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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB8869 it is the complementary color #047796. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB8869. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB8869 shade: #FF8864, #FF9A77, #FFAC8A, #FFBE9D and #FFD0B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB8869. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB8869 shade: #FB8869, #EA7656, #D96443, #C85230 and #B7401D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB8869 shade: #FB8869 and #FB6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB8869 shade: #FB8869, #FBAF69, #FBD769, #F8FB69 and #D0FB69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB8869 shade matches the following richer shades: #FB8869

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB8869 shade: #FB8869, #EE8F76, #E29682, #D69E8E and #C9A59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB8869 shade: #FB699A, #FB6973, #FB8669, #FBAD69 and #FBD469

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB8869 shade: #F94819, #FA6841, #FB8869, #FCA892 and #FDC8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB8869 shade: #FB8869, #C1FB69 and #6986FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB8869 shade: #FB8869, #69FB86 and #8669FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB8869 shade: #FB8869, #C1FB69, #69DEFB and #A369FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB8869 shade: #FB8869, #95FB69, #69DEFB and #CF69FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

Complementary color

CMYK 97 / 21 / 0 / 41

HEX #047796

RGB 4 119 150

HSL 192.74, 0.95%, 0.3%

LAB 46.21, -16.24, -24.59

 

CMYK 0 / 47 / 61 / 0

HEX #FF8864

RGB 255 136 100

HSL 13.94, 1%, 0.7%

LAB 69.32, 42.09, 39.45

 

CMYK 0 / 40 / 53 / 0

HEX #FF9A77

RGB 255 154 119

HSL 15.44, 1%, 0.73%

LAB 73.35, 34.34, 34.4

 

CMYK 0 / 33 / 46 / 0

HEX #FFAC8A

RGB 255 172 138

HSL 17.44, 1%, 0.77%

LAB 77.64, 26.68, 29.87

 

CMYK 0 / 25 / 38 / 0

HEX #FFBE9D

RGB 255 190 157

HSL 20.2, 1%, 0.81%

LAB 82.12, 19.25, 25.8

 

CMYK 0 / 18 / 31 / 0

HEX #FFD0B0

RGB 255 208 176

HSL 24.3, 1%, 0.85%

LAB 86.75, 12.11, 22.13

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 0 / 50 / 63 / 8

HEX #EA7656

RGB 234 118 86

HSL 12.97, 0.78%, 0.63%

LAB 62.61, 42.27, 38.09

 

CMYK 0 / 54 / 69 / 15

HEX #D96443

RGB 217 100 67

HSL 13.2, 0.66%, 0.56%

LAB 56.36, 43.69, 40.32

 

CMYK 0 / 59 / 76 / 22

HEX #C85230

RGB 200 82 48

HSL 13.42, 0.61%, 0.49%

LAB 50.13, 45.14, 42.73

 

CMYK 0 / 65 / 84 / 28

HEX #B7401D

RGB 183 64 29

HSL 13.64, 0.73%, 0.42%

LAB 43.98, 46.52, 45.14

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 0 / 58 / 58 / 2

HEX #FB6969

RGB 251 105 105

HSL 0, 0.95%, 0.7%

LAB 63.04, 55.78, 28.64

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 0 / 30 / 58 / 2

HEX #FBAF69

RGB 251 175 105

HSL 28.77, 0.95%, 0.7%

LAB 77.39, 20.72, 46.58

 

CMYK 0 / 14 / 58 / 2

HEX #FBD769

RGB 251 215 105

HSL 45.21, 0.95%, 0.7%

LAB 87.06, -0.05, 57.91

 

CMYK 1 / 0 / 58 / 2

HEX #F8FB69

RGB 248 251 105

HSL 61.23, 0.95%, 0.7%

LAB 95.98, -19.1, 67.83

 

CMYK 17 / 0 / 58 / 2

HEX #D0FB69

RGB 208 251 105

HSL 77.67, 0.95%, 0.7%

LAB 93.2, -34.6, 63.97

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 0 / 40 / 50 / 7

HEX #EE8F76

RGB 238 143 118

HSL 12.5, 0.78%, 0.7%

LAB 68.85, 33.43, 28.67

 

CMYK 0 / 34 / 42 / 11

HEX #E29682

RGB 226 150 130

HSL 12.5, 0.62%, 0.7%

LAB 69.18, 26.26, 22.27

 

CMYK 0 / 26 / 34 / 16

HEX #D69E8E

RGB 214 158 142

HSL 13.33, 0.47%, 0.7%

LAB 69.97, 18.69, 16.53

 

CMYK 0 / 18 / 23 / 21

HEX #C9A59B

RGB 201 165 155

HSL 13.04, 0.3%, 0.7%

LAB 70.66, 11.66, 10.14

 

CMYK 0 / 58 / 39 / 2

HEX #FB699A

RGB 251 105 154

HSL 339.86, 0.95%, 0.7%

LAB 64.12, 60.09, 2.1

 

CMYK 0 / 58 / 54 / 2

HEX #FB6973

RGB 251 105 115

HSL 355.89, 0.95%, 0.7%

LAB 63.22, 56.52, 23.2

 

CMYK 0 / 47 / 58 / 2

HEX #FB8669

RGB 251 134 105

HSL 11.92, 0.95%, 0.7%

LAB 68.45, 41.94, 35.56

 

CMYK 0 / 31 / 58 / 2

HEX #FBAD69

RGB 251 173 105

HSL 27.95, 0.95%, 0.7%

LAB 76.93, 21.77, 46.03

 

CMYK 0 / 16 / 58 / 2

HEX #FBD469

RGB 251 212 105

HSL 43.97, 0.95%, 0.7%

LAB 86.31, 1.48, 57.06

 

CMYK 0 / 71 / 90 / 2

HEX #F94819

RGB 249 72 25

HSL 12.59, 0.95%, 0.54%

LAB 56.92, 65.18, 61.99

 

CMYK 0 / 58 / 74 / 2

HEX #FA6841

RGB 250 104 65

HSL 12.65, 0.95%, 0.62%

LAB 62.17, 53.69, 49.24

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 0 / 33 / 42 / 1

HEX #FCA892

RGB 252 168 146

HSL 12.45, 0.95%, 0.78%

LAB 76.54, 28.44, 24.05

 

CMYK 0 / 21 / 26 / 1

HEX #FDC8BA

RGB 253 200 186

HSL 12.54, 0.94%, 0.86%

LAB 84.86, 16.84, 14.18

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 23 / 0 / 58 / 2

HEX #C1FB69

RGB 193 251 105

HSL 83.84, 0.95%, 0.7%

LAB 92.29, -40.14, 62.69

 

CMYK 58 / 47 / 0 / 2

HEX #6986FB

RGB 105 134 251

HSL 228.08, 0.95%, 0.7%

LAB 58.99, 23.74, -61.69

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 58 / 0 / 47 / 2

HEX #69FB86

RGB 105 251 134

HSL 131.92, 0.95%, 0.7%

LAB 88.79, -63.06, 44.41

 

CMYK 47 / 58 / 0 / 2

HEX #8669FB

RGB 134 105 251

HSL 251.92, 0.95%, 0.7%

LAB 54.17, 46.44, -69.34

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 23 / 0 / 58 / 2

HEX #C1FB69

RGB 193 251 105

HSL 83.84, 0.95%, 0.7%

LAB 92.29, -40.14, 62.69

 

CMYK 58 / 12 / 0 / 2

HEX #69DEFB

RGB 105 222 251

HSL 191.92, 0.95%, 0.7%

LAB 83.03, -24.94, -24.11

 

CMYK 35 / 58 / 0 / 2

HEX #A369FB

RGB 163 105 251

HSL 263.84, 0.95%, 0.7%

LAB 56.93, 52.57, -64.75

 

CMYK 0 / 46 / 58 / 2

HEX #FB8869

RGB 251 136 105

HSL 12.74, 0.95%, 0.7%

LAB 68.85, 40.93, 36.08

 

CMYK 41 / 0 / 58 / 2

HEX #95FB69

RGB 149 251 105

HSL 101.92, 0.95%, 0.7%

LAB 90.05, -54.98, 59.55

 

CMYK 58 / 12 / 0 / 2

HEX #69DEFB

RGB 105 222 251

HSL 191.92, 0.95%, 0.7%

LAB 83.03, -24.94, -24.11

 

CMYK 18 / 58 / 0 / 2

HEX #CF69FB

RGB 207 105 251

HSL 281.92, 0.95%, 0.7%

LAB 61.94, 62.76, -56.45

 

Description

Color code: HEX #FB8869 | qconv.com Color code: HEX #FB8869 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 136 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 136 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 58 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 58% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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