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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB46E0 it is the complementary color #04B91F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB46E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB46E0 shade: #FF46DB, #FF58EE, #FF6AFF, #FF7CFF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB46E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB46E0 shade: #FB46E0, #EA34CD, #D922BA, #C810A7 and #B70094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB46E0 shade: #FB46E0, #FB46AF, #FB467E, #FB464D and #FB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB46E0 shade: #FB46E0, #E546FB, #B446FB, #8346FB and #5246FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB46E0 shade matches the following richer shades: #FB46E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB46E0 shade: #FB46E0, #EB55D5, #DC64CA, #CD73C0 and #BE83B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB46E0 shade: #B246FB, #E346FB, #FB46E3, #FB46B2 and #FB4682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB46E0 shade: #EA04C7, #FA1DD9, #FB46E0, #FC6EE6 and #FC96ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB46E0 shade: #FB46E0, #FB8246 and #46FBCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB46E0 shade: #FB46E0, #E3FB46 and #46E3FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB46E0 shade: #FB46E0, #FB8246, #46FB5E and #46BEFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB46E0 shade: #FB46E0, #FBB846, #46FB5E and #4688FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

Complementary color

CMYK 98 / 0 / 83 / 27

HEX #04B91F

RGB 4 185 31

HSL 128.95, 0.96%, 0.37%

LAB 65.61, -66.53, 60.25

 

CMYK 0 / 73 / 14 / 0

HEX #FF46DB

RGB 255 70 219

HSL 311.68, 1%, 0.64%

LAB 62.3, 82.21, -37.61

 

CMYK 0 / 65 / 7 / 0

HEX #FF58EE

RGB 255 88 238

HSL 306.11, 1%, 0.67%

LAB 65.29, 78.92, -43.54

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 0 / 78 / 12 / 8

HEX #EA34CD

RGB 234 52 205

HSL 309.56, 0.81%, 0.56%

LAB 56.44, 80.82, -39.09

 

CMYK 0 / 84 / 14 / 15

HEX #D922BA

RGB 217 34 186

HSL 310.16, 0.73%, 0.49%

LAB 51.2, 78.85, -36.57

 

CMYK 0 / 92 / 17 / 22

HEX #C810A7

RGB 200 16 167

HSL 310.76, 0.85%, 0.42%

LAB 46.23, 75.86, -33.4

 

CMYK 0 / 100 / 19 / 28

HEX #B70094

RGB 183 0 148

HSL 311.48, 1%, 0.36%

LAB 41.54, 71.8, -29.56

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 0 / 72 / 30 / 2

HEX #FB46AF

RGB 251 70 175

HSL 325.19, 0.96%, 0.63%

LAB 59.87, 75.8, -16.3

 

CMYK 0 / 72 / 50 / 2

HEX #FB467E

RGB 251 70 126

HSL 341.44, 0.96%, 0.63%

LAB 58.41, 71.08, 10.19

 

CMYK 0 / 72 / 69 / 2

HEX #FB464D

RGB 251 70 77

HSL 357.68, 0.96%, 0.63%

LAB 57.49, 68.01, 37.55

 

CMYK 0 / 72 / 72 / 2

HEX #FB4646

RGB 251 70 70

HSL 0, 0.96%, 0.63%

LAB 57.4, 67.71, 41.36

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 9 / 72 / 0 / 2

HEX #E546FB

RGB 229 70 251

HSL 292.71, 0.96%, 0.63%

LAB 59.89, 81.6, -59.55

 

CMYK 28 / 72 / 0 / 2

HEX #B446FB

RGB 180 70 251

HSL 276.46, 0.96%, 0.63%

LAB 53, 72.29, -71

 

CMYK 48 / 72 / 0 / 2

HEX #8346FB

RGB 131 70 251

HSL 260.22, 0.96%, 0.63%

LAB 47.2, 64.06, -80.7

 

CMYK 67 / 72 / 0 / 2

HEX #5246FB

RGB 82 70 251

HSL 243.98, 0.96%, 0.63%

LAB 42.97, 57.76, -87.8

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 0 / 64 / 9 / 8

HEX #EB55D5

RGB 235 85 213

HSL 308.8, 0.79%, 0.63%

LAB 60.75, 71.52, -36.88

 

CMYK 0 / 55 / 8 / 14

HEX #DC64CA

RGB 220 100 202

HSL 309, 0.63%, 0.63%

LAB 60.42, 59.52, -31.33

 

CMYK 0 / 44 / 6 / 20

HEX #CD73C0

RGB 205 115 192

HSL 308.67, 0.47%, 0.63%

LAB 60.82, 46.11, -25.19

 

CMYK 0 / 31 / 5 / 25

HEX #BE83B5

RGB 190 131 181

HSL 309.15, 0.31%, 0.63%

LAB 62.1, 30.72, -17.16

 

CMYK 29 / 72 / 0 / 2

HEX #B246FB

RGB 178 70 251

HSL 275.8, 0.96%, 0.63%

LAB 52.74, 71.92, -71.43

 

CMYK 10 / 72 / 0 / 2

HEX #E346FB

RGB 227 70 251

HSL 292.04, 0.96%, 0.63%

LAB 59.6, 81.21, -60.04

 

CMYK 0 / 72 / 10 / 2

HEX #FB46E3

RGB 251 70 227

HSL 307.96, 0.96%, 0.63%

LAB 62.03, 82.44, -42.57

 

CMYK 0 / 72 / 29 / 2

HEX #FB46B2

RGB 251 70 178

HSL 324.2, 0.96%, 0.63%

LAB 59.98, 76.14, -17.87

 

CMYK 0 / 72 / 48 / 2

HEX #FB4682

RGB 251 70 130

HSL 340.11, 0.96%, 0.63%

LAB 58.51, 71.41, 7.97

 

CMYK 0 / 98 / 15 / 8

HEX #EA04C7

RGB 234 4 199

HSL 309.13, 0.97%, 0.47%

LAB 53.71, 87.14, -39.94

 

CMYK 0 / 88 / 13 / 2

HEX #FA1DD9

RGB 250 29 217

HSL 308.96, 0.96%, 0.55%

LAB 58.24, 89.96, -42.91

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 0 / 56 / 9 / 1

HEX #FC6EE6

RGB 252 110 230

HSL 309.3, 0.96%, 0.71%

LAB 67.7, 68.17, -35.38

 

CMYK 0 / 40 / 6 / 1

HEX #FC96ED

RGB 252 150 237

HSL 308.82, 0.94%, 0.79%

LAB 75.22, 50.34, -27.61

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 0 / 48 / 72 / 2

HEX #FB8246

RGB 251 130 70

HSL 19.89, 0.96%, 0.63%

LAB 67.21, 41.89, 52.21

 

CMYK 72 / 0 / 20 / 2

HEX #46FBCA

RGB 70 251 202

HSL 163.76, 0.96%, 0.63%

LAB 89.19, -56.1, 10.61

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 10 / 0 / 72 / 2

HEX #E3FB46

RGB 227 251 70

HSL 67.96, 0.96%, 0.63%

LAB 94.21, -29.45, 78.65

 

CMYK 72 / 10 / 0 / 2

HEX #46E3FB

RGB 70 227 251

HSL 187.96, 0.96%, 0.63%

LAB 83.55, -32.57, -23.39

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 0 / 48 / 72 / 2

HEX #FB8246

RGB 251 130 70

HSL 19.89, 0.96%, 0.63%

LAB 67.21, 41.89, 52.21

 

CMYK 72 / 0 / 63 / 2

HEX #46FB5E

RGB 70 251 94

HSL 127.96, 0.96%, 0.63%

LAB 87.54, -74.59, 60.7

 

CMYK 72 / 24 / 0 / 2

HEX #46BEFB

RGB 70 190 251

HSL 200.22, 0.96%, 0.63%

LAB 72.95, -13.95, -39.7

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 0 / 27 / 72 / 2

HEX #FBB846

RGB 251 184 70

HSL 37.79, 0.96%, 0.63%

LAB 79.17, 13.93, 64.62

 

CMYK 72 / 0 / 63 / 2

HEX #46FB5E

RGB 70 251 94

HSL 127.96, 0.96%, 0.63%

LAB 87.54, -74.59, 60.7

 

CMYK 72 / 46 / 0 / 2

HEX #4688FB

RGB 70 136 251

HSL 218.12, 0.96%, 0.63%

LAB 57.92, 16.99, -63.49

 

Description

Color code: HEX #FB46E0 | qconv.com Color code: HEX #FB46E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 70 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 70 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 11 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 11% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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