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Color name
HEX #FAD87A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAD87A it is the complementary color #052785. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAD87A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAD87A shade: #FFD875, #FFEA88, #FFFC9B, #FFFFAE and #FFFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAD87A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAD87A shade: #FAD87A, #E9C667, #D8B454, #C7A241 and #B6902E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAD87A shade: #FAD87A, #FAB57A, #FA937A and #FA7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAD87A shade: #FAD87A, #F9FA7A, #D7FA7A, #B4FA7A and #92FA7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAD87A shade matches the following richer shades: #FAD87A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAD87A shade: #FAD87A, #EFD285, #E3CD90, #D8C89B and #CDC3A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAD87A shade: #FA937A, #FAB57A, #FAD87A, #FAFA7A and #D8FA7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAD87A shade: #F7C02A, #F8CC52, #FAD87A, #FBE3A1 and #FDEFC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAD87A shade: #FAD87A, #82FA7A and #A47AFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAD87A shade: #FAD87A, #7AFAD8 and #D87AFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAD87A shade: #FAD87A, #82FA7A, #7A9CFA and #F17AFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAD87A shade: #FAD87A, #7AFA98, #7A9CFA and #FA7ADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

Complementary color

CMYK 96 / 71 / 0 / 48

HEX #052785

RGB 5 39 133

HSL 224.06, 0.93%, 0.27%

LAB 20.74, 29.26, -54.97

 

CMYK 0 / 15 / 54 / 0

HEX #FFD875

RGB 255 216 117

HSL 43.04, 1%, 0.73%

LAB 87.8, 1.96, 53.28

 

CMYK 0 / 8 / 47 / 0

HEX #FFEA88

RGB 255 234 136

HSL 49.41, 1%, 0.77%

LAB 92.52, -5.52, 49.92

 

CMYK 0 / 1 / 39 / 0

HEX #FFFC9B

RGB 255 252 155

HSL 58.2, 1%, 0.8%

LAB 97.33, -12.56, 46.76

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 0 / 15 / 56 / 9

HEX #E9C667

RGB 233 198 103

HSL 43.85, 0.75%, 0.66%

LAB 81.12, 1.15, 51.54

 

CMYK 0 / 17 / 61 / 15

HEX #D8B454

RGB 216 180 84

HSL 43.64, 0.63%, 0.59%

LAB 74.75, 2.08, 52.73

 

CMYK 0 / 19 / 67 / 22

HEX #C7A241

RGB 199 162 65

HSL 43.43, 0.54%, 0.52%

LAB 68.29, 3.17, 53.8

 

CMYK 0 / 21 / 75 / 29

HEX #B6902E

RGB 182 144 46

HSL 43.24, 0.6%, 0.45%

LAB 61.73, 4.47, 54.58

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 0 / 28 / 51 / 2

HEX #FAB57A

RGB 250 181 122

HSL 27.66, 0.93%, 0.73%

LAB 78.91, 18.52, 39.8

 

CMYK 0 / 41 / 51 / 2

HEX #FA937A

RGB 250 147 122

HSL 11.72, 0.93%, 0.73%

LAB 71.28, 36.29, 29.97

 

CMYK 0 / 51 / 51 / 2

HEX #FA7A7A

RGB 250 122 122

HSL 0, 0.93%, 0.73%

LAB 66.25, 48.82, 23.28

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 0 / 0 / 51 / 2

HEX #F9FA7A

RGB 249 250 122

HSL 60.47, 0.93%, 0.73%

LAB 95.96, -16.96, 60.45

 

CMYK 14 / 0 / 51 / 2

HEX #D7FA7A

RGB 215 250 122

HSL 76.41, 0.93%, 0.73%

LAB 93.55, -30.04, 57.01

 

CMYK 28 / 0 / 51 / 2

HEX #B4FA7A

RGB 180 250 122

HSL 92.81, 0.93%, 0.73%

LAB 91.45, -42.69, 54.01

 

CMYK 42 / 0 / 51 / 2

HEX #92FA7A

RGB 146 250 122

HSL 108.75, 0.93%, 0.73%

LAB 89.81, -53.65, 51.64

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 0 / 12 / 44 / 6

HEX #EFD285

RGB 239 210 133

HSL 43.58, 0.77%, 0.73%

LAB 85.07, 0.04, 41.78

 

CMYK 0 / 10 / 37 / 11

HEX #E3CD90

RGB 227 205 144

HSL 44.1, 0.6%, 0.73%

LAB 82.92, -0.95, 33.19

 

CMYK 0 / 7 / 28 / 15

HEX #D8C89B

RGB 216 200 155

HSL 44.26, 0.44%, 0.73%

LAB 80.89, -1.26, 24.58

 

CMYK 0 / 5 / 19 / 20

HEX #CDC3A6

RGB 205 195 166

HSL 44.62, 0.28%, 0.73%

LAB 78.9, -1.25, 15.84

 

CMYK 0 / 41 / 51 / 2

HEX #FA937A

RGB 250 147 122

HSL 11.72, 0.93%, 0.73%

LAB 71.28, 36.29, 29.97

 

CMYK 0 / 28 / 51 / 2

HEX #FAB57A

RGB 250 181 122

HSL 27.66, 0.93%, 0.73%

LAB 78.91, 18.52, 39.8

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 0 / 0 / 51 / 2

HEX #FAFA7A

RGB 250 250 122

HSL 60, 0.93%, 0.73%

LAB 96.04, -16.57, 60.56

 

CMYK 14 / 0 / 51 / 2

HEX #D8FA7A

RGB 216 250 122

HSL 75.94, 0.93%, 0.73%

LAB 93.61, -29.67, 57.11

 

CMYK 0 / 22 / 83 / 3

HEX #F7C02A

RGB 247 192 42

HSL 43.9, 0.93%, 0.57%

LAB 80.54, 7.07, 75.38

 

CMYK 0 / 18 / 67 / 3

HEX #F8CC52

RGB 248 204 82

HSL 44.1, 0.92%, 0.65%

LAB 83.84, 2.9, 64.38

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 0 / 10 / 36 / 2

HEX #FBE3A1

RGB 251 227 161

HSL 44, 0.92%, 0.81%

LAB 90.79, -0.98, 35.26

 

CMYK 0 / 6 / 21 / 1

HEX #FDEFC9

RGB 253 239 201

HSL 43.85, 0.93%, 0.89%

LAB 94.67, -1.19, 20.1

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 48 / 0 / 51 / 2

HEX #82FA7A

RGB 130 250 122

HSL 116.25, 0.93%, 0.73%

LAB 89.17, -58.19, 50.72

 

CMYK 34 / 51 / 0 / 2

HEX #A47AFA

RGB 164 122 250

HSL 259.69, 0.93%, 0.73%

LAB 60.53, 43.34, -58.43

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 51 / 0 / 14 / 2

HEX #7AFAD8

RGB 122 250 216

HSL 164.06, 0.93%, 0.73%

LAB 90.54, -43.55, 5.47

 

CMYK 14 / 51 / 0 / 2

HEX #D87AFA

RGB 216 122 250

HSL 284.06, 0.93%, 0.73%

LAB 66.07, 56.56, -49.27

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 48 / 0 / 51 / 2

HEX #82FA7A

RGB 130 250 122

HSL 116.25, 0.93%, 0.73%

LAB 89.17, -58.19, 50.72

 

CMYK 51 / 38 / 0 / 2

HEX #7A9CFA

RGB 122 156 250

HSL 224.06, 0.93%, 0.73%

LAB 65.61, 13.89, -50.55

 

CMYK 4 / 51 / 0 / 2

HEX #F17AFA

RGB 241 122 250

HSL 295.78, 0.93%, 0.73%

LAB 69.13, 63.15, -44.26

 

CMYK 0 / 14 / 51 / 2

HEX #FAD87A

RGB 250 216 122

HSL 44.06, 0.93%, 0.73%

LAB 87.41, 0.35, 50.31

 

CMYK 51 / 0 / 39 / 2

HEX #7AFA98

RGB 122 250 152

HSL 134.06, 0.93%, 0.73%

LAB 89.29, -55.99, 36.39

 

CMYK 51 / 38 / 0 / 2

HEX #7A9CFA

RGB 122 156 250

HSL 224.06, 0.93%, 0.73%

LAB 65.61, 13.89, -50.55

 

CMYK 0 / 51 / 12 / 2

HEX #FA7ADC

RGB 250 122 220

HSL 314.06, 0.93%, 0.73%

LAB 69.05, 60.66, -27.76

 

Description

Color code: HEX #FAD87A | qconv.com Color code: HEX #FAD87A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 216 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 216 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 51% 2% C M Y K

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Provide designers and agencies with accurate color values.

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