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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAC99A it is the complementary color #053665. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAC99A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAC99A shade: #FFC995, #FFDBA8, #FFEDBB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAC99A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAC99A shade: #FAC99A, #E9B787, #D8A574, #C79361 and #B6814E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAC99A shade: #FAC898, #FAAE98 and #FA9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAC99A shade: #FAC898, #FAE298, #F7FA98, #DDFA98 and #C2FA98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAC99A shade matches the following richer shades: #FAC898

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAC99A shade: #FAC898, #F1C8A1, #E8C8AA, #E0C8B2 and #D7C9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAC99A shade: #FA989D, #FAAD98, #FAC798, #FAE198 and #F8FA98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAC99A shade: #F69E49, #F8B371, #FAC898, #FCDDC0 and #FDF2E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAC99A shade: #FAC99A, #B7FA98 and #A098FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAC99A shade: #FAC99A, #98FAC7 and #C798FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAC99A shade: #FAC99A, #B7FA98, #98CBFA and #DB98FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAC99A shade: #FAC99A, #9AFA98, #98CBFA and #F898FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 38 / 2

HEX #FAC99A

RGB 250 201 154

HSL 29.38, 0.91%, 0.79%

LAB 84.19, 11.23, 30.07

 

Complementary color

CMYK 95 / 47 / 0 / 60

HEX #053665

RGB 5 54 101

HSL 209.38, 0.91%, 0.21%

LAB 22.34, 4.67, -31.9

 

CMYK 0 / 21 / 42 / 0

HEX #FFC995

RGB 255 201 149

HSL 29.43, 1%, 0.79%

LAB 84.59, 12.64, 33.29

 

CMYK 0 / 14 / 34 / 0

HEX #FFDBA8

RGB 255 219 168

HSL 35.17, 1%, 0.83%

LAB 89.28, 5.45, 29.73

 

CMYK 0 / 7 / 27 / 0

HEX #FFEDBB

RGB 255 237 187

HSL 44.12, 1%, 0.87%

LAB 94.06, -1.35, 26.47

HEX #FFEDBB

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

HEX #FFFFCE

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

HEX #FFFFE1

CMYK 0 / 20 / 38 / 2

HEX #FAC99A

RGB 250 201 154

HSL 29.38, 0.91%, 0.79%

LAB 84.19, 11.23, 30.07

 

CMYK 0 / 21 / 42 / 9

HEX #E9B787

RGB 233 183 135

HSL 29.39, 0.69%, 0.72%

LAB 77.84, 11.95, 31.3

 

CMYK 0 / 24 / 46 / 15

HEX #D8A574

RGB 216 165 116

HSL 29.4, 0.56%, 0.65%

LAB 71.4, 12.77, 32.6

 

CMYK 0 / 26 / 51 / 22

HEX #C79361

RGB 199 147 97

HSL 29.41, 0.48%, 0.58%

LAB 64.86, 13.71, 34

 

CMYK 0 / 29 / 57 / 29

HEX #B6814E

RGB 182 129 78

HSL 29.42, 0.42%, 0.51%

LAB 58.22, 14.8, 35.5

 

CMYK 0 / 20 / 39 / 2

HEX #FAC898

RGB 250 200 152

HSL 29.39, 0.91%, 0.79%

LAB 83.91, 11.53, 30.75

 

CMYK 0 / 30 / 39 / 2

HEX #FAAE98

RGB 250 174 152

HSL 13.47, 0.91%, 0.79%

LAB 77.79, 25.18, 22.48

 

CMYK 0 / 39 / 39 / 2

HEX #FA9898

RGB 250 152 152

HSL 0, 0.91%, 0.79%

LAB 72.92, 36.67, 15.75

 

CMYK 0 / 20 / 39 / 2

HEX #FAC898

RGB 250 200 152

HSL 29.39, 0.91%, 0.79%

LAB 83.91, 11.53, 30.75

 

CMYK 0 / 10 / 39 / 2

HEX #FAE298

RGB 250 226 152

HSL 45.31, 0.91%, 0.79%

LAB 90.31, -1.85, 39.16

 

CMYK 1 / 0 / 39 / 2

HEX #F7FA98

RGB 247 250 152

HSL 61.84, 0.91%, 0.79%

LAB 96.17, -14.94, 46.62

 

CMYK 12 / 0 / 39 / 2

HEX #DDFA98

RGB 221 250 152

HSL 77.76, 0.91%, 0.79%

LAB 94.32, -24.68, 43.88

 

CMYK 22 / 0 / 39 / 2

HEX #C2FA98

RGB 194 250 152

HSL 94.29, 0.91%, 0.79%

LAB 92.62, -34.33, 41.37

 

CMYK 0 / 20 / 39 / 2

HEX #FAC898

RGB 250 200 152

HSL 29.39, 0.91%, 0.79%

LAB 83.91, 11.53, 30.75

 

CMYK 0 / 20 / 39 / 2

HEX #FAC898

RGB 250 200 152

HSL 29.39, 0.91%, 0.79%

LAB 83.91, 11.53, 30.75

 

CMYK 0 / 17 / 33 / 5

HEX #F1C8A1

RGB 241 200 161

HSL 29.25, 0.74%, 0.79%

LAB 83.22, 9.1, 24.96

 

CMYK 0 / 14 / 27 / 9

HEX #E8C8AA

RGB 232 200 170

HSL 29.03, 0.57%, 0.79%

LAB 82.58, 6.84, 19.18

 

CMYK 0 / 11 / 21 / 12

HEX #E0C8B2

RGB 224 200 178

HSL 28.7, 0.43%, 0.79%

LAB 82.04, 4.98, 14.08

 

CMYK 0 / 7 / 13 / 16

HEX #D7C9BB

RGB 215 201 187

HSL 30, 0.26%, 0.79%

LAB 81.73, 2.54, 8.74

 

CMYK 0 / 39 / 37 / 2

HEX #FA989D

RGB 250 152 157

HSL 356.94, 0.91%, 0.79%

LAB 73.03, 37.24, 13.15

 

CMYK 0 / 31 / 39 / 2

HEX #FAAD98

RGB 250 173 152

HSL 12.86, 0.91%, 0.79%

LAB 77.57, 25.7, 22.17

 

CMYK 0 / 20 / 39 / 2

HEX #FAC798

RGB 250 199 152

HSL 28.78, 0.91%, 0.79%

LAB 83.67, 12.06, 30.43

 

CMYK 0 / 10 / 39 / 2

HEX #FAE198

RGB 250 225 152

HSL 44.69, 0.91%, 0.79%

LAB 90.06, -1.34, 38.84

 

CMYK 1 / 0 / 39 / 2

HEX #F8FA98

RGB 248 250 152

HSL 61.22, 0.91%, 0.79%

LAB 96.24, -14.56, 46.73

 

CMYK 0 / 36 / 70 / 4

HEX #F69E49

RGB 246 158 73

HSL 29.48, 0.91%, 0.63%

LAB 72.58, 25.64, 56.34

 

CMYK 0 / 28 / 54 / 3

HEX #F8B371

RGB 248 179 113

HSL 29.33, 0.91%, 0.71%

LAB 78.1, 18.02, 43.34

 

CMYK 0 / 20 / 39 / 2

HEX #FAC898

RGB 250 200 152

HSL 29.39, 0.91%, 0.79%

LAB 83.91, 11.53, 30.75

 

CMYK 0 / 12 / 24 / 1

HEX #FCDDC0

RGB 252 221 192

HSL 29, 0.91%, 0.87%

LAB 89.96, 6.38, 18.17

 

CMYK 0 / 4 / 9 / 1

HEX #FDF2E7

RGB 253 242 231

HSL 30, 0.85%, 0.95%

LAB 96.06, 1.86, 6.61

 

CMYK 0 / 20 / 38 / 2

HEX #FAC99A

RGB 250 201 154

HSL 29.38, 0.91%, 0.79%

LAB 84.19, 11.23, 30.07

 

CMYK 27 / 0 / 39 / 2

HEX #B7FA98

RGB 183 250 152

HSL 101.02, 0.91%, 0.79%

LAB 92, -38.08, 40.44

 

CMYK 36 / 39 / 0 / 2

HEX #A098FA

RGB 160 152 250

HSL 244.9, 0.91%, 0.79%

LAB 67.15, 25.37, -47.94

 

CMYK 0 / 20 / 38 / 2

HEX #FAC99A

RGB 250 201 154

HSL 29.38, 0.91%, 0.79%

LAB 84.19, 11.23, 30.07

 

CMYK 39 / 0 / 20 / 2

HEX #98FAC7

RGB 152 250 199

HSL 148.78, 0.91%, 0.79%

LAB 91.31, -39.81, 15.51

 

CMYK 20 / 39 / 0 / 2

HEX #C798FA

RGB 199 152 250

HSL 268.78, 0.91%, 0.79%

LAB 70.53, 36.08, -42.4

 

CMYK 0 / 20 / 38 / 2

HEX #FAC99A

RGB 250 201 154

HSL 29.38, 0.91%, 0.79%

LAB 84.19, 11.23, 30.07

 

CMYK 27 / 0 / 39 / 2

HEX #B7FA98

RGB 183 250 152

HSL 101.02, 0.91%, 0.79%

LAB 92, -38.08, 40.44

 

CMYK 39 / 19 / 0 / 2

HEX #98CBFA

RGB 152 203 250

HSL 208.78, 0.91%, 0.79%

LAB 79.78, -5.05, -28.35

 

CMYK 12 / 39 / 0 / 2

HEX #DB98FA

RGB 219 152 250

HSL 281.02, 0.91%, 0.79%

LAB 72.51, 41.86, -39.16

 

CMYK 0 / 20 / 38 / 2

HEX #FAC99A

RGB 250 201 154

HSL 29.38, 0.91%, 0.79%

LAB 84.19, 11.23, 30.07

 

CMYK 38 / 0 / 39 / 2

HEX #9AFA98

RGB 154 250 152

HSL 118.78, 0.91%, 0.79%

LAB 90.56, -47.28, 38.29

 

CMYK 39 / 19 / 0 / 2

HEX #98CBFA

RGB 152 203 250

HSL 208.78, 0.91%, 0.79%

LAB 79.78, -5.05, -28.35

 

CMYK 1 / 39 / 0 / 2

HEX #F898FA

RGB 248 152 250

HSL 298.78, 0.91%, 0.79%

LAB 75.65, 50.39, -34.05

 

Description

Color code: HEX #FAC99A | qconv.com Color code: HEX #FAC99A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 201 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 201 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 38 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 38% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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