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Color name
HEX #FBEEA6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBEEA6 it is the complementary color #041159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBEEA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBEEA6 shade: #FFEEA1, #FFFFB4, #FFFFC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBEEA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBEEA6 shade: #FBEEA6, #EADC93, #D9CA80, #C8B86D and #B7A65A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBEEA6 shade: #FAEEA7, #FAD7A7, #FAC1A7, #FAAAA7 and #FAA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBEEA6 shade: #FAEEA7, #F1FAA7, #DAFAA7, #C4FAA7 and #ADFAA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBEEA6 shade matches the following richer shades: #FAEEA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBEEA6 shade: #FAEEA7, #F3E8AE, #ECE3B6, #E4DEBD and #DDD9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBEEA6 shade: #FAC0A7, #FAD6A7, #FAECA7, #F2FAA7 and #DCFAA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBEEA6 shade: #F7DE58, #F9E67F, #FAEEA7, #FCF5CE and #FEFDF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBEEA6 shade: #FBEEA6, #A7FAAA and #CBA7FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBEEA6 shade: #FBEEA6, #A7FAEC and #ECA7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBEEA6 shade: #FBEEA6, #A7FAAA, #A7B5FA and #FAA7F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBEEA6 shade: #FBEEA6, #A7FAC3, #A7B5FA and #FAA7DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 34 / 2

HEX #FBEEA6

RGB 251 238 166

HSL 50.82, 0.91%, 0.82%

LAB 93.63, -5.94, 36.49

 

Complementary color

CMYK 96 / 81 / 0 / 65

HEX #041159

RGB 4 17 89

HSL 230.82, 0.91%, 0.18%

LAB 10.17, 26.47, -43.79

 

CMYK 0 / 7 / 37 / 0

HEX #FFEEA1

RGB 255 238 161

HSL 49.15, 1%, 0.82%

LAB 93.88, -4.99, 39.37

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 0 / 5 / 34 / 2

HEX #FBEEA6

RGB 251 238 166

HSL 50.82, 0.91%, 0.82%

LAB 93.63, -5.94, 36.49

 

CMYK 0 / 6 / 37 / 8

HEX #EADC93

RGB 234 220 147

HSL 50.34, 0.67%, 0.75%

LAB 87.38, -5.56, 37.61

 

CMYK 0 / 7 / 41 / 15

HEX #D9CA80

RGB 217 202 128

HSL 49.89, 0.54%, 0.68%

LAB 81.04, -5.12, 38.79

 

CMYK 0 / 8 / 46 / 22

HEX #C8B86D

RGB 200 184 109

HSL 49.45, 0.45%, 0.61%

LAB 74.61, -4.6, 40.01

 

CMYK 0 / 9 / 51 / 28

HEX #B7A65A

RGB 183 166 90

HSL 49.03, 0.39%, 0.54%

LAB 68.08, -3.99, 41.26

 

CMYK 0 / 5 / 33 / 2

HEX #FAEEA7

RGB 250 238 167

HSL 51.33, 0.89%, 0.82%

LAB 93.56, -6.21, 35.88

 

CMYK 0 / 14 / 33 / 2

HEX #FAD7A7

RGB 250 215 167

HSL 34.7, 0.89%, 0.82%

LAB 87.83, 5.48, 28.22

 

CMYK 0 / 23 / 33 / 2

HEX #FAC1A7

RGB 250 193 167

HSL 18.8, 0.89%, 0.82%

LAB 82.52, 16.94, 20.95

 

CMYK 0 / 32 / 33 / 2

HEX #FAAAA7

RGB 250 170 167

HSL 2.17, 0.89%, 0.82%

LAB 77.2, 29.03, 13.54

 

CMYK 0 / 33 / 33 / 2

HEX #FAA7A7

RGB 250 167 167

HSL 0, 0.89%, 0.82%

LAB 76.53, 30.61, 12.59

 

CMYK 0 / 5 / 33 / 2

HEX #FAEEA7

RGB 250 238 167

HSL 51.33, 0.89%, 0.82%

LAB 93.56, -6.21, 35.88

 

CMYK 4 / 0 / 33 / 2

HEX #F1FAA7

RGB 241 250 167

HSL 66.51, 0.89%, 0.82%

LAB 95.94, -15.51, 38.88

 

CMYK 13 / 0 / 33 / 2

HEX #DAFAA7

RGB 218 250 167

HSL 83.13, 0.89%, 0.82%

LAB 94.34, -23.91, 36.48

 

CMYK 22 / 0 / 33 / 2

HEX #C4FAA7

RGB 196 250 167

HSL 99.04, 0.89%, 0.82%

LAB 92.97, -31.62, 34.41

 

CMYK 31 / 0 / 33 / 2

HEX #ADFAA7

RGB 173 250 167

HSL 115.66, 0.89%, 0.82%

LAB 91.71, -39.19, 32.51

 

CMYK 0 / 5 / 33 / 2

HEX #FAEEA7

RGB 250 238 167

HSL 51.33, 0.89%, 0.82%

LAB 93.56, -6.21, 35.88

 

CMYK 0 / 5 / 33 / 2

HEX #FAEEA7

RGB 250 238 167

HSL 51.33, 0.89%, 0.82%

LAB 93.56, -6.21, 35.88

 

CMYK 0 / 5 / 28 / 5

HEX #F3E8AE

RGB 243 232 174

HSL 50.43, 0.74%, 0.82%

LAB 91.61, -4.97, 29.62

 

CMYK 0 / 4 / 23 / 7

HEX #ECE3B6

RGB 236 227 182

HSL 50, 0.59%, 0.82%

LAB 89.93, -3.97, 23.12

 

CMYK 0 / 3 / 17 / 11

HEX #E4DEBD

RGB 228 222 189

HSL 50.77, 0.42%, 0.82%

LAB 88.17, -3.34, 16.94

 

CMYK 0 / 2 / 11 / 13

HEX #DDD9C5

RGB 221 217 197

HSL 50, 0.26%, 0.82%

LAB 86.52, -2.03, 10.33

 

CMYK 0 / 23 / 33 / 2

HEX #FAC0A7

RGB 250 192 167

HSL 18.07, 0.89%, 0.82%

LAB 82.28, 17.46, 20.63

 

CMYK 0 / 14 / 33 / 2

HEX #FAD6A7

RGB 250 214 167

HSL 33.98, 0.89%, 0.82%

LAB 87.59, 6, 27.89

 

CMYK 0 / 6 / 33 / 2

HEX #FAECA7

RGB 250 236 167

HSL 49.88, 0.89%, 0.82%

LAB 93.06, -5.2, 35.22

 

CMYK 3 / 0 / 33 / 2

HEX #F2FAA7

RGB 242 250 167

HSL 65.78, 0.89%, 0.82%

LAB 96.01, -15.14, 38.99

 

CMYK 12 / 0 / 33 / 2

HEX #DCFAA7

RGB 220 250 167

HSL 81.69, 0.89%, 0.82%

LAB 94.47, -23.2, 36.68

 

CMYK 0 / 10 / 64 / 3

HEX #F7DE58

RGB 247 222 88

HSL 50.57, 0.91%, 0.66%

LAB 88.31, -6.33, 66.59

 

CMYK 0 / 8 / 49 / 2

HEX #F9E67F

RGB 249 230 127

HSL 50.66, 0.91%, 0.74%

LAB 90.9, -6.69, 52.13

 

CMYK 0 / 5 / 33 / 2

HEX #FAEEA7

RGB 250 238 167

HSL 51.33, 0.89%, 0.82%

LAB 93.56, -6.21, 35.88

 

CMYK 0 / 3 / 18 / 1

HEX #FCF5CE

RGB 252 245 206

HSL 50.87, 0.88%, 0.9%

LAB 96.19, -3.85, 19.64

 

CMYK 0 / 0 / 3 / 0

HEX #FEFDF6

RGB 254 253 246

HSL 52.5, 0.8%, 0.98%

LAB 99.21, -0.87, 3.45

 

CMYK 0 / 5 / 34 / 2

HEX #FBEEA6

RGB 251 238 166

HSL 50.82, 0.91%, 0.82%

LAB 93.63, -5.94, 36.49

 

CMYK 33 / 0 / 32 / 2

HEX #A7FAAA

RGB 167 250 170

HSL 122.17, 0.89%, 0.82%

LAB 91.46, -40.59, 30.61

 

CMYK 19 / 33 / 0 / 2

HEX #CBA7FA

RGB 203 167 250

HSL 266.02, 0.89%, 0.82%

LAB 74.34, 29.02, -36.43

 

CMYK 0 / 5 / 34 / 2

HEX #FBEEA6

RGB 251 238 166

HSL 50.82, 0.91%, 0.82%

LAB 93.63, -5.94, 36.49

 

CMYK 33 / 0 / 6 / 2

HEX #A7FAEC

RGB 167 250 236

HSL 169.88, 0.89%, 0.82%

LAB 92.86, -28.11, -1.3

 

CMYK 6 / 33 / 0 / 2

HEX #ECA7FA

RGB 236 167 250

HSL 289.88, 0.89%, 0.82%

LAB 77.5, 38.99, -31.29

 

CMYK 0 / 5 / 34 / 2

HEX #FBEEA6

RGB 251 238 166

HSL 50.82, 0.91%, 0.82%

LAB 93.63, -5.94, 36.49

 

CMYK 33 / 0 / 32 / 2

HEX #A7FAAA

RGB 167 250 170

HSL 122.17, 0.89%, 0.82%

LAB 91.46, -40.59, 30.61

 

CMYK 33 / 28 / 0 / 2

HEX #A7B5FA

RGB 167 181 250

HSL 229.88, 0.89%, 0.82%

LAB 74.93, 10.92, -35.75

 

CMYK 0 / 33 / 1 / 2

HEX #FAA7F8

RGB 250 167 248

HSL 301.45, 0.89%, 0.82%

LAB 78.89, 42.92, -27.96

 

CMYK 0 / 5 / 34 / 2

HEX #FBEEA6

RGB 251 238 166

HSL 50.82, 0.91%, 0.82%

LAB 93.63, -5.94, 36.49

 

CMYK 33 / 0 / 22 / 2

HEX #A7FAC3

RGB 167 250 195

HSL 140.24, 0.89%, 0.82%

LAB 91.92, -36.32, 18.53

 

CMYK 33 / 28 / 0 / 2

HEX #A7B5FA

RGB 167 181 250

HSL 229.88, 0.89%, 0.82%

LAB 74.93, 10.92, -35.75

 

CMYK 0 / 33 / 11 / 2

HEX #FAA7DF

RGB 250 167 223

HSL 319.52, 0.89%, 0.82%

LAB 78.05, 38.65, -15.72

 

Description

Color code: HEX #FBEEA6 | qconv.com Color code: HEX #FBEEA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 238 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 238 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 34% 2% C M Y K

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Provide designers and agencies with accurate color values.

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