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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC36DD it is the complementary color #03C922. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC36DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC36DD shade: #FF36D8, #FF48EB, #FF5AFE, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC36DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC36DD shade: #FC36DD, #EB24CA, #DA12B7, #C900A4 and #B80091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC36DD shade: #FB36DC, #FB36A7, #FB3672, #FB363C and #FB3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC36DD shade: #FB36DC, #E536FB, #B036FB, #7A36FB and #4536FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC36DD shade matches the following richer shades: #FB36DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC36DD shade: #FB36DC, #EB46D1, #DA57C6, #CA67BA and #B978AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC36DD shade: #B036FB, #E436FB, #FB36DE, #FB36A9 and #FB3674

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC36DD shade: #DC03BA, #FB0DD6, #FB36DC, #FC5EE3 and #FD87EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC36DD shade: #FC36DD, #FB7B36 and #36FBCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC36DD shade: #FC36DD, #DEFB36 and #36DEFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC36DD shade: #FC36DD, #FB7B36, #36FB53 and #36B6FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC36DD shade: #FC36DD, #FBB636, #36FB53 and #367BFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 12 / 1

HEX #FC36DD

RGB 252 54 221

HSL 309.39, 0.97%, 0.6%

LAB 60.39, 86.18, -41.77

 

Complementary color

CMYK 99 / 0 / 83 / 21

HEX #03C922

RGB 3 201 34

HSL 129.39, 0.97%, 0.4%

LAB 70.81, -70.88, 64.24

 

CMYK 0 / 79 / 15 / 0

HEX #FF36D8

RGB 255 54 216

HSL 311.64, 1%, 0.61%

LAB 60.65, 86.13, -38.49

 

CMYK 0 / 72 / 8 / 0

HEX #FF48EB

RGB 255 72 235

HSL 306.56, 1%, 0.64%

LAB 63.25, 83.83, -45.07

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFE

RGB 255 90 254

HSL 300.36, 1%, 0.68%

LAB 66.31, 80.66, -50.76

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 79 / 12 / 1

HEX #FC36DD

RGB 252 54 221

HSL 309.39, 0.97%, 0.6%

LAB 60.39, 86.18, -41.77

 

CMYK 0 / 85 / 14 / 8

HEX #EB24CA

RGB 235 36 202

HSL 309.95, 0.83%, 0.53%

LAB 55.27, 84.11, -39.21

 

CMYK 0 / 92 / 16 / 15

HEX #DA12B7

RGB 218 18 183

HSL 310.5, 0.85%, 0.46%

LAB 50.4, 81.08, -36.06

 

CMYK 0 / 100 / 18 / 21

HEX #C900A4

RGB 201 0 164

HSL 311.04, 1%, 0.39%

LAB 45.77, 77.15, -32.33

 

CMYK 0 / 100 / 21 / 28

HEX #B80091

RGB 184 0 145

HSL 312.72, 1%, 0.36%

LAB 41.59, 71.62, -27.65

 

CMYK 0 / 78 / 12 / 2

HEX #FB36DC

RGB 251 54 220

HSL 309.44, 0.96%, 0.6%

LAB 60.17, 85.84, -41.55

 

CMYK 0 / 78 / 33 / 2

HEX #FB36A7

RGB 251 54 167

HSL 325.58, 0.96%, 0.6%

LAB 57.98, 79.52, -14.53

 

CMYK 0 / 78 / 55 / 2

HEX #FB3672

RGB 251 54 114

HSL 341.73, 0.96%, 0.6%

LAB 56.45, 74.92, 14.55

 

CMYK 0 / 78 / 76 / 2

HEX #FB363C

RGB 251 54 60

HSL 358.17, 0.96%, 0.6%

LAB 55.56, 72.16, 44.82

 

CMYK 0 / 78 / 78 / 2

HEX #FB3636

RGB 251 54 54

HSL 0, 0.96%, 0.6%

LAB 55.5, 71.96, 47.98

 

CMYK 0 / 78 / 12 / 2

HEX #FB36DC

RGB 251 54 220

HSL 309.44, 0.96%, 0.6%

LAB 60.17, 85.84, -41.55

 

CMYK 9 / 78 / 0 / 2

HEX #E536FB

RGB 229 54 251

HSL 293.3, 0.96%, 0.6%

LAB 58.28, 86.23, -62.12

 

CMYK 30 / 78 / 0 / 2

HEX #B036FB

RGB 176 54 251

HSL 277.16, 0.96%, 0.6%

LAB 50.49, 77.28, -75.1

 

CMYK 51 / 78 / 0 / 2

HEX #7A36FB

RGB 122 54 251

HSL 260.71, 0.96%, 0.6%

LAB 43.86, 69.68, -86.22

 

CMYK 73 / 78 / 0 / 2

HEX #4536FB

RGB 69 54 251

HSL 244.57, 0.96%, 0.6%

LAB 39.36, 64.55, -93.8

 

CMYK 0 / 78 / 12 / 2

HEX #FB36DC

RGB 251 54 220

HSL 309.44, 0.96%, 0.6%

LAB 60.17, 85.84, -41.55

 

CMYK 0 / 78 / 12 / 2

HEX #FB36DC

RGB 251 54 220

HSL 309.44, 0.96%, 0.6%

LAB 60.17, 85.84, -41.55

 

CMYK 0 / 70 / 11 / 8

HEX #EB46D1

RGB 235 70 209

HSL 309.45, 0.8%, 0.6%

LAB 58.65, 76.31, -37.9

 

CMYK 0 / 60 / 9 / 15

HEX #DA57C6

RGB 218 87 198

HSL 309.16, 0.64%, 0.6%

LAB 57.85, 64.09, -33.08

 

CMYK 0 / 49 / 8 / 21

HEX #CA67BA

RGB 202 103 186

HSL 309.7, 0.48%, 0.6%

LAB 57.85, 50.26, -26.38

 

CMYK 0 / 35 / 5 / 27

HEX #B978AF

RGB 185 120 175

HSL 309.23, 0.32%, 0.6%

LAB 58.83, 34, -18.76

 

CMYK 30 / 78 / 0 / 2

HEX #B036FB

RGB 176 54 251

HSL 277.16, 0.96%, 0.6%

LAB 50.49, 77.28, -75.1

 

CMYK 9 / 78 / 0 / 2

HEX #E436FB

RGB 228 54 251

HSL 292.99, 0.96%, 0.6%

LAB 58.13, 86.05, -62.38

 

CMYK 0 / 78 / 12 / 2

HEX #FB36DE

RGB 251 54 222

HSL 308.83, 0.96%, 0.6%

LAB 60.27, 86.11, -42.53

 

CMYK 0 / 78 / 33 / 2

HEX #FB36A9

RGB 251 54 169

HSL 324.97, 0.96%, 0.6%

LAB 58.05, 79.73, -15.59

 

CMYK 0 / 78 / 54 / 2

HEX #FB3674

RGB 251 54 116

HSL 341.12, 0.96%, 0.6%

LAB 56.49, 75.06, 13.42

 

CMYK 0 / 99 / 15 / 14

HEX #DC03BA

RGB 220 3 186

HSL 309.4, 0.97%, 0.44%

LAB 50.48, 83.1, -37.66

 

CMYK 0 / 95 / 15 / 2

HEX #FB0DD6

RGB 251 13 214

HSL 309.33, 0.97%, 0.52%

LAB 57.71, 91.41, -42.03

 

CMYK 0 / 78 / 12 / 2

HEX #FB36DC

RGB 251 54 220

HSL 309.44, 0.96%, 0.6%

LAB 60.17, 85.84, -41.55

 

CMYK 0 / 63 / 10 / 1

HEX #FC5EE3

RGB 252 94 227

HSL 309.49, 0.96%, 0.68%

LAB 65.16, 74.31, -37.66

 

CMYK 0 / 47 / 8 / 1

HEX #FD87EA

RGB 253 135 234

HSL 309.66, 0.97%, 0.76%

LAB 72.33, 57.57, -30.4

 

CMYK 0 / 79 / 12 / 1

HEX #FC36DD

RGB 252 54 221

HSL 309.39, 0.97%, 0.6%

LAB 60.39, 86.18, -41.77

 

CMYK 0 / 51 / 78 / 2

HEX #FB7B36

RGB 251 123 54

HSL 21.02, 0.96%, 0.6%

LAB 65.7, 44.71, 58.06

 

CMYK 78 / 0 / 20 / 2

HEX #36FBCA

RGB 54 251 202

HSL 165.08, 0.96%, 0.6%

LAB 88.94, -57.85, 10.23

 

CMYK 0 / 79 / 12 / 1

HEX #FC36DD

RGB 252 54 221

HSL 309.39, 0.97%, 0.6%

LAB 60.39, 86.18, -41.77

 

CMYK 12 / 0 / 78 / 2

HEX #DEFB36

RGB 222 251 54

HSL 68.83, 0.96%, 0.6%

LAB 93.79, -32.08, 82.85

 

CMYK 78 / 12 / 0 / 2

HEX #36DEFB

RGB 54 222 251

HSL 188.83, 0.96%, 0.6%

LAB 81.83, -31.84, -26.03

 

CMYK 0 / 79 / 12 / 1

HEX #FC36DD

RGB 252 54 221

HSL 309.39, 0.97%, 0.6%

LAB 60.39, 86.18, -41.77

 

CMYK 0 / 51 / 78 / 2

HEX #FB7B36

RGB 251 123 54

HSL 21.02, 0.96%, 0.6%

LAB 65.7, 44.71, 58.06

 

CMYK 78 / 0 / 67 / 2

HEX #36FB53

RGB 54 251 83

HSL 128.83, 0.96%, 0.6%

LAB 87.19, -77.82, 64.63

 

CMYK 78 / 27 / 0 / 2

HEX #36B6FB

RGB 54 182 251

HSL 201.02, 0.96%, 0.6%

LAB 70.32, -11.44, -43.84

 

CMYK 0 / 79 / 12 / 1

HEX #FC36DD

RGB 252 54 221

HSL 309.39, 0.97%, 0.6%

LAB 60.39, 86.18, -41.77

 

CMYK 0 / 27 / 78 / 2

HEX #FBB636

RGB 251 182 54

HSL 38.98, 0.96%, 0.6%

LAB 78.6, 14.34, 70.11

 

CMYK 78 / 0 / 67 / 2

HEX #36FB53

RGB 54 251 83

HSL 128.83, 0.96%, 0.6%

LAB 87.19, -77.82, 64.63

 

CMYK 78 / 51 / 0 / 2

HEX #367BFB

RGB 54 123 251

HSL 218.98, 0.96%, 0.6%

LAB 53.94, 23.19, -69.94

 

Description

Color code: HEX #FC36DD | qconv.com Color code: HEX #FC36DD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 54 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 54 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 12 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 12% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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