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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB45A6 it is the complementary color #04BA59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB45A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB45A6 shade: #FF45A1, #FF57B4, #FF69C7, #FF7BDA and #FF8DED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB45A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB45A6 shade: #FB45A6, #EA3393, #D92180, #C80F6D and #B7005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB45A6 shade: #FB46A6, #FB4675 and #FB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB45A6 shade: #FB46A6, #FB46D7, #EE46FB, #BD46FB and #8C46FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB45A6 shade matches the following richer shades: #FB46A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB45A6 shade: #FB46A6, #EB55A5, #DC64A4, #CD73A3 and #BE83A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB45A6 shade: #EF46FB, #FB46D6, #FB46A6, #FB4676 and #FB4646

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB45A6 shade: #EA047E, #FA1D93, #FB46A6, #FC6EB9 and #FC96CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB45A6 shade: #FB45A6, #FBBE46 and #46EFFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB45A6 shade: #FB45A6, #A6FB46 and #46A6FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB45A6 shade: #FB45A6, #FBBE46, #46FB9A and #4682FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB45A6 shade: #FB45A6, #FBF546, #46FB9A and #464CFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 34 / 2

HEX #FB45A6

RGB 251 69 166

HSL 328.02, 0.96%, 0.63%

LAB 59.45, 75.14, -11.72

 

Complementary color

CMYK 98 / 0 / 52 / 27

HEX #04BA59

RGB 4 186 89

HSL 148.02, 0.96%, 0.37%

LAB 66.42, -60.79, 38.01

 

CMYK 0 / 73 / 37 / 0

HEX #FF45A1

RGB 255 69 161

HSL 330.32, 1%, 0.64%

LAB 59.97, 75.64, -7.97

 

CMYK 0 / 66 / 29 / 0

HEX #FF57B4

RGB 255 87 180

HSL 326.79, 1%, 0.67%

LAB 62.82, 71.51, -14.66

 

CMYK 0 / 59 / 22 / 0

HEX #FF69C7

RGB 255 105 199

HSL 322.4, 1%, 0.71%

LAB 66.13, 66.67, -20.44

 

CMYK 0 / 52 / 15 / 0

HEX #FF7BDA

RGB 255 123 218

HSL 316.82, 1%, 0.74%

LAB 69.82, 61.34, -25.42

 

CMYK 0 / 45 / 7 / 0

HEX #FF8DED

RGB 255 141 237

HSL 309.47, 1%, 0.78%

LAB 73.82, 55.72, -29.73

 

CMYK 0 / 73 / 34 / 2

HEX #FB45A6

RGB 251 69 166

HSL 328.02, 0.96%, 0.63%

LAB 59.45, 75.14, -11.72

 

CMYK 0 / 78 / 37 / 8

HEX #EA3393

RGB 234 51 147

HSL 328.52, 0.81%, 0.56%

LAB 53.99, 74.2, -9.05

 

CMYK 0 / 85 / 41 / 15

HEX #D92180

RGB 217 33 128

HSL 329.02, 0.74%, 0.49%

LAB 48.76, 72.49, -5.78

 

CMYK 0 / 93 / 46 / 22

HEX #C80F6D

RGB 200 15 109

HSL 329.51, 0.86%, 0.42%

LAB 43.84, 69.75, -1.73

 

CMYK 0 / 100 / 51 / 28

HEX #B7005A

RGB 183 0 90

HSL 330.49, 1%, 0.36%

LAB 39.25, 65.9, 3.16

 

CMYK 0 / 72 / 34 / 2

HEX #FB46A6

RGB 251 70 166

HSL 328.18, 0.96%, 0.63%

LAB 59.56, 74.82, -11.55

 

CMYK 0 / 72 / 53 / 2

HEX #FB4675

RGB 251 70 117

HSL 344.42, 0.96%, 0.63%

LAB 58.2, 70.4, 15.2

 

CMYK 0 / 72 / 72 / 2

HEX #FB4646

RGB 251 70 70

HSL 0, 0.96%, 0.63%

LAB 57.4, 67.71, 41.36

 

CMYK 0 / 72 / 34 / 2

HEX #FB46A6

RGB 251 70 166

HSL 328.18, 0.96%, 0.63%

LAB 59.56, 74.82, -11.55

 

CMYK 0 / 72 / 14 / 2

HEX #FB46D7

RGB 251 70 215

HSL 311.93, 0.96%, 0.63%

LAB 61.48, 80.77, -36.68

 

CMYK 5 / 72 / 0 / 2

HEX #EE46FB

RGB 238 70 251

HSL 295.69, 0.96%, 0.63%

LAB 61.24, 83.38, -57.31

 

CMYK 25 / 72 / 0 / 2

HEX #BD46FB

RGB 189 70 251

HSL 279.45, 0.96%, 0.63%

LAB 54.2, 73.94, -69

 

CMYK 44 / 72 / 0 / 2

HEX #8C46FB

RGB 140 70 251

HSL 263.2, 0.96%, 0.63%

LAB 48.16, 65.45, -79.09

 

CMYK 0 / 72 / 34 / 2

HEX #FB46A6

RGB 251 70 166

HSL 328.18, 0.96%, 0.63%

LAB 59.56, 74.82, -11.55

 

CMYK 0 / 72 / 34 / 2

HEX #FB46A6

RGB 251 70 166

HSL 328.18, 0.96%, 0.63%

LAB 59.56, 74.82, -11.55

 

CMYK 0 / 64 / 30 / 8

HEX #EB55A5

RGB 235 85 165

HSL 328, 0.79%, 0.63%

LAB 58.86, 65, -12.3

 

CMYK 0 / 55 / 25 / 14

HEX #DC64A4

RGB 220 100 164

HSL 328, 0.63%, 0.63%

LAB 58.98, 53.89, -11.76

 

CMYK 0 / 44 / 20 / 20

HEX #CD73A3

RGB 205 115 163

HSL 328, 0.47%, 0.63%

LAB 59.78, 41.42, -10.19

 

CMYK 0 / 31 / 15 / 25

HEX #BE83A2

RGB 190 131 162

HSL 328.47, 0.31%, 0.63%

LAB 61.47, 27.41, -7.29

 

CMYK 5 / 72 / 0 / 2

HEX #EF46FB

RGB 239 70 251

HSL 296.02, 0.96%, 0.63%

LAB 61.39, 83.58, -57.06

 

CMYK 0 / 72 / 15 / 2

HEX #FB46D6

RGB 251 70 214

HSL 312.27, 0.96%, 0.63%

LAB 61.43, 80.64, -36.19

 

CMYK 0 / 72 / 34 / 2

HEX #FB46A6

RGB 251 70 166

HSL 328.18, 0.96%, 0.63%

LAB 59.56, 74.82, -11.55

 

CMYK 0 / 72 / 53 / 2

HEX #FB4676

RGB 251 70 118

HSL 344.09, 0.96%, 0.63%

LAB 58.22, 70.47, 14.64

 

CMYK 0 / 72 / 72 / 2

HEX #FB4646

RGB 251 70 70

HSL 0, 0.96%, 0.63%

LAB 57.4, 67.71, 41.36

 

CMYK 0 / 98 / 46 / 8

HEX #EA047E

RGB 234 4 126

HSL 328.17, 0.97%, 0.47%

LAB 50.79, 79.63, -1.19

 

CMYK 0 / 88 / 41 / 2

HEX #FA1D93

RGB 250 29 147

HSL 327.96, 0.96%, 0.55%

LAB 55.39, 82.36, -6.66

 

CMYK 0 / 72 / 34 / 2

HEX #FB46A6

RGB 251 70 166

HSL 328.18, 0.96%, 0.63%

LAB 59.56, 74.82, -11.55

 

CMYK 0 / 56 / 27 / 1

HEX #FC6EB9

RGB 252 110 185

HSL 328.31, 0.96%, 0.71%

LAB 66.02, 61.8, -12.73

 

CMYK 0 / 40 / 19 / 1

HEX #FC96CD

RGB 252 150 205

HSL 327.65, 0.94%, 0.79%

LAB 74.14, 45.28, -11.73

 

CMYK 0 / 73 / 34 / 2

HEX #FB45A6

RGB 251 69 166

HSL 328.02, 0.96%, 0.63%

LAB 59.45, 75.14, -11.72

 

CMYK 0 / 24 / 72 / 2

HEX #FBBE46

RGB 251 190 70

HSL 39.78, 0.96%, 0.63%

LAB 80.62, 10.8, 66.06

 

CMYK 72 / 5 / 0 / 2

HEX #46EFFB

RGB 70 239 251

HSL 183.98, 0.96%, 0.63%

LAB 87, -38.17, -18.18

 

CMYK 0 / 73 / 34 / 2

HEX #FB45A6

RGB 251 69 166

HSL 328.02, 0.96%, 0.63%

LAB 59.45, 75.14, -11.72

 

CMYK 34 / 0 / 72 / 2

HEX #A6FB46

RGB 166 251 70

HSL 88.18, 0.96%, 0.63%

LAB 90.57, -52.19, 73.86

 

CMYK 72 / 34 / 0 / 2

HEX #46A6FB

RGB 70 166 251

HSL 208.18, 0.96%, 0.63%

LAB 66.17, -0.72, -50.35

 

CMYK 0 / 73 / 34 / 2

HEX #FB45A6

RGB 251 69 166

HSL 328.02, 0.96%, 0.63%

LAB 59.45, 75.14, -11.72

 

CMYK 0 / 24 / 72 / 2

HEX #FBBE46

RGB 251 190 70

HSL 39.78, 0.96%, 0.63%

LAB 80.62, 10.8, 66.06

 

CMYK 72 / 0 / 39 / 2

HEX #46FB9A

RGB 70 251 154

HSL 147.85, 0.96%, 0.63%

LAB 88.27, -66.04, 33.81

 

CMYK 72 / 48 / 0 / 2

HEX #4682FB

RGB 70 130 251

HSL 220.11, 0.96%, 0.63%

LAB 56.32, 20.66, -66.07

 

CMYK 0 / 73 / 34 / 2

HEX #FB45A6

RGB 251 69 166

HSL 328.02, 0.96%, 0.63%

LAB 59.45, 75.14, -11.72

 

CMYK 0 / 2 / 72 / 2

HEX #FBF546

RGB 251 245 70

HSL 58.01, 0.96%, 0.63%

LAB 94.42, -16.93, 79.48

 

CMYK 72 / 0 / 39 / 2

HEX #46FB9A

RGB 70 251 154

HSL 147.85, 0.96%, 0.63%

LAB 88.27, -66.04, 33.81

 

CMYK 72 / 70 / 0 / 2

HEX #464CFB

RGB 70 76 251

HSL 238.01, 0.96%, 0.63%

LAB 43.41, 53.32, -87.1

 

Description

Color code: HEX #FB45A6 | qconv.com Color code: HEX #FB45A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 69 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 69 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 34% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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