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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBD1A6 it is the complementary color #042E59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBD1A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBD1A6 shade: #FFD1A1, #FFE3B4, #FFF5C7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBD1A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBD1A6 shade: #FBD1A6, #EABF93, #D9AD80, #C89B6D and #B7895A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBD1A6 shade: #FAD1A7, #FABBA7 and #FAA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBD1A6 shade: #FAD1A7, #FAE8A7, #F7FAA7, #E0FAA7 and #CAFAA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBD1A6 shade matches the following richer shades: #FAD1A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBD1A6 shade: #FAD1A7, #F3D1AE, #ECD1B6, #E4D1BD and #DDD1C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBD1A6 shade: #FAA7AA, #FABAA7, #FAD1A7, #FAE7A7 and #F8FAA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBD1A6 shade: #F7A858, #F9BD7F, #FAD1A7, #FCE5CE and #FEFAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBD1A6 shade: #FBD1A6, #C0FAA7 and #AFA7FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBD1A6 shade: #FBD1A6, #A7FAD1 and #D1A7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBD1A6 shade: #FBD1A6, #C0FAA7, #A7D1FA and #E1A7FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBD1A6 shade: #FBD1A6, #A7FAA7, #A7D1FA and #FAA7FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 34 / 2

HEX #FBD1A6

RGB 251 209 166

HSL 30.35, 0.91%, 0.82%

LAB 86.44, 8.85, 26.86

 

Complementary color

CMYK 96 / 48 / 0 / 65

HEX #042E59

RGB 4 46 89

HSL 210.35, 0.91%, 0.18%

LAB 18.8, 4.96, -29.69

 

CMYK 0 / 18 / 37 / 0

HEX #FFD1A1

RGB 255 209 161

HSL 30.64, 1%, 0.82%

LAB 86.72, 9.8, 29.91

 

CMYK 0 / 11 / 29 / 0

HEX #FFE3B4

RGB 255 227 180

HSL 37.6, 1%, 0.85%

LAB 91.46, 2.83, 26.5

 

CMYK 0 / 4 / 22 / 0

HEX #FFF5C7

RGB 255 245 199

HSL 49.29, 1%, 0.89%

LAB 96.28, -3.76, 23.39

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 17 / 34 / 2

HEX #FBD1A6

RGB 251 209 166

HSL 30.35, 0.91%, 0.82%

LAB 86.44, 8.85, 26.86

 

CMYK 0 / 18 / 37 / 8

HEX #EABF93

RGB 234 191 147

HSL 30.34, 0.67%, 0.75%

LAB 80.1, 9.45, 28

 

CMYK 0 / 20 / 41 / 15

HEX #D9AD80

RGB 217 173 128

HSL 30.34, 0.54%, 0.68%

LAB 73.67, 10.14, 29.21

 

CMYK 0 / 23 / 46 / 22

HEX #C89B6D

RGB 200 155 109

HSL 30.33, 0.45%, 0.61%

LAB 67.15, 10.92, 30.51

 

CMYK 0 / 25 / 51 / 28

HEX #B7895A

RGB 183 137 90

HSL 30.32, 0.39%, 0.54%

LAB 60.51, 11.84, 31.91

 

CMYK 0 / 16 / 33 / 2

HEX #FAD1A7

RGB 250 209 167

HSL 30.36, 0.89%, 0.82%

LAB 86.36, 8.59, 26.23

 

CMYK 0 / 25 / 33 / 2

HEX #FABBA7

RGB 250 187 167

HSL 14.46, 0.89%, 0.82%

LAB 81.1, 20.09, 19

 

CMYK 0 / 33 / 33 / 2

HEX #FAA7A7

RGB 250 167 167

HSL 0, 0.89%, 0.82%

LAB 76.53, 30.61, 12.59

 

CMYK 0 / 16 / 33 / 2

HEX #FAD1A7

RGB 250 209 167

HSL 30.36, 0.89%, 0.82%

LAB 86.36, 8.59, 26.23

 

CMYK 0 / 7 / 33 / 2

HEX #FAE8A7

RGB 250 232 167

HSL 46.99, 0.89%, 0.82%

LAB 92.05, -3.19, 33.88

 

CMYK 1 / 0 / 33 / 2

HEX #F7FAA7

RGB 247 250 167

HSL 62.17, 0.89%, 0.82%

LAB 96.38, -13.28, 39.55

 

CMYK 10 / 0 / 33 / 2

HEX #E0FAA7

RGB 224 250 167

HSL 78.8, 0.89%, 0.82%

LAB 94.74, -21.75, 37.08

 

CMYK 19 / 0 / 33 / 2

HEX #CAFAA7

RGB 202 250 167

HSL 94.7, 0.89%, 0.82%

LAB 93.33, -29.56, 34.96

 

CMYK 0 / 16 / 33 / 2

HEX #FAD1A7

RGB 250 209 167

HSL 30.36, 0.89%, 0.82%

LAB 86.36, 8.59, 26.23

 

CMYK 0 / 16 / 33 / 2

HEX #FAD1A7

RGB 250 209 167

HSL 30.36, 0.89%, 0.82%

LAB 86.36, 8.59, 26.23

 

CMYK 0 / 14 / 28 / 5

HEX #F3D1AE

RGB 243 209 174

HSL 30.43, 0.74%, 0.82%

LAB 85.86, 6.82, 21.78

 

CMYK 0 / 11 / 23 / 7

HEX #ECD1B6

RGB 236 209 182

HSL 30, 0.59%, 0.82%

LAB 85.41, 5.29, 16.84

 

CMYK 0 / 8 / 17 / 11

HEX #E4D1BD

RGB 228 209 189

HSL 30.77, 0.42%, 0.82%

LAB 84.88, 3.38, 12.3

 

CMYK 0 / 5 / 11 / 13

HEX #DDD1C5

RGB 221 209 197

HSL 30, 0.26%, 0.82%

LAB 84.49, 2.12, 7.42

 

CMYK 0 / 33 / 32 / 2

HEX #FAA7AA

RGB 250 167 170

HSL 357.83, 0.89%, 0.82%

LAB 76.6, 30.98, 11.05

 

CMYK 0 / 26 / 33 / 2

HEX #FABAA7

RGB 250 186 167

HSL 13.73, 0.89%, 0.82%

LAB 80.87, 20.62, 18.67

 

CMYK 0 / 16 / 33 / 2

HEX #FAD1A7

RGB 250 209 167

HSL 30.36, 0.89%, 0.82%

LAB 86.36, 8.59, 26.23

 

CMYK 0 / 8 / 33 / 2

HEX #FAE7A7

RGB 250 231 167

HSL 46.27, 0.89%, 0.82%

LAB 91.8, -2.69, 33.55

 

CMYK 1 / 0 / 33 / 2

HEX #F8FAA7

RGB 248 250 167

HSL 61.45, 0.89%, 0.82%

LAB 96.46, -12.9, 39.66

 

CMYK 0 / 32 / 64 / 3

HEX #F7A858

RGB 247 168 88

HSL 30.19, 0.91%, 0.66%

LAB 75.13, 21.63, 52.16

 

CMYK 0 / 24 / 49 / 2

HEX #F9BD7F

RGB 249 189 127

HSL 30.49, 0.91%, 0.74%

LAB 80.78, 14.37, 39.57

 

CMYK 0 / 16 / 33 / 2

HEX #FAD1A7

RGB 250 209 167

HSL 30.36, 0.89%, 0.82%

LAB 86.36, 8.59, 26.23

 

CMYK 0 / 9 / 18 / 1

HEX #FCE5CE

RGB 252 229 206

HSL 30, 0.88%, 0.9%

LAB 92.22, 4.26, 14.06

 

CMYK 0 / 2 / 3 / 0

HEX #FEFAF6

RGB 254 250 246

HSL 30, 0.8%, 0.98%

LAB 98.47, 0.64, 2.37

 

CMYK 0 / 17 / 34 / 2

HEX #FBD1A6

RGB 251 209 166

HSL 30.35, 0.91%, 0.82%

LAB 86.44, 8.85, 26.86

 

CMYK 23 / 0 / 33 / 2

HEX #C0FAA7

RGB 192 250 167

HSL 101.93, 0.89%, 0.82%

LAB 92.74, -32.98, 34.06

 

CMYK 30 / 33 / 0 / 2

HEX #AFA7FA

RGB 175 167 250

HSL 245.78, 0.89%, 0.82%

LAB 72, 20.95, -40.26

 

CMYK 0 / 17 / 34 / 2

HEX #FBD1A6

RGB 251 209 166

HSL 30.35, 0.91%, 0.82%

LAB 86.44, 8.85, 26.86

 

CMYK 33 / 0 / 16 / 2

HEX #A7FAD1

RGB 167 250 209

HSL 150.36, 0.89%, 0.82%

LAB 92.22, -33.68, 11.74

 

CMYK 16 / 33 / 0 / 2

HEX #D1A7FA

RGB 209 167 250

HSL 270.36, 0.89%, 0.82%

LAB 74.88, 30.81, -35.55

 

CMYK 0 / 17 / 34 / 2

HEX #FBD1A6

RGB 251 209 166

HSL 30.35, 0.91%, 0.82%

LAB 86.44, 8.85, 26.86

 

CMYK 23 / 0 / 33 / 2

HEX #C0FAA7

RGB 192 250 167

HSL 101.93, 0.89%, 0.82%

LAB 92.74, -32.98, 34.06

 

CMYK 33 / 16 / 0 / 2

HEX #A7D1FA

RGB 167 209 250

HSL 209.64, 0.89%, 0.82%

LAB 82.23, -4.25, -24.54

 

CMYK 10 / 33 / 0 / 2

HEX #E1A7FA

RGB 225 167 250

HSL 281.93, 0.89%, 0.82%

LAB 76.4, 35.63, -33.08

 

CMYK 0 / 17 / 34 / 2

HEX #FBD1A6

RGB 251 209 166

HSL 30.35, 0.91%, 0.82%

LAB 86.44, 8.85, 26.86

 

CMYK 33 / 0 / 33 / 2

HEX #A7FAA7

RGB 167 250 167

HSL 120, 0.89%, 0.82%

LAB 91.4, -41.06, 32.05

 

CMYK 33 / 16 / 0 / 2

HEX #A7D1FA

RGB 167 209 250

HSL 209.64, 0.89%, 0.82%

LAB 82.23, -4.25, -24.54

 

CMYK 0 / 33 / 0 / 2

HEX #FAA7FA

RGB 250 167 250

HSL 300, 0.89%, 0.82%

LAB 78.96, 43.28, -28.92

 

Description

Color code: HEX #FBD1A6 | qconv.com Color code: HEX #FBD1A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 209 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 209 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 34% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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