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Color name
HEX #FAEA9E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAEA9E it is the complementary color #051561. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAEA9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAEA9E shade: #FFEA99, #FFFCAC, #FFFFBF, #FFFFD2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAEA9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAEA9E shade: #FAEA9E, #E9D88B, #D8C678, #C7B465 and #B6A252

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAEA9E shade: #F9E99E, #F9D19E, #F9B89E, #F99F9E and #F99E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAEA9E shade: #F9E99E, #F1F99E, #D8F99E, #BFF99E and #A6F99E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAEA9E shade matches the following richer shades: #F9E99E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAEA9E shade: #F9E99E, #F1E4A6, #E9DFAE, #E1D9B6 and #D8D4BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAEA9E shade: #F9B89E, #F9D09E, #F9E99E, #F2F99E and #D9F99E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAEA9E shade: #F5D84F, #F7E176, #F9E99E, #FBF2C5 and #FEFAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAEA9E shade: #FAEA9E, #9EF99F and #C49EF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAEA9E shade: #FAEA9E, #9EF9E9 and #E99EF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAEA9E shade: #FAEA9E, #9EF99F, #9EAEF9 and #F99EF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAEA9E shade: #FAEA9E, #9EF9BB, #9EAEF9 and #F99EDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 37 / 2

HEX #FAEA9E

RGB 250 234 158

HSL 49.57, 0.9%, 0.8%

LAB 92.41, -5.23, 38.89

 

Complementary color

CMYK 95 / 78 / 0 / 62

HEX #051561

RGB 5 21 97

HSL 229.57, 0.9%, 0.2%

LAB 12.17, 27.06, -45.85

 

CMYK 0 / 8 / 40 / 0

HEX #FFEA99

RGB 255 234 153

HSL 47.65, 1%, 0.8%

LAB 92.75, -3.84, 41.9

 

CMYK 0 / 1 / 33 / 0

HEX #FFFCAC

RGB 255 252 172

HSL 57.83, 1%, 0.84%

LAB 97.58, -10.68, 38.75

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 6 / 37 / 2

HEX #FAEA9E

RGB 250 234 158

HSL 49.57, 0.9%, 0.8%

LAB 92.41, -5.23, 38.89

 

CMYK 0 / 7 / 40 / 9

HEX #E9D88B

RGB 233 216 139

HSL 49.15, 0.68%, 0.73%

LAB 86.16, -4.79, 40.05

 

CMYK 0 / 8 / 44 / 15

HEX #D8C678

RGB 216 198 120

HSL 48.75, 0.55%, 0.66%

LAB 79.81, -4.28, 41.25

 

CMYK 0 / 10 / 49 / 22

HEX #C7B465

RGB 199 180 101

HSL 48.37, 0.47%, 0.59%

LAB 73.37, -3.69, 42.49

 

CMYK 0 / 11 / 55 / 29

HEX #B6A252

RGB 182 162 82

HSL 48, 0.41%, 0.52%

LAB 66.82, -2.97, 43.74

 

CMYK 0 / 6 / 37 / 2

HEX #F9E99E

RGB 249 233 158

HSL 49.45, 0.88%, 0.8%

LAB 92.08, -5.11, 38.44

 

CMYK 0 / 16 / 37 / 2

HEX #F9D19E

RGB 249 209 158

HSL 33.63, 0.88%, 0.8%

LAB 86.11, 7.14, 30.55

 

CMYK 0 / 26 / 37 / 2

HEX #F9B89E

RGB 249 184 158

HSL 17.14, 0.88%, 0.8%

LAB 80.12, 20.21, 22.43

 

CMYK 0 / 36 / 37 / 2

HEX #F99F9E

RGB 249 159 158

HSL 0.66, 0.88%, 0.8%

LAB 74.45, 33.35, 14.57

 

CMYK 0 / 37 / 37 / 2

HEX #F99E9E

RGB 249 158 158

HSL 0, 0.88%, 0.8%

LAB 74.23, 33.87, 14.26

 

CMYK 0 / 6 / 37 / 2

HEX #F9E99E

RGB 249 233 158

HSL 49.45, 0.88%, 0.8%

LAB 92.08, -5.11, 38.44

 

CMYK 3 / 0 / 37 / 2

HEX #F1F99E

RGB 241 249 158

HSL 65.27, 0.88%, 0.8%

LAB 95.55, -16.07, 42.81

 

CMYK 13 / 0 / 37 / 2

HEX #D8F99E

RGB 216 249 158

HSL 81.76, 0.88%, 0.8%

LAB 93.81, -25.3, 40.22

 

CMYK 23 / 0 / 37 / 2

HEX #BFF99E

RGB 191 249 158

HSL 98.24, 0.88%, 0.8%

LAB 92.26, -34.11, 37.91

 

CMYK 33 / 0 / 37 / 2

HEX #A6F99E

RGB 166 249 158

HSL 114.73, 0.88%, 0.8%

LAB 90.93, -42.3, 35.91

 

CMYK 0 / 6 / 37 / 2

HEX #F9E99E

RGB 249 233 158

HSL 49.45, 0.88%, 0.8%

LAB 92.08, -5.11, 38.44

 

CMYK 0 / 6 / 37 / 2

HEX #F9E99E

RGB 249 233 158

HSL 49.45, 0.88%, 0.8%

LAB 92.08, -5.11, 38.44

 

CMYK 0 / 5 / 31 / 5

HEX #F1E4A6

RGB 241 228 166

HSL 49.6, 0.73%, 0.8%

LAB 90.29, -4.7, 31.91

 

CMYK 0 / 4 / 25 / 9

HEX #E9DFAE

RGB 233 223 174

HSL 49.83, 0.57%, 0.8%

LAB 88.52, -4.14, 25.29

 

CMYK 0 / 4 / 19 / 12

HEX #E1D9B6

RGB 225 217 182

HSL 48.84, 0.42%, 0.8%

LAB 86.51, -2.9, 18.25

 

CMYK 0 / 2 / 12 / 15

HEX #D8D4BF

RGB 216 212 191

HSL 50.4, 0.24%, 0.8%

LAB 84.71, -2.2, 10.87

 

CMYK 0 / 26 / 37 / 2

HEX #F9B89E

RGB 249 184 158

HSL 17.14, 0.88%, 0.8%

LAB 80.12, 20.21, 22.43

 

CMYK 0 / 16 / 37 / 2

HEX #F9D09E

RGB 249 208 158

HSL 32.97, 0.88%, 0.8%

LAB 85.87, 7.66, 30.22

 

CMYK 0 / 6 / 37 / 2

HEX #F9E99E

RGB 249 233 158

HSL 49.45, 0.88%, 0.8%

LAB 92.08, -5.11, 38.44

 

CMYK 3 / 0 / 37 / 2

HEX #F2F99E

RGB 242 249 158

HSL 64.62, 0.88%, 0.8%

LAB 95.62, -15.69, 42.92

 

CMYK 13 / 0 / 37 / 2

HEX #D9F99E

RGB 217 249 158

HSL 81.1, 0.88%, 0.8%

LAB 93.87, -24.94, 40.31

 

CMYK 0 / 12 / 68 / 4

HEX #F5D84F

RGB 245 216 79

HSL 49.52, 0.89%, 0.64%

LAB 86.55, -4.63, 68.32

 

CMYK 0 / 9 / 52 / 3

HEX #F7E176

RGB 247 225 118

HSL 49.77, 0.89%, 0.72%

LAB 89.36, -5.74, 54.49

 

CMYK 0 / 6 / 37 / 2

HEX #F9E99E

RGB 249 233 158

HSL 49.45, 0.88%, 0.8%

LAB 92.08, -5.11, 38.44

 

CMYK 0 / 4 / 22 / 2

HEX #FBF2C5

RGB 251 242 197

HSL 50, 0.87%, 0.88%

LAB 95.18, -3.98, 22.84

 

CMYK 0 / 2 / 7 / 0

HEX #FEFAEC

RGB 254 250 236

HSL 46.67, 0.9%, 0.96%

LAB 98.23, -1.03, 7.17

 

CMYK 0 / 6 / 37 / 2

HEX #FAEA9E

RGB 250 234 158

HSL 49.57, 0.9%, 0.8%

LAB 92.41, -5.23, 38.89

 

CMYK 37 / 0 / 36 / 2

HEX #9EF99F

RGB 158 249 159

HSL 120.66, 0.88%, 0.8%

LAB 90.56, -44.61, 34.86

 

CMYK 21 / 37 / 0 / 2

HEX #C49EF9

RGB 196 158 249

HSL 265.05, 0.88%, 0.8%

LAB 71.57, 31.7, -40.24

 

CMYK 0 / 6 / 37 / 2

HEX #FAEA9E

RGB 250 234 158

HSL 49.57, 0.9%, 0.8%

LAB 92.41, -5.23, 38.89

 

CMYK 37 / 0 / 6 / 2

HEX #9EF9E9

RGB 158 249 233

HSL 169.45, 0.88%, 0.8%

LAB 92.09, -30.68, -0.92

 

CMYK 6 / 37 / 0 / 2

HEX #E99EF9

RGB 233 158 249

HSL 289.45, 0.88%, 0.8%

LAB 75.21, 42.63, -34.31

 

CMYK 0 / 6 / 37 / 2

HEX #FAEA9E

RGB 250 234 158

HSL 49.57, 0.9%, 0.8%

LAB 92.41, -5.23, 38.89

 

CMYK 37 / 0 / 36 / 2

HEX #9EF99F

RGB 158 249 159

HSL 120.66, 0.88%, 0.8%

LAB 90.56, -44.61, 34.86

 

CMYK 37 / 30 / 0 / 2

HEX #9EAEF9

RGB 158 174 249

HSL 229.45, 0.88%, 0.8%

LAB 72.48, 12.13, -39.05

 

CMYK 0 / 37 / 0 / 2

HEX #F99EF8

RGB 249 158 248

HSL 300.66, 0.88%, 0.8%

LAB 76.9, 47.27, -31.02

 

CMYK 0 / 6 / 37 / 2

HEX #FAEA9E

RGB 250 234 158

HSL 49.57, 0.9%, 0.8%

LAB 92.41, -5.23, 38.89

 

CMYK 37 / 0 / 25 / 2

HEX #9EF9BB

RGB 158 249 187

HSL 139.12, 0.88%, 0.8%

LAB 91.06, -39.94, 21.36

 

CMYK 37 / 30 / 0 / 2

HEX #9EAEF9

RGB 158 174 249

HSL 229.45, 0.88%, 0.8%

LAB 72.48, 12.13, -39.05

 

CMYK 0 / 37 / 12 / 2

HEX #F99EDC

RGB 249 158 220

HSL 319.12, 0.88%, 0.8%

LAB 75.92, 42.51, -17.3

 

Description

Color code: HEX #FAEA9E | qconv.com Color code: HEX #FAEA9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 234 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 234 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 37% 2% C M Y K

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Provide designers and agencies with accurate color values.

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