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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC30CF it is the complementary color #03CF30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC30CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC30CF shade: #FF30CA, #FF42DD, #FF54F0, #FF66FF and #FF78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC30CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC30CF shade: #FC30CF, #EB1EBC, #DA0CA9, #C90096 and #B80083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC30CF shade: #FB31CF, #FB3198, #FB3161 and #FB3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC30CF shade: #FB31CF, #F131FB, #BB31FB, #8431FB and #4D31FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC30CF shade matches the following richer shades: #FB31CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC30CF shade: #FB31CF, #EA41C5, #DA52BC, #C963B2 and #B874A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC30CF shade: #BB31FB, #F131FB, #FB31CF, #FB3199 and #FB3163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC30CF shade: #D703A8, #FB08C5, #FB31CF, #FC59D8 and #FD82E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC30CF shade: #FC30CF, #FB8531 and #31FBD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC30CF shade: #FC30CF, #CFFB31 and #31CFFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC30CF shade: #FC30CF, #FB8531, #31FB5C and #31A7FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC30CF shade: #FC30CF, #FBC231, #31FB5C and #316AFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 18 / 1

HEX #FC30CF

RGB 252 48 207

HSL 313.24, 0.97%, 0.59%

LAB 59.26, 85.74, -35.59

 

Complementary color

CMYK 99 / 0 / 77 / 19

HEX #03CF30

RGB 3 207 48

HSL 133.24, 0.97%, 0.41%

LAB 72.8, -71.7, 62.12

 

CMYK 0 / 81 / 21 / 0

HEX #FF30CA

RGB 255 48 202

HSL 315.36, 1%, 0.59%

LAB 59.56, 85.74, -32.24

 

CMYK 0 / 74 / 13 / 0

HEX #FF42DD

RGB 255 66 221

HSL 310.79, 1%, 0.63%

LAB 61.98, 83.65, -39.24

 

CMYK 0 / 67 / 6 / 0

HEX #FF54F0

RGB 255 84 240

HSL 305.26, 1%, 0.66%

LAB 64.88, 80.64, -45.3

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 81 / 18 / 1

HEX #FC30CF

RGB 252 48 207

HSL 313.24, 0.97%, 0.59%

LAB 59.26, 85.74, -35.59

 

CMYK 0 / 87 / 20 / 8

HEX #EB1EBC

RGB 235 30 188

HSL 313.76, 0.84%, 0.52%

LAB 54.26, 83.36, -32.7

 

CMYK 0 / 94 / 22 / 15

HEX #DA0CA9

RGB 218 12 169

HSL 314.27, 0.9%, 0.45%

LAB 49.54, 79.97, -29.17

 

CMYK 0 / 100 / 25 / 21

HEX #C90096

RGB 201 0 150

HSL 315.22, 1%, 0.39%

LAB 45.11, 75.48, -24.95

 

CMYK 0 / 100 / 29 / 28

HEX #B80083

RGB 184 0 131

HSL 317.28, 1%, 0.36%

LAB 40.94, 69.99, -20.06

 

CMYK 0 / 80 / 18 / 2

HEX #FB31CF

RGB 251 49 207

HSL 313.07, 0.96%, 0.59%

LAB 59.17, 85.31, -35.75

 

CMYK 0 / 80 / 39 / 2

HEX #FB3198

RGB 251 49 152

HSL 329.41, 0.96%, 0.59%

LAB 57.05, 79.25, -7.13

 

CMYK 0 / 80 / 61 / 2

HEX #FB3161

RGB 251 49 97

HSL 345.74, 0.96%, 0.59%

LAB 55.65, 75.1, 23.59

 

CMYK 0 / 80 / 80 / 2

HEX #FB3131

RGB 251 49 49

HSL 0, 0.96%, 0.59%

LAB 55, 73.1, 50.09

 

CMYK 0 / 80 / 18 / 2

HEX #FB31CF

RGB 251 49 207

HSL 313.07, 0.96%, 0.59%

LAB 59.17, 85.31, -35.75

 

CMYK 4 / 80 / 0 / 2

HEX #F131FB

RGB 241 49 251

HSL 297.03, 0.96%, 0.59%

LAB 59.76, 89.55, -59.65

 

CMYK 25 / 80 / 0 / 2

HEX #BB31FB

RGB 187 49 251

HSL 280.99, 0.96%, 0.59%

LAB 51.53, 80.5, -73.35

 

CMYK 47 / 80 / 0 / 2

HEX #8431FB

RGB 132 49 251

HSL 264.65, 0.96%, 0.59%

LAB 44.33, 72.76, -85.41

 

CMYK 69 / 80 / 0 / 2

HEX #4D31FB

RGB 77 49 251

HSL 248.32, 0.96%, 0.59%

LAB 39.14, 67.32, -94.15

 

CMYK 0 / 80 / 18 / 2

HEX #FB31CF

RGB 251 49 207

HSL 313.07, 0.96%, 0.59%

LAB 59.17, 85.31, -35.75

 

CMYK 0 / 80 / 18 / 2

HEX #FB31CF

RGB 251 49 207

HSL 313.07, 0.96%, 0.59%

LAB 59.17, 85.31, -35.75

 

CMYK 0 / 72 / 16 / 8

HEX #EA41C5

RGB 234 65 197

HSL 313.14, 0.8%, 0.59%

LAB 57.37, 76.03, -33.06

 

CMYK 0 / 62 / 14 / 15

HEX #DA52BC

RGB 218 82 188

HSL 313.24, 0.65%, 0.59%

LAB 56.65, 64.65, -29.2

 

CMYK 0 / 51 / 11 / 21

HEX #C963B2

RGB 201 99 178

HSL 313.53, 0.49%, 0.59%

LAB 56.64, 50.61, -23.66

 

CMYK 0 / 37 / 8 / 28

HEX #B874A9

RGB 184 116 169

HSL 313.24, 0.32%, 0.59%

LAB 57.6, 34.78, -17.19

 

CMYK 25 / 80 / 0 / 2

HEX #BB31FB

RGB 187 49 251

HSL 280.99, 0.96%, 0.59%

LAB 51.53, 80.5, -73.35

 

CMYK 4 / 80 / 0 / 2

HEX #F131FB

RGB 241 49 251

HSL 297.03, 0.96%, 0.59%

LAB 59.76, 89.55, -59.65

 

CMYK 0 / 80 / 18 / 2

HEX #FB31CF

RGB 251 49 207

HSL 313.07, 0.96%, 0.59%

LAB 59.17, 85.31, -35.75

 

CMYK 0 / 80 / 39 / 2

HEX #FB3199

RGB 251 49 153

HSL 329.11, 0.96%, 0.59%

LAB 57.08, 79.35, -7.67

 

CMYK 0 / 80 / 61 / 2

HEX #FB3163

RGB 251 49 99

HSL 345.15, 0.96%, 0.59%

LAB 55.69, 75.22, 22.45

 

CMYK 0 / 99 / 22 / 16

HEX #D703A8

RGB 215 3 168

HSL 313.3, 0.97%, 0.43%

LAB 48.68, 79.99, -29.95

 

CMYK 0 / 97 / 22 / 2

HEX #FB08C5

RGB 251 8 197

HSL 313.33, 0.97%, 0.51%

LAB 56.8, 89.71, -33.73

 

CMYK 0 / 80 / 18 / 2

HEX #FB31CF

RGB 251 49 207

HSL 313.07, 0.96%, 0.59%

LAB 59.17, 85.31, -35.75

 

CMYK 0 / 65 / 14 / 1

HEX #FC59D8

RGB 252 89 216

HSL 313.25, 0.96%, 0.67%

LAB 64, 74.63, -33.31

 

CMYK 0 / 49 / 11 / 1

HEX #FD82E2

RGB 253 130 226

HSL 313.17, 0.97%, 0.75%

LAB 71.1, 58.69, -27.89

 

CMYK 0 / 81 / 18 / 1

HEX #FC30CF

RGB 252 48 207

HSL 313.24, 0.97%, 0.59%

LAB 59.26, 85.74, -35.59

 

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

CMYK 80 / 0 / 15 / 2

HEX #31FBD6

RGB 49 251 214

HSL 169.01, 0.96%, 0.59%

LAB 89.16, -55.37, 4.31

 

CMYK 0 / 81 / 18 / 1

HEX #FC30CF

RGB 252 48 207

HSL 313.24, 0.97%, 0.59%

LAB 59.26, 85.74, -35.59

 

CMYK 18 / 0 / 80 / 2

HEX #CFFB31

RGB 207 251 49

HSL 73.07, 0.96%, 0.59%

LAB 92.79, -38.13, 82.86

 

CMYK 80 / 18 / 0 / 2

HEX #31CFFB

RGB 49 207 251

HSL 193.07, 0.96%, 0.59%

LAB 77.43, -24.93, -32.8

 

CMYK 0 / 81 / 18 / 1

HEX #FC30CF

RGB 252 48 207

HSL 313.24, 0.97%, 0.59%

LAB 59.26, 85.74, -35.59

 

CMYK 0 / 47 / 80 / 2

HEX #FB8531

RGB 251 133 49

HSL 24.95, 0.96%, 0.59%

LAB 67.65, 39.59, 61.97

 

CMYK 80 / 0 / 63 / 2

HEX #31FB5C

RGB 49 251 92

HSL 132.77, 0.96%, 0.59%

LAB 87.2, -77.48, 61.06

 

CMYK 80 / 33 / 0 / 2

HEX #31A7FB

RGB 49 167 251

HSL 204.95, 0.96%, 0.59%

LAB 65.95, -3.59, -50.73

 

CMYK 0 / 81 / 18 / 1

HEX #FC30CF

RGB 252 48 207

HSL 313.24, 0.97%, 0.59%

LAB 59.26, 85.74, -35.59

 

CMYK 0 / 23 / 80 / 2

HEX #FBC231

RGB 251 194 49

HSL 43.07, 0.96%, 0.59%

LAB 81.46, 7.93, 74.3

 

CMYK 80 / 0 / 63 / 2

HEX #31FB5C

RGB 49 251 92

HSL 132.77, 0.96%, 0.59%

LAB 87.2, -77.48, 61.06

 

CMYK 80 / 58 / 0 / 2

HEX #316AFB

RGB 49 106 251

HSL 223.07, 0.96%, 0.59%

LAB 49.41, 33.37, -77.31

 

Description

Color code: HEX #FC30CF | qconv.com Color code: HEX #FC30CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 48 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 48 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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