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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBC37E it is the complementary color #043C81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBC37E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBC37E shade: #FFC379, #FFD58C, #FFE79F, #FFF9B2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBC37E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBC37E shade: #FBC37E, #EAB16B, #D99F58, #C88D45 and #B77B32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBC37E shade: #FBC37E, #FBA17E, #FB7F7E and #FB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBC37E shade: #FBC37E, #FBE47E, #EFFB7E, #CEFB7E and #ACFB7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBC37E shade matches the following richer shades: #FBC37E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBC37E shade: #FBC37E, #F0C289, #E5C093, #DABF9E and #D0BEA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBC37E shade: #FB807E, #FBA17E, #FBC27E, #FBE47E and #F0FB7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBC37E shade: #F89D2E, #F9B056, #FBC37E, #FCD5A6 and #FDE8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBC37E shade: #FBC37E, #9DFB7E and #917EFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBC37E shade: #FBC37E, #7EFBC2 and #C27EFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBC37E shade: #FBC37E, #9DFB7E, #7EB6FB and #DB7EFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBC37E shade: #FBC37E, #7EFB84, #7EB6FB and #FB7EF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

Complementary color

CMYK 97 / 53 / 0 / 49

HEX #043C81

RGB 4 60 129

HSL 213.12, 0.94%, 0.26%

LAB 26.28, 12.64, -43.4

 

CMYK 0 / 24 / 53 / 0

HEX #FFC379

RGB 255 195 121

HSL 33.13, 1%, 0.74%

LAB 82.74, 13.12, 45.2

 

CMYK 0 / 16 / 45 / 0

HEX #FFD58C

RGB 255 213 140

HSL 38.09, 1%, 0.77%

LAB 87.36, 5.52, 41.48

 

CMYK 0 / 9 / 38 / 0

HEX #FFE79F

RGB 255 231 159

HSL 45, 1%, 0.81%

LAB 92.09, -1.69, 38.05

 

CMYK 0 / 2 / 30 / 0

HEX #FFF9B2

RGB 255 249 178

HSL 55.32, 1%, 0.85%

LAB 96.91, -8.49, 34.88

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 0 / 24 / 54 / 8

HEX #EAB16B

RGB 234 177 107

HSL 33.07, 0.75%, 0.67%

LAB 76.07, 12.9, 43.55

 

CMYK 0 / 27 / 59 / 15

HEX #D99F58

RGB 217 159 88

HSL 33.02, 0.63%, 0.6%

LAB 69.65, 13.99, 44.96

 

CMYK 0 / 30 / 66 / 22

HEX #C88D45

RGB 200 141 69

HSL 32.98, 0.54%, 0.53%

LAB 63.14, 15.25, 46.38

 

CMYK 0 / 33 / 73 / 28

HEX #B77B32

RGB 183 123 50

HSL 32.93, 0.57%, 0.46%

LAB 56.55, 16.73, 47.7

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 0 / 36 / 50 / 2

HEX #FBA17E

RGB 251 161 126

HSL 16.8, 0.94%, 0.74%

LAB 74.51, 29.76, 32.07

 

CMYK 0 / 49 / 50 / 2

HEX #FB7F7E

RGB 251 127 126

HSL 0.48, 0.94%, 0.74%

LAB 67.42, 47.09, 22.65

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 0 / 9 / 50 / 2

HEX #FBE47E

RGB 251 228 126

HSL 48.96, 0.94%, 0.74%

LAB 90.55, -4.98, 52.22

 

CMYK 5 / 0 / 50 / 2

HEX #EFFB7E

RGB 239 251 126

HSL 65.76, 0.94%, 0.74%

LAB 95.52, -21, 57.94

 

CMYK 18 / 0 / 50 / 2

HEX #CEFB7E

RGB 206 251 126

HSL 81.6, 0.94%, 0.74%

LAB 93.29, -33.46, 54.73

 

CMYK 31 / 0 / 50 / 2

HEX #ACFB7E

RGB 172 251 126

HSL 97.92, 0.94%, 0.74%

LAB 91.36, -45.39, 51.95

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 0 / 19 / 43 / 6

HEX #F0C289

RGB 240 194 137

HSL 33.2, 0.77%, 0.74%

LAB 81.24, 9.14, 34.84

 

CMYK 0 / 16 / 36 / 10

HEX #E5C093

RGB 229 192 147

HSL 32.93, 0.61%, 0.74%

LAB 79.88, 6.97, 27.62

 

CMYK 0 / 12 / 28 / 15

HEX #DABF9E

RGB 218 191 158

HSL 33, 0.45%, 0.74%

LAB 78.83, 4.63, 20.19

 

CMYK 0 / 9 / 19 / 18

HEX #D0BEA9

RGB 208 190 169

HSL 32.31, 0.29%, 0.74%

LAB 77.93, 2.96, 12.91

 

CMYK 0 / 49 / 50 / 2

HEX #FB807E

RGB 251 128 126

HSL 0.96, 0.94%, 0.74%

LAB 67.62, 46.6, 22.91

 

CMYK 0 / 36 / 50 / 2

HEX #FBA17E

RGB 251 161 126

HSL 16.8, 0.94%, 0.74%

LAB 74.51, 29.76, 32.07

 

CMYK 0 / 23 / 50 / 2

HEX #FBC27E

RGB 251 194 126

HSL 32.64, 0.94%, 0.74%

LAB 82.16, 12.47, 41.88

 

CMYK 0 / 9 / 50 / 2

HEX #FBE47E

RGB 251 228 126

HSL 48.96, 0.94%, 0.74%

LAB 90.55, -4.98, 52.22

 

CMYK 4 / 0 / 50 / 2

HEX #F0FB7E

RGB 240 251 126

HSL 65.28, 0.94%, 0.74%

LAB 95.59, -20.61, 58.04

 

CMYK 0 / 37 / 81 / 3

HEX #F89D2E

RGB 248 157 46

HSL 32.97, 0.94%, 0.58%

LAB 72.41, 25.93, 67.19

 

CMYK 0 / 29 / 65 / 2

HEX #F9B056

RGB 249 176 86

HSL 33.13, 0.93%, 0.66%

LAB 77.2, 18.13, 55.48

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 0 / 15 / 34 / 1

HEX #FCD5A6

RGB 252 213 166

HSL 32.79, 0.93%, 0.82%

LAB 87.5, 7.16, 28.32

 

CMYK 0 / 8 / 19 / 1

HEX #FDE8CE

RGB 253 232 206

HSL 33.19, 0.92%, 0.9%

LAB 93.04, 3.09, 15.23

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 37 / 0 / 50 / 2

HEX #9DFB7E

RGB 157 251 126

HSL 105.12, 0.94%, 0.74%

LAB 90.63, -50.23, 50.9

 

CMYK 42 / 50 / 0 / 2

HEX #917EFB

RGB 145 126 251

HSL 249.12, 0.94%, 0.74%

LAB 59.8, 36.86, -60.23

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 50 / 0 / 23 / 2

HEX #7EFBC2

RGB 126 251 194

HSL 152.64, 0.94%, 0.74%

LAB 90.47, -47.8, 16.76

 

CMYK 23 / 50 / 0 / 2

HEX #C27EFB

RGB 194 126 251

HSL 272.64, 0.94%, 0.74%

LAB 64.45, 48.97, -52.56

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 37 / 0 / 50 / 2

HEX #9DFB7E

RGB 157 251 126

HSL 105.12, 0.94%, 0.74%

LAB 90.63, -50.23, 50.9

 

CMYK 50 / 27 / 0 / 2

HEX #7EB6FB

RGB 126 182 251

HSL 213.12, 0.94%, 0.74%

LAB 72.8, 0.33, -39.79

 

CMYK 13 / 50 / 0 / 2

HEX #DB7EFB

RGB 219 126 251

HSL 284.64, 0.94%, 0.74%

LAB 67.24, 55.56, -47.96

 

CMYK 0 / 22 / 50 / 2

HEX #FBC37E

RGB 251 195 126

HSL 33.12, 0.94%, 0.74%

LAB 82.4, 11.95, 42.18

 

CMYK 50 / 0 / 47 / 2

HEX #7EFB84

RGB 126 251 132

HSL 122.88, 0.94%, 0.74%

LAB 89.44, -58.34, 46.32

 

CMYK 50 / 27 / 0 / 2

HEX #7EB6FB

RGB 126 182 251

HSL 213.12, 0.94%, 0.74%

LAB 72.8, 0.33, -39.79

 

CMYK 0 / 50 / 3 / 2

HEX #FB7EF4

RGB 251 126 244

HSL 303.36, 0.94%, 0.74%

LAB 70.85, 62.94, -38.2

 

Description

Color code: HEX #FBC37E | qconv.com Color code: HEX #FBC37E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 195 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 195 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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