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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB921D it is the complementary color #046DE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB921D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB921D shade: #FF9218, #FFA42B, #FFB63E, #FFC851 and #FFDA64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB921D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB921D shade: #FB921D, #EA800A, #D96E00, #C85C00 and #B74A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB921D shade: #FB921C, #FB561C and #FB1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB921D shade: #FB921C, #FBCE1C, #ECFB1C, #B0FB1C and #74FB1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB921D shade matches the following richer shades: #FB921C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB921D shade: #FB921C, #E8912F, #D69042, #C38F54 and #B18E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB921D shade: #FB1C20, #FB541C, #FB8F1C, #FBCB1C and #F0FB1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB921D shade: #C36802, #EB7D03, #FB921C, #FCA545 and #FCB96E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB921D shade: #FB921D, #5CFB1C and #361CFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB921D shade: #FB921D, #1CFB8F and #8F1CFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB921D shade: #FB921D, #5CFB1C, #1C88FB and #BC1CFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB921D shade: #FB921D, #1CFB20, #1C88FB and #FB1CF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 88 / 2

HEX #FB921D

RGB 251 146 29

HSL 31.62, 0.97%, 0.55%

LAB 70.28, 32.47, 70.78

 

Complementary color

CMYK 98 / 52 / 0 / 11

HEX #046DE2

RGB 4 109 226

HSL 211.62, 0.97%, 0.45%

LAB 47.56, 19.63, -66.34

 

CMYK 0 / 43 / 91 / 0

HEX #FF9218

RGB 255 146 24

HSL 31.69, 1%, 0.55%

LAB 70.79, 34.01, 72.59

 

CMYK 0 / 36 / 83 / 0

HEX #FFA42B

RGB 255 164 43

HSL 34.25, 1%, 0.58%

LAB 74.82, 25.09, 70.6

 

CMYK 0 / 29 / 76 / 0

HEX #FFB63E

RGB 255 182 62

HSL 37.31, 1%, 0.62%

LAB 79.08, 16.31, 67.81

 

CMYK 0 / 22 / 68 / 0

HEX #FFC851

RGB 255 200 81

HSL 41.03, 1%, 0.66%

LAB 83.53, 7.82, 64.68

 

CMYK 0 / 15 / 61 / 0

HEX #FFDA64

RGB 255 218 100

HSL 45.68, 1%, 0.7%

LAB 88.12, -0.28, 61.46

 

CMYK 0 / 42 / 88 / 2

HEX #FB921D

RGB 251 146 29

HSL 31.62, 0.97%, 0.55%

LAB 70.28, 32.47, 70.78

 

CMYK 0 / 45 / 96 / 8

HEX #EA800A

RGB 234 128 10

HSL 31.61, 0.92%, 0.48%

LAB 64.12, 34.59, 69.25

 

CMYK 0 / 49 / 100 / 15

HEX #D96E00

RGB 217 110 0

HSL 30.41, 1%, 0.43%

LAB 57.95, 36.87, 65.79

 

CMYK 0 / 54 / 100 / 22

HEX #C85C00

RGB 200 92 0

HSL 27.6, 1%, 0.39%

LAB 51.76, 39.21, 60.83

 

CMYK 0 / 60 / 100 / 28

HEX #B74A00

RGB 183 74 0

HSL 24.26, 1%, 0.36%

LAB 45.59, 41.43, 55.9

 

CMYK 0 / 42 / 89 / 2

HEX #FB921C

RGB 251 146 28

HSL 31.75, 0.97%, 0.55%

LAB 70.28, 32.46, 71.03

 

CMYK 0 / 66 / 89 / 2

HEX #FB561C

RGB 251 86 28

HSL 15.61, 0.97%, 0.55%

LAB 59.2, 60.64, 62.76

 

CMYK 0 / 89 / 89 / 2

HEX #FB1C1C

RGB 251 28 28

HSL 0, 0.97%, 0.55%

LAB 53.41, 76.78, 58.58

 

CMYK 0 / 42 / 89 / 2

HEX #FB921C

RGB 251 146 28

HSL 31.75, 0.97%, 0.55%

LAB 70.28, 32.46, 71.03

 

CMYK 0 / 18 / 89 / 2

HEX #FBCE1C

RGB 251 206 28

HSL 47.89, 0.97%, 0.55%

LAB 84.35, 1.25, 81.82

 

CMYK 6 / 0 / 89 / 2

HEX #ECFB1C

RGB 236 251 28

HSL 64.04, 0.97%, 0.55%

LAB 94.7, -27.14, 89.39

 

CMYK 30 / 0 / 89 / 2

HEX #B0FB1C

RGB 176 251 28

HSL 80.18, 0.97%, 0.55%

LAB 90.92, -50.33, 84.76

 

CMYK 54 / 0 / 89 / 2

HEX #74FB1C

RGB 116 251 28

HSL 96.32, 0.97%, 0.55%

LAB 88.35, -69.21, 81.58

 

CMYK 0 / 42 / 89 / 2

HEX #FB921C

RGB 251 146 28

HSL 31.75, 0.97%, 0.55%

LAB 70.28, 32.46, 71.03

 

CMYK 0 / 42 / 89 / 2

HEX #FB921C

RGB 251 146 28

HSL 31.75, 0.97%, 0.55%

LAB 70.28, 32.46, 71.03

 

CMYK 0 / 38 / 80 / 9

HEX #E8912F

RGB 232 145 47

HSL 31.78, 0.8%, 0.55%

LAB 67.73, 25.63, 61.9

 

CMYK 0 / 33 / 69 / 16

HEX #D69042

RGB 214 144 66

HSL 31.62, 0.64%, 0.55%

LAB 65.46, 19.41, 50.82

 

CMYK 0 / 27 / 57 / 24

HEX #C38F54

RGB 195 143 84

HSL 31.89, 0.48%, 0.55%

LAB 63.25, 13.09, 38.78

 

CMYK 0 / 20 / 42 / 31

HEX #B18E67

RGB 177 142 103

HSL 31.62, 0.32%, 0.55%

LAB 61.37, 7.89, 25.78

 

CMYK 0 / 89 / 87 / 2

HEX #FB1C20

RGB 251 28 32

HSL 358.92, 0.97%, 0.55%

LAB 53.43, 76.85, 56.9

 

CMYK 0 / 67 / 89 / 2

HEX #FB541C

RGB 251 84 28

HSL 15.07, 0.97%, 0.55%

LAB 58.91, 61.42, 62.55

 

CMYK 0 / 43 / 89 / 2

HEX #FB8F1C

RGB 251 143 28

HSL 30.94, 0.97%, 0.55%

LAB 69.64, 34, 70.55

 

CMYK 0 / 19 / 89 / 2

HEX #FBCB1C

RGB 251 203 28

HSL 47.09, 0.97%, 0.55%

LAB 83.6, 2.79, 81.24

 

CMYK 4 / 0 / 89 / 2

HEX #F0FB1C

RGB 240 251 28

HSL 62.96, 0.97%, 0.55%

LAB 94.99, -25.51, 89.74

 

CMYK 0 / 47 / 99 / 24

HEX #C36802

RGB 195 104 2

HSL 31.71, 0.98%, 0.39%

LAB 53.5, 31, 61.07

 

CMYK 0 / 47 / 99 / 8

HEX #EB7D03

RGB 235 125 3

HSL 31.55, 0.97%, 0.47%

LAB 63.62, 36.47, 70.05

 

CMYK 0 / 42 / 89 / 2

HEX #FB921C

RGB 251 146 28

HSL 31.75, 0.97%, 0.55%

LAB 70.28, 32.46, 71.03

 

CMYK 0 / 35 / 73 / 1

HEX #FCA545

RGB 252 165 69

HSL 31.48, 0.97%, 0.63%

LAB 74.85, 24.25, 60.69

 

CMYK 0 / 27 / 56 / 1

HEX #FCB96E

RGB 252 185 110

HSL 31.69, 0.96%, 0.71%

LAB 79.91, 16.25, 47.15

 

CMYK 0 / 42 / 88 / 2

HEX #FB921D

RGB 251 146 29

HSL 31.62, 0.97%, 0.55%

LAB 70.28, 32.47, 70.78

 

CMYK 63 / 0 / 89 / 2

HEX #5CFB1C

RGB 92 251 28

HSL 102.78, 0.97%, 0.55%

LAB 87.66, -74.87, 80.72

 

CMYK 78 / 89 / 0 / 2

HEX #361CFB

RGB 54 28 251

HSL 247, 0.97%, 0.55%

LAB 35.16, 73.61, -100.8

 

CMYK 0 / 42 / 88 / 2

HEX #FB921D

RGB 251 146 29

HSL 31.62, 0.97%, 0.55%

LAB 70.28, 32.47, 70.78

 

CMYK 89 / 0 / 43 / 2

HEX #1CFB8F

RGB 28 251 143

HSL 150.94, 0.97%, 0.55%

LAB 87.59, -72.04, 38.26

 

CMYK 43 / 89 / 0 / 2

HEX #8F1CFB

RGB 143 28 251

HSL 270.94, 0.97%, 0.55%

LAB 43.71, 79.86, -86.39

 

CMYK 0 / 42 / 88 / 2

HEX #FB921D

RGB 251 146 29

HSL 31.62, 0.97%, 0.55%

LAB 70.28, 32.47, 70.78

 

CMYK 63 / 0 / 89 / 2

HEX #5CFB1C

RGB 92 251 28

HSL 102.78, 0.97%, 0.55%

LAB 87.66, -74.87, 80.72

 

CMYK 89 / 46 / 0 / 2

HEX #1C88FB

RGB 28 136 251

HSL 210.94, 0.97%, 0.55%

LAB 56.9, 13.22, -65.19

 

CMYK 25 / 89 / 0 / 2

HEX #BC1CFB

RGB 188 28 251

HSL 283.05, 0.97%, 0.55%

LAB 50.08, 85.33, -75.69

 

CMYK 0 / 42 / 88 / 2

HEX #FB921D

RGB 251 146 29

HSL 31.62, 0.97%, 0.55%

LAB 70.28, 32.47, 70.78

 

CMYK 89 / 0 / 87 / 2

HEX #1CFB20

RGB 28 251 32

HSL 121.08, 0.97%, 0.55%

LAB 86.67, -83.38, 78.81

 

CMYK 89 / 46 / 0 / 2

HEX #1C88FB

RGB 28 136 251

HSL 210.94, 0.97%, 0.55%

LAB 56.9, 13.22, -65.19

 

CMYK 0 / 89 / 2 / 2

HEX #FB1CF7

RGB 251 28 247

HSL 301.08, 0.97%, 0.55%

LAB 59.94, 94.29, -57.05

 

Description

Color code: HEX #FB921D | qconv.com Color code: HEX #FB921D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 146 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 146 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 88 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 88% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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