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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB3BE4 it is the complementary color #04C41B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB3BE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB3BE4 shade: #FF3BDF, #FF4DF2, #FF5FFF, #FF71FF and #FF83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB3BE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB3BE4 shade: #FB3BE4, #EA29D1, #D917BE, #C805AB and #B70098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB3BE4 shade: #FB3CE4, #FB3CB0, #FB3C7D, #FB3C49 and #FB3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB3BE4 shade: #FB3CE4, #DE3CFB, #AA3CFB, #773CFB and #433CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB3BE4 shade matches the following richer shades: #FB3CE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB3BE4 shade: #FB3CE4, #EA4CD7, #DA5CCB, #CA6CBF and #BA7CB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB3BE4 shade: #AB3CFB, #DE3CFB, #FB3CE4, #FB3CB1 and #FB3C7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB3BE4 shade: #E004C5, #FA13DE, #FB3CE4, #FB64E9 and #FC8CEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB3BE4 shade: #FB3BE4, #FB783C and #3CFBC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB3BE4 shade: #FB3BE4, #E4FB3C and #3CE4FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB3BE4 shade: #FB3BE4, #FB783C, #3CFB52 and #3CBEFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB3BE4 shade: #FB3BE4, #FBB13C, #3CFB52 and #3C85FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 9 / 2

HEX #FB3BE4

RGB 251 59 228

HSL 307.19, 0.96%, 0.61%

LAB 60.99, 85.68, -44.76

 

Complementary color

CMYK 98 / 0 / 86 / 23

HEX #04C41B

RGB 4 196 27

HSL 127.19, 0.96%, 0.39%

LAB 69.17, -69.79, 64.42

 

CMYK 0 / 77 / 13 / 0

HEX #FF3BDF

RGB 255 59 223

HSL 309.8, 1%, 0.62%

LAB 61.41, 85.82, -41.25

 

CMYK 0 / 70 / 5 / 0

HEX #FF4DF2

RGB 255 77 242

HSL 304.38, 1%, 0.65%

LAB 64.14, 83.28, -47.56

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 76 / 9 / 2

HEX #FB3BE4

RGB 251 59 228

HSL 307.19, 0.96%, 0.61%

LAB 60.99, 85.68, -44.76

 

CMYK 0 / 82 / 11 / 8

HEX #EA29D1

RGB 234 41 209

HSL 307.77, 0.82%, 0.54%

LAB 55.77, 83.88, -42.44

 

CMYK 0 / 89 / 12 / 15

HEX #D917BE

RGB 217 23 190

HSL 308.35, 0.81%, 0.47%

LAB 50.78, 81.18, -39.55

 

CMYK 0 / 98 / 15 / 22

HEX #C805AB

RGB 200 5 171

HSL 308.92, 0.95%, 0.4%

LAB 46.08, 77.41, -36.01

 

CMYK 0 / 100 / 17 / 28

HEX #B70098

RGB 183 0 152

HSL 310.16, 1%, 0.36%

LAB 41.74, 72.3, -31.67

 

CMYK 0 / 76 / 9 / 2

HEX #FB3CE4

RGB 251 60 228

HSL 307.23, 0.96%, 0.61%

LAB 61.08, 85.42, -44.62

 

CMYK 0 / 76 / 30 / 2

HEX #FB3CB0

RGB 251 60 176

HSL 323.56, 0.96%, 0.61%

LAB 58.86, 78.89, -18.42

 

CMYK 0 / 76 / 50 / 2

HEX #FB3C7D

RGB 251 60 125

HSL 339.58, 0.96%, 0.61%

LAB 57.29, 74.08, 9.19

 

CMYK 0 / 76 / 71 / 2

HEX #FB3C49

RGB 251 60 73

HSL 355.92, 0.96%, 0.61%

LAB 56.31, 70.97, 38.42

 

CMYK 0 / 76 / 76 / 2

HEX #FB3C3C

RGB 251 60 60

HSL 0, 0.96%, 0.61%

LAB 56.16, 70.47, 45.46

 

CMYK 0 / 76 / 9 / 2

HEX #FB3CE4

RGB 251 60 228

HSL 307.23, 0.96%, 0.61%

LAB 61.08, 85.42, -44.62

 

CMYK 12 / 76 / 0 / 2

HEX #DE3CFB

RGB 222 60 251

HSL 290.89, 0.96%, 0.61%

LAB 57.78, 83.33, -62.99

 

CMYK 32 / 76 / 0 / 2

HEX #AA3CFB

RGB 170 60 251

HSL 274.55, 0.96%, 0.61%

LAB 50.38, 74.3, -75.31

 

CMYK 53 / 76 / 0 / 2

HEX #773CFB

RGB 119 60 251

HSL 258.53, 0.96%, 0.61%

LAB 44.4, 66.84, -85.34

 

CMYK 73 / 76 / 0 / 2

HEX #433CFB

RGB 67 60 251

HSL 242.2, 0.96%, 0.61%

LAB 40.23, 61.54, -92.36

 

CMYK 0 / 76 / 9 / 2

HEX #FB3CE4

RGB 251 60 228

HSL 307.23, 0.96%, 0.61%

LAB 61.08, 85.42, -44.62

 

CMYK 0 / 76 / 9 / 2

HEX #FB3CE4

RGB 251 60 228

HSL 307.23, 0.96%, 0.61%

LAB 61.08, 85.42, -44.62

 

CMYK 0 / 68 / 8 / 8

HEX #EA4CD7

RGB 234 76 215

HSL 307.22, 0.79%, 0.61%

LAB 59.5, 74.91, -39.98

 

CMYK 0 / 58 / 7 / 15

HEX #DA5CCB

RGB 218 92 203

HSL 307.14, 0.63%, 0.61%

LAB 58.86, 62.73, -34.35

 

CMYK 0 / 47 / 5 / 21

HEX #CA6CBF

RGB 202 108 191

HSL 307.02, 0.47%, 0.61%

LAB 59.01, 48.6, -27.44

 

CMYK 0 / 33 / 4 / 27

HEX #BA7CB3

RGB 186 124 179

HSL 306.77, 0.31%, 0.61%

LAB 59.99, 32.87, -19.27

 

CMYK 32 / 76 / 0 / 2

HEX #AB3CFB

RGB 171 60 251

HSL 274.87, 0.96%, 0.61%

LAB 50.52, 74.46, -75.09

 

CMYK 12 / 76 / 0 / 2

HEX #DE3CFB

RGB 222 60 251

HSL 290.89, 0.96%, 0.61%

LAB 57.78, 83.33, -62.99

 

CMYK 0 / 76 / 9 / 2

HEX #FB3CE4

RGB 251 60 228

HSL 307.23, 0.96%, 0.61%

LAB 61.08, 85.42, -44.62

 

CMYK 0 / 76 / 29 / 2

HEX #FB3CB1

RGB 251 60 177

HSL 323.25, 0.96%, 0.61%

LAB 58.9, 79, -18.95

 

CMYK 0 / 76 / 50 / 2

HEX #FB3C7E

RGB 251 60 126

HSL 339.27, 0.96%, 0.61%

LAB 57.32, 74.16, 8.64

 

CMYK 0 / 98 / 12 / 12

HEX #E004C5

RGB 224 4 197

HSL 307.36, 0.96%, 0.45%

LAB 51.8, 85.13, -41.93

 

CMYK 0 / 92 / 11 / 2

HEX #FA13DE

RGB 250 19 222

HSL 307.27, 0.96%, 0.53%

LAB 58.1, 91.75, -45.96

 

CMYK 0 / 76 / 9 / 2

HEX #FB3CE4

RGB 251 60 228

HSL 307.23, 0.96%, 0.61%

LAB 61.08, 85.42, -44.62

 

CMYK 0 / 60 / 7 / 2

HEX #FB64E9

RGB 251 100 233

HSL 307.15, 0.95%, 0.69%

LAB 66.14, 72.58, -39.47

 

CMYK 0 / 44 / 5 / 1

HEX #FC8CEF

RGB 252 140 239

HSL 306.96, 0.95%, 0.77%

LAB 73.34, 55.66, -31.59

 

CMYK 0 / 76 / 9 / 2

HEX #FB3BE4

RGB 251 59 228

HSL 307.19, 0.96%, 0.61%

LAB 60.99, 85.68, -44.76

 

CMYK 0 / 52 / 76 / 2

HEX #FB783C

RGB 251 120 60

HSL 18.85, 0.96%, 0.61%

LAB 65.18, 46.38, 54.83

 

CMYK 76 / 0 / 22 / 2

HEX #3CFBC4

RGB 60 251 196

HSL 162.72, 0.96%, 0.61%

LAB 88.89, -58.65, 13.27

 

CMYK 0 / 76 / 9 / 2

HEX #FB3BE4

RGB 251 59 228

HSL 307.19, 0.96%, 0.61%

LAB 60.99, 85.68, -44.76

 

CMYK 9 / 0 / 76 / 2

HEX #E4FB3C

RGB 228 251 60

HSL 67.23, 0.96%, 0.61%

LAB 94.23, -29.47, 81.75

 

CMYK 76 / 9 / 0 / 2

HEX #3CE4FB

RGB 60 228 251

HSL 187.23, 0.96%, 0.61%

LAB 83.66, -34.12, -23.24

 

CMYK 0 / 76 / 9 / 2

HEX #FB3BE4

RGB 251 59 228

HSL 307.19, 0.96%, 0.61%

LAB 60.99, 85.68, -44.76

 

CMYK 0 / 52 / 76 / 2

HEX #FB783C

RGB 251 120 60

HSL 18.85, 0.96%, 0.61%

LAB 65.18, 46.38, 54.83

 

CMYK 76 / 0 / 67 / 2

HEX #3CFB52

RGB 60 251 82

HSL 126.91, 0.96%, 0.61%

LAB 87.27, -77.18, 65.12

 

CMYK 76 / 24 / 0 / 2

HEX #3CBEFB

RGB 60 190 251

HSL 199.16, 0.96%, 0.61%

LAB 72.73, -15.11, -40.07

 

CMYK 0 / 76 / 9 / 2

HEX #FB3BE4

RGB 251 59 228

HSL 307.19, 0.96%, 0.61%

LAB 60.99, 85.68, -44.76

 

CMYK 0 / 29 / 76 / 2

HEX #FBB13C

RGB 251 177 60

HSL 36.75, 0.96%, 0.61%

LAB 77.45, 17.17, 66.86

 

CMYK 76 / 0 / 67 / 2

HEX #3CFB52

RGB 60 251 82

HSL 126.91, 0.96%, 0.61%

LAB 87.27, -77.18, 65.12

 

CMYK 76 / 47 / 0 / 2

HEX #3C85FB

RGB 60 133 251

HSL 217.07, 0.96%, 0.61%

LAB 56.78, 17.64, -65.34

 

Description

Color code: HEX #FB3BE4 | qconv.com Color code: HEX #FB3BE4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 59 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 59 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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