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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBDF12 it is the complementary color #0420ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBDF12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBDF12 shade: #FFDF0D, #FFF120, #FFFF33, #FFFF46 and #FFFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBDF12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBDF12 shade: #FBDF12, #EACD00, #D9BB00, #C8A900 and #B79700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBDF12 shade: #FBDF12, #FBA012, #FB6212, #FB2312 and #FB1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBDF12 shade: #FBDF12, #D8FB12, #99FB12, #5BFB12 and #1CFB12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBDF12 shade matches the following richer shades: #FBDF12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBDF12 shade: #FBDF12, #E8D026, #D4C239, #C1B34D and #ADA460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBDF12 shade: #FB6012, #FB9E12, #FBDC12, #DCFB12 and #9EFB12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBDF12 shade: #B8A302, #E1C603, #FBDF12, #FCE43B and #FCEA64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBDF12 shade: #FBDF12, #12FB22 and #7F12FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBDF12 shade: #FBDF12, #12FBDC and #DC12FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBDF12 shade: #FBDF12, #12FB22, #1231FB and #FB12EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBDF12 shade: #FBDF12, #12FB68, #1231FB and #FB12A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

Complementary color

CMYK 98 / 86 / 0 / 7

HEX #0420ED

RGB 4 32 237

HSL 232.79, 0.97%, 0.47%

LAB 32.2, 67.48, -97.87

 

CMYK 0 / 13 / 95 / 0

HEX #FFDF0D

RGB 255 223 13

HSL 52.07, 1%, 0.53%

LAB 88.95, -5.85, 87.5

 

CMYK 0 / 5 / 87 / 0

HEX #FFF120

RGB 255 241 32

HSL 56.23, 1%, 0.56%

LAB 93.57, -14.48, 88.48

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF33

RGB 255 255 51

HSL 60, 1%, 0.6%

LAB 97.24, -20.77, 87.55

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF46

RGB 255 255 70

HSL 60, 1%, 0.64%

LAB 97.32, -20.11, 82.31

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 0 / 12 / 100 / 8

HEX #EACD00

RGB 234 205 0

HSL 52.56, 1%, 0.46%

LAB 82.46, -5.83, 83.08

 

CMYK 0 / 14 / 100 / 15

HEX #D9BB00

RGB 217 187 0

HSL 51.71, 1%, 0.43%

LAB 76.25, -3.97, 77.94

 

CMYK 0 / 16 / 100 / 22

HEX #C8A900

RGB 200 169 0

HSL 50.7, 1%, 0.39%

LAB 69.93, -2.04, 72.72

 

CMYK 0 / 17 / 100 / 28

HEX #B79700

RGB 183 151 0

HSL 49.51, 1%, 0.36%

LAB 63.51, -0.04, 67.41

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 0 / 36 / 93 / 2

HEX #FBA012

RGB 251 160 18

HSL 36.57, 0.97%, 0.53%

LAB 73.35, 25.03, 75.37

 

CMYK 0 / 61 / 93 / 2

HEX #FB6212

RGB 251 98 18

HSL 20.6, 0.97%, 0.53%

LAB 61.04, 55.5, 66.93

 

CMYK 0 / 86 / 93 / 2

HEX #FB2312

RGB 251 35 18

HSL 4.38, 0.97%, 0.53%

LAB 53.77, 75.51, 62.42

 

CMYK 0 / 93 / 93 / 2

HEX #FB1212

RGB 251 18 18

HSL 0, 0.97%, 0.53%

LAB 52.93, 77.91, 61.94

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 14 / 0 / 93 / 2

HEX #D8FB12

RGB 216 251 18

HSL 69.01, 0.97%, 0.53%

LAB 93.29, -35.31, 88.96

 

CMYK 39 / 0 / 93 / 2

HEX #99FB12

RGB 153 251 18

HSL 85.24, 0.97%, 0.53%

LAB 89.77, -58.45, 84.67

 

CMYK 64 / 0 / 93 / 2

HEX #5BFB12

RGB 91 251 18

HSL 101.2, 0.97%, 0.53%

LAB 87.61, -75.31, 82.02

 

CMYK 89 / 0 / 93 / 2

HEX #1CFB12

RGB 28 251 18

HSL 117.42, 0.97%, 0.53%

LAB 86.64, -83.76, 80.83

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 0 / 10 / 84 / 9

HEX #E8D026

RGB 232 208 38

HSL 52.58, 0.81%, 0.53%

LAB 83.13, -7.66, 78

 

CMYK 0 / 8 / 73 / 17

HEX #D4C239

RGB 212 194 57

HSL 53.03, 0.64%, 0.53%

LAB 77.8, -8.42, 66.94

 

CMYK 0 / 7 / 60 / 24

HEX #C1B34D

RGB 193 179 77

HSL 52.76, 0.48%, 0.53%

LAB 72.3, -7.65, 52.63

 

CMYK 0 / 5 / 45 / 32

HEX #ADA460

RGB 173 164 96

HSL 52.99, 0.32%, 0.53%

LAB 66.73, -6.54, 36.34

 

CMYK 0 / 62 / 93 / 2

HEX #FB6012

RGB 251 96 18

HSL 20.09, 0.97%, 0.53%

LAB 60.71, 56.37, 66.72

 

CMYK 0 / 37 / 93 / 2

HEX #FB9E12

RGB 251 158 18

HSL 36.05, 0.97%, 0.53%

LAB 72.9, 26.08, 75.05

 

CMYK 0 / 12 / 93 / 2

HEX #FBDC12

RGB 251 220 18

HSL 52.02, 0.97%, 0.53%

LAB 87.84, -5.99, 85.98

 

CMYK 12 / 0 / 93 / 2

HEX #DCFB12

RGB 220 251 18

HSL 67.98, 0.97%, 0.53%

LAB 93.56, -33.72, 89.28

 

CMYK 37 / 0 / 93 / 2

HEX #9EFB12

RGB 158 251 18

HSL 83.95, 0.97%, 0.53%

LAB 90, -56.79, 84.96

 

CMYK 0 / 11 / 99 / 28

HEX #B8A302

RGB 184 163 2

HSL 53.08, 0.98%, 0.36%

LAB 66.82, -5.99, 69.54

 

CMYK 0 / 12 / 99 / 12

HEX #E1C603

RGB 225 198 3

HSL 52.7, 0.97%, 0.45%

LAB 79.84, -6.12, 80.54

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 0 / 10 / 77 / 1

HEX #FCE43B

RGB 252 228 59

HSL 52.54, 0.97%, 0.61%

LAB 90.09, -8.61, 78.97

 

CMYK 0 / 7 / 60 / 1

HEX #FCEA64

RGB 252 234 100

HSL 52.89, 0.96%, 0.69%

LAB 91.89, -9.53, 65.54

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 93 / 0 / 86 / 2

HEX #12FB22

RGB 18 251 34

HSL 124.12, 0.97%, 0.53%

LAB 86.62, -83.83, 78.37

 

CMYK 49 / 93 / 0 / 2

HEX #7F12FB

RGB 127 18 251

HSL 268.07, 0.97%, 0.53%

LAB 41.07, 80.15, -90.8

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 93 / 0 / 12 / 2

HEX #12FBDC

RGB 18 251 220

HSL 172.02, 0.97%, 0.53%

LAB 89.06, -55.6, 1.01

 

CMYK 12 / 93 / 0 / 2

HEX #DC12FB

RGB 220 18 251

HSL 292.02, 0.97%, 0.53%

LAB 54.67, 91.17, -68.01

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 93 / 0 / 86 / 2

HEX #12FB22

RGB 18 251 34

HSL 124.12, 0.97%, 0.53%

LAB 86.62, -83.83, 78.37

 

CMYK 93 / 80 / 0 / 2

HEX #1231FB

RGB 18 49 251

HSL 232.02, 0.97%, 0.53%

LAB 36.54, 64.67, -98.54

 

CMYK 0 / 93 / 6 / 2

HEX #FB12EB

RGB 251 18 235

HSL 304.12, 0.97%, 0.53%

LAB 58.92, 93.72, -51.97

 

CMYK 0 / 11 / 93 / 2

HEX #FBDF12

RGB 251 223 18

HSL 52.79, 0.97%, 0.53%

LAB 88.6, -7.49, 86.55

 

CMYK 93 / 0 / 59 / 2

HEX #12FB68

RGB 18 251 104

HSL 142.15, 0.97%, 0.53%

LAB 87.06, -78.32, 55.76

 

CMYK 93 / 80 / 0 / 2

HEX #1231FB

RGB 18 49 251

HSL 232.02, 0.97%, 0.53%

LAB 36.54, 64.67, -98.54

 

CMYK 0 / 93 / 34 / 2

HEX #FB12A6

RGB 251 18 166

HSL 321.89, 0.97%, 0.53%

LAB 55.78, 85.66, -17.27

 

Description

Color code: HEX #FBDF12 | qconv.com Color code: HEX #FBDF12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 223 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 223 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 93 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 93% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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