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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBD3C4 it is the complementary color #042C3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBD3C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBD3C4 shade: #FFD3BF, #FFE5D2, #FFF7E5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBD3C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBD3C4 shade: #FBD3C4, #EAC1B1, #D9AF9E, #C89D8B and #B78B78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBD3C4 shade: #FBD4C5, #FBC5C5 and #FBC5C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBD3C4 shade: #FBD4C5, #FBE2C5, #FBF1C5, #F6FBC5 and #E8FBC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBD3C4 shade matches the following richer shades: #FBD4C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBD3C4 shade: #FBD4C5, #F6D6CA, #F1D8CF, #ECDBD4 and #E7DDD9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBD3C4 shade: #FBC5D3, #FBC5C5, #FBD3C5, #FBE2C5 and #FBF0C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBD3C4 shade: #F59A78, #F8B79F, #FBD4C5 and #FDF1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBD3C4 shade: #FBD3C4, #E2FBC5 and #C5CCFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBD3C4 shade: #FBD3C4, #C5FBD3 and #D3C5FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBD3C4 shade: #FBD3C4, #E2FBC5, #C5ECFB and #DEC5FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBD3C4 shade: #FBD3C4, #D2FBC5, #C5ECFB and #EEC5FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 22 / 2

HEX #FBD3C4

RGB 251 211 196

HSL 16.36, 0.87%, 0.88%

LAB 87.53, 11.75, 12.64

 

Complementary color

CMYK 93 / 25 / 0 / 77

HEX #042C3B

RGB 4 44 59

HSL 196.36, 0.87%, 0.12%

LAB 16.22, -7.1, -13.39

 

CMYK 0 / 17 / 25 / 0

HEX #FFD3BF

RGB 255 211 191

HSL 18.75, 1%, 0.87%

LAB 87.78, 12.52, 15.68

 

CMYK 0 / 10 / 18 / 0

HEX #FFE5D2

RGB 255 229 210

HSL 25.33, 1%, 0.91%

LAB 92.55, 5.93, 12.49

 

CMYK 0 / 3 / 10 / 0

HEX #FFF7E5

RGB 255 247 229

HSL 41.54, 1%, 0.95%

LAB 97.41, -0.31, 9.59

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 16 / 22 / 2

HEX #FBD3C4

RGB 251 211 196

HSL 16.36, 0.87%, 0.88%

LAB 87.53, 11.75, 12.64

 

CMYK 0 / 18 / 24 / 8

HEX #EAC1B1

RGB 234 193 177

HSL 16.84, 0.58%, 0.81%

LAB 81.19, 12.24, 13.53

 

CMYK 0 / 19 / 27 / 15

HEX #D9AF9E

RGB 217 175 158

HSL 17.29, 0.44%, 0.74%

LAB 74.75, 12.78, 14.49

 

CMYK 0 / 22 / 31 / 22

HEX #C89D8B

RGB 200 157 139

HSL 17.7, 0.36%, 0.66%

LAB 68.21, 13.39, 15.52

 

CMYK 0 / 24 / 34 / 28

HEX #B78B78

RGB 183 139 120

HSL 18.1, 0.3%, 0.59%

LAB 61.56, 14.08, 16.64

 

CMYK 0 / 16 / 22 / 2

HEX #FBD4C5

RGB 251 212 197

HSL 16.67, 0.87%, 0.88%

LAB 87.79, 11.37, 12.48

 

CMYK 0 / 22 / 22 / 2

HEX #FBC5C5

RGB 251 197 197

HSL 0, 0.87%, 0.88%

LAB 84.21, 19.22, 7.38

 

CMYK 0 / 22 / 22 / 2

HEX #FBC5C5

RGB 251 197 197

HSL 0, 0.87%, 0.88%

LAB 84.21, 19.22, 7.38

 

CMYK 0 / 16 / 22 / 2

HEX #FBD4C5

RGB 251 212 197

HSL 16.67, 0.87%, 0.88%

LAB 87.79, 11.37, 12.48

 

CMYK 0 / 10 / 22 / 2

HEX #FBE2C5

RGB 251 226 197

HSL 32.22, 0.87%, 0.88%

LAB 91.2, 4.14, 17.3

 

CMYK 0 / 4 / 22 / 2

HEX #FBF1C5

RGB 251 241 197

HSL 48.89, 0.87%, 0.88%

LAB 94.93, -3.48, 22.5

 

CMYK 2 / 0 / 22 / 2

HEX #F6FBC5

RGB 246 251 197

HSL 65.56, 0.87%, 0.88%

LAB 97.07, -10.27, 25.39

 

CMYK 8 / 0 / 22 / 2

HEX #E8FBC5

RGB 232 251 197

HSL 81.11, 0.87%, 0.88%

LAB 96.07, -15.24, 23.86

 

CMYK 0 / 16 / 22 / 2

HEX #FBD4C5

RGB 251 212 197

HSL 16.67, 0.87%, 0.88%

LAB 87.79, 11.37, 12.48

 

CMYK 0 / 16 / 22 / 2

HEX #FBD4C5

RGB 251 212 197

HSL 16.67, 0.87%, 0.88%

LAB 87.79, 11.37, 12.48

 

CMYK 0 / 13 / 18 / 4

HEX #F6D6CA

RGB 246 214 202

HSL 16.36, 0.71%, 0.88%

LAB 87.94, 9.26, 10.01

 

CMYK 0 / 10 / 14 / 5

HEX #F1D8CF

RGB 241 216 207

HSL 15.88, 0.55%, 0.88%

LAB 88.12, 7.19, 7.57

 

CMYK 0 / 7 / 10 / 7

HEX #ECDBD4

RGB 236 219 212

HSL 17.5, 0.39%, 0.88%

LAB 88.57, 4.67, 5.53

 

CMYK 0 / 4 / 6 / 9

HEX #E7DDD9

RGB 231 221 217

HSL 17.14, 0.23%, 0.88%

LAB 88.79, 2.72, 3.17

 

CMYK 0 / 22 / 16 / 2

HEX #FBC5D3

RGB 251 197 211

HSL 344.44, 0.87%, 0.88%

LAB 84.56, 21.31, 0.41

 

CMYK 0 / 22 / 22 / 2

HEX #FBC5C5

RGB 251 197 197

HSL 0, 0.87%, 0.88%

LAB 84.21, 19.22, 7.38

 

CMYK 0 / 16 / 22 / 2

HEX #FBD3C5

RGB 251 211 197

HSL 15.56, 0.87%, 0.88%

LAB 87.55, 11.89, 12.14

 

CMYK 0 / 10 / 22 / 2

HEX #FBE2C5

RGB 251 226 197

HSL 32.22, 0.87%, 0.88%

LAB 91.2, 4.14, 17.3

 

CMYK 0 / 4 / 22 / 2

HEX #FBF0C5

RGB 251 240 197

HSL 47.78, 0.87%, 0.88%

LAB 94.68, -2.98, 22.15

 

CMYK 0 / 37 / 51 / 4

HEX #F59A78

RGB 245 154 120

HSL 16.32, 0.86%, 0.72%

LAB 72.15, 30.56, 32.07

 

CMYK 0 / 26 / 36 / 3

HEX #F8B79F

RGB 248 183 159

HSL 16.18, 0.86%, 0.8%

LAB 79.8, 20.48, 21.44

 

CMYK 0 / 16 / 22 / 2

HEX #FBD4C5

RGB 251 212 197

HSL 16.67, 0.87%, 0.88%

LAB 87.79, 11.37, 12.48

 

CMYK 0 / 5 / 7 / 1

HEX #FDF1EC

RGB 253 241 236

HSL 17.65, 0.81%, 0.96%

LAB 95.93, 3.19, 3.84

 

CMYK 0 / 16 / 22 / 2

HEX #FBD3C4

RGB 251 211 196

HSL 16.36, 0.87%, 0.88%

LAB 87.53, 11.75, 12.64

 

CMYK 10 / 0 / 22 / 2

HEX #E2FBC5

RGB 226 251 197

HSL 87.78, 0.87%, 0.88%

LAB 95.66, -17.34, 23.23

 

CMYK 22 / 19 / 0 / 2

HEX #C5CCFB

RGB 197 204 251

HSL 232.22, 0.87%, 0.88%

LAB 82.92, 7.31, -23.83

 

CMYK 0 / 16 / 22 / 2

HEX #FBD3C4

RGB 251 211 196

HSL 16.36, 0.87%, 0.88%

LAB 87.53, 11.75, 12.64

 

CMYK 22 / 0 / 16 / 2

HEX #C5FBD3

RGB 197 251 211

HSL 135.56, 0.87%, 0.88%

LAB 94.13, -24.7, 13.64

 

CMYK 16 / 22 / 0 / 2

HEX #D3C5FB

RGB 211 197 251

HSL 255.56, 0.87%, 0.88%

LAB 82.24, 15.34, -24.77

 

CMYK 0 / 16 / 22 / 2

HEX #FBD3C4

RGB 251 211 196

HSL 16.36, 0.87%, 0.88%

LAB 87.53, 11.75, 12.64

 

CMYK 10 / 0 / 22 / 2

HEX #E2FBC5

RGB 226 251 197

HSL 87.78, 0.87%, 0.88%

LAB 95.66, -17.34, 23.23

 

CMYK 22 / 6 / 0 / 2

HEX #C5ECFB

RGB 197 236 251

HSL 196.67, 0.87%, 0.88%

LAB 91.16, -9.41, -11.43

 

CMYK 12 / 22 / 0 / 2

HEX #DEC5FB

RGB 222 197 251

HSL 267.78, 0.87%, 0.88%

LAB 83.14, 18.77, -23.32

 

CMYK 0 / 16 / 22 / 2

HEX #FBD3C4

RGB 251 211 196

HSL 16.36, 0.87%, 0.88%

LAB 87.53, 11.75, 12.64

 

CMYK 16 / 0 / 22 / 2

HEX #D2FBC5

RGB 210 251 197

HSL 105.56, 0.87%, 0.88%

LAB 94.62, -22.82, 21.63

 

CMYK 22 / 6 / 0 / 2

HEX #C5ECFB

RGB 197 236 251

HSL 196.67, 0.87%, 0.88%

LAB 91.16, -9.41, -11.43

 

CMYK 5 / 22 / 0 / 2

HEX #EEC5FB

RGB 238 197 251

HSL 285.56, 0.87%, 0.88%

LAB 84.52, 23.85, -21.09

 

Description

Color code: HEX #FBD3C4 | qconv.com Color code: HEX #FBD3C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 211 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 211 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 22 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 22% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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