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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB6D6D it is the complementary color #049292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB6D6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB6D6D shade: #FF6D68, #FF7F7B, #FF918E, #FFA3A1 and #FFB5B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB6D6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB6D6D shade: #FB6D6D, #EA5B5A, #D94947, #C83734 and #B72521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB6D6D shade: #FB6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB6D6D shade: #FB6E6E, #FB946E, #FBBA6E, #FBE06E and #F0FB6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB6D6D shade matches the following richer shades: #FB6E6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB6D6D shade: #FB6E6E, #EF7A7A, #E38686, #D79292 and #CB9E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB6D6D shade: #FB6EB9, #FB6E94, #FB6E6E, #FB946E and #FBB96E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB6D6D shade: #F91E1E, #FA4646, #FB6E6E, #FC9797 and #FDBFBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB6D6D shade: #FB6D6D, #DFFB6E and #6EA6FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB6D6D shade: #FB6D6D, #6EFB6E and #6E6EFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB6D6D shade: #FB6D6D, #DFFB6E, #6EFBFB and #8A6EFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB6D6D shade: #FB6D6D, #B5FB6E, #6EFBFB and #B56EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 57 / 2

HEX #FB6D6D

RGB 251 109 109

HSL 0, 0.95%, 0.71%

LAB 63.8, 54.26, 27.37

 

Complementary color

CMYK 97 / 0 / 0 / 43

HEX #049292

RGB 4 146 146

HSL 180, 0.95%, 0.29%

LAB 54.72, -31.55, -9.29

 

CMYK 0 / 57 / 59 / 0

HEX #FF6D68

RGB 255 109 104

HSL 1.99, 1%, 0.7%

LAB 64.32, 55.28, 30.98

 

CMYK 0 / 50 / 52 / 0

HEX #FF7F7B

RGB 255 127 123

HSL 1.82, 1%, 0.74%

LAB 67.92, 48.26, 25.09

 

CMYK 0 / 43 / 44 / 0

HEX #FF918E

RGB 255 145 142

HSL 1.59, 1%, 0.78%

LAB 71.87, 41.04, 19.9

 

CMYK 0 / 36 / 37 / 0

HEX #FFA3A1

RGB 255 163 161

HSL 1.28, 1%, 0.82%

LAB 76.09, 33.82, 15.33

 

CMYK 0 / 29 / 29 / 0

HEX #FFB5B4

RGB 255 181 180

HSL 0.8, 1%, 0.85%

LAB 80.52, 26.74, 11.27

 

CMYK 0 / 57 / 57 / 2

HEX #FB6D6D

RGB 251 109 109

HSL 0, 0.95%, 0.71%

LAB 63.8, 54.26, 27.37

 

CMYK 0 / 61 / 62 / 8

HEX #EA5B5A

RGB 234 91 90

HSL 0.42, 0.77%, 0.64%

LAB 57.76, 55.24, 29.84

 

CMYK 0 / 66 / 67 / 15

HEX #D94947

RGB 217 73 71

HSL 0.82, 0.66%, 0.56%

LAB 51.81, 56.06, 32.71

 

CMYK 0 / 73 / 74 / 22

HEX #C83734

RGB 200 55 52

HSL 1.22, 0.59%, 0.49%

LAB 45.99, 56.57, 36.06

 

CMYK 0 / 80 / 82 / 28

HEX #B72521

RGB 183 37 33

HSL 1.6, 0.69%, 0.42%

LAB 40.41, 56.53, 39.81

 

CMYK 0 / 56 / 56 / 2

HEX #FB6E6E

RGB 251 110 110

HSL 0, 0.95%, 0.71%

LAB 63.99, 53.88, 27.05

 

CMYK 0 / 56 / 56 / 2

HEX #FB6E6E

RGB 251 110 110

HSL 0, 0.95%, 0.71%

LAB 63.99, 53.88, 27.05

 

CMYK 0 / 41 / 56 / 2

HEX #FB946E

RGB 251 148 110

HSL 16.17, 0.95%, 0.71%

LAB 71.43, 35.18, 36.65

 

CMYK 0 / 26 / 56 / 2

HEX #FBBA6E

RGB 251 186 110

HSL 32.34, 0.95%, 0.71%

LAB 80.04, 15.32, 47.28

 

CMYK 0 / 11 / 56 / 2

HEX #FBE06E

RGB 251 224 110

HSL 48.51, 0.95%, 0.71%

LAB 89.37, -4.25, 58.28

 

CMYK 4 / 0 / 56 / 2

HEX #F0FB6E

RGB 240 251 110

HSL 64.68, 0.95%, 0.71%

LAB 95.43, -21.9, 64.94

 

CMYK 0 / 56 / 56 / 2

HEX #FB6E6E

RGB 251 110 110

HSL 0, 0.95%, 0.71%

LAB 63.99, 53.88, 27.05

 

CMYK 0 / 56 / 56 / 2

HEX #FB6E6E

RGB 251 110 110

HSL 0, 0.95%, 0.71%

LAB 63.99, 53.88, 27.05

 

CMYK 0 / 49 / 49 / 6

HEX #EF7A7A

RGB 239 122 122

HSL 0, 0.79%, 0.71%

LAB 64.7, 44.9, 20.93

 

CMYK 0 / 41 / 41 / 11

HEX #E38686

RGB 227 134 134

HSL 0, 0.62%, 0.71%

LAB 65.83, 35.56, 15.46

 

CMYK 0 / 32 / 32 / 16

HEX #D79292

RGB 215 146 146

HSL 0, 0.46%, 0.71%

LAB 67.34, 26.08, 10.63

 

CMYK 0 / 22 / 22 / 20

HEX #CB9E9E

RGB 203 158 158

HSL 0, 0.3%, 0.71%

LAB 69.2, 16.69, 6.42

 

CMYK 0 / 56 / 26 / 2

HEX #FB6EB9

RGB 251 110 185

HSL 328.09, 0.95%, 0.71%

LAB 65.88, 61.5, -12.96

 

CMYK 0 / 56 / 41 / 2

HEX #FB6E94

RGB 251 110 148

HSL 343.83, 0.95%, 0.71%

LAB 64.8, 57.23, 6.53

 

CMYK 0 / 56 / 56 / 2

HEX #FB6E6E

RGB 251 110 110

HSL 0, 0.95%, 0.71%

LAB 63.99, 53.88, 27.05

 

CMYK 0 / 41 / 56 / 2

HEX #FB946E

RGB 251 148 110

HSL 16.17, 0.95%, 0.71%

LAB 71.43, 35.18, 36.65

 

CMYK 0 / 26 / 56 / 2

HEX #FBB96E

RGB 251 185 110

HSL 31.91, 0.95%, 0.71%

LAB 79.8, 15.85, 47

 

CMYK 0 / 88 / 88 / 2

HEX #F91E1E

RGB 249 30 30

HSL 0, 0.95%, 0.55%

LAB 53.13, 76, 57.35

 

CMYK 0 / 72 / 72 / 2

HEX #FA4646

RGB 250 70 70

HSL 0, 0.95%, 0.63%

LAB 57.22, 67.41, 41.11

 

CMYK 0 / 56 / 56 / 2

HEX #FB6E6E

RGB 251 110 110

HSL 0, 0.95%, 0.71%

LAB 63.99, 53.88, 27.05

 

CMYK 0 / 40 / 40 / 1

HEX #FC9797

RGB 252 151 151

HSL 0, 0.94%, 0.79%

LAB 72.93, 37.81, 16.35

 

CMYK 0 / 25 / 25 / 1

HEX #FDBFBF

RGB 253 191 191

HSL 0, 0.94%, 0.87%

LAB 82.86, 22.24, 8.68

 

CMYK 0 / 57 / 57 / 2

HEX #FB6D6D

RGB 251 109 109

HSL 0, 0.95%, 0.71%

LAB 63.8, 54.26, 27.37

 

CMYK 11 / 0 / 56 / 2

HEX #DFFB6E

RGB 223 251 110

HSL 71.91, 0.95%, 0.71%

LAB 94.23, -28.5, 63.26

 

CMYK 56 / 34 / 0 / 2

HEX #6EA6FB

RGB 110 166 251

HSL 216.17, 0.95%, 0.71%

LAB 67.69, 5.92, -47.85

 

CMYK 0 / 57 / 57 / 2

HEX #FB6D6D

RGB 251 109 109

HSL 0, 0.95%, 0.71%

LAB 63.8, 54.26, 27.37

 

CMYK 56 / 0 / 56 / 2

HEX #6EFB6E

RGB 110 251 110

HSL 120, 0.95%, 0.71%

LAB 88.65, -65.07, 55.38

 

CMYK 56 / 56 / 0 / 2

HEX #6E6EFB

RGB 110 110 251

HSL 240, 0.95%, 0.71%

LAB 53.42, 39, -70.65

 

CMYK 0 / 57 / 57 / 2

HEX #FB6D6D

RGB 251 109 109

HSL 0, 0.95%, 0.71%

LAB 63.8, 54.26, 27.37

 

CMYK 11 / 0 / 56 / 2

HEX #DFFB6E

RGB 223 251 110

HSL 71.91, 0.95%, 0.71%

LAB 94.23, -28.5, 63.26

 

CMYK 56 / 0 / 0 / 2

HEX #6EFBFB

RGB 110 251 251

HSL 180, 0.95%, 0.71%

LAB 91.36, -37.83, -11.54

 

CMYK 45 / 56 / 0 / 2

HEX #8A6EFB

RGB 138 110 251

HSL 251.91, 0.95%, 0.71%

LAB 55.6, 44.44, -67.01

 

CMYK 0 / 57 / 57 / 2

HEX #FB6D6D

RGB 251 109 109

HSL 0, 0.95%, 0.71%

LAB 63.8, 54.26, 27.37

 

CMYK 28 / 0 / 56 / 2

HEX #B5FB6E

RGB 181 251 110

HSL 89.79, 0.95%, 0.71%

LAB 91.66, -43.97, 59.64

 

CMYK 56 / 0 / 0 / 2

HEX #6EFBFB

RGB 110 251 251

HSL 180, 0.95%, 0.71%

LAB 91.36, -37.83, -11.54

 

CMYK 28 / 56 / 0 / 2

HEX #B56EFB

RGB 181 110 251

HSL 270.21, 0.95%, 0.71%

LAB 59.84, 54.1, -59.99

 

Description

Color code: HEX #FB6D6D | qconv.com Color code: HEX #FB6D6D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 109 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 109 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 57% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - كونكت باي | بوابة ال...
Link: http://www.e-misr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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