42, 52.51, -48.22

 

CMYK 0 / 25 / 49 / 2

HEX #FABC7F

RGB 250 188 127

HSL 29.76, 0.92%, 0.74%

LAB 80.64, 15.3, 39.42

 

CMYK 48 / 0 / 49 / 2

HEX #81F97F

RGB 129 249 127

HSL 119.02, 0.91%, 0.74%

LAB 88.9, -57.44, 48.04

 

CMYK 49 / 24 / 0 / 2

HEX #7FBEF9

RGB 127 190 249

HSL 209.02, 0.91%, 0.74%

LAB 74.94, -4.41, -35.38

 

CMYK 1 / 49 / 0 / 2

HEX #F77FF9

RGB 247 127 249

HSL 299.02, 0.91%, 0.74%

LAB 70.73, 62.23, -41.15

 

Description

Color code: HEX #FABC7F | qconv.com Color code: HEX #FABC7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 188 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 188 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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