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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBD250 it is the complementary color #042DAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBD250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBD250 shade: #FFD24B, #FFE45E, #FFF671, #FFFF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBD250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBD250 shade: #FBD250, #EAC03D, #D9AE2A, #C89C17 and #B78A04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBD250 shade: #FBD250, #FBA450, #FB7550 and #FB5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBD250 shade: #FBD250, #F6FB50, #C8FB50, #99FB50 and #6BFB50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBD250 shade matches the following richer shades: #FBD250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBD250 shade: #FBD250, #ECCA5E, #DEC36C, #D0BB7B and #C1B489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBD250 shade: #FB7550, #FBA250, #FBD050, #F8FB50 and #CAFB50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBD250 shade: #F4BA04, #FAC827, #FBD250, #FCDC78 and #FDE6A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBD250 shade: #FBD250, #58FB50 and #8C50FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBD250 shade: #FBD250, #50FBD0 and #D050FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBD250 shade: #FBD250, #58FB50, #507AFB and #F250FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBD250 shade: #FBD250, #50FB7A, #507AFB and #FB50D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

Complementary color

CMYK 98 / 74 / 0 / 31

HEX #042DAF

RGB 4 45 175

HSL 225.61, 0.96%, 0.35%

LAB 26.73, 41.39, -70.83

 

CMYK 0 / 18 / 71 / 0

HEX #FFD24B

RGB 255 210 75

HSL 45, 1%, 0.65%

LAB 85.94, 2.39, 69.56

 

CMYK 0 / 11 / 63 / 0

HEX #FFE45E

RGB 255 228 94

HSL 49.94, 1%, 0.68%

LAB 90.58, -5.7, 66.72

 

CMYK 0 / 4 / 56 / 0

HEX #FFF671

RGB 255 246 113

HSL 56.2, 1%, 0.72%

LAB 95.31, -13.34, 63.82

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 0 / 18 / 74 / 8

HEX #EAC03D

RGB 234 192 61

HSL 45.43, 0.8%, 0.58%

LAB 79.34, 2.18, 67.69

 

CMYK 0 / 20 / 81 / 15

HEX #D9AE2A

RGB 217 174 42

HSL 45.26, 0.7%, 0.51%

LAB 73.02, 3.59, 67.72

 

CMYK 0 / 22 / 89 / 22

HEX #C89C17

RGB 200 156 23

HSL 45.08, 0.79%, 0.44%

LAB 66.61, 5.22, 66.78

 

CMYK 0 / 25 / 98 / 28

HEX #B78A04

RGB 183 138 4

HSL 44.92, 0.96%, 0.37%

LAB 60.12, 7.11, 64.43

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 0 / 35 / 68 / 2

HEX #FBA450

RGB 251 164 80

HSL 29.47, 0.96%, 0.65%

LAB 74.6, 24.9, 55.47

 

CMYK 0 / 53 / 68 / 2

HEX #FB7550

RGB 251 117 80

HSL 12.98, 0.96%, 0.65%

LAB 64.81, 48.71, 44.5

 

CMYK 0 / 68 / 68 / 2

HEX #FB5050

RGB 251 80 80

HSL 0, 0.96%, 0.65%

LAB 58.81, 64.61, 37.44

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 2 / 0 / 68 / 2

HEX #F6FB50

RGB 246 251 80

HSL 61.75, 0.96%, 0.65%

LAB 95.65, -21.38, 77.13

 

CMYK 20 / 0 / 68 / 2

HEX #C8FB50

RGB 200 251 80

HSL 77.89, 0.96%, 0.65%

LAB 92.51, -39.36, 72.95

 

CMYK 39 / 0 / 68 / 2

HEX #99FB50

RGB 153 251 80

HSL 94.39, 0.96%, 0.65%

LAB 90.02, -55.84, 69.6

 

CMYK 57 / 0 / 68 / 2

HEX #6BFB50

RGB 107 251 80

HSL 110.53, 0.96%, 0.65%

LAB 88.3, -68.72, 67.28

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 0 / 14 / 60 / 7

HEX #ECCA5E

RGB 236 202 94

HSL 45.63, 0.79%, 0.65%

LAB 82.32, -0.33, 57.17

 

CMYK 0 / 12 / 51 / 13

HEX #DEC36C

RGB 222 195 108

HSL 45.79, 0.63%, 0.65%

LAB 79.41, -1.41, 46.84

 

CMYK 0 / 10 / 41 / 18

HEX #D0BB7B

RGB 208 187 123

HSL 45.18, 0.47%, 0.65%

LAB 76.3, -1.47, 35.11

 

CMYK 0 / 7 / 29 / 24

HEX #C1B489

RGB 193 180 137

HSL 46.07, 0.31%, 0.65%

LAB 73.41, -2.05, 23.65

 

CMYK 0 / 53 / 68 / 2

HEX #FB7550

RGB 251 117 80

HSL 12.98, 0.96%, 0.65%

LAB 64.81, 48.71, 44.5

 

CMYK 0 / 35 / 68 / 2

HEX #FBA250

RGB 251 162 80

HSL 28.77, 0.96%, 0.65%

LAB 74.14, 25.95, 54.97

 

CMYK 0 / 17 / 68 / 2

HEX #FBD050

RGB 251 208 80

HSL 44.91, 0.96%, 0.65%

LAB 85.1, 1.99, 66.6

 

CMYK 1 / 0 / 68 / 2

HEX #F8FB50

RGB 248 251 80

HSL 61.05, 0.96%, 0.65%

LAB 95.8, -20.57, 77.33

 

CMYK 20 / 0 / 68 / 2

HEX #CAFB50

RGB 202 251 80

HSL 77.19, 0.96%, 0.65%

LAB 92.63, -38.61, 73.11

 

CMYK 0 / 24 / 98 / 4

HEX #F4BA04

RGB 244 186 4

HSL 45.5, 0.97%, 0.49%

LAB 78.67, 8.31, 80.47

 

CMYK 0 / 20 / 84 / 2

HEX #FAC827

RGB 250 200 39

HSL 45.78, 0.95%, 0.57%

LAB 82.8, 4.13, 78.16

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 0 / 13 / 52 / 1

HEX #FCDC78

RGB 252 220 120

HSL 45.45, 0.96%, 0.73%

LAB 88.56, -1.04, 52.7

 

CMYK 0 / 9 / 37 / 1

HEX #FDE6A0

RGB 253 230 160

HSL 45.16, 0.96%, 0.81%

LAB 91.69, -1.84, 36.99

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 65 / 0 / 68 / 2

HEX #58FB50

RGB 88 251 80

HSL 117.19, 0.96%, 0.65%

LAB 87.8, -72.81, 66.59

 

CMYK 44 / 68 / 0 / 2

HEX #8C50FB

RGB 140 80 251

HSL 261.05, 0.96%, 0.65%

LAB 49.83, 60.77, -76.36

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 68 / 0 / 17 / 2

HEX #50FBD0

RGB 80 251 208

HSL 164.91, 0.96%, 0.65%

LAB 89.51, -53.35, 7.99

 

CMYK 17 / 68 / 0 / 2

HEX #D050FB

RGB 208 80 251

HSL 284.91, 0.96%, 0.65%

LAB 58.14, 73.81, -62.51

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 65 / 0 / 68 / 2

HEX #58FB50

RGB 88 251 80

HSL 117.19, 0.96%, 0.65%

LAB 87.8, -72.81, 66.59

 

CMYK 68 / 51 / 0 / 2

HEX #507AFB

RGB 80 122 251

HSL 225.26, 0.96%, 0.65%

LAB 54.65, 26.91, -68.75

 

CMYK 4 / 68 / 0 / 2

HEX #F250FB

RGB 242 80 251

HSL 296.84, 0.96%, 0.65%

LAB 62.99, 80.91, -54.49

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 68 / 0 / 51 / 2

HEX #50FB7A

RGB 80 251 122

HSL 134.74, 0.96%, 0.65%

LAB 88.02, -69.59, 48.98

 

CMYK 68 / 51 / 0 / 2

HEX #507AFB

RGB 80 122 251

HSL 225.26, 0.96%, 0.65%

LAB 54.65, 26.91, -68.75

 

CMYK 0 / 68 / 17 / 2

HEX #FB50D0

RGB 251 80 208

HSL 315.09, 0.96%, 0.65%

LAB 62.34, 76.54, -31.39

 

Description

Color code: HEX #FBD250 | qconv.com Color code: HEX #FBD250 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 210 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 210 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 68 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 68% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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