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Color name
HEX #FC2F8F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC2F8F it is the complementary color #03D070. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC2F8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC2F8F shade: #FF2F8A, #FF419D, #FF53B0, #FF65C3 and #FF77D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC2F8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC2F8F shade: #FC2F8F, #EB1D7C, #DA0B69, #C90056 and #B80043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC2F8F shade: #FB3190, #FB3159 and #FB3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC2F8F shade: #FB3190, #FB31C6, #FA31FB, #C331FB and #8C31FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC2F8F shade matches the following richer shades: #FB3190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC2F8F shade: #FB3190, #EA4191, #DA5292, #C96393 and #B87494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC2F8F shade: #F831FB, #FB31C9, #FB3193, #FB315C and #FB3B31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC2F8F shade: #D70366, #FB087A, #FB3190, #FC59A5 and #FD82BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC2F8F shade: #FC2F8F, #FBC231 and #31E4FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC2F8F shade: #FC2F8F, #93FB31 and #3193FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC2F8F shade: #FC2F8F, #FBC231, #31FB99 and #316AFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC2F8F shade: #FC2F8F, #F8FB31, #31FB99 and #3431FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 43 / 1

HEX #FC2F8F

RGB 252 47 143

HSL 331.9, 0.97%, 0.59%

LAB 56.79, 79.14, -2.17

 

Complementary color

CMYK 99 / 0 / 46 / 18

HEX #03D070

RGB 3 208 112

HSL 151.9, 0.97%, 0.41%

LAB 73.74, -64.26, 35.75

 

CMYK 0 / 82 / 46 / 0

HEX #FF2F8A

RGB 255 47 138

HSL 333.75, 1%, 0.59%

LAB 57.2, 79.43, 1.45

 

CMYK 0 / 75 / 38 / 0

HEX #FF419D

RGB 255 65 157

HSL 330.95, 1%, 0.63%

LAB 59.41, 76.46, -6.47

 

CMYK 0 / 67 / 31 / 0

HEX #FF53B0

RGB 255 83 176

HSL 327.56, 1%, 0.66%

LAB 62.15, 72.52, -13.37

 

CMYK 0 / 60 / 24 / 0

HEX #FF65C3

RGB 255 101 195

HSL 323.38, 1%, 0.7%

LAB 65.36, 67.82, -19.34

 

CMYK 0 / 53 / 16 / 0

HEX #FF77D6

RGB 255 119 214

HSL 318.09, 1%, 0.73%

LAB 68.97, 62.59, -24.48

 

CMYK 0 / 81 / 43 / 1

HEX #FC2F8F

RGB 252 47 143

HSL 331.9, 0.97%, 0.59%

LAB 56.79, 79.14, -2.17

 

CMYK 0 / 88 / 47 / 8

HEX #EB1D7C

RGB 235 29 124

HSL 332.33, 0.84%, 0.52%

LAB 51.83, 77.05, 1.57

 

CMYK 0 / 95 / 52 / 15

HEX #DA0B69

RGB 218 11 105

HSL 332.75, 0.9%, 0.45%

LAB 47.19, 73.95, 6.07

 

CMYK 0 / 100 / 57 / 21

HEX #C90056

RGB 201 0 86

HSL 334.33, 1%, 0.39%

LAB 42.9, 69.73, 11.4

 

CMYK 0 / 100 / 64 / 28

HEX #B80043

RGB 184 0 67

HSL 338.15, 1%, 0.36%

LAB 38.89, 64.62, 17.45

 

CMYK 0 / 80 / 43 / 2

HEX #FB3190

RGB 251 49 144

HSL 331.78, 0.96%, 0.59%

LAB 56.8, 78.53, -2.77

 

CMYK 0 / 80 / 65 / 2

HEX #FB3159

RGB 251 49 89

HSL 348.12, 0.96%, 0.59%

LAB 55.51, 74.67, 28.15

 

CMYK 0 / 80 / 80 / 2

HEX #FB3131

RGB 251 49 49

HSL 0, 0.96%, 0.59%

LAB 55, 73.1, 50.09

 

CMYK 0 / 80 / 43 / 2

HEX #FB3190

RGB 251 49 144

HSL 331.78, 0.96%, 0.59%

LAB 56.8, 78.53, -2.77

 

CMYK 0 / 80 / 21 / 2

HEX #FB31C6

RGB 251 49 198

HSL 315.74, 0.96%, 0.59%

LAB 58.77, 84.2, -31.23

 

CMYK 0 / 80 / 0 / 2

HEX #FA31FB

RGB 250 49 251

HSL 299.7, 0.96%, 0.59%

LAB 61.21, 91.15, -57.26

 

CMYK 22 / 80 / 0 / 2

HEX #C331FB

RGB 195 49 251

HSL 283.37, 0.96%, 0.59%

LAB 52.69, 81.76, -71.41

 

CMYK 44 / 80 / 0 / 2

HEX #8C31FB

RGB 140 49 251

HSL 267.03, 0.96%, 0.59%

LAB 45.27, 73.76, -83.82

 

CMYK 0 / 80 / 43 / 2

HEX #FB3190

RGB 251 49 144

HSL 331.78, 0.96%, 0.59%

LAB 56.8, 78.53, -2.77

 

CMYK 0 / 80 / 43 / 2

HEX #FB3190

RGB 251 49 144

HSL 331.78, 0.96%, 0.59%

LAB 56.8, 78.53, -2.77

 

CMYK 0 / 72 / 38 / 8

HEX #EA4191

RGB 234 65 145

HSL 331.6, 0.8%, 0.59%

LAB 55.4, 69.84, -5.77

 

CMYK 0 / 62 / 33 / 15

HEX #DA5292

RGB 218 82 146

HSL 331.76, 0.65%, 0.59%

LAB 55.09, 59.06, -7.11

 

CMYK 0 / 51 / 27 / 21

HEX #C96393

RGB 201 99 147

HSL 331.76, 0.49%, 0.59%

LAB 55.53, 45.97, -7.31

 

CMYK 0 / 37 / 20 / 28

HEX #B87494

RGB 184 116 148

HSL 331.76, 0.32%, 0.59%

LAB 56.9, 31.27, -6.1

 

CMYK 1 / 80 / 0 / 2

HEX #F831FB

RGB 248 49 251

HSL 299.11, 0.96%, 0.59%

LAB 60.89, 90.79, -57.79

 

CMYK 0 / 80 / 20 / 2

HEX #FB31C9

RGB 251 49 201

HSL 314.85, 0.96%, 0.59%

LAB 58.9, 84.57, -32.74

 

CMYK 0 / 80 / 41 / 2

HEX #FB3193

RGB 251 49 147

HSL 330.89, 0.96%, 0.59%

LAB 56.89, 78.79, -4.41

 

CMYK 0 / 80 / 63 / 2

HEX #FB315C

RGB 251 49 92

HSL 347.23, 0.96%, 0.59%

LAB 55.56, 74.83, 26.44

 

CMYK 0 / 76 / 80 / 2

HEX #FB3B31

RGB 251 59 49

HSL 2.97, 0.96%, 0.59%

LAB 55.95, 70.43, 51.01

 

CMYK 0 / 99 / 53 / 16

HEX #D70366

RGB 215 3 102

HSL 331.98, 0.97%, 0.43%

LAB 46.27, 73.73, 6.54

 

CMYK 0 / 97 / 51 / 2

HEX #FB087A

RGB 251 8 122

HSL 331.85, 0.97%, 0.51%

LAB 54.12, 82.73, 6.47

 

CMYK 0 / 80 / 43 / 2

HEX #FB3190

RGB 251 49 144

HSL 331.78, 0.96%, 0.59%

LAB 56.8, 78.53, -2.77

 

CMYK 0 / 65 / 35 / 1

HEX #FC59A5

RGB 252 89 165

HSL 332.02, 0.96%, 0.67%

LAB 62.13, 68.22, -7.12

 

CMYK 0 / 49 / 26 / 1

HEX #FD82BB

RGB 253 130 187

HSL 332.2, 0.97%, 0.75%

LAB 69.78, 53.04, -8.23

 

CMYK 0 / 81 / 43 / 1

HEX #FC2F8F

RGB 252 47 143

HSL 331.9, 0.97%, 0.59%

LAB 56.79, 79.14, -2.17

 

CMYK 0 / 23 / 80 / 2

HEX #FBC231

RGB 251 194 49

HSL 43.07, 0.96%, 0.59%

LAB 81.46, 7.93, 74.3

 

CMYK 80 / 9 / 0 / 2

HEX #31E4FB

RGB 49 228 251

HSL 186.83, 0.96%, 0.59%

LAB 83.5, -35.11, -23.5

 

CMYK 0 / 81 / 43 / 1

HEX #FC2F8F

RGB 252 47 143

HSL 331.9, 0.97%, 0.59%

LAB 56.79, 79.14, -2.17

 

CMYK 41 / 0 / 80 / 2

HEX #93FB31

RGB 147 251 49

HSL 90.89, 0.96%, 0.59%

LAB 89.59, -59.5, 78.8

 

CMYK 80 / 41 / 0 / 2

HEX #3193FB

RGB 49 147 251

HSL 210.89, 0.96%, 0.59%

LAB 60.32, 8.06, -59.67

 

CMYK 0 / 81 / 43 / 1

HEX #FC2F8F

RGB 252 47 143

HSL 331.9, 0.97%, 0.59%

LAB 56.79, 79.14, -2.17

 

CMYK 0 / 23 / 80 / 2

HEX #FBC231

RGB 251 194 49

HSL 43.07, 0.96%, 0.59%

LAB 81.46, 7.93, 74.3

 

CMYK 80 / 0 / 39 / 2

HEX #31FB99

RGB 49 251 153

HSL 150.89, 0.96%, 0.59%

LAB 87.94, -68.67, 33.81

 

CMYK 80 / 58 / 0 / 2

HEX #316AFB

RGB 49 106 251

HSL 223.07, 0.96%, 0.59%

LAB 49.41, 33.37, -77.31

 

CMYK 0 / 81 / 43 / 1

HEX #FC2F8F

RGB 252 47 143

HSL 331.9, 0.97%, 0.59%

LAB 56.79, 79.14, -2.17

 

CMYK 1 / 0 / 80 / 2

HEX #F8FB31

RGB 248 251 49

HSL 60.89, 0.96%, 0.59%

LAB 95.65, -21.78, 86.46

 

CMYK 80 / 0 / 39 / 2

HEX #31FB99

RGB 49 251 153

HSL 150.89, 0.96%, 0.59%

LAB 87.94, -68.67, 33.81

 

CMYK 79 / 80 / 0 / 2

HEX #3431FB

RGB 52 49 251

HSL 240.89, 0.96%, 0.59%

LAB 37.65, 65.79, -96.67

 

Description

Color code: HEX #FC2F8F | qconv.com Color code: HEX #FC2F8F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 47 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 47 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 43% 1% C M Y K

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