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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB41CF it is the complementary color #04BE30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB41CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB41CF shade: #FF41CA, #FF53DD, #FF65F0, #FF77FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB41CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB41CF shade: #FB41CF, #EA2FBC, #D91DA9, #C80B96 and #B70083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB41CF shade: #FB41CF, #FB419C, #FB416A and #FB4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB41CF shade: #FB41CF, #F441FB, #C241FB, #9041FB and #5E41FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB41CF shade matches the following richer shades: #FB41CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB41CF shade: #FB41CF, #EB50C6, #DB60BE, #CC70B6 and #BC7FAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB41CF shade: #C341FB, #F441FB, #FB41CF, #FB419E and #FB416C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB41CF shade: #E504AF, #FA18C4, #FB41CF, #FB69D9 and #FC91E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB41CF shade: #FB41CF, #FB9141 and #41FBDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB41CF shade: #FB41CF, #CFFB41 and #41CFFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB41CF shade: #FB41CF, #FB9141, #41FB6C and #41AAFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB41CF shade: #FB41CF, #FBC941, #41FB6C and #4172FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

Complementary color

CMYK 98 / 0 / 75 / 25

HEX #04BE30

RGB 4 190 48

HSL 134.19, 0.96%, 0.38%

LAB 67.33, -66.83, 56.71

 

CMYK 0 / 75 / 21 / 0

HEX #FF41CA

RGB 255 65 202

HSL 316.74, 1%, 0.63%

LAB 61.05, 81.47, -29.93

 

CMYK 0 / 67 / 13 / 0

HEX #FF53DD

RGB 255 83 221

HSL 311.86, 1%, 0.66%

LAB 63.89, 78.24, -36.25

 

CMYK 0 / 60 / 6 / 0

HEX #FF65F0

RGB 255 101 240

HSL 305.84, 1%, 0.7%

LAB 67.17, 74.25, -41.69

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 0 / 80 / 20 / 8

HEX #EA2FBC

RGB 234 47 188

HSL 314.76, 0.82%, 0.55%

LAB 55.23, 79.83, -31.2

 

CMYK 0 / 87 / 22 / 15

HEX #D91DA9

RGB 217 29 169

HSL 315.32, 0.76%, 0.48%

LAB 50.09, 77.61, -28.32

 

CMYK 0 / 95 / 25 / 22

HEX #C80B96

RGB 200 11 150

HSL 315.87, 0.9%, 0.41%

LAB 45.25, 74.31, -24.75

 

CMYK 0 / 100 / 28 / 28

HEX #B70083

RGB 183 0 131

HSL 317.05, 1%, 0.36%

LAB 40.74, 69.79, -20.38

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 0 / 74 / 38 / 2

HEX #FB419C

RGB 251 65 156

HSL 330.65, 0.96%, 0.62%

LAB 58.69, 75.35, -7.04

 

CMYK 0 / 74 / 58 / 2

HEX #FB416A

RGB 251 65 106

HSL 346.77, 0.96%, 0.62%

LAB 57.4, 71.23, 20.59

 

CMYK 0 / 74 / 74 / 2

HEX #FB4141

RGB 251 65 65

HSL 0, 0.96%, 0.62%

LAB 56.75, 69.13, 43.39

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 3 / 74 / 0 / 2

HEX #F441FB

RGB 244 65 251

HSL 297.74, 0.96%, 0.62%

LAB 61.64, 86.05, -56.63

 

CMYK 23 / 74 / 0 / 2

HEX #C241FB

RGB 194 65 251

HSL 281.61, 0.96%, 0.62%

LAB 54.25, 76.66, -68.88

 

CMYK 43 / 74 / 0 / 2

HEX #9041FB

RGB 144 65 251

HSL 265.48, 0.96%, 0.62%

LAB 47.85, 68.24, -79.58

 

CMYK 63 / 74 / 0 / 2

HEX #5E41FB

RGB 94 65 251

HSL 249.35, 0.96%, 0.62%

LAB 42.95, 61.57, -87.81

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 0 / 66 / 16 / 8

HEX #EB50C6

RGB 235 80 198

HSL 314.32, 0.79%, 0.62%

LAB 59.41, 71.23, -30.44

 

CMYK 0 / 56 / 13 / 14

HEX #DB60BE

RGB 219 96 190

HSL 314.15, 0.63%, 0.62%

LAB 59.11, 59.18, -26.54

 

CMYK 0 / 45 / 11 / 20

HEX #CC70B6

RGB 204 112 182

HSL 314.35, 0.47%, 0.62%

LAB 59.71, 45.65, -21.21

 

CMYK 0 / 32 / 7 / 26

HEX #BC7FAE

RGB 188 127 174

HSL 313.77, 0.31%, 0.62%

LAB 60.72, 30.98, -15.29

 

CMYK 22 / 74 / 0 / 2

HEX #C341FB

RGB 195 65 251

HSL 281.94, 0.96%, 0.62%

LAB 54.39, 76.84, -68.65

 

CMYK 3 / 74 / 0 / 2

HEX #F441FB

RGB 244 65 251

HSL 297.74, 0.96%, 0.62%

LAB 61.64, 86.05, -56.63

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 0 / 74 / 37 / 2

HEX #FB419E

RGB 251 65 158

HSL 330, 0.96%, 0.62%

LAB 58.75, 75.55, -8.11

 

CMYK 0 / 74 / 57 / 2

HEX #FB416C

RGB 251 65 108

HSL 346.13, 0.96%, 0.62%

LAB 57.44, 71.36, 19.46

 

CMYK 0 / 98 / 24 / 10

HEX #E504AF

RGB 229 4 175

HSL 314.4, 0.97%, 0.46%

LAB 51.66, 83.37, -29.26

 

CMYK 0 / 90 / 22 / 2

HEX #FA18C4

RGB 250 24 196

HSL 314.34, 0.96%, 0.54%

LAB 57.04, 88.03, -32.79

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 0 / 58 / 14 / 2

HEX #FB69D9

RGB 251 105 217

HSL 313.97, 0.95%, 0.7%

LAB 66.23, 68.09, -30.42

 

CMYK 0 / 42 / 10 / 1

HEX #FC91E3

RGB 252 145 227

HSL 314.02, 0.95%, 0.78%

LAB 73.86, 51.21, -24.22

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 0 / 42 / 74 / 2

HEX #FB9141

RGB 251 145 65

HSL 25.81, 0.96%, 0.62%

LAB 70.28, 34.06, 57.74

 

CMYK 74 / 0 / 12 / 2

HEX #41FBDC

RGB 65 251 220

HSL 170, 0.96%, 0.62%

LAB 89.53, -52.32, 1.75

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 18 / 0 / 74 / 2

HEX #CFFB41

RGB 207 251 65

HSL 74.19, 0.96%, 0.62%

LAB 92.86, -37.49, 78.48

 

CMYK 74 / 18 / 0 / 2

HEX #41CFFB

RGB 65 207 251

HSL 194.19, 0.96%, 0.62%

LAB 77.71, -23.35, -32.35

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 0 / 42 / 74 / 2

HEX #FB9141

RGB 251 145 65

HSL 25.81, 0.96%, 0.62%

LAB 70.28, 34.06, 57.74

 

CMYK 74 / 0 / 57 / 2

HEX #41FB6C

RGB 65 251 108

HSL 133.87, 0.96%, 0.62%

LAB 87.58, -73.72, 54.74

 

CMYK 74 / 32 / 0 / 2

HEX #41AAFB

RGB 65 170 251

HSL 206.13, 0.96%, 0.62%

LAB 67.16, -3.61, -48.8

 

CMYK 0 / 74 / 18 / 2

HEX #FB41CF

RGB 251 65 207

HSL 314.19, 0.96%, 0.62%

LAB 60.6, 81.21, -33.52

 

CMYK 0 / 20 / 74 / 2

HEX #FBC941

RGB 251 201 65

HSL 43.87, 0.96%, 0.62%

LAB 83.27, 4.89, 70.57

 

CMYK 74 / 0 / 57 / 2

HEX #41FB6C

RGB 65 251 108

HSL 133.87, 0.96%, 0.62%

LAB 87.58, -73.72, 54.74

 

CMYK 74 / 55 / 0 / 2

HEX #4172FB

RGB 65 114 251

HSL 224.19, 0.96%, 0.62%

LAB 51.98, 29.94, -73.1

 

Description

Color code: HEX #FB41CF | qconv.com Color code: HEX #FB41CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 65 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 65 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 18 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 18% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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