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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA109 it is the complementary color #045EF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA109 shade: #FFA104, #FFB317, #FFC52A, #FFD73D and #FFE950

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA109 shade: #FBA109, #EA8F00, #D97D00, #C86B00 and #B75900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA109 shade: #FBA108, #FB5F08, #FB1E08 and #FB0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA109 shade: #FBA108, #FBE208, #D2FB08, #91FB08 and #4FFB08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA109 shade matches the following richer shades: #FBA108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA109 shade: #FBA108, #E79B1D, #D29631, #BE9145 and #AA8C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA109 shade: #FB1D08, #FB5D08, #FB9E08, #FBDE08 and #D6FB08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA109 shade: #AE6E02, #D78803, #FBA108, #FBB031 and #FCC05A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA109 shade: #FBA109, #35FB08 and #3D08FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA109 shade: #FBA109, #08FB9E and #9E08FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA109 shade: #FBA109, #35FB08, #0865FB and #CE08FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA109 shade: #FBA109, #08FB25, #0865FB and #FB08DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 96 / 2

HEX #FBA109

RGB 251 161 9

HSL 37.69, 0.97%, 0.51%

LAB 73.56, 24.42, 76.77

 

Complementary color

CMYK 98 / 62 / 0 / 4

HEX #045EF6

RGB 4 94 246

HSL 217.69, 0.97%, 0.49%

LAB 45.2, 36.97, -81.44

 

CMYK 0 / 37 / 98 / 0

HEX #FFA104

RGB 255 161 4

HSL 37.53, 1%, 0.51%

LAB 74.04, 26.05, 77.9

 

CMYK 0 / 30 / 91 / 0

HEX #FFB317

RGB 255 179 23

HSL 40.34, 1%, 0.55%

LAB 78.21, 16.85, 78.25

 

CMYK 0 / 23 / 84 / 0

HEX #FFC52A

RGB 255 197 42

HSL 43.66, 1%, 0.58%

LAB 82.57, 7.88, 77.41

 

CMYK 0 / 16 / 76 / 0

HEX #FFD73D

RGB 255 215 61

HSL 47.63, 1%, 0.62%

LAB 87.09, -0.75, 75.7

 

CMYK 0 / 9 / 69 / 0

HEX #FFE950

RGB 255 233 80

HSL 52.46, 1%, 0.66%

LAB 91.74, -8.96, 73.47

 

CMYK 0 / 36 / 96 / 2

HEX #FBA109

RGB 251 161 9

HSL 37.69, 0.97%, 0.51%

LAB 73.56, 24.42, 76.77

 

CMYK 0 / 39 / 100 / 8

HEX #EA8F00

RGB 234 143 0

HSL 36.67, 1%, 0.46%

LAB 67.38, 26.67, 72.8

 

CMYK 0 / 42 / 100 / 15

HEX #D97D00

RGB 217 125 0

HSL 34.56, 1%, 0.43%

LAB 61.15, 29.05, 67.75

 

CMYK 0 / 47 / 100 / 22

HEX #C86B00

RGB 200 107 0

HSL 32.1, 1%, 0.39%

LAB 54.86, 31.47, 62.67

 

CMYK 0 / 51 / 100 / 28

HEX #B75900

RGB 183 89 0

HSL 29.18, 1%, 0.36%

LAB 48.53, 33.9, 57.58

 

CMYK 0 / 36 / 97 / 2

HEX #FBA108

RGB 251 161 8

HSL 37.78, 0.97%, 0.51%

LAB 73.56, 24.42, 76.88

 

CMYK 0 / 62 / 97 / 2

HEX #FB5F08

RGB 251 95 8

HSL 21.48, 0.97%, 0.51%

LAB 60.53, 56.7, 68.61

 

CMYK 0 / 88 / 97 / 2

HEX #FB1E08

RGB 251 30 8

HSL 5.43, 0.97%, 0.51%

LAB 53.44, 76.27, 64.87

 

CMYK 0 / 97 / 97 / 2

HEX #FB0808

RGB 251 8 8

HSL 0, 0.97%, 0.51%

LAB 52.62, 78.65, 64.49

 

CMYK 0 / 36 / 97 / 2

HEX #FBA108

RGB 251 161 8

HSL 37.78, 0.97%, 0.51%

LAB 73.56, 24.42, 76.88

 

CMYK 0 / 10 / 97 / 2

HEX #FBE208

RGB 251 226 8

HSL 53.83, 0.97%, 0.51%

LAB 89.36, -9.08, 88.05

 

CMYK 16 / 0 / 97 / 2

HEX #D2FB08

RGB 210 251 8

HSL 70.12, 0.97%, 0.51%

LAB 92.89, -37.78, 89.32

 

CMYK 42 / 0 / 97 / 2

HEX #91FB08

RGB 145 251 8

HSL 86.17, 0.97%, 0.51%

LAB 89.41, -61.16, 85.12

 

CMYK 69 / 0 / 97 / 2

HEX #4FFB08

RGB 79 251 8

HSL 102.47, 0.97%, 0.51%

LAB 87.33, -77.79, 82.58

 

CMYK 0 / 36 / 97 / 2

HEX #FBA108

RGB 251 161 8

HSL 37.78, 0.97%, 0.51%

LAB 73.56, 24.42, 76.88

 

CMYK 0 / 36 / 97 / 2

HEX #FBA108

RGB 251 161 8

HSL 37.78, 0.97%, 0.51%

LAB 73.56, 24.42, 76.88

 

CMYK 0 / 33 / 87 / 9

HEX #E79B1D

RGB 231 155 29

HSL 37.43, 0.81%, 0.51%

LAB 69.84, 19.41, 69.37

 

CMYK 0 / 29 / 77 / 18

HEX #D29631

RGB 210 150 49

HSL 37.64, 0.64%, 0.51%

LAB 66.32, 13.65, 58.87

 

CMYK 0 / 24 / 64 / 25

HEX #BE9145

RGB 190 145 69

HSL 37.69, 0.48%, 0.51%

LAB 63.03, 8.74, 45.95

 

CMYK 0 / 18 / 48 / 33

HEX #AA8C59

RGB 170 140 89

HSL 37.78, 0.32%, 0.51%

LAB 59.91, 4.54, 31.4

 

CMYK 0 / 88 / 97 / 2

HEX #FB1D08

RGB 251 29 8

HSL 5.19, 0.97%, 0.51%

LAB 53.39, 76.43, 64.84

 

CMYK 0 / 63 / 97 / 2

HEX #FB5D08

RGB 251 93 8

HSL 20.99, 0.97%, 0.51%

LAB 60.21, 57.55, 68.43

 

CMYK 0 / 37 / 97 / 2

HEX #FB9E08

RGB 251 158 8

HSL 37.04, 0.97%, 0.51%

LAB 72.88, 25.98, 76.43

 

CMYK 0 / 12 / 97 / 2

HEX #FBDE08

RGB 251 222 8

HSL 52.84, 0.97%, 0.51%

LAB 88.34, -7.08, 87.31

 

CMYK 15 / 0 / 97 / 2

HEX #D6FB08

RGB 214 251 8

HSL 69.14, 0.97%, 0.51%

LAB 93.15, -36.2, 89.64

 

CMYK 0 / 37 / 99 / 32

HEX #AE6E02

RGB 174 110 2

HSL 37.67, 0.98%, 0.35%

LAB 52.01, 18.61, 58.7

 

CMYK 0 / 37 / 99 / 16

HEX #D78803

RGB 215 136 3

HSL 37.64, 0.97%, 0.43%

LAB 63.39, 22.36, 68.61

 

CMYK 0 / 36 / 97 / 2

HEX #FBA108

RGB 251 161 8

HSL 37.78, 0.97%, 0.51%

LAB 73.56, 24.42, 76.88

 

CMYK 0 / 30 / 80 / 2

HEX #FBB031

RGB 251 176 49

HSL 37.72, 0.96%, 0.59%

LAB 77.15, 17.32, 70.5

 

CMYK 0 / 24 / 64 / 1

HEX #FCC05A

RGB 252 192 90

HSL 37.78, 0.96%, 0.67%

LAB 81.36, 11.24, 58.35

 

CMYK 0 / 36 / 96 / 2

HEX #FBA109

RGB 251 161 9

HSL 37.69, 0.97%, 0.51%

LAB 73.56, 24.42, 76.77

 

CMYK 79 / 0 / 97 / 2

HEX #35FB08

RGB 53 251 8

HSL 108.89, 0.97%, 0.51%

LAB 86.88, -81.67, 82.04

 

CMYK 76 / 97 / 0 / 2

HEX #3D08FB

RGB 61 8 251

HSL 253.09, 0.97%, 0.51%

LAB 34.25, 77.9, -102.3

 

CMYK 0 / 36 / 96 / 2

HEX #FBA109

RGB 251 161 9

HSL 37.69, 0.97%, 0.51%

LAB 73.56, 24.42, 76.77

 

CMYK 97 / 0 / 37 / 2

HEX #08FB9E

RGB 8 251 158

HSL 157.04, 0.97%, 0.51%

LAB 87.73, -70.05, 30.99

 

CMYK 37 / 97 / 0 / 2

HEX #9E08FB

RGB 158 8 251

HSL 277.04, 0.97%, 0.51%

LAB 44.81, 84.26, -84.49

 

CMYK 0 / 36 / 96 / 2

HEX #FBA109

RGB 251 161 9

HSL 37.69, 0.97%, 0.51%

LAB 73.56, 24.42, 76.77

 

CMYK 79 / 0 / 97 / 2

HEX #35FB08

RGB 53 251 8

HSL 108.89, 0.97%, 0.51%

LAB 86.88, -81.67, 82.04

 

CMYK 97 / 60 / 0 / 2

HEX #0865FB

RGB 8 101 251

HSL 217.04, 0.97%, 0.51%

LAB 47.4, 34.51, -80.62

 

CMYK 18 / 97 / 0 / 2

HEX #CE08FB

RGB 206 8 251

HSL 288.89, 0.97%, 0.51%

LAB 52.13, 90.03, -72.23

 

CMYK 0 / 36 / 96 / 2

HEX #FBA109

RGB 251 161 9

HSL 37.69, 0.97%, 0.51%

LAB 73.56, 24.42, 76.77

 

CMYK 97 / 0 / 85 / 2

HEX #08FB25

RGB 8 251 37

HSL 127.16, 0.97%, 0.51%

LAB 86.59, -84.06, 77.74

 

CMYK 97 / 60 / 0 / 2

HEX #0865FB

RGB 8 101 251

HSL 217.04, 0.97%, 0.51%

LAB 47.4, 34.51, -80.62

 

CMYK 0 / 97 / 12 / 2

HEX #FB08DE

RGB 251 8 222

HSL 307.16, 0.97%, 0.51%

LAB 58, 92.74, -46.11

 

Description

Color code: HEX #FBA109 | qconv.com Color code: HEX #FBA109 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 161 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 161 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 96 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 96% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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