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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC3482 it is the complementary color #03CB7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC3482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC3482 shade: #FF347D, #FF4690, #FF58A3, #FF6AB6 and #FF7CC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC3482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC3482 shade: #FC3482, #EB226F, #DA105C, #C90049 and #B80036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC3482 shade: #FB3683, #FB364D and #FB3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC3482 shade: #FB3683, #FB36B8, #FB36ED, #D436FB and #9F36FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC3482 shade matches the following richer shades: #FB3683

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC3482 shade: #FB3683, #EB4686, #DA578A, #CA678E and #B97891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC3482 shade: #FB36EE, #FB36B9, #FB3685, #FB3650 and #FB5036

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC3482 shade: #DC0357, #FB0D6A, #FB3683, #FC5E9C and #FD87B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC3482 shade: #FC3482, #FBD436 and #36D4FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC3482 shade: #FC3482, #85FB36 and #3685FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC3482 shade: #FC3482, #FBD436, #36FBAC and #365DFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC3482 shade: #FC3482, #E8FB36, #36FBAC and #4936FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 48 / 1

HEX #FC3482

RGB 252 52 130

HSL 336.6, 0.97%, 0.6%

LAB 56.84, 76.87, 5.61

 

Complementary color

CMYK 99 / 0 / 38 / 20

HEX #03CB7D

RGB 3 203 125

HSL 156.6, 0.97%, 0.4%

LAB 72.37, -60.14, 27.31

 

CMYK 0 / 80 / 51 / 0

HEX #FF347D

RGB 255 52 125

HSL 338.42, 1%, 0.6%

LAB 57.27, 77.24, 9.26

 

CMYK 0 / 73 / 44 / 0

HEX #FF4690

RGB 255 70 144

HSL 336, 1%, 0.64%

LAB 59.57, 73.7, 1.37

 

CMYK 0 / 65 / 36 / 0

HEX #FF58A3

RGB 255 88 163

HSL 333.05, 1%, 0.67%

LAB 62.41, 69.23, -5.51

 

CMYK 0 / 58 / 29 / 0

HEX #FF6AB6

RGB 255 106 182

HSL 329.4, 1%, 0.71%

LAB 65.71, 64.06, -11.46

 

CMYK 0 / 51 / 21 / 0

HEX #FF7CC9

RGB 255 124 201

HSL 324.73, 1%, 0.74%

LAB 69.39, 58.43, -16.6

 

CMYK 0 / 79 / 48 / 1

HEX #FC3482

RGB 252 52 130

HSL 336.6, 0.97%, 0.6%

LAB 56.84, 76.87, 5.61

 

CMYK 0 / 86 / 53 / 8

HEX #EB226F

RGB 235 34 111

HSL 337.01, 0.83%, 0.53%

LAB 51.79, 75.2, 9.38

 

CMYK 0 / 93 / 58 / 15

HEX #DA105C

RGB 218 16 92

HSL 337.43, 0.86%, 0.46%

LAB 47.04, 72.57, 13.91

 

CMYK 0 / 100 / 64 / 21

HEX #C90049

RGB 201 0 73

HSL 338.21, 1%, 0.39%

LAB 42.61, 68.96, 19.21

 

CMYK 0 / 100 / 71 / 28

HEX #B80036

RGB 184 0 54

HSL 342.39, 1%, 0.36%

LAB 38.65, 63.97, 25.43

 

CMYK 0 / 78 / 48 / 2

HEX #FB3683

RGB 251 54 131

HSL 336.55, 0.96%, 0.6%

LAB 56.87, 76.19, 5.03

 

CMYK 0 / 78 / 69 / 2

HEX #FB364D

RGB 251 54 77

HSL 352.99, 0.96%, 0.6%

LAB 55.77, 72.82, 35.49

 

CMYK 0 / 78 / 78 / 2

HEX #FB3636

RGB 251 54 54

HSL 0, 0.96%, 0.6%

LAB 55.5, 71.96, 47.98

 

CMYK 0 / 78 / 48 / 2

HEX #FB3683

RGB 251 54 131

HSL 336.55, 0.96%, 0.6%

LAB 56.87, 76.19, 5.03

 

CMYK 0 / 78 / 27 / 2

HEX #FB36B8

RGB 251 54 184

HSL 320.41, 0.96%, 0.6%

LAB 58.61, 81.37, -23.43

 

CMYK 0 / 78 / 6 / 2

HEX #FB36ED

RGB 251 54 237

HSL 304.26, 0.96%, 0.6%

LAB 61.01, 88.19, -49.77

 

CMYK 16 / 78 / 0 / 2

HEX #D436FB

RGB 212 54 251

HSL 288.12, 0.96%, 0.6%

LAB 55.69, 83.24, -66.44

 

CMYK 37 / 78 / 0 / 2

HEX #9F36FB

RGB 159 54 251

HSL 271.98, 0.96%, 0.6%

LAB 48.23, 74.68, -78.89

 

CMYK 0 / 78 / 48 / 2

HEX #FB3683

RGB 251 54 131

HSL 336.55, 0.96%, 0.6%

LAB 56.87, 76.19, 5.03

 

CMYK 0 / 78 / 48 / 2

HEX #FB3683

RGB 251 54 131

HSL 336.55, 0.96%, 0.6%

LAB 56.87, 76.19, 5.03

 

CMYK 0 / 70 / 43 / 8

HEX #EB4686

RGB 235 70 134

HSL 336.73, 0.8%, 0.6%

LAB 55.85, 67.33, 1.42

 

CMYK 0 / 60 / 37 / 15

HEX #DA578A

RGB 218 87 138

HSL 336.64, 0.64%, 0.6%

LAB 55.64, 55.98, -1.58

 

CMYK 0 / 49 / 30 / 21

HEX #CA678E

RGB 202 103 142

HSL 336.36, 0.48%, 0.6%

LAB 56.3, 43.62, -3.24

 

CMYK 0 / 35 / 22 / 27

HEX #B97891

RGB 185 120 145

HSL 336.92, 0.32%, 0.6%

LAB 57.84, 28.97, -2.96

 

CMYK 0 / 78 / 5 / 2

HEX #FB36EE

RGB 251 54 238

HSL 303.96, 0.96%, 0.6%

LAB 61.06, 88.33, -50.25

 

CMYK 0 / 78 / 26 / 2

HEX #FB36B9

RGB 251 54 185

HSL 320.1, 0.96%, 0.6%

LAB 58.65, 81.49, -23.95

 

CMYK 0 / 78 / 47 / 2

HEX #FB3685

RGB 251 54 133

HSL 335.94, 0.96%, 0.6%

LAB 56.92, 76.36, 3.92

 

CMYK 0 / 78 / 68 / 2

HEX #FB3650

RGB 251 54 80

HSL 352.08, 0.96%, 0.6%

LAB 55.81, 72.96, 33.8

 

CMYK 0 / 68 / 78 / 2

HEX #FB5036

RGB 251 80 54

HSL 7.92, 0.96%, 0.6%

LAB 58.52, 63.57, 51.03

 

CMYK 0 / 99 / 60 / 14

HEX #DC0357

RGB 220 3 87

HSL 336.77, 0.97%, 0.44%

LAB 46.93, 73.9, 16.93

 

CMYK 0 / 95 / 58 / 2

HEX #FB0D6A

RGB 251 13 106

HSL 336.55, 0.97%, 0.52%

LAB 53.85, 81.33, 15.76

 

CMYK 0 / 78 / 48 / 2

HEX #FB3683

RGB 251 54 131

HSL 336.55, 0.96%, 0.6%

LAB 56.87, 76.19, 5.03

 

CMYK 0 / 63 / 38 / 1

HEX #FC5E9C

RGB 252 94 156

HSL 336.46, 0.96%, 0.68%

LAB 62.59, 65.26, -1.25

 

CMYK 0 / 47 / 28 / 1

HEX #FD87B5

RGB 253 135 181

HSL 336.61, 0.97%, 0.76%

LAB 70.56, 49.81, -3.72

 

CMYK 0 / 79 / 48 / 1

HEX #FC3482

RGB 252 52 130

HSL 336.6, 0.97%, 0.6%

LAB 56.84, 76.87, 5.61

 

CMYK 0 / 16 / 78 / 2

HEX #FBD436

RGB 251 212 54

HSL 48.12, 0.96%, 0.6%

LAB 85.94, -1.16, 76.73

 

CMYK 78 / 16 / 0 / 2

HEX #36D4FB

RGB 54 212 251

HSL 191.88, 0.96%, 0.6%

LAB 78.95, -26.98, -30.45

 

CMYK 0 / 79 / 48 / 1

HEX #FC3482

RGB 252 52 130

HSL 336.6, 0.97%, 0.6%

LAB 56.84, 76.87, 5.61

 

CMYK 47 / 0 / 78 / 2

HEX #85FB36

RGB 133 251 54

HSL 95.94, 0.96%, 0.6%

LAB 89.04, -63.53, 76.77

 

CMYK 78 / 47 / 0 / 2

HEX #3685FB

RGB 54 133 251

HSL 215.94, 0.96%, 0.6%

LAB 56.61, 17.01, -65.63

 

CMYK 0 / 79 / 48 / 1

HEX #FC3482

RGB 252 52 130

HSL 336.6, 0.97%, 0.6%

LAB 56.84, 76.87, 5.61

 

CMYK 0 / 16 / 78 / 2

HEX #FBD436

RGB 251 212 54

HSL 48.12, 0.96%, 0.6%

LAB 85.94, -1.16, 76.73

 

CMYK 78 / 0 / 31 / 2

HEX #36FBAC

RGB 54 251 172

HSL 155.94, 0.96%, 0.6%

LAB 88.33, -64.49, 24.78

 

CMYK 78 / 63 / 0 / 2

HEX #365DFB

RGB 54 93 251

HSL 228.12, 0.96%, 0.6%

LAB 46.42, 41.86, -82.19

 

CMYK 0 / 79 / 48 / 1

HEX #FC3482

RGB 252 52 130

HSL 336.6, 0.97%, 0.6%

LAB 56.84, 76.87, 5.61

 

CMYK 8 / 0 / 78 / 2

HEX #E8FB36

RGB 232 251 54

HSL 65.79, 0.96%, 0.6%

LAB 94.49, -28.09, 83.74

 

CMYK 78 / 0 / 31 / 2

HEX #36FBAC

RGB 54 251 172

HSL 155.94, 0.96%, 0.6%

LAB 88.33, -64.49, 24.78

 

CMYK 71 / 78 / 0 / 2

HEX #4936FB

RGB 73 54 251

HSL 245.79, 0.96%, 0.6%

LAB 39.61, 64.84, -93.37

 

Description

Color code: HEX #FC3482 | qconv.com Color code: HEX #FC3482 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 52 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 52 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 48 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 48% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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