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Color name
HEX #FAE119

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAE119 it is the complementary color #051EE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAE119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAE119 shade: #FFE114, #FFF327, #FFFF3A, #FFFF4D and #FFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAE119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAE119 shade: #FAE119, #E9CF06, #D8BD00, #C7AB00 and #B69900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAE119 shade: #FAE119, #FAA419, #FA6719, #FA2B19 and #FA1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAE119 shade: #FAE119, #D6FA19, #99FA19, #5DFA19 and #20FA19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAE119 shade matches the following richer shades: #FAE119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAE119 shade: #FAE119, #E7D22C, #D4C33F, #C1B452 and #AEA665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAE119 shade: #FA6719, #FAA319, #FAE019, #D8FA19 and #9CFA19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAE119 shade: #BDA803, #E5CC04, #FAE119, #FBE641 and #FBEB69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAE119 shade: #FAE119, #19FA2B and #8519FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAE119 shade: #FAE119, #19FAE0 and #E019FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAE119 shade: #FAE119, #19FA2B, #1933FA and #FA19E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAE119 shade: #FAE119, #19FA6F, #1933FA and #FA19A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

Complementary color

CMYK 98 / 87 / 0 / 10

HEX #051EE6

RGB 5 30 230

HSL 233.33, 0.96%, 0.46%

LAB 31.05, 66.24, -95.79

 

CMYK 0 / 12 / 92 / 0

HEX #FFE114

RGB 255 225 20

HSL 52.34, 1%, 0.54%

LAB 89.47, -6.78, 87.11

 

CMYK 0 / 5 / 85 / 0

HEX #FFF327

RGB 255 243 39

HSL 56.67, 1%, 0.58%

LAB 94.1, -15.31, 87.6

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3A

RGB 255 255 58

HSL 60, 1%, 0.61%

LAB 97.26, -20.55, 85.78

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 0 / 11 / 97 / 9

HEX #E9CF06

RGB 233 207 6

HSL 53.13, 0.95%, 0.47%

LAB 82.89, -7.22, 82.8

 

CMYK 0 / 13 / 100 / 15

HEX #D8BD00

RGB 216 189 0

HSL 52.5, 1%, 0.42%

LAB 76.68, -5.44, 78.2

 

CMYK 0 / 14 / 100 / 22

HEX #C7AB00

RGB 199 171 0

HSL 51.56, 1%, 0.39%

LAB 70.36, -3.54, 72.98

 

CMYK 0 / 16 / 100 / 29

HEX #B69900

RGB 182 153 0

HSL 50.44, 1%, 0.36%

LAB 63.94, -1.57, 67.67

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 0 / 34 / 90 / 2

HEX #FAA419

RGB 250 164 25

HSL 37.07, 0.96%, 0.54%

LAB 74.15, 22.62, 74.58

 

CMYK 0 / 59 / 90 / 2

HEX #FA6719

RGB 250 103 25

HSL 20.8, 0.96%, 0.54%

LAB 61.74, 53.04, 65.47

 

CMYK 0 / 83 / 90 / 2

HEX #FA2B19

RGB 250 43 25

HSL 4.8, 0.96%, 0.54%

LAB 54.16, 73.74, 60.17

 

CMYK 0 / 90 / 90 / 2

HEX #FA1919

RGB 250 25 25

HSL 0, 0.96%, 0.54%

LAB 53.05, 76.91, 59.42

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 14 / 0 / 90 / 2

HEX #D6FA19

RGB 214 250 25

HSL 69.6, 0.96%, 0.54%

LAB 92.9, -35.55, 87.74

 

CMYK 39 / 0 / 90 / 2

HEX #99FA19

RGB 153 250 25

HSL 85.87, 0.96%, 0.54%

LAB 89.49, -57.93, 83.57

 

CMYK 63 / 0 / 90 / 2

HEX #5DFA19

RGB 93 250 25

HSL 101.87, 0.96%, 0.54%

LAB 87.37, -74.42, 80.95

 

CMYK 87 / 0 / 90 / 2

HEX #20FA19

RGB 32 250 25

HSL 118.13, 0.96%, 0.54%

LAB 86.38, -83.06, 79.71

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 0 / 9 / 81 / 9

HEX #E7D22C

RGB 231 210 44

HSL 53.26, 0.8%, 0.54%

LAB 83.58, -8.93, 76.83

 

CMYK 0 / 8 / 70 / 17

HEX #D4C33F

RGB 212 195 63

HSL 53.15, 0.63%, 0.54%

LAB 78.1, -8.65, 65.04

 

CMYK 0 / 7 / 58 / 24

HEX #C1B452

RGB 193 180 82

HSL 52.97, 0.47%, 0.54%

LAB 72.62, -7.8, 50.69

 

CMYK 0 / 5 / 42 / 32

HEX #AEA665

RGB 174 166 101

HSL 53.42, 0.31%, 0.54%

LAB 67.43, -6.65, 34.64

 

CMYK 0 / 59 / 90 / 2

HEX #FA6719

RGB 250 103 25

HSL 20.8, 0.96%, 0.54%

LAB 61.74, 53.04, 65.47

 

CMYK 0 / 35 / 90 / 2

HEX #FAA319

RGB 250 163 25

HSL 36.8, 0.96%, 0.54%

LAB 73.93, 23.15, 74.41

 

CMYK 0 / 10 / 90 / 2

HEX #FAE019

RGB 250 224 25

HSL 53.07, 0.96%, 0.54%

LAB 88.78, -8.32, 85.7

 

CMYK 14 / 0 / 90 / 2

HEX #D8FA19

RGB 216 250 25

HSL 69.07, 0.96%, 0.54%

LAB 93.03, -34.75, 87.9

 

CMYK 38 / 0 / 90 / 2

HEX #9CFA19

RGB 156 250 25

HSL 85.07, 0.96%, 0.54%

LAB 89.63, -56.94, 83.74

 

CMYK 0 / 11 / 98 / 26

HEX #BDA803

RGB 189 168 3

HSL 53.23, 0.97%, 0.38%

LAB 68.63, -6.38, 70.94

 

CMYK 0 / 11 / 98 / 10

HEX #E5CC04

RGB 229 204 4

HSL 53.33, 0.97%, 0.46%

LAB 81.76, -7.44, 81.99

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 0 / 8 / 74 / 2

HEX #FBE641

RGB 251 230 65

HSL 53.23, 0.96%, 0.62%

LAB 90.54, -9.79, 77.46

 

CMYK 0 / 6 / 58 / 2

HEX #FBEB69

RGB 251 235 105

HSL 53.42, 0.95%, 0.7%

LAB 92.11, -10.1, 63.61

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 90 / 0 / 83 / 2

HEX #19FA2B

RGB 25 250 43

HSL 124.8, 0.96%, 0.54%

LAB 86.38, -82.84, 76.28

 

CMYK 47 / 90 / 0 / 2

HEX #8519FA

RGB 133 25 250

HSL 268.8, 0.96%, 0.54%

LAB 42.13, 79.24, -88.47

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 90 / 0 / 10 / 2

HEX #19FAE0

RGB 25 250 224

HSL 173.07, 0.96%, 0.54%

LAB 88.9, -53.88, -1.29

 

CMYK 10 / 90 / 0 / 2

HEX #E019FA

RGB 224 25 250

HSL 293.07, 0.96%, 0.54%

LAB 55.53, 90.81, -66.04

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 90 / 0 / 83 / 2

HEX #19FA2B

RGB 25 250 43

HSL 124.8, 0.96%, 0.54%

LAB 86.38, -82.84, 76.28

 

CMYK 90 / 80 / 0 / 2

HEX #1933FA

RGB 25 51 250

HSL 233.07, 0.96%, 0.54%

LAB 36.89, 63.57, -97.4

 

CMYK 0 / 90 / 8 / 2

HEX #FA19E7

RGB 250 25 231

HSL 305.07, 0.96%, 0.54%

LAB 58.78, 92.3, -49.96

 

CMYK 0 / 10 / 90 / 2

HEX #FAE119

RGB 250 225 25

HSL 53.33, 0.96%, 0.54%

LAB 89.04, -8.82, 85.9

 

CMYK 90 / 0 / 56 / 2

HEX #19FA6F

RGB 25 250 111

HSL 142.93, 0.96%, 0.54%

LAB 86.86, -76.8, 52.44

 

CMYK 90 / 80 / 0 / 2

HEX #1933FA

RGB 25 51 250

HSL 233.07, 0.96%, 0.54%

LAB 36.89, 63.57, -97.4

 

CMYK 0 / 90 / 35 / 2

HEX #FA19A3

RGB 250 25 163

HSL 323.2, 0.96%, 0.54%

LAB 55.75, 84.38, -15.57

 

Description

Color code: HEX #FAE119 | qconv.com Color code: HEX #FAE119 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 225 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 225 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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