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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB260D it is the complementary color #04D9F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB260D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB260D shade: #FF2608, #FF381B, #FF4A2E, #FF5C41 and #FF6E54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB260D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB260D shade: #FB260D, #EA1400, #D90200, #C80000 and #B70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB260D shade: #FB260D and #FB0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB260D shade: #FB260D, #FB660D, #FBA60D, #FBE60D and #CFFB0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB260D shade matches the following richer shades: #FB260D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB260D shade: #FB260D, #E73621, #D34635, #BF5549 and #AC655D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB260D shade: #FB0D74, #FB0D35, #FB250D, #FB640D and #FBA40D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB260D shade: #B31502, #DC1A03, #FB260D, #FB4B36 and #FC6F5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB260D shade: #FB260D, #B4FB0D and #0D55FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB260D shade: #FB260D, #0DFB25 and #250DFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB260D shade: #FB260D, #B4FB0D, #0DE3FB and #550DFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB260D shade: #FB260D, #6CFB0D, #0DE3FB and #9C0DFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

Complementary color

CMYK 98 / 10 / 0 / 5

HEX #04D9F2

RGB 4 217 242

HSL 186.3, 0.97%, 0.48%

LAB 79.65, -34.83, -24.62

 

CMYK 0 / 85 / 97 / 0

HEX #FF2608

RGB 255 38 8

HSL 7.29, 1%, 0.52%

LAB 54.72, 75.92, 65.93

 

CMYK 0 / 78 / 89 / 0

HEX #FF381B

RGB 255 56 27

HSL 7.63, 1%, 0.55%

LAB 56.26, 71.95, 61.33

 

CMYK 0 / 71 / 82 / 0

HEX #FF4A2E

RGB 255 74 46

HSL 8.04, 1%, 0.59%

LAB 58.37, 66.75, 55.01

 

CMYK 0 / 64 / 75 / 0

HEX #FF5C41

RGB 255 92 65

HSL 8.53, 1%, 0.63%

LAB 61.04, 60.55, 48.27

 

CMYK 0 / 57 / 67 / 0

HEX #FF6E54

RGB 255 110 84

HSL 9.12, 1%, 0.66%

LAB 64.2, 53.62, 41.82

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 0 / 91 / 100 / 8

HEX #EA1400

RGB 234 20 0

HSL 5.13, 1%, 0.46%

LAB 49.49, 73.29, 63.2

 

CMYK 0 / 99 / 100 / 15

HEX #D90200

RGB 217 2 0

HSL 0.55, 1%, 0.43%

LAB 45.35, 70.75, 59.53

 

CMYK 0 / 100 / 100 / 22

HEX #C80000

RGB 200 0 0

HSL 0, 1%, 0.39%

LAB 41.66, 66.71, 55.98

 

CMYK 0 / 100 / 100 / 28

HEX #B70000

RGB 183 0 0

HSL 0, 1%, 0.36%

LAB 37.96, 62.44, 52.38

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 0 / 95 / 95 / 2

HEX #FB0D0D

RGB 251 13 13

HSL 0, 0.97%, 0.52%

LAB 52.76, 78.32, 63.32

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 0 / 59 / 95 / 2

HEX #FB660D

RGB 251 102 13

HSL 22.44, 0.97%, 0.52%

LAB 61.69, 53.69, 68.43

 

CMYK 0 / 34 / 95 / 2

HEX #FBA60D

RGB 251 166 13

HSL 38.57, 0.97%, 0.52%

LAB 74.71, 21.84, 77.08

 

CMYK 0 / 8 / 95 / 2

HEX #FBE60D

RGB 251 230 13

HSL 54.71, 0.97%, 0.52%

LAB 90.38, -11.02, 88.4

 

CMYK 18 / 0 / 95 / 2

HEX #CFFB0D

RGB 207 251 13

HSL 71.09, 0.97%, 0.52%

LAB 92.7, -38.91, 88.72

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 0 / 77 / 86 / 9

HEX #E73621

RGB 231 54 33

HSL 6.36, 0.8%, 0.52%

LAB 51.54, 65.72, 53.3

 

CMYK 0 / 67 / 75 / 17

HEX #D34635

RGB 211 70 53

HSL 6.46, 0.64%, 0.52%

LAB 50.08, 54.45, 40.58

 

CMYK 0 / 55 / 62 / 25

HEX #BF5549

RGB 191 85 73

HSL 6.1, 0.48%, 0.52%

LAB 49.56, 41.72, 27.83

 

CMYK 0 / 41 / 46 / 33

HEX #AC655D

RGB 172 101 93

HSL 6.08, 0.32%, 0.52%

LAB 50.53, 27.67, 16.86

 

CMYK 0 / 95 / 54 / 2

HEX #FB0D74

RGB 251 13 116

HSL 334.03, 0.97%, 0.52%

LAB 54.09, 81.97, 10.05

 

CMYK 0 / 95 / 79 / 2

HEX #FB0D35

RGB 251 13 53

HSL 349.92, 0.97%, 0.52%

LAB 53.01, 79.02, 45.98

 

CMYK 0 / 85 / 95 / 2

HEX #FB250D

RGB 251 37 13

HSL 6.05, 0.97%, 0.52%

LAB 53.88, 75.1, 63.9

 

CMYK 0 / 60 / 95 / 2

HEX #FB640D

RGB 251 100 13

HSL 21.93, 0.97%, 0.52%

LAB 61.35, 54.58, 68.22

 

CMYK 0 / 35 / 95 / 2

HEX #FBA40D

RGB 251 164 13

HSL 38.07, 0.97%, 0.52%

LAB 74.25, 22.89, 76.76

 

CMYK 0 / 88 / 99 / 30

HEX #B31502

RGB 179 21 2

HSL 6.44, 0.98%, 0.35%

LAB 38.06, 58.64, 51.09

 

CMYK 0 / 88 / 99 / 14

HEX #DC1A03

RGB 220 26 3

HSL 6.36, 0.97%, 0.44%

LAB 46.92, 68.84, 59.59

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 0 / 70 / 78 / 2

HEX #FB4B36

RGB 251 75 54

HSL 6.4, 0.96%, 0.6%

LAB 57.85, 65.4, 50.36

 

CMYK 0 / 56 / 62 / 1

HEX #FC6F5F

RGB 252 111 95

HSL 6.11, 0.96%, 0.68%

LAB 64.07, 52.74, 35.57

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 28 / 0 / 95 / 2

HEX #B4FB0D

RGB 180 251 13

HSL 77.9, 0.97%, 0.52%

LAB 91.11, -49.13, 86.79

 

CMYK 95 / 66 / 0 / 2

HEX #0D55FB

RGB 13 85 251

HSL 221.85, 0.97%, 0.52%

LAB 43.58, 44.64, -86.89

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 95 / 0 / 85 / 2

HEX #0DFB25

RGB 13 251 37

HSL 126.05, 0.97%, 0.52%

LAB 86.61, -83.91, 77.77

 

CMYK 85 / 95 / 0 / 2

HEX #250DFB

RGB 37 13 251

HSL 246.05, 0.97%, 0.52%

LAB 33.23, 76.6, -104.04

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 28 / 0 / 95 / 2

HEX #B4FB0D

RGB 180 251 13

HSL 77.9, 0.97%, 0.52%

LAB 91.11, -49.13, 86.79

 

CMYK 95 / 10 / 0 / 2

HEX #0DE3FB

RGB 13 227 251

HSL 186.05, 0.97%, 0.52%

LAB 82.91, -36.49, -24.43

 

CMYK 66 / 95 / 0 / 2

HEX #550DFB

RGB 85 13 251

HSL 258.15, 0.97%, 0.52%

LAB 36.34, 78.13, -98.78

 

CMYK 0 / 85 / 95 / 2

HEX #FB260D

RGB 251 38 13

HSL 6.3, 0.97%, 0.52%

LAB 53.95, 74.91, 63.94

 

CMYK 57 / 0 / 95 / 2

HEX #6CFB0D

RGB 108 251 13

HSL 96.05, 0.97%, 0.52%

LAB 88.07, -71.54, 83.09

 

CMYK 95 / 10 / 0 / 2

HEX #0DE3FB

RGB 13 227 251

HSL 186.05, 0.97%, 0.52%

LAB 82.91, -36.49, -24.43

 

CMYK 38 / 95 / 0 / 2

HEX #9C0DFB

RGB 156 13 251

HSL 276.05, 0.97%, 0.52%

LAB 44.69, 83.57, -84.7

 

Description

Color code: HEX #FB260D | qconv.com Color code: HEX #FB260D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 38 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 38 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 95 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 95% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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