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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBF182 it is the complementary color #040E7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBF182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBF182 shade: #FFF17D, #FFFF90, #FFFFA3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBF182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBF182 shade: #FBF182, #EADF6F, #D9CD5C, #C8BB49 and #B7A936

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBF182 shade: #FBF183, #FBD083, #FBB083, #FB9083 and #FB8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBF182 shade: #FBF183, #E4FB83, #C4FB83, #A4FB83 and #83FB83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBF182 shade matches the following richer shades: #FBF183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBF182 shade: #FBF183, #F0E88D, #E6E097, #DCD7A2 and #D1CEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBF182 shade: #FBB183, #FBD183, #FBF183, #E5FB83 and #C5FB83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBF182 shade: #F8E833, #F9EC5B, #FBF183, #FCF5AB and #FDFAD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBF182 shade: #FBF182, #83FB91 and #C183FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBF182 shade: #FBF182, #83FBF1 and #F183FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBF182 shade: #FBF182, #83FB91, #838DFB and #FB83ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBF182 shade: #FBF182, #83FBB5, #838DFB and #FB83C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 48 / 2

HEX #FBF182

RGB 251 241 130

HSL 55.04, 0.94%, 0.75%

LAB 93.9, -11.1, 54.37

 

Complementary color

CMYK 97 / 89 / 0 / 51

HEX #040E7D

RGB 4 14 125

HSL 235.04, 0.94%, 0.25%

LAB 14.52, 41.05, -60.21

 

CMYK 0 / 5 / 51 / 0

HEX #FFF17D

RGB 255 241 125

HSL 53.54, 1%, 0.75%

LAB 94.16, -9.95, 57.09

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 4 / 48 / 2

HEX #FBF182

RGB 251 241 130

HSL 55.04, 0.94%, 0.75%

LAB 93.9, -11.1, 54.37

 

CMYK 0 / 5 / 53 / 8

HEX #EADF6F

RGB 234 223 111

HSL 54.63, 0.75%, 0.68%

LAB 87.69, -10.54, 55.5

 

CMYK 0 / 6 / 58 / 15

HEX #D9CD5C

RGB 217 205 92

HSL 54.24, 0.62%, 0.61%

LAB 81.39, -9.87, 56.57

 

CMYK 0 / 7 / 64 / 22

HEX #C8BB49

RGB 200 187 73

HSL 53.86, 0.54%, 0.54%

LAB 75.01, -9.09, 57.51

 

CMYK 0 / 8 / 70 / 28

HEX #B7A936

RGB 183 169 54

HSL 53.49, 0.54%, 0.46%

LAB 68.54, -8.14, 58.16

 

CMYK 0 / 4 / 48 / 2

HEX #FBF183

RGB 251 241 131

HSL 55, 0.94%, 0.75%

LAB 93.91, -11.02, 53.92

 

CMYK 0 / 17 / 48 / 2

HEX #FBD083

RGB 251 208 131

HSL 38.5, 0.94%, 0.75%

LAB 85.63, 5.66, 43.73

 

CMYK 0 / 30 / 48 / 2

HEX #FBB083

RGB 251 176 131

HSL 22.5, 0.94%, 0.75%

LAB 77.99, 22.36, 33.96

 

CMYK 0 / 43 / 48 / 2

HEX #FB9083

RGB 251 144 131

HSL 6.5, 0.94%, 0.75%

LAB 70.94, 39.02, 24.61

 

CMYK 0 / 48 / 48 / 2

HEX #FB8383

RGB 251 131 131

HSL 0, 0.94%, 0.75%

LAB 68.3, 45.57, 21.04

 

CMYK 0 / 4 / 48 / 2

HEX #FBF183

RGB 251 241 131

HSL 55, 0.94%, 0.75%

LAB 93.91, -11.02, 53.92

 

CMYK 9 / 0 / 48 / 2

HEX #E4FB83

RGB 228 251 131

HSL 71.5, 0.94%, 0.75%

LAB 94.79, -24.76, 54.58

 

CMYK 22 / 0 / 48 / 2

HEX #C4FB83

RGB 196 251 131

HSL 87.5, 0.94%, 0.75%

LAB 92.74, -36.56, 51.61

 

CMYK 35 / 0 / 48 / 2

HEX #A4FB83

RGB 164 251 131

HSL 103.5, 0.94%, 0.75%

LAB 91.02, -47.42, 49.11

 

CMYK 48 / 0 / 48 / 2

HEX #83FB83

RGB 131 251 131

HSL 120, 0.94%, 0.75%

LAB 89.61, -57.16, 47.05

 

CMYK 0 / 4 / 48 / 2

HEX #FBF183

RGB 251 241 131

HSL 55, 0.94%, 0.75%

LAB 93.91, -11.02, 53.92

 

CMYK 0 / 4 / 48 / 2

HEX #FBF183

RGB 251 241 131

HSL 55, 0.94%, 0.75%

LAB 93.91, -11.02, 53.92

 

CMYK 0 / 3 / 41 / 6

HEX #F0E88D

RGB 240 232 141

HSL 55.15, 0.77%, 0.75%

LAB 90.85, -9.91, 45.15

 

CMYK 0 / 3 / 34 / 10

HEX #E6E097

RGB 230 224 151

HSL 55.44, 0.61%, 0.75%

LAB 88.15, -8.67, 36.53

 

CMYK 0 / 2 / 26 / 14

HEX #DCD7A2

RGB 220 215 162

HSL 54.83, 0.45%, 0.75%

LAB 85.21, -6.54, 26.84

 

CMYK 0 / 1 / 18 / 18

HEX #D1CEAC

RGB 209 206 172

HSL 55.14, 0.29%, 0.75%

LAB 82.2, -4.6, 17.32

 

CMYK 0 / 29 / 48 / 2

HEX #FBB183

RGB 251 177 131

HSL 23, 0.94%, 0.75%

LAB 78.22, 21.83, 34.26

 

CMYK 0 / 17 / 48 / 2

HEX #FBD183

RGB 251 209 131

HSL 39, 0.94%, 0.75%

LAB 85.88, 5.14, 44.03

 

CMYK 0 / 4 / 48 / 2

HEX #FBF183

RGB 251 241 131

HSL 55, 0.94%, 0.75%

LAB 93.91, -11.02, 53.92

 

CMYK 9 / 0 / 48 / 2

HEX #E5FB83

RGB 229 251 131

HSL 71, 0.94%, 0.75%

LAB 94.86, -24.38, 54.68

 

CMYK 22 / 0 / 48 / 2

HEX #C5FB83

RGB 197 251 131

HSL 87, 0.94%, 0.75%

LAB 92.8, -36.21, 51.69

 

CMYK 0 / 6 / 79 / 3

HEX #F8E833

RGB 248 232 51

HSL 55.13, 0.93%, 0.59%

LAB 90.74, -12.52, 81.72

 

CMYK 0 / 5 / 63 / 2

HEX #F9EC5B

RGB 249 236 91

HSL 55.06, 0.93%, 0.67%

LAB 92.08, -12.3, 69.4

 

CMYK 0 / 4 / 48 / 2

HEX #FBF183

RGB 251 241 131

HSL 55, 0.94%, 0.75%

LAB 93.91, -11.02, 53.92

 

CMYK 0 / 3 / 32 / 1

HEX #FCF5AB

RGB 252 245 171

HSL 54.81, 0.93%, 0.83%

LAB 95.56, -8.47, 36.54

 

CMYK 0 / 1 / 17 / 1

HEX #FDFAD3

RGB 253 250 211

HSL 55.71, 0.91%, 0.91%

LAB 97.61, -5.27, 19.1

 

CMYK 0 / 4 / 48 / 2

HEX #FBF182

RGB 251 241 130

HSL 55.04, 0.94%, 0.75%

LAB 93.9, -11.1, 54.37

 

CMYK 48 / 0 / 42 / 2

HEX #83FB91

RGB 131 251 145

HSL 127, 0.94%, 0.75%

LAB 89.8, -55.19, 40.55

 

CMYK 23 / 48 / 0 / 2

HEX #C183FB

RGB 193 131 251

HSL 271, 0.94%, 0.75%

LAB 65.39, 46.05, -51.08

 

CMYK 0 / 4 / 48 / 2

HEX #FBF182

RGB 251 241 130

HSL 55.04, 0.94%, 0.75%

LAB 93.9, -11.1, 54.37

 

CMYK 48 / 0 / 4 / 2

HEX #83FBF1

RGB 131 251 241

HSL 175, 0.94%, 0.75%

LAB 91.76, -36.2, -5.68

 

CMYK 4 / 48 / 0 / 2

HEX #F183FB

RGB 241 131 251

HSL 295, 0.94%, 0.75%

LAB 70.8, 59.03, -42.19

 

CMYK 0 / 4 / 48 / 2

HEX #FBF182

RGB 251 241 130

HSL 55.04, 0.94%, 0.75%

LAB 93.9, -11.1, 54.37

 

CMYK 48 / 0 / 42 / 2

HEX #83FB91

RGB 131 251 145

HSL 127, 0.94%, 0.75%

LAB 89.8, -55.19, 40.55

 

CMYK 48 / 44 / 0 / 2

HEX #838DFB

RGB 131 141 251

HSL 235, 0.94%, 0.75%

LAB 62.37, 24.95, -56.19

 

CMYK 0 / 48 / 6 / 2

HEX #FB83ED

RGB 251 131 237

HSL 307, 0.94%, 0.75%

LAB 71.46, 59.41, -33.41

 

CMYK 0 / 4 / 48 / 2

HEX #FBF182

RGB 251 241 130

HSL 55.04, 0.94%, 0.75%

LAB 93.9, -11.1, 54.37

 

CMYK 48 / 0 / 28 / 2

HEX #83FBB5

RGB 131 251 181

HSL 145, 0.94%, 0.75%

LAB 90.39, -49.14, 23.33

 

CMYK 48 / 44 / 0 / 2

HEX #838DFB

RGB 131 141 251

HSL 235, 0.94%, 0.75%

LAB 62.37, 24.95, -56.19

 

CMYK 0 / 48 / 20 / 2

HEX #FB83C9

RGB 251 131 201

HSL 325, 0.94%, 0.75%

LAB 70.15, 53.85, -15.52

 

Description

Color code: HEX #FBF182 | qconv.com Color code: HEX #FBF182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 241 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 241 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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