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Color name
HEX #FBA8EC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA8EC it is the complementary color #045713. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA8EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA8EC shade: #FFA8E7, #FFBAFA, #FFCCFF, #FFDEFF and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA8EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA8EC shade: #FBA8EC, #EA96D9, #D984C6, #C872B3 and #B760A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA8EC shade: #FAA7EB, #FAA7D5, #FAA7BE, #FAA7A8 and #FAA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA8EC shade: #FAA7EB, #F3A7FA, #DCA7FA, #C6A7FA and #AFA7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA8EC shade matches the following richer shades: #FAA7EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA8EC shade: #FAA7EB, #F3AEE7, #ECB6E2, #E4BDDD and #DDC5D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA8EC shade: #DCA7FA, #F2A7FA, #FAA7EC, #FAA7D6 and #FAA7C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA8EC shade: #F758DA, #F97FE3, #FAA7EB, #FCCEF4 and #FEF6FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA8EC shade: #FBA8EC, #FAC5A7 and #A7FAE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA8EC shade: #FBA8EC, #ECFAA7 and #A7ECFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA8EC shade: #FBA8EC, #FAC5A7, #A7FAB5 and #A7DCFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA8EC shade: #FBA8EC, #FADFA7, #A7FAB5 and #A7C3FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 6 / 2

HEX #FBA8EC

RGB 251 168 236

HSL 310.84, 0.91%, 0.82%

LAB 78.79, 40.62, -21.62

 

Complementary color

CMYK 95 / 0 / 78 / 66

HEX #045713

RGB 4 87 19

HSL 130.84, 0.91%, 0.18%

LAB 31.55, -37.43, 31.45

 

CMYK 0 / 34 / 9 / 0

HEX #FFA8E7

RGB 255 168 231

HSL 316.55, 1%, 0.83%

LAB 79.06, 41.07, -18.47

 

CMYK 0 / 27 / 2 / 0

HEX #FFBAFA

RGB 255 186 250

HSL 304.35, 1%, 0.86%

LAB 83.59, 34.93, -21.82

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 33 / 6 / 2

HEX #FBA8EC

RGB 251 168 236

HSL 310.84, 0.91%, 0.82%

LAB 78.79, 40.62, -21.62

 

CMYK 0 / 36 / 7 / 8

HEX #EA96D9

RGB 234 150 217

HSL 312.14, 0.67%, 0.75%

LAB 72.44, 41.34, -21.1

 

CMYK 0 / 39 / 9 / 15

HEX #D984C6

RGB 217 132 198

HSL 313.41, 0.53%, 0.68%

LAB 66.01, 42.08, -20.52

 

CMYK 0 / 43 / 11 / 22

HEX #C872B3

RGB 200 114 179

HSL 314.65, 0.44%, 0.62%

LAB 59.5, 42.84, -19.87

 

CMYK 0 / 48 / 13 / 28

HEX #B760A0

RGB 183 96 160

HSL 315.86, 0.38%, 0.55%

LAB 52.92, 43.59, -19.11

 

CMYK 0 / 33 / 6 / 2

HEX #FAA7EB

RGB 250 167 235

HSL 310.84, 0.89%, 0.82%

LAB 78.44, 40.65, -21.63

 

CMYK 0 / 33 / 15 / 2

HEX #FAA7D5

RGB 250 167 213

HSL 326.75, 0.89%, 0.82%

LAB 77.74, 37.05, -10.75

 

CMYK 0 / 33 / 24 / 2

HEX #FAA7BE

RGB 250 167 190

HSL 343.37, 0.89%, 0.82%

LAB 77.09, 33.64, 0.84

 

CMYK 0 / 33 / 33 / 2

HEX #FAA7A8

RGB 250 167 168

HSL 359.28, 0.89%, 0.82%

LAB 76.55, 30.73, 12.08

 

CMYK 0 / 33 / 33 / 2

HEX #FAA7A7

RGB 250 167 167

HSL 0, 0.89%, 0.82%

LAB 76.53, 30.61, 12.59

 

CMYK 0 / 33 / 6 / 2

HEX #FAA7EB

RGB 250 167 235

HSL 310.84, 0.89%, 0.82%

LAB 78.44, 40.65, -21.63

 

CMYK 3 / 33 / 0 / 2

HEX #F3A7FA

RGB 243 167 250

HSL 294.94, 0.89%, 0.82%

LAB 78.22, 41.13, -30.12

 

CMYK 12 / 33 / 0 / 2

HEX #DCA7FA

RGB 220 167 250

HSL 278.31, 0.89%, 0.82%

LAB 75.92, 34.12, -33.86

 

CMYK 21 / 33 / 0 / 2

HEX #C6A7FA

RGB 198 167 250

HSL 262.41, 0.89%, 0.82%

LAB 73.9, 27.55, -37.16

 

CMYK 30 / 33 / 0 / 2

HEX #AFA7FA

RGB 175 167 250

HSL 245.78, 0.89%, 0.82%

LAB 72, 20.95, -40.26

 

CMYK 0 / 33 / 6 / 2

HEX #FAA7EB

RGB 250 167 235

HSL 310.84, 0.89%, 0.82%

LAB 78.44, 40.65, -21.63

 

CMYK 0 / 33 / 6 / 2

HEX #FAA7EB

RGB 250 167 235

HSL 310.84, 0.89%, 0.82%

LAB 78.44, 40.65, -21.63

 

CMYK 0 / 28 / 5 / 5

HEX #F3AEE7

RGB 243 174 231

HSL 310.43, 0.74%, 0.82%

LAB 79.1, 34.03, -18.54

 

CMYK 0 / 23 / 4 / 7

HEX #ECB6E2

RGB 236 182 226

HSL 311.11, 0.59%, 0.82%

LAB 80.06, 26.59, -14.47

 

CMYK 0 / 17 / 3 / 11

HEX #E4BDDD

RGB 228 189 221

HSL 310.77, 0.42%, 0.82%

LAB 80.8, 19.27, -10.74

 

CMYK 0 / 11 / 2 / 13

HEX #DDC5D8

RGB 221 197 216

HSL 312.5, 0.26%, 0.82%

LAB 81.98, 11.72, -6.37

 

CMYK 12 / 33 / 0 / 2

HEX #DCA7FA

RGB 220 167 250

HSL 278.31, 0.89%, 0.82%

LAB 75.92, 34.12, -33.86

 

CMYK 3 / 33 / 0 / 2

HEX #F2A7FA

RGB 242 167 250

HSL 294.22, 0.89%, 0.82%

LAB 78.12, 40.82, -30.29

 

CMYK 0 / 33 / 6 / 2

HEX #FAA7EC

RGB 250 167 236

HSL 310.12, 0.89%, 0.82%

LAB 78.47, 40.82, -22.12

 

CMYK 0 / 33 / 14 / 2

HEX #FAA7D6

RGB 250 167 214

HSL 326.02, 0.89%, 0.82%

LAB 77.77, 37.21, -11.25

 

CMYK 0 / 33 / 23 / 2

HEX #FAA7C0

RGB 250 167 192

HSL 341.93, 0.89%, 0.82%

LAB 77.14, 33.92, -0.18

 

CMYK 0 / 64 / 12 / 3

HEX #F758DA

RGB 247 88 218

HSL 310.94, 0.91%, 0.66%

LAB 63.19, 74.06, -35.75

 

CMYK 0 / 49 / 9 / 2

HEX #F97FE3

RGB 249 127 227

HSL 310.82, 0.91%, 0.74%

LAB 70.08, 59.12, -30.06

 

CMYK 0 / 33 / 6 / 2

HEX #FAA7EB

RGB 250 167 235

HSL 310.84, 0.89%, 0.82%

LAB 78.44, 40.65, -21.63

 

CMYK 0 / 18 / 3 / 1

HEX #FCCEF4

RGB 252 206 244

HSL 310.43, 0.88%, 0.9%

LAB 87.66, 22.38, -12.53

 

CMYK 0 / 3 / 0 / 0

HEX #FEF6FD

RGB 254 246 253

HSL 307.5, 0.8%, 0.98%

LAB 97.66, 3.88, -2.41

 

CMYK 0 / 33 / 6 / 2

HEX #FBA8EC

RGB 251 168 236

HSL 310.84, 0.91%, 0.82%

LAB 78.79, 40.62, -21.62

 

CMYK 0 / 21 / 33 / 2

HEX #FAC5A7

RGB 250 197 167

HSL 21.69, 0.89%, 0.82%

LAB 83.47, 14.84, 22.27

 

CMYK 33 / 0 / 8 / 2

HEX #A7FAE7

RGB 167 250 231

HSL 166.27, 0.89%, 0.82%

LAB 92.73, -29.18, 1.1

 

CMYK 0 / 33 / 6 / 2

HEX #FBA8EC

RGB 251 168 236

HSL 310.84, 0.91%, 0.82%

LAB 78.79, 40.62, -21.62

 

CMYK 6 / 0 / 33 / 2

HEX #ECFAA7

RGB 236 250 167

HSL 70.12, 0.89%, 0.82%

LAB 95.58, -17.36, 38.34

 

CMYK 33 / 6 / 0 / 2

HEX #A7ECFA

RGB 167 236 250

HSL 190.12, 0.89%, 0.82%

LAB 89.44, -18.12, -13.64

 

CMYK 0 / 33 / 6 / 2

HEX #FBA8EC

RGB 251 168 236

HSL 310.84, 0.91%, 0.82%

LAB 78.79, 40.62, -21.62

 

CMYK 0 / 21 / 33 / 2

HEX #FAC5A7

RGB 250 197 167

HSL 21.69, 0.89%, 0.82%

LAB 83.47, 14.84, 22.27

 

CMYK 33 / 0 / 28 / 2

HEX #A7FAB5

RGB 167 250 181

HSL 130.12, 0.89%, 0.82%

LAB 91.65, -38.79, 25.3

 

CMYK 33 / 12 / 0 / 2

HEX #A7DCFA

RGB 167 220 250

HSL 201.69, 0.89%, 0.82%

LAB 85.15, -9.99, -20.1

 

CMYK 0 / 33 / 6 / 2

HEX #FBA8EC

RGB 251 168 236

HSL 310.84, 0.91%, 0.82%

LAB 78.79, 40.62, -21.62

 

CMYK 0 / 11 / 33 / 2

HEX #FADFA7

RGB 250 223 167

HSL 40.48, 0.89%, 0.82%

LAB 89.81, 1.38, 30.88

 

CMYK 33 / 0 / 28 / 2

HEX #A7FAB5

RGB 167 250 181

HSL 130.12, 0.89%, 0.82%

LAB 91.65, -38.79, 25.3

 

CMYK 33 / 22 / 0 / 2

HEX #A7C3FA

RGB 167 195 250

HSL 219.76, 0.89%, 0.82%

LAB 78.55, 3.25, -30.16

 

Description

Color code: HEX #FBA8EC | qconv.com Color code: HEX #FBA8EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 168 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 168 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 6 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 6% 2% C M Y K

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Provide designers and agencies with accurate color values.

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