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Color name
HEX #FB33D1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB33D1 it is the complementary color #04CC2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB33D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB33D1 shade: #FF33CC, #FF45DF, #FF57F2, #FF69FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB33D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB33D1 shade: #FB33D1, #EA21BE, #D90FAB, #C80098 and #B70085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB33D1 shade: #FA32D0, #FA329A, #FA3264 and #FA3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB33D1 shade: #FA32D0, #EE32FA, #B832FA, #8232FA and #4C32FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB33D1 shade matches the following richer shades: #FA32D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB33D1 shade: #FA32D0, #E942C6, #D853BD, #C864B3 and #B775A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB33D1 shade: #B732FA, #ED32FA, #FA32D2, #FA329D and #FA3267

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB33D1 shade: #D604A9, #F909C7, #FA32D0, #FB5AD9 and #FC82E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB33D1 shade: #FB33D1, #FA8232 and #32FAD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB33D1 shade: #FB33D1, #D2FA32 and #32D2FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB33D1 shade: #FB33D1, #FA8232, #32FA5A and #32AAFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB33D1 shade: #FB33D1, #FABE32, #32FA5A and #326EFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 17 / 2

HEX #FB33D1

RGB 251 51 209

HSL 312.6, 0.96%, 0.59%

LAB 59.42, 85.11, -36.51

 

Complementary color

CMYK 98 / 0 / 77 / 20

HEX #04CC2E

RGB 4 204 46

HSL 132.6, 0.96%, 0.41%

LAB 71.83, -70.96, 61.81

 

CMYK 0 / 80 / 20 / 0

HEX #FF33CC

RGB 255 51 204

HSL 315, 1%, 0.6%

LAB 59.88, 85.32, -32.89

 

CMYK 0 / 73 / 13 / 0

HEX #FF45DF

RGB 255 69 223

HSL 310.32, 1%, 0.64%

LAB 62.38, 83.05, -39.74

 

CMYK 0 / 66 / 5 / 0

HEX #FF57F2

RGB 255 87 242

HSL 304.64, 1%, 0.67%

LAB 65.35, 79.89, -45.66

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 80 / 17 / 2

HEX #FB33D1

RGB 251 51 209

HSL 312.6, 0.96%, 0.59%

LAB 59.42, 85.11, -36.51

 

CMYK 0 / 86 / 19 / 8

HEX #EA21BE

RGB 234 33 190

HSL 313.13, 0.83%, 0.52%

LAB 54.34, 82.92, -33.75

 

CMYK 0 / 93 / 21 / 15

HEX #D90FAB

RGB 217 15 171

HSL 313.66, 0.87%, 0.45%

LAB 49.54, 79.73, -30.37

 

CMYK 0 / 100 / 24 / 22

HEX #C80098

RGB 200 0 152

HSL 314.4, 1%, 0.39%

LAB 45.01, 75.52, -26.33

 

CMYK 0 / 100 / 27 / 28

HEX #B70085

RGB 183 0 133

HSL 316.39, 1%, 0.36%

LAB 40.83, 70.01, -21.48

 

CMYK 0 / 80 / 17 / 2

HEX #FA32D0

RGB 250 50 208

HSL 312.6, 0.95%, 0.59%

LAB 59.12, 85.01, -36.41

 

CMYK 0 / 80 / 38 / 2

HEX #FA329A

RGB 250 50 154

HSL 328.8, 0.95%, 0.59%

LAB 57.02, 78.97, -8.37

 

CMYK 0 / 80 / 60 / 2

HEX #FA3264

RGB 250 50 100

HSL 345, 0.95%, 0.59%

LAB 55.61, 74.77, 21.71

 

CMYK 0 / 80 / 80 / 2

HEX #FA3232

RGB 250 50 50

HSL 0, 0.95%, 0.59%

LAB 54.9, 72.61, 49.42

 

CMYK 0 / 80 / 17 / 2

HEX #FA32D0

RGB 250 50 208

HSL 312.6, 0.95%, 0.59%

LAB 59.12, 85.01, -36.41

 

CMYK 5 / 80 / 0 / 2

HEX #EE32FA

RGB 238 50 250

HSL 296.4, 0.95%, 0.59%

LAB 59.31, 88.64, -59.85

 

CMYK 26 / 80 / 0 / 2

HEX #B832FA

RGB 184 50 250

HSL 280.2, 0.95%, 0.59%

LAB 51.12, 79.55, -73.47

 

CMYK 48 / 80 / 0 / 2

HEX #8232FA

RGB 130 50 250

HSL 264, 0.95%, 0.59%

LAB 44.13, 71.92, -85.18

 

CMYK 70 / 80 / 0 / 2

HEX #4C32FA

RGB 76 50 250

HSL 247.8, 0.95%, 0.59%

LAB 39.1, 66.55, -93.65

 

CMYK 0 / 80 / 17 / 2

HEX #FA32D0

RGB 250 50 208

HSL 312.6, 0.95%, 0.59%

LAB 59.12, 85.01, -36.41

 

CMYK 0 / 80 / 17 / 2

HEX #FA32D0

RGB 250 50 208

HSL 312.6, 0.95%, 0.59%

LAB 59.12, 85.01, -36.41

 

CMYK 0 / 72 / 15 / 9

HEX #E942C6

RGB 233 66 198

HSL 312.57, 0.79%, 0.59%

LAB 57.36, 75.61, -33.65

 

CMYK 0 / 62 / 13 / 15

HEX #D853BD

RGB 216 83 189

HSL 312.18, 0.63%, 0.59%

LAB 56.55, 63.86, -29.97

 

CMYK 0 / 50 / 11 / 22

HEX #C864B3

RGB 200 100 179

HSL 312.6, 0.48%, 0.59%

LAB 56.73, 49.98, -24.11

 

CMYK 0 / 36 / 8 / 28

HEX #B775A9

RGB 183 117 169

HSL 312.73, 0.31%, 0.59%

LAB 57.71, 33.9, -17.04

 

CMYK 27 / 80 / 0 / 2

HEX #B732FA

RGB 183 50 250

HSL 279.9, 0.95%, 0.59%

LAB 50.98, 79.39, -73.71

 

CMYK 5 / 80 / 0 / 2

HEX #ED32FA

RGB 237 50 250

HSL 296.1, 0.95%, 0.59%

LAB 59.15, 88.46, -60.11

 

CMYK 0 / 80 / 16 / 2

HEX #FA32D2

RGB 250 50 210

HSL 312, 0.95%, 0.59%

LAB 59.21, 85.26, -37.4

 

CMYK 0 / 80 / 37 / 2

HEX #FA329D

RGB 250 50 157

HSL 327.9, 0.95%, 0.59%

LAB 57.11, 79.26, -9.99

 

CMYK 0 / 80 / 59 / 2

HEX #FA3267

RGB 250 50 103

HSL 344.1, 0.95%, 0.59%

LAB 55.67, 74.96, 20.01

 

CMYK 0 / 98 / 21 / 16

HEX #D604A9

RGB 214 4 169

HSL 312.86, 0.96%, 0.43%

LAB 48.57, 79.84, -30.74

 

CMYK 0 / 96 / 20 / 2

HEX #F909C7

RGB 249 9 199

HSL 312.5, 0.95%, 0.51%

LAB 56.54, 89.52, -35.3

 

CMYK 0 / 80 / 17 / 2

HEX #FA32D0

RGB 250 50 208

HSL 312.6, 0.95%, 0.59%

LAB 59.12, 85.01, -36.41

 

CMYK 0 / 64 / 14 / 2

HEX #FB5AD9

RGB 251 90 217

HSL 312.67, 0.95%, 0.67%

LAB 64.02, 74.15, -33.84

 

CMYK 0 / 48 / 10 / 1

HEX #FC82E2

RGB 252 130 226

HSL 312.79, 0.95%, 0.75%

LAB 70.98, 58.4, -28.1

 

CMYK 0 / 80 / 17 / 2

HEX #FB33D1

RGB 251 51 209

HSL 312.6, 0.96%, 0.59%

LAB 59.42, 85.11, -36.51

 

CMYK 0 / 48 / 80 / 2

HEX #FA8232

RGB 250 130 50

HSL 24, 0.95%, 0.59%

LAB 66.92, 40.73, 60.84

 

CMYK 80 / 0 / 16 / 2

HEX #32FAD2

RGB 50 250 210

HSL 168, 0.95%, 0.59%

LAB 88.78, -55.88, 5.84

 

CMYK 0 / 80 / 17 / 2

HEX #FB33D1

RGB 251 51 209

HSL 312.6, 0.96%, 0.59%

LAB 59.42, 85.11, -36.51

 

CMYK 16 / 0 / 80 / 2

HEX #D2FA32

RGB 210 250 50

HSL 72, 0.95%, 0.59%

LAB 92.71, -36.48, 82.62

 

CMYK 80 / 16 / 0 / 2

HEX #32D2FA

RGB 50 210 250

HSL 192, 0.95%, 0.59%

LAB 78.27, -26.66, -30.96

 

CMYK 0 / 80 / 17 / 2

HEX #FB33D1

RGB 251 51 209

HSL 312.6, 0.96%, 0.59%

LAB 59.42, 85.11, -36.51

 

CMYK 0 / 48 / 80 / 2

HEX #FA8232

RGB 250 130 50

HSL 24, 0.95%, 0.59%

LAB 66.92, 40.73, 60.84

 

CMYK 80 / 0 / 64 / 2

HEX #32FA5A

RGB 50 250 90

HSL 132, 0.95%, 0.59%

LAB 86.89, -77.28, 61.53

 

CMYK 80 / 32 / 0 / 2

HEX #32AAFA

RGB 50 170 250

HSL 204, 0.95%, 0.59%

LAB 66.77, -5.54, -48.88

 

CMYK 0 / 80 / 17 / 2

HEX #FB33D1

RGB 251 51 209

HSL 312.6, 0.96%, 0.59%

LAB 59.42, 85.11, -36.51

 

CMYK 0 / 24 / 80 / 2

HEX #FABE32

RGB 250 190 50

HSL 42, 0.95%, 0.59%

LAB 80.39, 9.61, 73.01

 

CMYK 80 / 0 / 64 / 2

HEX #32FA5A

RGB 50 250 90

HSL 132, 0.95%, 0.59%

LAB 86.89, -77.28, 61.53

 

CMYK 80 / 56 / 0 / 2

HEX #326EFA

RGB 50 110 250

HSL 222, 0.95%, 0.59%

LAB 50.37, 30.58, -75.18

 

Description

Color code: HEX #FB33D1 | qconv.com Color code: HEX #FB33D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 51 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 51 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 17 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 17% 2% C M Y K

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