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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB17E4 it is the complementary color #04E81B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB17E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB17E4 shade: #FF17DF, #FF29F2, #FF3BFF, #FF4DFF and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB17E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB17E4 shade: #FB17E4, #EA05D1, #D900BE, #C800AB and #B70098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB17E4 shade: #FB17E4, #FB17A7, #FB1769, #FB172C and #FB1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB17E4 shade: #FB17E4, #D517FB, #9717FB, #5A17FB and #1C17FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB17E4 shade matches the following richer shades: #FB17E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB17E4 shade: #FB17E4, #E82AD5, #D53DC6, #C250B7 and #AF63A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB17E4 shade: #9817FB, #D517FB, #FB17E4, #FB17A8 and #FB176B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB17E4 shade: #BD02AB, #E603CF, #FB17E4, #FC40E9 and #FC69ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB17E4 shade: #FB17E4, #FB5C17 and #17FBB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB17E4 shade: #FB17E4, #E4FB17 and #17E4FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB17E4 shade: #FB17E4, #FB5C17, #17FB2E and #17B7FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB17E4 shade: #FB17E4, #FBA017, #17FB2E and #1772FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

Complementary color

CMYK 98 / 0 / 88 / 9

HEX #04E81B

RGB 4 232 27

HSL 126.05, 0.97%, 0.46%

LAB 80.64, -79.53, 74.43

 

CMYK 0 / 91 / 13 / 0

HEX #FF17DF

RGB 255 23 223

HSL 308.28, 1%, 0.55%

LAB 59.16, 92.35, -44.79

 

CMYK 0 / 84 / 5 / 0

HEX #FF29F2

RGB 255 41 242

HSL 303.64, 1%, 0.58%

LAB 61.01, 92.32, -52.53

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 0 / 98 / 11 / 8

HEX #EA05D1

RGB 234 5 209

HSL 306.55, 0.96%, 0.47%

LAB 54.24, 88.35, -44.85

 

CMYK 0 / 100 / 12 / 15

HEX #D900BE

RGB 217 0 190

HSL 307.47, 1%, 0.43%

LAB 50.06, 83.31, -40.69

 

CMYK 0 / 100 / 15 / 22

HEX #C800AB

RGB 200 0 171

HSL 308.7, 1%, 0.39%

LAB 45.93, 77.85, -36.25

 

CMYK 0 / 100 / 17 / 28

HEX #B70098

RGB 183 0 152

HSL 310.16, 1%, 0.36%

LAB 41.74, 72.3, -31.67

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 0 / 91 / 33 / 2

HEX #FB17A7

RGB 251 23 167

HSL 322.11, 0.97%, 0.54%

LAB 56, 85.23, -17.53

 

CMYK 0 / 91 / 58 / 2

HEX #FB1769

RGB 251 23 105

HSL 338.42, 0.97%, 0.54%

LAB 54.18, 80.27, 16.81

 

CMYK 0 / 91 / 82 / 2

HEX #FB172C

RGB 251 23 44

HSL 354.47, 0.97%, 0.54%

LAB 53.28, 77.76, 51.04

 

CMYK 0 / 91 / 91 / 2

HEX #FB1717

RGB 251 23 23

HSL 0, 0.97%, 0.54%

LAB 53.15, 77.4, 60.34

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 15 / 91 / 0 / 2

HEX #D517FB

RGB 213 23 251

HSL 290, 0.97%, 0.54%

LAB 53.73, 89.59, -69.58

 

CMYK 40 / 91 / 0 / 2

HEX #9717FB

RGB 151 23 251

HSL 273.68, 0.97%, 0.54%

LAB 44.46, 81.65, -85.11

 

CMYK 64 / 91 / 0 / 2

HEX #5A17FB

RGB 90 23 251

HSL 257.63, 0.97%, 0.54%

LAB 37.39, 76.55, -97.02

 

CMYK 89 / 91 / 0 / 2

HEX #1C17FB

RGB 28 23 251

HSL 241.32, 0.97%, 0.54%

LAB 33.62, 74.32, -103.41

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 0 / 82 / 8 / 9

HEX #E82AD5

RGB 232 42 213

HSL 306, 0.81%, 0.54%

LAB 55.7, 83.84, -44.85

 

CMYK 0 / 71 / 7 / 16

HEX #D53DC6

RGB 213 61 198

HSL 305.92, 0.64%, 0.54%

LAB 53.56, 72.68, -39.85

 

CMYK 0 / 59 / 6 / 24

HEX #C250B7

RGB 194 80 183

HSL 305.79, 0.48%, 0.54%

LAB 52.54, 58.34, -32.99

 

CMYK 0 / 43 / 5 / 31

HEX #AF63A7

RGB 175 99 167

HSL 306.32, 0.32%, 0.54%

LAB 52.76, 40.67, -23.54

 

CMYK 39 / 91 / 0 / 2

HEX #9817FB

RGB 152 23 251

HSL 273.95, 0.97%, 0.54%

LAB 44.59, 81.76, -84.88

 

CMYK 15 / 91 / 0 / 2

HEX #D517FB

RGB 213 23 251

HSL 290, 0.97%, 0.54%

LAB 53.73, 89.59, -69.58

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 0 / 91 / 33 / 2

HEX #FB17A8

RGB 251 23 168

HSL 321.84, 0.97%, 0.54%

LAB 56.04, 85.33, -18.06

 

CMYK 0 / 91 / 57 / 2

HEX #FB176B

RGB 251 23 107

HSL 337.89, 0.97%, 0.54%

LAB 54.22, 80.4, 15.67

 

CMYK 0 / 99 / 10 / 26

HEX #BD02AB

RGB 189 2 171

HSL 305.78, 0.98%, 0.37%

LAB 43.95, 75.71, -39.52

 

CMYK 0 / 99 / 10 / 10

HEX #E603CF

RGB 230 3 207

HSL 306.08, 0.97%, 0.46%

LAB 53.38, 87.54, -45.12

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 0 / 75 / 8 / 1

HEX #FC40E9

RGB 252 64 233

HSL 306.06, 0.97%, 0.62%

LAB 61.87, 85.25, -46.18

 

CMYK 0 / 58 / 6 / 1

HEX #FC69ED

RGB 252 105 237

HSL 306.12, 0.96%, 0.7%

LAB 67.21, 71.39, -40

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 0 / 63 / 91 / 2

HEX #FB5C17

RGB 251 92 23

HSL 18.16, 0.97%, 0.54%

LAB 60.09, 58.12, 64.97

 

CMYK 91 / 0 / 27 / 2

HEX #17FBB7

RGB 23 251 183

HSL 162.11, 0.97%, 0.54%

LAB 88.25, -64.36, 19.01

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 9 / 0 / 91 / 2

HEX #E4FB17

RGB 228 251 23

HSL 66.05, 0.97%, 0.54%

LAB 94.12, -30.45, 89.37

 

CMYK 91 / 9 / 0 / 2

HEX #17E4FB

RGB 23 228 251

HSL 186.05, 0.97%, 0.54%

LAB 83.25, -36.64, -23.91

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 0 / 63 / 91 / 2

HEX #FB5C17

RGB 251 92 23

HSL 18.16, 0.97%, 0.54%

LAB 60.09, 58.12, 64.97

 

CMYK 91 / 0 / 82 / 2

HEX #17FB2E

RGB 23 251 46

HSL 126.05, 0.97%, 0.54%

LAB 86.69, -83.07, 75.83

 

CMYK 91 / 27 / 0 / 2

HEX #17B7FB

RGB 23 183 251

HSL 197.89, 0.97%, 0.54%

LAB 70.19, -14.14, -44.08

 

CMYK 0 / 91 / 9 / 2

HEX #FB17E4

RGB 251 23 228

HSL 306.05, 0.97%, 0.54%

LAB 58.72, 92.3, -48.36

 

CMYK 0 / 36 / 91 / 2

HEX #FBA017

RGB 251 160 23

HSL 36.05, 0.97%, 0.54%

LAB 73.36, 25.1, 74.46

 

CMYK 91 / 0 / 82 / 2

HEX #17FB2E

RGB 23 251 46

HSL 126.05, 0.97%, 0.54%

LAB 86.69, -83.07, 75.83

 

CMYK 91 / 55 / 0 / 2

HEX #1772FB

RGB 23 114 251

HSL 216.05, 0.97%, 0.54%

LAB 50.9, 26.72, -74.9

 

Description

Color code: HEX #FB17E4 | qconv.com Color code: HEX #FB17E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 23 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 23 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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