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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBABBE it is the complementary color #045441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBABBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBABBE shade: #FFABB9, #FFBDCC, #FFCFDF, #FFE1F2 and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBABBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBABBE shade: #FBABBE, #EA99AB, #D98798, #C87585 and #B76372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBABBE shade: #FBACBE and #FBACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBABBE shade: #FBACBE, #FBACD4, #FBACE9, #F7ACFB and #E2ACFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBABBE shade matches the following richer shades: #FBACBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBABBE shade: #FBACBE, #F4B3C2, #EDBAC6, #E6C1C9 and #DFC8CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBABBE shade: #FBACEA, #FBACD4, #FBACBF, #FBADAC and #FBC2AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBABBE shade: #F75D81, #F984A0, #FBACBE, #FCD3DD and #FEFBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBABBE shade: #FBABBE, #FBF7AC and #ACDFFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBABBE shade: #FBABBE, #BFFBAC and #ACBFFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBABBE shade: #FBABBE, #FBF7AC, #ACFBE7 and #ACB0FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBABBE shade: #FBABBE, #E7FBAC, #ACFBE7 and #BFACFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 24 / 2

HEX #FBABBE

RGB 251 171 190

HSL 345.75, 0.91%, 0.83%

LAB 78.08, 31.89, 2.3

 

Complementary color

CMYK 95 / 0 / 23 / 67

HEX #045441

RGB 4 84 65

HSL 165.75, 0.91%, 0.17%

LAB 31.23, -27.15, 4.97

 

CMYK 0 / 33 / 27 / 0

HEX #FFABB9

RGB 255 171 185

HSL 350, 1%, 0.84%

LAB 78.4, 32.64, 5.53

 

CMYK 0 / 26 / 20 / 0

HEX #FFBDCC

RGB 255 189 204

HSL 346.36, 1%, 0.87%

LAB 82.92, 25.87, 1.82

 

CMYK 0 / 19 / 13 / 0

HEX #FFCFDF

RGB 255 207 223

HSL 340, 1%, 0.91%

LAB 87.59, 19.35, -1.5

 

CMYK 0 / 12 / 5 / 0

HEX #FFE1F2

RGB 255 225 242

HSL 326, 1%, 0.94%

LAB 92.36, 13.11, -4.48

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 32 / 24 / 2

HEX #FBABBE

RGB 251 171 190

HSL 345.75, 0.91%, 0.83%

LAB 78.08, 31.89, 2.3

 

CMYK 0 / 35 / 27 / 8

HEX #EA99AB

RGB 234 153 171

HSL 346.67, 0.66%, 0.76%

LAB 71.7, 32.68, 3.24

 

CMYK 0 / 38 / 30 / 15

HEX #D98798

RGB 217 135 152

HSL 347.56, 0.52%, 0.69%

LAB 65.24, 33.52, 4.28

 

CMYK 0 / 42 / 34 / 22

HEX #C87585

RGB 200 117 133

HSL 348.43, 0.43%, 0.62%

LAB 58.69, 34.43, 5.45

 

CMYK 0 / 46 / 38 / 28

HEX #B76372

RGB 183 99 114

HSL 349.29, 0.37%, 0.55%

LAB 52.07, 35.39, 6.8

 

CMYK 0 / 31 / 24 / 2

HEX #FBACBE

RGB 251 172 190

HSL 346.33, 0.91%, 0.83%

LAB 78.31, 31.37, 2.62

 

CMYK 0 / 31 / 31 / 2

HEX #FBACAC

RGB 251 172 172

HSL 0, 0.91%, 0.83%

LAB 77.87, 28.98, 11.78

 

CMYK 0 / 31 / 24 / 2

HEX #FBACBE

RGB 251 172 190

HSL 346.33, 0.91%, 0.83%

LAB 78.31, 31.37, 2.62

 

CMYK 0 / 31 / 16 / 2

HEX #FBACD4

RGB 251 172 212

HSL 329.62, 0.91%, 0.83%

LAB 78.91, 34.62, -8.45

 

CMYK 0 / 31 / 7 / 2

HEX #FBACE9

RGB 251 172 233

HSL 313.67, 0.91%, 0.83%

LAB 79.56, 38.03, -18.85

 

CMYK 2 / 31 / 0 / 2

HEX #F7ACFB

RGB 247 172 251

HSL 296.96, 0.91%, 0.83%

LAB 79.75, 39.93, -28.28

 

CMYK 10 / 31 / 0 / 2

HEX #E2ACFB

RGB 226 172 251

HSL 281.01, 0.91%, 0.83%

LAB 77.66, 33.46, -31.67

 

CMYK 0 / 31 / 24 / 2

HEX #FBACBE

RGB 251 172 190

HSL 346.33, 0.91%, 0.83%

LAB 78.31, 31.37, 2.62

 

CMYK 0 / 31 / 24 / 2

HEX #FBACBE

RGB 251 172 190

HSL 346.33, 0.91%, 0.83%

LAB 78.31, 31.37, 2.62

 

CMYK 0 / 27 / 20 / 4

HEX #F4B3C2

RGB 244 179 194

HSL 346.15, 0.75%, 0.83%

LAB 79.25, 25.76, 1.73

 

CMYK 0 / 22 / 16 / 7

HEX #EDBAC6

RGB 237 186 198

HSL 345.88, 0.59%, 0.83%

LAB 80.29, 20.15, 1

 

CMYK 0 / 16 / 13 / 10

HEX #E6C1C9

RGB 230 193 201

HSL 347.03, 0.43%, 0.83%

LAB 81.39, 14.42, 0.91

 

CMYK 0 / 10 / 8 / 13

HEX #DFC8CD

RGB 223 200 205

HSL 346.96, 0.26%, 0.83%

LAB 82.6, 8.9, 0.44

 

CMYK 0 / 31 / 7 / 2

HEX #FBACEA

RGB 251 172 234

HSL 312.91, 0.91%, 0.83%

LAB 79.59, 38.19, -19.34

 

CMYK 0 / 31 / 16 / 2

HEX #FBACD4

RGB 251 172 212

HSL 329.62, 0.91%, 0.83%

LAB 78.91, 34.62, -8.45

 

CMYK 0 / 31 / 24 / 2

HEX #FBACBF

RGB 251 172 191

HSL 345.57, 0.91%, 0.83%

LAB 78.33, 31.51, 2.11

 

CMYK 0 / 31 / 31 / 2

HEX #FBADAC

RGB 251 173 172

HSL 0.76, 0.91%, 0.83%

LAB 78.1, 28.45, 12.1

 

CMYK 0 / 23 / 31 / 2

HEX #FBC2AC

RGB 251 194 172

HSL 16.71, 0.91%, 0.83%

LAB 82.95, 17.41, 18.92

 

CMYK 0 / 62 / 48 / 3

HEX #F75D81

RGB 247 93 129

HSL 345.97, 0.91%, 0.67%

LAB 60.95, 61.56, 11.91

 

CMYK 0 / 47 / 36 / 2

HEX #F984A0

RGB 249 132 160

HSL 345.64, 0.91%, 0.75%

LAB 68.88, 47.38, 5.55

 

CMYK 0 / 31 / 24 / 2

HEX #FBACBE

RGB 251 172 190

HSL 346.33, 0.91%, 0.83%

LAB 78.31, 31.37, 2.62

 

CMYK 0 / 16 / 12 / 1

HEX #FCD3DD

RGB 252 211 221

HSL 345.37, 0.87%, 0.91%

LAB 88.21, 15.89, 0.44

 

CMYK 0 / 1 / 1 / 0

HEX #FEFBFB

RGB 254 251 251

HSL 0, 0.6%, 0.99%

LAB 98.84, 1, 0.34

 

CMYK 0 / 32 / 24 / 2

HEX #FBABBE

RGB 251 171 190

HSL 345.75, 0.91%, 0.83%

LAB 78.08, 31.89, 2.3

 

CMYK 0 / 2 / 31 / 2

HEX #FBF7AC

RGB 251 247 172

HSL 56.96, 0.91%, 0.83%

LAB 96, -9.71, 36.61

 

CMYK 31 / 11 / 0 / 2

HEX #ACDFFB

RGB 172 223 251

HSL 201.27, 0.91%, 0.83%

LAB 86.26, -9.93, -18.92

 

CMYK 0 / 32 / 24 / 2

HEX #FBABBE

RGB 251 171 190

HSL 345.75, 0.91%, 0.83%

LAB 78.08, 31.89, 2.3

 

CMYK 24 / 0 / 31 / 2

HEX #BFFBAC

RGB 191 251 172

HSL 105.57, 0.91%, 0.83%

LAB 93.04, -33.04, 31.95

 

CMYK 31 / 24 / 0 / 2

HEX #ACBFFB

RGB 172 191 251

HSL 225.57, 0.91%, 0.83%

LAB 77.87, 7.06, -31.71

 

CMYK 0 / 32 / 24 / 2

HEX #FBABBE

RGB 251 171 190

HSL 345.75, 0.91%, 0.83%

LAB 78.08, 31.89, 2.3

 

CMYK 0 / 2 / 31 / 2

HEX #FBF7AC

RGB 251 247 172

HSL 56.96, 0.91%, 0.83%

LAB 96, -9.71, 36.61

 

CMYK 31 / 0 / 8 / 2

HEX #ACFBE7

RGB 172 251 231

HSL 164.81, 0.91%, 0.83%

LAB 93.25, -28.28, 1.89

 

CMYK 31 / 30 / 0 / 2

HEX #ACB0FB

RGB 172 176 251

HSL 236.96, 0.91%, 0.83%

LAB 74.05, 15.34, -37.62

 

CMYK 0 / 32 / 24 / 2

HEX #FBABBE

RGB 251 171 190

HSL 345.75, 0.91%, 0.83%

LAB 78.08, 31.89, 2.3

 

CMYK 8 / 0 / 31 / 2

HEX #E7FBAC

RGB 231 251 172

HSL 75.19, 0.91%, 0.83%

LAB 95.56, -19.05, 35.77

 

CMYK 31 / 0 / 8 / 2

HEX #ACFBE7

RGB 172 251 231

HSL 164.81, 0.91%, 0.83%

LAB 93.25, -28.28, 1.89

 

CMYK 24 / 31 / 0 / 2

HEX #BFACFB

RGB 191 172 251

HSL 254.43, 0.91%, 0.83%

LAB 74.54, 22.97, -36.75

 

Description

Color code: HEX #FBABBE | qconv.com Color code: HEX #FBABBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 171 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 171 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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